THE NOTABLE AND EXTENSIVE COLLECTION OF 


ILLUSTRATED BOOKS AND CARICATURES 


FROM THE PRIVATE LIBRARY OF 


J. BARTON TOWNSEND, Esa. 


OF PHILADELPHIA 


ORIGINAL ISSUES OF THE WORKS OF 
ISAAC, GEORGE AND ROBERT CRUIKSHANK 
ROWLANDSON, GILLRAY AND OTHERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE OWNER 
ON TUESDAY, WEDNESDAY anp THURSDAY 
FEBRUARY 4TH, 5TH AND 6TH, 1919 


UNDER THE MANAGEMENT OF 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
NEW YORK CITY 


* 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


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ON PUBLIC EXHIBITION 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 
ENTRANCE, 6 EAST 23rp STREET 


BEGINNING WEDNESDAY, JANUARY 29TH 
AND CONTINUING UNTIL THE TIME OF SALE 


THE NOTABLE AND EXTENSIVE COLLECTION OF 


ILLUSTRATED BOOKS AND CARICATURES 


FROM THE PRIVATE LIBRARY OF 


J. BARTON TOWNSEND, ESQ. 


OF PHILADELPHIA 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE OWNER 


ON TUESDAY EVENING, AND WEDNESDAY AND 
THURSDAY AFTERNOONS AND EVENINGS 


FEBRUARY 4TH, 5TH AND 6Tn, 1919 


AT 8:15 O’CLOCK IN THE EVENINGS AND 3:00 IN THE AFTERNOONS 


AT THE AMERICAN ART GALLERIES 


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GEORGE CRUIKSHANK 
COMPLETE SET OF THE OMNIBUS IN PARTS 
Reduced facsimile of wrapper to No. III. 

[No. 284] 


ILLUSTRATED CATALOGUE OF 
A NOTABLE AND EXTENSIVE COLLECTION OF 
ILLUSTRATED BOOKS AND CARICATURES 


ORIGINAL ISSUES BY THE THREE CRUIKSHANKS 
ROWLANDSON, GILLRAY AND OTHERS 


TO BE SOLD WITHOUT RESERVE OR RESTRICTION 
BY ORDER OF THE OWNER—J. BARTON TOWNSEND, Eso. 


ON TUESDAY EVENING, AND WEDNESDAY AND 
THURSDAY AFTERNOONS AND EVENINGS 


FEBRUARY 4TH, 5TH AND 6TH, 1919 


AT 8:15 O’CLOCK IN THE EVENINGS AND 3:00 IN THE AFTERNOONS 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 


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1 G49 


RESUME OF THE ILLUSTRATED BOOKS AND 
CARICATURES FROM THE LIBRARY OF 
J. BARTON TOWNSEND, ESQ. 


The Illustrated Books, Caricatures and Etchings by the Great English 
Book Illustrators and Caricaturists of the Nineteenth Century gathered by Mr. 
Townsend, and herein catalogued, comprise one of the most extensive and im- 
portant collections of its kind ever offered at public sale in America. Many of 
the volumes are in full morocco or calf bindings by Rivirre, Tout, ZAEHNS- 
porF, SANGorskI & SurciirFe, Larkins, and Roor. A large number are in 
the Original Bindings; while a few are in Original Parts or Wrappers, As 
IssuED. Hach volume contains the bookplate of the owner. 

The Works of the THREE CRUIKSHANKS,—IsAAc, GEORGE AND ROBERT, 
comprise the greater part of this collection. They include Notable First Edi- 
tions, Original Drawings, Aquatint Engravings in Color, and Colored Cari- 
catures of all three artists. Many of these items are of great rarity; a number 
of them being of unusual interest, owing to the Autograph Inscriptions of 
the celebrated George, which appears on several of the plates etched by him- 
self or his brother Robert. Among the books illustrated by these artists, are 
several of the RARER First Eprrrons of the Works of Charles Dickens, William 
Harrison Ainsworth, Pierce Egan, William Combe, and Robert Westmacott; 
while in the field of Caricatures the collection is especially rich in examples 
of their work. These satirical and humorous sketches illustrate various incl- 
dents during the Napoleonic Wars, the Political and Social Life of England 
during the reign of George the Fourth, the liaison of Maria Foote and her 
friends, the troubles of Queen Caroline and her Royal Consort; also Sport- 
ing, Dramatic and Domestic Events; Rare Broadsides and Song-Heads. Isaac 
Cruikshank and his son Robert are also, each represented by an Original 
Drawing; while by the celebrated George there are six drawings of unusual 
interest. 

Besides the three Cruikshanks noted above, there are a few examples of 
the work of Percy CrurksHaNnk (son of Robert), and of .GrorcE CRUIK- 
SHANK, Jr. (son of Percy). The latter at first signed his plates,—George 
Cruikshank, Jr.:’ but in order to do away with the confusion created by this, 
he changed the same at the request of the great George, assumed his mother’s 
family name, and signed himself,—‘“George Calvert Crutkshank.” 

Of Equal Importance with the Cruikshank Collection is that section 
containing examples of the work of the celebrated caricaturist,—T HOMAS 
RowLANDson, whose compositions as represented herein comprise the most 
extensive and important series of books and caricatures by his hand, ever 
offered at public sale in America. This section comprises 195 different items, 
or groups of subjects, commencing with the first book illustrated by him, 
and including a large proportion of the more noteworthy and finer examples 
of his work; while his original watercolor work and sketches are represented 
by four different subjects and a volume of collected sketches. 

Tur NAPOLEONIC CARICATURES IN Conor comprise over 100 different 


subjects illustrative of the Wars of Napoleon, and satirizing the great Emperor 
and the French people, from the year 1799 to the downfall of Napoleon in 
1814. 

The great Caricaturist of the latter Eighteenth and early Nineteenth 
Century,—JamEs GiLiRAY, is represented by several collections of his satirical 
and humorous prints illustrative of the time of George the Third. In this 
art he had no rival; the exquisite tact with (which he seized upon points, 
both in politics and manners, most open to ridicule, is only equalled by the 
consummate skill and wit with which he satirized them. Most of his work was 
etched at once upon the original copper without a previous drawing, his only 
cuides being sketches of the distinguished characters made on small pieces of 
card which he always carried with him. 

Among other ILLUSTRATORS OF NoTs, will be found examples of the work 
of Henry Alken, H. Bunbury, John Leech, William Heath, H. K. Browne— 
“Phiz,” Robert Seymour, and G. Woodward, including an Original Drawing by 
Alken, and one by Woodward. . 

To the end, that interest might be added to the catalogue, where 
possible, references have been cited as to the best Bibliographical Works on 
the subject, and in describing the Caricatures the names have been given of 
the more important political and social personages. 


ORDER OF SALE 


AFTERNOONS AT 3:00 O'CLOCK, EVENINGS AT 8:15 


FIRST SESSION: TUESDAY EVENING, FEBRUARY 4th 
Numbers 1 to 223, inclusive 


SECOND SESSION: WEDNESDAY AFTERNOON, FEBRUARY 5th 
Numbers .224 to 453, inclusive 
THIRD SESSION: WEDNESDAY EVENING, FEBRUARY 5th 
Numbers 454 to 683, inclusive 
FOURTH SESSION: THURSDAY AFTERNOON, FEBRUARY 6th 
Numbers 684 to 907, inclusive 


FIFTH SESSION: THURSDAY EVENING, FEBRUARY 6th 
Numbers 908 to 1123, inclusive 


INDEX OF THE MORE IMPORTANT ILLUSTRATORS 
AND OF AUTHORS WHOSE WORK IS LISTED ELSEWHERE 


ApsHpap, (Joseph). Prisons and Prisoners. First Edition [No. 296] 
AanswortH (William Harrison). Jack Sheppard. First Edition. Original 
cloth [No. 269 | 
The Tower of London. First Edition [No. 276] 
Guy Fawkes. First Edition in Bookform [No. 280] 
Ainsworth’s Magazine. 10 vols. [No. 286] 
Windsor Castle. Extra-Illustrated [No. 289] 
Saint James’s. First Edition. Original boards [No. 293] 
ALKEN (Henry). Colored-Plate Books, and an Original Drawing [Nos. 2 to 9] 
Anexto’s Highland Broadsword. First Issue, Jany. 20, 1799 [No. 990] 
Anegto’s Highland Broadsword. First Complete Edition. Feby. 12, 1799 
[No. 991] 
Barnam (Richard H.). The Ingoldsby Legends. 3 vols. 1840-1847 [ No. 279] 
Browne (H. K.)—“Putz.” Books Ilustrated by Phiz [Nos. 958 to 969 | 
Borrow (George). Celebrated Trials. First Edition. 6 vols. [No. 21] 
Burton (Alfred). The Military Adventures of Johnny Newcombe [| No. 1034] 
Cargy (David). Life in Paris. First Edition [ No. 154] 
CavuLFIELD (James). The High Court of Justice. First Edition [No. 140] 
CuameErovzow (L. A.). Chronicles of the Bastile. Both Series [No. 596] 
Compr (William). Doctor Syntax in Paris. First Edition [No. 60] 
A History of Madeira. First Edition [ No. 61] 
Life of Napoleon. First Edition [No. 116] 
Tour of Doctor Syntax Through London. First Edition [ No. 530] 
The Microcosm of London. First Edition [No. 1012] 
The Tour of Doctor Syntax. First Edition. 3 vols. [No. 1027] 
Poetical Sketches of Scarborough. First Edition [No. 1028] 
Dance of Death, and Dance of Life. First Edition in Bookform [ No. 
1030 | 
The History of Johnny Que Genius. First Edition [No. 1040] 
CRUIKSHANK (Isaac). Illustrated Books [Nos. 73 to 83 | 
Original Drawing [No. 84] 
Caricatures and Etchings [ Nos. 85 to 101] 
Other Caricatures will be found listed under Napoleonic. 
CRUIKSHANK (George). Illustrated Books [Nos. 102 to 405] 
Original Drawings and Sketches [Nos. 417 to 422] 
Caricatures relative to Politics and English History [Nos. 4238 to 446 | 
Theatrical Caricatures [Nos. 447 to 453] 
Broadsides and Song-Heads [Nos. 454 to 465] 
Caricatures and Etchings, Early Efforts, etc. [Nos. 466 to 502] 
Books Illustrated by the joint labor of George and Robert, with several 
~ items containing Autograph Identification by George [Nos. 503 
to 525] 
Bibliographical Works relative to George Cruikshank [Nos. 407 to 416] 
Other Caricatures will be found listed under Napoleonic. 


CRUIKSHANK (Robert). Illustrated Books [ Nos. 526 to 617] 
Drawings and Aquatint Engravings [ Nos. 618 to 624] 
Caricatures relative to Maria Foote [Nos. 625 to 630] 
Caricatures of Queen Caroline and George Fourth [Nos. 631 to 638] 
Caricatures of English Politics, etc. [Nos. 639 to 657] 
Caricatures and Etchings of Social, Domestic and Sporting Subjects [ Nos. 
658 to 683] 
CRUIKSHANK (Percy). Illustrated Books [Nos. 684 to 687] 
CRUIKSHANK (George Calvert). Illustrated Books [Nos. 689, 690, 691] 
Original Drawing [No. 688] 
DeFor (Daniel). Robinson Crusoe. Large Paper. 2 vols. 1831 [No. 223] 
Dickens (Charles). Complete Set of “Christmas Books.” First Editions [ No. 
693] 
Memoirs of Joseph Grimaldi. First Issue [ No. 261] 
More Hints on Etiquette. First Edition [No. 262] 
Oliver Twist. First Issue. Original cloth [No. 263] 
The Pic Nic Papers. First Edition. 3 vols. [No. 283] 
Dusuin and London Magazine. 2 vols. 1825-1828 [No. 178] 
Kean (Pierce). Real Life in London [No. 706] 
The Life of an Actor. First Edition [No. 707] 
Pierce Egan’s Anecdotes. First Edition [No. 708] 
Life in London. 1821 [No. 512] 
Finish to the Adventures of Tom, Jerry and Logic. First Edition [No. 
515] 
Boxiana. 5 vols. [No. 132] 
ENGELBACH (Lewis). Naples and the Campagna Felice. First Edition [No. 
1031] 
GEORGE THE FourtH. Various Colored Caricatures relating to his time | Nos. 
721 to 723] 
GILLRAY (James). Colored Caricatures Illustrative of the Reign of George 
the Third [Nos. 725 to 746] 
Other Caricatures will be found listed under Napoleonic. 
Grimm (M. M.). German Popular Stories. 2 vols. London, 1826 [No. 183] 
Heap (Sir Francis B.). The Emigrant. First Edition [No. 304] 
Heatu (William). Caricatures and Colored-Plate Books [Nos. 752 to 766] 
Hone (William). Collection of Tracts relating to the Princess Charlotte and 
Prince Leopold [No. 122] 
Complete Set of Every-Day, Table and Year Books. In the Original 
parts, with wrappers [No. 179] 
Hoop (Thomas). Comic Annuals, 1830-1842. 11 vols. [No. 221] 
Hunt (Henry). Investigation at Tichester Gaol. First Edition [No. 151] 
IRELAND (W. H.). The Life of Napoleon. Cumberland’s Issue. 4 vols. [No. 
200] 
Kenrick (THomas). The British Stage. 5 vols. [No. 507] 
Lrercu (John). A collection of First Editions illustrated by Leech Now 788 
to 822] 
Loyat Volunteers of London. First Edition. 1798-1799 [No. 989] ~ 
Locker (Frederick). Poems. Privately Printed Issue of 1868 [No. 359] 
MatnHews (Charles). Various Works relating to the celebrated Actor,— 
| Charles Mathews [Nos. 391, 417, 456, 511, 531, 533, 556, 576, 
828, 829 and 830] 


Maxwett (W. H.). History of the Irish Rebellion. First Edition [No. 300] 

Moors (A.). Annals of Gallantry. First Edition. 3 vols. [No. 114] 

Napo.goNic Caricatures in Color. By James Gillray, Isaac and George Cruik- 
shank and other English Caricaturists [Nos. 836 to 940] 
Otp EncuisH Drama, a Selection of Plays. 2 vols. [No. 174] 
ONWHYN Illustrations [Nos. 941 to 944] 
Pures (John). Book and other illustrations [Nos. 951 to 957] 
Perricoat Loos, a Fragmentary Tale of the Castle. First Edition [ No. 
1026 | 

Piayrarr Papers, or Brother Jonathan, the Smartest Nation in all Creation. 
[No. 593] 

Porrican Magazine. 4 vols. 1809-1811 [No. 1020] 

Reat Life in Ireland. By “A Real Paddy.” First Edition, Original Cloth 
[No. 2] 

Roscor’s Novelists Library. 19 vols. [No. 230] 

Row.anpson (Thomas). Books Illustrated by Rowlandson [ Nos. 900 to 1043] 
Original Drawings, Watercolor Sketches, etc. [ Nos. 1047 to 1051 | 
Colored Aquatint Engravings [Nos. 1052 to 1057] 

Colored Caricatures [ Nos. 1058 to 1094] 7 

Scourcs (The), or Monthly Expositor. Complete Set. The Hermann Copy 

[No. 108] 

Srymour (Robert). Books Illustrated by Him [Nos. 1098 to 1106] 

Srevens (George A.). Lecture on Heads. First Edition | No. 1010] 

Surr of Armour for Youth (The). First Edition [No. 11] 

Taytor (Miss J.). An Essay on Tormenting. 1808 [No. 1013] 

THEATRICAL Song-Heads [No. 463] 

WELLINGTON. Victories of the Duke of Wellington. 1819 [No. 58] 

Wesrmacorr (C. M.). Points of Misery. First Edition. Large Paper [No. 

552 | 
The English Spy. First Edition [No. 555] 

Westminster Election (History of). 1785 [No. 980] 

Wuirry (I.). Tales of Irish Life. First Edition [No. 165] 

Wicsteap (Henry). Remarks on a Tour to North and South Wales. First 

Edition [No. 998] 

Witson (Harriette). Memoirs. 4 vols. 1825 [No. 176] 

Wir’s Magazine (The). Edited by Thomas Holcroft. 2 vols. [No. 19] 

Woucorr (John). A Series of Poetical Epistles. 6 vols. [No. 983] 

Woopwarp (G. M.). Caricatures and Illustrated Books [Nos. 1118 to 1123] 
Other Caricatures by Woodward are listed under Napoleonic. 


Conditions of Sale 


1. Any bid which is merely a nominal or fractional advance may be rejected by 
the auctioneer, if, in his judgment, such bid would be likely to affect the sale in- 
juriously. 

2. The highest bidder shall be the buyer, and if any dispute arise between 
two or more bidders, the auctioneer shall either decide the same or put up for. 
re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase money as 
may be required, and the names and addresses of the purchasers shall be given 
immediately on the sale of every lot, in default of which the lot so purchased 
shall be immediately put up again and re-sold. 

Payment of that part of the purchase money not made at the time of sale, 
shall be made within ten days thereafter, in default of which the undersigned may 
either continue to hold the lots at the risk of the purchaser and take such action 
as may be necessary for the enforcement of the sale, or may at public or private 
sale, and without other than this notice, re-sell the lots for the benefit of such pur- 
chaser, and the deficiency (if any) arising from such re-sale, shall be a charge 
against such purchaser. 

4. Delivery of any purchase will be made only upon payment of the total 
amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M.., 
and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art Galleries, or 
other place of sale, as the case may be, and only on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of any purchase 
during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in which the 
Association is in no wise engaged, and will not be performed by the Association 
for purchasers. The Association will, however, afford to purchasers every facility 
for employing at current and reasonable rates carriers and packers; doing so, how- 
ever, without any assumption of responsibility on its part for the acts and charges 
of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the purchaser. Title 
passes upon the fall of the auctioneer’s hammer, and thereafter, while the Asso- 
ciation will exercise due caution in caring for and delivering such purchase, it 
will not hold itself responsible if such purchase be lost, stolen, damaged or 
destroyed. ‘ 

Storage charges will be made upon all purchases not removed within ten days 
from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association of the cor- 
rectness of the description, genuineness or authenticity of any lot, and no sale will 
be set aside on account of any incorrectness, error of cataloguing, or any imper- 
fection not noted. Every lot is on public exhibition one or more days prior to its 
sale, after which it is sold “as is’ and without recourse. 

The Association exercises great care to catalogue every lot correctly, and will 
give consideration to the opinion of any trustworthy expert to the effect that any 
lot has been incorrectly catalogued, and, in its judgment, may either sell the 
lot as catalogued or make mention of the opinion of such expert who thereby 
would become responsible for such damage as might result were his opinion with- 


out proper foundation. 
SPECIAL NOTICE. 

Buying or bidding by the Association for responsible parties on orders trans- 
mitted to it by mail, telegraph or telephone, will be faithfully attended to without 
charge or commission. Any purchase so made will be subject to the above Condi- 
tions of Sale, which cannot in any manner be modified. The Association, however, 
in the event of making a purchase of a lot consisting of one or more books for a 
purchaser who has not, through himself or his agent, been present at the exhibition 
or sale, will permit such lot to be returned within ten days from the date of sale, 
and the purchase money will be returned, if the lot in any material manner differs 
from its catalogue description. 

Orders for execution by the Association should be written and given with 
such plainness as to leave no room for misunderstanding. Not only should the lot 
number be given, but also the title, and bids should be stated to be so much 
for the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one transmitting 
the order is unknown to the Association, a deposit should be sent or reference 
submitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, will be 
furnished by the Association at a reasonable charge. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


& 


At THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 
ILLUSTRATED BOOKS AND CARICATURES FROM THE 
LIBRARY OF J. BARTON TOWNSEND, ESQ. 

OF PHILADELPHIA 


First Session, Numbers | to 223, inclusive 
TUESDAY EVENING, FEBRUARY 4th, AT 8:15 O’CLOCK 


1. A’Bucxert (Girpert Apsorr). The Almanack of the Month. With 
illustrations by Richard Doyle. 2 vols. 24mo, full polished calf, gilt 
II. backs, gilt edges, BY RIVIERE. London: Punch Office, 1846 


First Epition. Contains original contributions by A’Beckett, Mayhew, 
Shirley Brooks and others. 


2. ALKEN (Henry). Cotorep Puares. Real Life in Ireland; or, The 
Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blun- 
ders, Bodderation and Blarney of Brian Boru, Esq., and his Hlegant 
/2) SD Friend Sir Shawn O’Dogherty, exhibiting a Real Picture of Char- 

acters, Manners, &c. in High and Low Life in Dublin and various 
parts of Ireland. By “A Real Paddy.” W ith colored title-page and 
18 colored plates by Henry Alken, F. Heath, and others. 8vo0, ORIGI- 
NAL PUBLISHER’S CLOTH, PAPER LABEL, UNCUT, binding somewhat 
repaired. In open face cloth case. London: Jones and Co., 1821 


a) First Eprrion of a vivacious narrative of Dublin life after the man- 
ner of Pierce Hgan as exhibited in his “Life in London.” Plates contain 
numerous scenes of roystering Irish gayety and include portraits of nota- 
bilities among which are three of George IV. Text describes the wan- 
derings of two “bhoys” whom the author follows through thick and 
thin, and with fearless truth depicts the “follies and vagaries that char- 
acterize the Bucks and Bloods of Paddy’s Land.” 
From the Charles Cooper Townsend collection, with bookplate. 


3. AtkEN (Henry). CoLorEp PLATES. Symptoms of Being Amused. A 

series of 42 plates (inclusive of the title-page), numerous figures 

«on most of the plates, by Henry Alken. ALL FINELY COLORED. Ob- 

Y] ed long 4to, ORIGINAL PINK BOARDS, with red leather back and corners, 
and the original red leather label on side. 

| London: Thomas M’Lean, 1822 


First Eprrron. Although marked on the illustrated title-page “Vol. 1,” 
no other volume was ever completed. A second volume was started, and 
about a dozen plates issued. 


First Session, Tuesday Evening, February 4th 


4. ALKEN (HENRY). CoLorED PLATES. Tutor’s Assistant. <A series of 6 

plates, several sketches on each, ALL FINELY COLORED, by Henry 
" Alken. Oblong 4to, full crimson crushed levant morocco, gilt, gilt 
SO- edges, BY RIVIERE. London: Thomas M’Lean, 1823 


First EpITion, and a very fine copy, with unusually rich impressions 
of the illustrations, which comprise coaching, riding and driving scenes. 

From the Edward Henry Hill collection, with his armorial bookplate 
by C. W. Sherborn. 


5. ALKEN (HENRY). CoLorED PLATES. Involuntary Thoughts. A series 
of 6 plates (should be 8), ALL FINELY COLORED, by Henry Alken. 
Oblong 4to, three-quarter light green levant morocco, gilt top, BY 


i ~ 


Zs - RIVIERE. London: Thomas M’Lean, 1823-1824 
First Epirion. The coloring of the plates exceptionally rich. They 
comprise,— : 


WANTED,—an Housekeeper to a single Gentleman. 

A WATER Party—Very Dry. 

MAY WE NEVER WANT A F'RIEND—and a Bottle to give him. 
MorE FRIENDS and less need of them. 

A MAN OF SOME CONSEQUENCE in the Country. 

A Lone Lire and a Merry one. 


6. ALKEN (HENRY). CoLorep pLatEs. A Touch of the Fine Arts. II- 
lustrated by twelve plates, ALL FINELY COLORED, by Henry Alken. 
With. Descriptions, by Henry Alken. First Eprrion. Royal 8vo, 
y, e. original red printed boards, red leather back and corners, uncut. 
London: Thomas M’Lean, 1824 
VERY RARE IN ORIGINAL BOARDS. The above copy contains the very rare 
leaf at the end, of “Sporting and highly amusing Works and Prints,” 
(mainly by Alken). 
Special interest attaches to this copy, as it came from the collection 
of G. B. Stubbs, the celebrated English fox hunter, passing to W. H. 
Duignan, Rushall Hall, with the latter’s bookplate and autograph anno- 
tation. 


7. ALKEN (HENRY). CoLorEpD Puatses. British Proverbs. A series of 
6 plates,—numerous figures on each, ALL FINELY COLORED, by Henry 

Alken. London: M’Lean, 1824; [Also] Shakespeare’s Seven Ages 
bysv of Man. A series of 7 plates——numerous figures on each, ALL 
] — FINELY COLORED, by Henry Alken. London: M’Lean, 1824. 2 vols. 

in one, oblong 4to, full olive crushed levant morocco, gilt extra, 
titles lettered on the side, flowered silk linings, UNCUT, EACH WITH 
ORIGINAL WRAPPERS PRESERVED. London, 1824 


Frrst Epition of both works. 
UNUSUALLY FINE AND PERFECT COPY, WITH EXCELLENT IMPRESSIONS OF 


THE PLATES. The presence of the wrappers is important, as the front 
portion of each forms the only title to the book to which it belongs. 


8. ALKEN (HENRY). Cotoren Puares. Original Drawing IN COLORS, 
“Life as it is; or, Jack’s Wedding Day.” Signed, “H. Alken.” 
Also a brilliant impression of the plate in colors, published by 


/ ays . Thomas M’Lean, 1826. The drawing is 85g x 6% inches. Both 
[Continued 


[8 ‘ON] 
O[LUISOBT Poonpoy 
NICGH AA S,MOVE*,—ONIMVUC, YOTOOUMLV A TVNIDINO 


NGOMTV AUNHH 


First Session, Tuesday Evening, February 4th 


[ No. 8—Continued | ! 
drawing and plate are neatly inlaid in drawing paper to small 
folio, the whole enclosed in cloth portfolio, lettered on the side. 
BEAUTIFUL SPECIMEN OF ALKEN’S worRK. A slip, attached to the back 
of the drawing bearing the title, etc., in manuscript, by the artist himself? 


[See Reproduction | 


9. AneLING. ‘The Anglican Friar, and the Fish which he took by Hook 
and by Crook. A Comic Legend. By A. Novice, A. F. & F. With 

ep engraved frontispece, and full-page plates. 12mo, full polished 
o: - calf, gilt, gilt top, uncut, BY RIVIERE. London, 1851 


First and probably only edition. “This is merely fun hiding in an 
angler’s domino.”—BIBLIOTHECA PISCATORIA. 


s 
10. ANstEY (CHRISTOPHER). The New Bath Guide: or, Memoirs of the 
B. N. R. D. (Blunderhead) Family. With full-page stipple en- 
} cp gravings by F. Hginton. 12mo, full calf, gilt top, uncut. 
- ; Bath, 1807 


11. Armor. A Suit of Armour for Youth. With numerous illustrations of 
knights in combat, gauntlets, etc., all colored by hand. 12mo, full 
green mottled calf, gilt, gilt edges, By ROOT. 

London: Published by the proprietor, 1824 


ls 2s First Epirion of this interesting volume, with the sub-title,— 
“Were it not better 
“That I did suit me all points like a Man?” 

Contains a series of engravings, mainly by R. L. Wright, with appro- 
priate text descriptions, representing different parts of a suit of armor. 
Hach plate tipped, so that it can be raised, disclosing another picture 
beneath. For instance beneath the plate “A Powerful Sword,’ is 
“Valor.” : 


12. ASPIN (JEHOSHAPHAT). The Naval and Military Exploits which have 
Distinguished the Reign of George the Third. Accurately and 
methodically arranged. With frontispiece and 33 EXQUISITE VIEWS 

4 (OF BATTLES AND NAVAL ENGAGEMENTS, ALL ELEGANTLY ENGRAVED 

“ _ AND FINELY COLORED. Thick 12mo, original calf, gilt. 
London: Printed for Samuel Leigh, 1820 


A work of unusual interest to the American collector; OVER 200 PAGES 
RELATING TO THE AMERICAN REVOLUTION, the War with France, and the 
War OF 1812. The views are of exceptional interest, including,—The 
Battle of Bunker Hill; Lord Rodney’s Victory over Count Grasse; The 
Shannon and the Chesapeake; Battle of Waterloo, and others. 


[See Reproduction. | 


13. ATKINSON CoLoreD PuatEes. The Cutter, in Five Lectures, upon the 
Art and Practice of Cutting Friends, Acquaintances, and Relations. 
With five folding plates In cotor, by J. A. Atkinson. 16mo, full 
rig at contemporary tree calf. London, 1808 


First EDITIon. 


First Session, Tuesday Evening, February 4th 


14. [Barrett (Eaton Stannarp).] The Tarantula; or, The Dance of 

Fools. A Satirical Work. With folding frontispiece in colors (some 

¢ of the figures undoubtedly portraits), by Brown. Frrst Ep1tion. 
~ 2 vols. 12mo, half polished calf, gilt, gilt tops, uncut, BY RIVIERE.. 

London, 1809 


15. Barres or THE British Army. The Battles of the British Army, in 
Portugal, Spain and France, from the year 1808 to 1814, under the 
command of England’s great Captain, Arthur, Duke of Wellington. 
A series of 14 medallions in color, representing the various battles im 

5S — which the British army fought during the war, with a description 
of the battle opposite each plate. The medallions attached so that 
they can be viewed in panorama form, and inlaid within a book- 
formed crimson morocco. case. 

London, 1815 [later impression in lithography | 


16. Brarrre (GrorcE). John O’Arnha’: to which is added the Murderit 
Mynstrell, and other Poems. Now first collected. THe FirrH Ept- 
TION. Embellished with seven coloured engravings. 8vo, original 
printed boards, uncut. Enclosed in cloth case, with protecting cloth 
b cover. Montrose, 1826 


One of the poems, “The German Lairdie,” which was first printed in 
the “Montrose Review,” relates to George the Fourth, and is of interest 
at this time. It commences,— 


“O Geordie Guelp is on the sea, 

The cliffs of Dover on his lee; 

For shame! that Britain’s King should be 
A wee bit German lairdie O.” 


17. BuresrorD (Jams). The Miseries of Human Life: or, The Groans of 
Samuel Sensitive, and Timothy Testy. With folding frontispiece 
2 (cut on lower margin), in colors. 12mo, full calf, rebacked, and 
name on title-page. London, 1807 


18. BrstiotHeca Sussexrana. A Descriptive Catalogue accompanied by 
Historical and Biographical Notices of the Manuscripts and Printed 

Books contained in the Library of his Royal Highness the Duke 

b. of Sussex. By Thomas J. Pettigrew. Portrait and woodcuts. 2 
vols. imperial 8vo, half morocco, uncut, some margins have pencilled 

notes, bindings rubbed. London, 1827 


LARGE PAPER copy. Limited edition. 


19. [Buaxe (Witiram).] The Wit’s Magazine; or, Library of Momus. 
Being a Repository of Mirth, Humour, and Entertainment. [Edited 
by Thomas Holcroft.] With 17 folding plates, 5 of which are by 
WitLiAM BuAKE. 2 vols. in one, 8vo, half red morocco, gilt top, 

LAV - slight repair to one plate. London, 1784 


All ever issued of this singular periodical, which contains contributions 
by Oliver Goldsmith, Samuel Butler, Allen Ramsay, author of Tea Table 
Miscellany, and others. 


[ZT “ON] 
aooldstjuor1y puw ssed-o]} JO o[fUTSovyz Poonpoy 
SLIOTUXG AYVAITIY GNV TVAVN 


NIdSV LVHAVHSOHUL 


2 
7 


* oe of 
OCS 
coed 
bd SOHN YUMAERARLHOS "So add Ta AT 


‘GNVULS ‘Bt ‘HOINT TAANVS UOd GUELNTd 
: MOQUOFE 


«* 


SHLVId GANNOTOD SQOUANIN 


HaAEM HSL Iag hes 


saeaaren 


“NIdSV LVHdVHSOHUC 44 


"CIONVUNY 


MPIVOLUOHIAM UNV “GEUTMOSEd ATIALVUnQOY 


‘CULL GHL WDUOID 


NOW AG 


GAHSINONILSLI AAVE HOH AY 


SLioiIdxa 
AMVLITIA, ANV TVAYN 


oe ee 


ate 


First Session, Tuesday Evening, February 4th 


20. Bon Ton Macazine. The New Bon Ton Magazine; or, Telescope of the 


K3 0- 


Times. CoMPLETE SET, from the commencement, May, 1818 to its 
termination, April, 1821. 6 vols. 8vo, half calf, gilt. 
London: Published by J. Johnston, 1818-1821 


One of the scarcest periodicals of its time, and a most unusual set, 
CONTAINING THE FULL NUMBER OF COLORED CARICATURES (32), many of 
which are portraits of celebrities of the period. Very few known sets are 
actually complete with the full quota of 32 plates. The plate “THE 
BoxInG BARONESS,” generally missing, is present in the above set, in a 
fine example. 

George Cruikshank is believed to have executed some of the unsigned 
plates, as he illustrated for the same publisher the rare “Town Talk” 
and “The Scourge,” earlier periodicals of like class. A few of the plates 
are signed “Marks,” an artist who executed some of the plates for “Real 
Life in London.” 

The editor of the “New Bon Ton Magazine” was the notorious Captain 
John Mitford, author of “Johnny Newcome in the Navy” and of several 
libellous publications that brought him into the clutches of the law. 
Nearly all the articles are written under assumed names, and include 
information of a “racy” nature connected with “Life in London” at 
the period. As a change from attacking “Wicked Earls” the editor 
has included a few articles on America, one referring to “A New Jeru- 
salem in America,” a colonization scheme of Mordecai Noah; & another 
article assumes that all American banks are founded on fraud and 
robbery. ; 

An interesting feature is a “continuation” of Byron’s “Don Juan,” 
which runs through the two final volumes, and the first publication of 
an attempt to conclude it. 


21. [Borrow (GzEOoRGE).] Celebrated Trials, and Remarkable Cases of 


rowers, 


Us, 


Criminal Jurisprudence, from the Earliest Records to the year 1825. 
With numerous curious plates and portraits. 6 vols. 8vos half calf, 
gilt, gilt tops, some edges uncut. i 

London: Knight and Lacey, 1825 

First Epirion. Collected and edited by George Borrow, and one of 
the ablest and most celebrated collections of its kind, covering prac- 
tically every field, from piracy, murder and high-treason to pocket- 
picking. A number of foreign trials are included, although the majority 
are naturally furnished by the United Kingdom. 


22. [BrapLEy (Epwarp,—“Cuthbert Bede.”)] Photographic Pleasures: 


Popularly Portrayed with Pen and Pencil. With seventy humorous 
designs by the author. 8vo, full polished calf, gilt, gilt edges, By 


58D ZAEHNSDORF. London, 1859 


First Epirion of this amusing book, by the author of “The Adven- 
tures of Verdant Green.” 


23. [BrowNE (THomaAS).| The Parson’s Horn-Book. With full-page 


/ 


plates. 8vo, half red roan, several pages lightly spotted. 
Dublin, 1831 


- Chapters include,—“The Devil’s Shooting Excursion,” “The Tit Bit; 
or, the Delights of a Transmigration of Souls,” ete. 


First Session, Tuesday Evening, February 4th 
ithaca le OnerN De SB ann MRE RSET CT 


24, Buxsury ItLusrrations. [Bunbury (Henry William).] ‘Tales of the 
Devil, from the Original Gibberish of Professor Lumpwitz, 8. U. 8. 
and ©. A. A. in the University of Snoringberg. With five full-page 

< > plates, by Bunbury, ALL IN COLORS (hand-colored at a later date). 
“~*~ First Eprrion. ‘Small 4to, three-quarter brown crushed levant mo- 
rocco, gilt, gilt top. Bury St. Edmunds, 1801 

Written and illustrated by Bunbury. 


25. Bunpury Inuustrations. A series of eight plates rN coLor, portions of 
some hand-colored at a later date. Each plate lightly hinged on 
drawing paper, the whole bound in one volume, oblong 4to, half 

. =  erlmson morocco. London, 1772—| 1814-1815] 

° Interesting collection, including a number of scarce examples of 

Bunbury’s work, as follows,— 

SKETCHES BY H. Bunspury, Esq. A plate containing three mounted 
horsemen, similar to those in the artist’s work “Academy for 
Grown Horsemen.” 

SrrePHON & CuLor. The central figures being similar to those in 
the artist’s plate, “A Long Minuet.” 

A Putu'p TurKry, and three other scenes on the one plate. 

THE Srece or Namur, by Capt. Shandy & Corporal Trim. 

Tip DAMNATION OF OBApDIAH, The Rowlandson influence is marked. 

_. on this plate. 

A Tour to Foreign Parts. (France.) The central figure resembles 
“Dr. Syntax. 

A Famity PICTURE 

MorNING, OR THE MAN OF TASTE. 

26. Burney (Miss). Evelina; or, Female Life in London, being the History 
of a Young Lady’s Introduction to Fashionable Life and the Gay 
Scenes of the Metropolis, displaying A Highly Humorous, Satirical 
and Entertaining description of Fashionable Characters, Manners 

KS and Amusements in the Higher Circles of Metropolitan Society. 

Frontispiece and sia plates IN coLoR, three of which are ‘by William — 
Heath. 8vo, full light green crushed levant morocco, gilt back, gilt 
edges, BY RIvIERE. Several of the plates have been reversed in 
binding, hence traces of sewing on their fore edges. Small hole in 
margin of page 343, probably an original defect im the paper. 
London: Jones and Co., 1822 


2”. Cartcarurs. Britania’s Assassination, or—The Republicans Amuse- 
ment. Unsigned. Pubd May 10th 1782 by H. D’Archery St. James 


Street. Size, 814 by 1314 inches. Matted. 


o¢ Aq?) ORIGINAL IMPRESSION. Uncolored. Attributed by some to Gillray, but 
° not mentioned in Wright and Evans’ Catalogue. 
An interesting caricature of George the Third and the American 
Revolutionary period. A Statue of Britannia is being mutilated by 
British Statesmen, Fox represented by that animal, Lord Sidney, Wilkes, 
Duke of Richmond, Admiral Keppel, etc., an American, represented by 
an Indian has secured the head and an arm, and olive branch, a French- 
man following with empty hands, exclaims “you dam Dog you run 
away with all de Branche,” a Spaniard carries a leg, a Dutchman the 
shield. 


First Session, Tuesday Evening, February 4th 


28, Caricatures. Everitt (Graham). English Caricaturists and Graphic 
Humourists of the Nineteenth Century. How they Illustrated and 
-? Interpreted their Times. Illustrations. 4to, cloth, uncut. 


London: Sonnenschein, 1886 
An important work on the subject. 


99. CartcaTurEs. A Collection of 20 Engraved Caricatures of the 18th 
Century. Small oblong 4to. Bound in one vol. cloth, leather back. 
Printed and Published by W. Davison, Alnwick 
Includes the following,— 
Spaniard Lousing; The Old Maids Petition ; 
¢-) Jew purchasing old Clothes; Hob and Stage Doctor; Economy ; 
Vicar Returning from Duty; Currate Going to Duty; 
Druid and Highlander; London Sportsmen Marking Game; 
London Sportsmen Shooting Flying ; London Sportsmen Recharging ; 
London Sportsmen Finding a Hare; The Gout; Ax About; 
Snuff and Twopenny; Me and My Wife and Daughter ; 
And others. ALL VERY CURIOUS AND ILUMOROUS, two colored by hand. 


30. CARICATURE IN Cotor. General Swarrow, towing the French Directory 
into Russia!! Unsigned. Pub by S W Fores N. 50, Piccadilly, May 
J, 16,1799. Size, 8l% by 1314 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 


31. GARICATURE IN Conor. The Great Swallowall!!! Disgorging, or French 
Bullie too hot for the Bears Stomach. Unsigned. Published by 8 
Z, W Fores, 1799. Size, 10 by 1414 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 


39 (CARICATURE IN CoLor. Forming a Line on the Parade.. Unsigned. 
Published Novr 12th 1801 by H. Humphrey, 2% St. James's Street. 
Size, 734 by 934 inches. Matted. 
; ORIGINAL IMPRESSION, CoLorEep. Similar to the work of Ansell. 
An officer is admonishing a file of soldiers. In the background, John 
Bull, in front of a crowd of people. 


33 CaricaTuRES IN Conor. Three caricature etchings from the “Caricature 
Magazine.” Vol. II. [1808] “Woodward, delin.” “Htch’d by 
/2 Roberts.’ 3 pieces, oblong 4to, matted. [London: T. Tegg, 1808 | 


Comprises,—Temptation for Lawyers ; Comfort for an Old Maid; 
John Bull and his Friends Commemorating the Peace. 


94. CARICATURES IN Coton. A Collection of Caricatures from the ‘“¢Cari- 
cature Magazine.” Vol. II. [1808]. Together, 10 pieces, oblong 
4to. Matted. 

Comprises,—THE FATHERS Daruinc. “C. W. del et Sculpt.” 
4 to), First Gorng ALONE. ‘Woodward delt.”’ 
‘Spl A Tae Miscurer or MetHopism. “W, Fecit.” 
Tiz COMFORTS OF A MODERN Gata. “Woodward del.” 
A WuimsicaL Witt. “Woodward delt.”’ 
A Cure For A SMOKY CHIMNEY. “Woodward del.” 
Te Roap to Lonpon or the Countryman and the Quakers. ‘‘Wood- 


ward delint.” 
[Continued 


First Session, Tuesday Evening, February 4th 
a etn OO ie OI SOMERS ie RENEE LEN SERIE SI 


[No. 34—Continued ] 
REASONABLE GHARGES or Ducks Metamorphosed! “Woodward del.” 
Tue GENIUS oF CARICATURE, and his Friends, celebrating the com- 
_ pletion of the Second Volume of the Caricature Magazine in the 
Temple of Mirth. “Woodward del.” 
THE YORKSHIRE BUMKINS Mistake. ‘Woodward del.” 


35. CARICATURES IN Conor. A Collection of Caricatures from the “Carica- 
ture Magazine.” Vol. II. Together, 13 pieces, oblong 4to. Matted. 
[London: T. Tegg, 1808] 


Comprises the following social and political subjects,— 
TITLE-PAGE, with several sketches. 
An Exquisite. A Dandy before a glass. 

7; How ARE You OFF FOR SOAP. 
9. BLESSINGS OF BRITAIN, or, Swarm of Tax Gatherers. 

TxE SIGN OF THE Four ALLS. 
A Famity Party TAKEING AN AIRING. 
Minuet La Cour; WALTZING. 
A CLERICAL MANceUVRE, or the Way to Finish a Charity Sermon. 
A RovucH SKETCH OF THE TIMES as Deleniated by Sir Francis Burdett. 
Ture Gay LorHario, the Great and Celebrated Amateur of Fashion. 
A FARMER’S PHILOSOPHY IN DEATH. 
Tue Parsons Hogsy, or Comfort for a Welch Curate. 


36. CARICATURE IN Coxor. Chelsea Parade or a Croaking Member Survey- 


ing the outside and backside of Mrs. Clarkes Premises. Unsigned. 

Pubd March 4, 1809 by Thos. Tegg No. 111 Cheapside. Size, 8% 

4, by 1234 inches. Matted. | 
ORIGINAL IMPRESSION, COLORED. 


The Duke of York sneaking away from the house of his mistress, 
another “Mole” catcher at her door, being received by the “favorite.” 


3% CARICATURES IN Cotor. A collection of 64 Caricatures, all but 4 IN 
cotors. Each plate lightly pasted down on sheet of brown paper, 
the whole bound in one folio volume, half green morocco, lettered 

SV. “Scrap Book.” Mainly early nineteenth century. 


AN EXCEEDINGLY ATTRACTIVE COLLECTION. 
Comprises,— 

VENUS ATTIRED BY THE Graces. “Js. Gy. fect.” Published Deer. 8th, 
1820 by H. Humphrey. St. James’s Street. Wright No. 496. 

Etched by James Gillray. “A satire on some vulgar fashionable 
of the commencement of the present century.” 

An OLp Maw on A Journey. “B. .. Esq. del.” Publish’d November 
20th, 1804 by H. Humphrey, No. 27 St. James’s Street, London, 
Wright, No. 530. 

Etched by James Gillray. “. . . the artist is supposed to have 
personified in his old. maids, the well known Miss Banks, whose 
collections have enriched the British Museum.” 

ELEMENTS oF SKATEING. Attitude, Attitude is every thing. London 
Published November 24th, 1805 by H. Humphrey 27 St. James’s. 
Wright, No. 540. 

Etched by James Gillray, and an exceedingly attractive 
example of his work. 

A number of other examples of Gillray’s work are included in the 
volume, also caricatures by Thomas Rowlandson, Heath, Woodward and 
others. 


Pa i 
i el = 
as a Ss 


First Session, Tuesday Evening, February 4th 
nce ia, ei ee 


88 CARICATURES IN CoLtor By “Arcus.” A series of 6 Caricatures IN COLOR, 


rd 


by “Argus.” Each plate backed, the whole bound in an oblong 4to, 
volume, cloth. London, 1805 ete. 


An interesting and rare series of political caricatures, in which Charles 
James Fox is prominently featured. Comprises,— 
REVENUE OFFICERS NABBING A SMUGGLER. “Argus del.” Pubd. by C. 
Knight Lambeth and sold at No. 7 Cornhill. 
A SCENE FROM THE BEGGAR’S OPERA. 
Tue EFrFect OF WHITBREAD’S ENTIRE or Wha Want a G-uinea. 
All the plates have same imprint. 


39 CARICATURE OF WELLINGTON. Portrait of a Noble Duke. I should 


Cn, 


think this head possest some talent for Military affairs. Unsigned. 
Published by Thos. McLean 26 Haymarket 1829. Size, 1214 by 8% 
inches. Matted. 


COLORED IMPRESSION of an allegorical profile portrait of the Duke of 
Wellington; the face is represented as a fortress, the jaw of bricks, 
cannon and spear-heads for eye, a drum and the Royal standard for ear, 
the hair of laurel leaves, across the forehead a banner lettered “Vittoria, 
Salamanca, Waterloo.” 


40. CARICATURES RELATING TO PEOPLE OF COLOR. A series of 12 Caricatures 


ALL OF WHICH ARE IN coors, the collection known as “TREGEARS 
Buack Joxss.” Each plate signed,—“W. Summers, del. Hunt, 


'P sculp.” Plates hinged on linen guards and bound in one vol. 4to, 


j2z° 


half blue morocco, lettered on the side. London, undated 


A VERY RARE AND AMUSING SERIES. Thought to be a complete set. Plates 
numbered consecutively from 1 to 12, and comprising,— 
“Te Promenade,” “The Lady Patroness of Alblacks,” 
“Marriage ala Mode,” “The Christening,” “Venus and Adonis,” 
“The Route,” “The Card Party,” “The Breaking Up,” “Othello,” 
“The Goncert,” “Miss Whites birth-day Party,” 
“The Lubbers Quarrel.” 


41. Caricatures RELATING TO QUEEN CAROLINE. A series of Caricatures 


jo. 


illustrating the Attorney General’s Charges against Queen Caroline. 
51 sketches complete on 36 plates. Oblong 4to, three-quarter red 
morocco, original wrappers, with label bound in. London, 1821 


“Hxceedingly characteristic, now very scarce, having been suppressed.” 
The foregoing appears on the original label, and is one of the few 
statements of this kind to appear on an English book. 


42. CarLETON (Wittiam). The Squanders of Castle Squander. With a- 


— 


lustrations by Topham. 2 vols. 12mo, half calf, gilt. 
London,1852 


First EDITION. 


43. Cuamisso (A.). Peter Schlemihl. A new Translation from the German, 


ae 


by Emile de Rouillon. With 9 illustrations in color (hand colored 


at a later date), by E. Days. 24mo, original cloth, uncut. 
London [1825] 


First Session, Tuesday Evening, February 4th 


44, CLARKE (Mrs. Mary Ann,—Mistress of Frederick, Duke of York). 
series of 5 Caricatures IN COLOR, relating to Mrs. Clarke. All are 
unsigned, but are in the manner of G. M. Woodward. LEach plate 
lightly hinged on drawing paper, the whole bound in an oblong 4to, 

4 9 volume, half crimson morocco, lettered on the side. 

London, 1807-1809 


An unusual collection of colored caricatures, relating to this celebrated — 
woman, the daughter of a man named Thompson, born in Ball and 
Pin Alley, White’s Alley, Chancery Lane, in 1776. She became the 
mistress of the Duke of York, and “. . . rushed into the wildest ex- 
travagances; kept ten horses; twenty servants, including three pro- 
fessed men cooks; ate off the plate which had belonged to the Duc de 
Berri. Her wineglasses cost two guineas each.” 

Comprises,— 

THE DISCARDED CLARK, or Eve driven out of Paradise. Pubd. June 
1807 by S W Fores No. 50 Piccadilly. 

MoTHER CAREY’S CHICKENS. Without publisher’s name or date. 

ANANIAS & CLAvirA—or Judgment against Lying. Pubd. by S W 
Fores 50 Piccadilly March, 10th, 1809. 

THe YorK Sparring Matcu, being M. A. Clarke’s first set to, & who 
is likely to become the Champion of England. Pubd March list, 
1809 by Fores No. 50 Piccadilly. 

Mrs. CLARKE DriviInG Her Pontes. Pubd. July 10th 1809 By S. W 
Fores 50 Piccadilly. . 


45. Coppotp (RicHarD). Valentine Verses; or, Lines of Truth, Love, and 
Virtue. With portratts of John and Elizabeth Cobbold, and full- 
ws page tllustrations by the author. 8vo, half red morocco, gilt, gilt 
top, uncut, BY RIVIERE. | Ipswich, 1827 
First Epition. The writer is best known as the author of “History 

of Margaret Catchpole,” a novel which was extremely popular. 


46. Cockton (Henry). The Life and Adventures of Valentine Vox, the 
Ventriloquist. With 60 «llustrations by Onwhyn. 8vo, IN THE 
ORIGINAL 20 PARTS, with all wrappers and advertisements, as issued, 

cy uncut. Enclosed in a brown morocco case, with padded white silk 

ee, SiGe: London: Robert Tyas, 1840 
First Epition. EXTREMELY RARE in the original parts. 


From the Samuel Henry Austin collection, sold April 23, 1917. The 
only copy that has made its appearance in the American auction rooms. 


4%. Cockton (Hunry). The Life and Adventures of George St. Julian, 
the Prince of Swindlers. With 25 tllustrations by Onwhyn. 8vo, 
CL, half blue calf, gilt, some plates lightly yen London, 1844 


First EDITION. 


48. Cottier (JoHN). The Miscellaneous Works of Tim Bobbin Esq. con- 
taining his View of the Lancashire Dialect, with large Additions and 
Improvements: also, his Poem of The Flying Dragon, and the Man 

/.. of Heaton . . . Life of the Author. Portrait of the author, and 
plates by J. Slack. 8vo, half morocco, gilt top, uncut. 
Manchester, 1818 


First Session, Tuesday Evening, February 4th 


49. Cotorrp-Piats Book. Views in the Ottoman Empire, chiefly in Cara- 
mania, a Part of Asia Minor hitherto unexplored ; with some curious 
selections from the Islands of Rhodes and Cyprus, and the Celebrated 
Cities of Corinth, Carthage, and Tripoli. From the Original Draw- 
ings in the possession of Sir R. Ainslie, taken during his Embassy 

OV, to Constantinople, by Luigi Mayer. With Historical Observations 
and Incidental Illustrations of the Manners and Customs of the 
Natives of that Country. WITH 24 FINELY COLORED AQUATINT 
views. Lach plate and each leaf of text, hinged to linen guard. 
Bound in one vol. folio, half morocco. London, R. Bowyer, 1803 


FINE COPY OF THE ORIGINAL EDITION, WITH BRILLIANT IMPRESSIONS OF 
THE PLATES. 


50. Cotorep-PLAte Boox. To-Night! or, The Total Eclipse. Dedicated to 
“To-Day,” and to All the Children of Darkness. By the author 
of “The Greeks—The Pigeons—Fashion—Modern Belles—Modern 

/3 Beaux—Anecdotes,” &¢c. Second Edition. With six fine COLORED 

' plates by G. Williams. 12mo, mottled calf, polished, gilt back, fillet 
borders, gilt top, uncut, BY ZAEHNSDORF. 
| London: J. J. Stockdale, 1818 


A SCARCE WORK. 


51. ConorED PLATES. Mister O’Squat. A series of 11 panoramic scenes 
(each 28 by 414 inches), illustrating the adventures of “Master 
O’Squat quite full of life, Sought Widow Shanks to be hts Wife.” 

Po ALL OF WHICH ARE IN cotors. The plates folded, and bound in an 
oblong 8vo, volume, polish calf. No place [London ? circa 1814 | 


A practically unknown colored-plate book. The plates are unsigned 
but are quite worthy of any of the illustrators of the period, including 
Rowlandson and George Cruikshank. 

The above contains 11 of the 12 complete plates of this series. 


52. Conorep Puates. The Adventures of: Doctor Comicus; or, The 
Frolicks of Fortune. A Comic Satirical Poem, for the Squeamish 
and the Queer. By “A Modern Syntax.” Wath numerous plates 

ae, IN cotor by Illman, somewhat in the manner of Thomas Rowland- 
son. 8vo, half morocco, gilt top. Some plates mounted. Not re- 
turnable. London: Printed for R. Blake [1828] 


53. CoLorep Puarss. Joe Lisle’s Play upon Words. “Suit the word to the 
Action,—the Action to the Word.” A serves of 40 PLATES IN COLOR, 
by Joe Lisle, consisting of amusing and unusual puns. Oblong 8vo, 

$Y green leather back and cloth, slightly spotted and worn. 

4 London: Thomas M’Lean, 1828 


First Epitrion of this highly amusing and scarce work. 
From the library of Edward Henry Hill, with bookplate engraved by 
Cc. W. Sherborn. 


First Session, Tuesday Evening, February 4th 


7 

54. CotorED Puates. Geology .Familiarly Illustrated. A series of 30 hu- 
mourous scenes, all on folding sheet, by C. M. W., all IN COLORS. q 

4 Oblong 12mo, boards, with humorous front label. ; 
2-O . London: J. B. Goodinge, 1859 ’ 


Some of the plates show a decided “Thackeray” influence. 


55. CotorEeD Puates. Visit of a London Exquisite to his Maiden Aunts 
in the Country. A series of 20 PLATES IN COLOR, by “Theo.” Oblong 
Ato, original cloth, gilt, gilt edges. London: W. Kent, 1859 

Z 0D Contains the illustrated Dedication to William M. Thackeray, which 

2 g3 “ commences,—“‘When a neophyte in literary honors, dedicates his maiden 
effort to one who has already reached Fame’s keystone . . . As thou 
art strong be merciful, and with a condescending hand graciously accept 
the Dedication.” 


~~ eer ee ae 


56. CoLorED Puates oF Inp1AN Lire. Lloyd’s Sketches of Indian Life. A 
series of 18 plates, several figures on most, IN coLoR. Small folio, 
(4, — pictorial boards, cloth back. | London, 1890 


57. CotoreD REPRESENTATIONS OF Musicat Terms. John Parry’s Manual 
of Musical Terms, and various other Subjects connected with Musi- 
cal Art. A series of 12 highly humorous plates, several specimens 

$50 on most of the plates, ALLL COLORED BY HAND. Oblong 8vo, original 

jee pictorial boards, cloth back, with cloth wrapper. 
London: Thomas M’Lean, circa 1830 


The plates are unsigned, but are by an extremely clever artist. They 
are suggestive of the work of Seymour. 


58. CoLorED REPRESENTATIONS OF WELLINGTON’s VicToRIES. Victories of 
- the Duke of Wellington, from drawings by R. Westall, R.A. A 
series of 12 full-page plates, including Waterloo, Vimiera, Oporto, 

US: . Talavera, Busaco, Badajoz, and others, each engraved in aquatint 
by Fielding, after Westall, AND ALL FINELY COLORED BY HAND (origi- 

nal coloring). Folio, original boards, leather back and corners, origi- 

nal label on side, gilt edges. London [1819] 

The plates are rich in impression. Several pages of text lightly spotted. 


59. CoLoRED Views oF PaLEsTINE. Views in Palestine, from the original 
drawings of Luigi Mayer, with an Historical and Descriptive Ac- 
Ss, count of the Country, and its remarkable places. Descriptions in 
English and French. With a series of 24 FINELY COLORED PLATES. 
Large folio, half blue morocco, gilt, gilt edges. London, 1804 


Includes Jerusalem, Tower on Mount Zion, built by Herod, Siloam, 
Bethany, etc. 


60. [Compe (WiLiIAm).] Doctor Syntax in Paris; or, A Tour in Search 
of the Grotesque; A Humorous & Satirical Poem. With the series of 
] / £Yp 18 FINELY COLORED PLATES, in the manner of Thomas Rowlandson, 


by O. Williams, although not signed by him. Royal 8vo, ORIGINAL 
[Continued 


First Session, Tuesday Evening, February 4th 
Bn ee ee 


[No. 60—Continued | 
BOARDS, back somewhat repaired, with practically all of the original 
label, ENTIRELY UNCUT. Enclosed in blue morocco solander case, 
with inner protecting cover of blue cloth. 
London: W. Wright, 1820 


First Epition. Very few copies remain in this remarkable condition. 
A Humorous and Satirical imitation of the Syntax Tours, of which 
several were issued. 


61. [Compe (Wittram).] A History of Madeira. With a series of 27 

coloured engravings, illustrative of the costumes, manners, and 

e occupations of the inhabitants of that island. Imperial 8vo, origi- 
ZS, nal salmon colored cloth, gilt and embossed, gilt top, uncut. 

London: R. Ackermann, 1821 


First Epirion. A remarkably fine copy. “The entire text, most of it 
in verse, was from the pen of W. Combe, then in his seventy-ninth year.” 
—HarpiE in English Coloured Books. 


62. Comican Bupcer (Tue) of Fun and Frolic, containing all the most 
popular and new Puns, Jests, and Witty Sayings. By Godfrey 

gS? Gimcrackiana. With folding frontispiece in colors. 8vo, new boards, 
original wrappers preserved. 7 Derby, circa 1825 


63. Costume Puares 1x Cotor. The Book of the Ranks and Dignities of 
, British Society. Chiefly intended for the instruction of Young 
Persons. With a series of twenty-four colored engravings. 1%mo, 
/2-- full maroon straight-grained morocco, gilt back, gilt edges, BY 
LLOYD. London [1805] 


64. Cries or Lonpon. The Moving Market; or, Cries of London: for the 
Amusement and Instruction of Good Children. Adorned with 
ie (numerous) cuts, (all off which have been hand-colored at a later 

» date). 32mo, original wrappers, enclosed in cloth case. 
Wellington, circa 1820 


65. Croker (T. Crorron). Fairy Legends and Traditions of the South of 
Ireland. New and complete edition, edited by Thomas Wright. 

Ds? Vignettes. 12mo, half polished calf, gilt, gilt top, BY LARKINS. 

5 London: William Tegg, undated 


66. “CROWQUILL” ILLUSTRATIONS. Absurdities: in Prose and Verse. Writ- 
ten and illustrated by A. Crowquill. With 13 plates IN COLORS (all 
hand-colored at a later date). First Epirion. 1%mo, half blue 

K levant morocco, gilt, gilt top, uncut, BY RIVIERE. London, 1827 
Fine Copy of this amusing volume, which contains numerous ballads, 
including, “Ye Bar Mayde of ye Olde Blue Boare.” 


First Session, Tuesday Evening, February 4th 


67. “CrowQuILL” ILLusTRATIONS. Leaves from the Memorandum Book of 
Alfred Crowquill. A series of 12 plates, numerous specimens on 
most of the plates, ALL IN coLorRs, by Alfred Crowquill (A. H. For- 

_.. rester). First Eprrion. 3 parts, oblong 8vo, ORIGINAL PICTORIAL 
J / PALE YELLOW wrappers. Enclosed in cloth case, lettered on side. 
London (November Ist, 1834)—January Ist, 1835 


ALL EVER ISSUED of this highly amusing work. The above copy is a 
remarkably fine one, practically as clean as on the day of issue. 


68. “CrowQuiLL” Intusrrarions. A Peep into Alfred Crowquill’s Folio. 
A series of 4 plates, numerous humorous specimens on each, ALL IN 
cotors, by Alfred Crowquill (A. H. Forrester). Oblong 4to, half 

/f, crimson calf, gilt top, original pictorial wrappers bound in, BY 
RIVIERE. London: Effingham Wilson, circa 1836 


First Epition. Only 2 parts were issued of the work, which was “To 
be continued occasionally.” The above is No. 2. 


69. “CrowQuiLL” InLusTRATIONS. Reynolds (G. W. M.). Pickwick Abroad ; 
or, The Tour in France. Illustrated with 41 steel engravings by 


Alfred Crowquill (A. H. Forrester) and John Phillips, and with 33. 


ic woodcuts by Bonner. S8vo, full maroon levant morocco, gilt edges, 
light spots in places. London, 1839 


First EDITION. 


0. “CrowQvuiLL” ILLUSTRATIONS. Comic History of the Kings and Queens 
of England. Folding panoramic sheet, 65 by 5 inches, containing 36 
humorous portraits of the Kings and Queens of England, from Wal- 
liam the Conqueror, to Queen Victoria, by Alfred Crowquill (A. H. 
Forrester). Oblong 12mo, full calf, joints repaired, and backed with 
linen. London, circa 1845 


"1. “CrowaguiLtL” Intustrations. A Goodnatured Hint about California. 
Panoramic sheet, containing 8 plates, each with several scenes, ALL 
IN coLors, by Alfred Crowquill (A. H. Forrester) . Oblong 12mo, 
original pictorial wrappers. London, circa 1850 


First EDITION. 
AUTOGRAPH PRESENTATION cory, with inscription on back cover,—“Alfred 

Crowquill to his esteemed friend, Richard Cooper.” 
A companion volume to Perey Cruikshank’s Hints to Emigrants. 


ics 


ap 


72. “CRowQuILL” InLustrations. Strange, Surprising Adventures of the 
venerable Gooroo Simple, and his five Disciples, Noodle, Doodle, 
Wiseacre, Zany, and Foozle. Adorned with fifty illustrations, drawn 


fa on wood, by Alfred Crowquill (A. H. Forrester). 12mo, half crim- 


son levant morocco, gilt, gilt top, original cloth covers preserved, BY 
ROOT. London, 1861 


First Eprtion. The frontispiece has been colored by hand. 


re i ls a ae 


First Session, Tuesday Evening, February 4th 
Sed wie eee ee eS 


ILLUSTRATED BOOKS AND CARICATURES 
BY THE CRUIKSHANKS 


[Numbers 73 to 691, inclusive | 


The items classified under this heading comprise an extensive and im- 
portant collection of the illustrative and caricature work of Isaac Cruikshank 
and his sons George and Robert. They include many notable First Editions 
of the work of English authors; Rare Caricatures in Colors Illustrative of 
English Social and Political Life ; Original Watercolor Drawings and Sketches ; 
Unique plates with Autograph Inscriptions by the celebrated George, etc. ; 
Also a few items by Perey Cruikshank (son of Robert), and by George Calvert 
Cruikshank (son of Percy). 


ISAAC CRUIKSHANK—FATHER OF GEORGE 
| AND ROBERT 


Caricatures and Books Illustrated by the Elder Cruikshank 


[Numbers 73 to 101, inclusive | 


¥3. CRUIKSHANK (Isaac). The Contrast: or The Opposite Consequences of 

Good and Evil Habits, Exhibited in the Lowest Ranks of Rural 

Life, for the Benefit of Intelligent Servants . . . Engraved frontis- 

ef piece, and 13 etchings by Isaac Cruikshank. 12mo, new boards, 
/ vellum back, entirely uncut, in cloth slip-case. 

London: T. Longman (etc.), 1787 


The following pencilled note by J. H. Brunton, on front end-paper,— 
“The first book illustrated by a Cruikshank. The only copy known to 
me, probably wnique.” 


74. CrurksHANK (Isaac). Bachelors’ Hall: Written and composed by 
Mr. Dibdin, for his Entertainment called The Oddities. Signed 
; on the plate—‘I. Cruikshank? London Pub. April 30, 1791 by 
a, 9. W. Fores, No. 3 Piccadilly. Size of etching, 634 by 914 inches. 
Beneath is the text of the song. Folio. Matted. One edge slightly 
torn. 
CoLoRED ETCHING ON SONG-HEAD. ORIGINAL IMPRESSION, COLORED. A 
party of huntsmen leaving a hall, with hounds. 


« 


%5. CRUIKSHANK (Isaac). The Barber’s Wedding. “Cruikshank 1791.” 
Just Published by Fores . . . Folio. Size of etching, 614 by 914 
fo inches. Matted. Pub. July 1, 1791 by I W Fores No. 3 Piccadilly. 
+, ORIGINAL IMPRESSION. THE ETCHING IN COLORS represents a scene in the 
. traders’ quarters; an elderly barber is kneeling before two lady fish- 
mongers. The text beneath, consists of 25 verses, in three columns. 
Broadside Song. With colored view. 


First Session, Tuesday Evening, February 4th 


76. CrurKsHANK (Isaac). Roach’s Beauties of the Poets. A collection of 
15 pamphlets, each with an engraved title, and most of them with an 
engraved frontispiece, in all 28 engravings by Barlow from designs 

ly by Isaac Cruikshank. Together, 15 vols. in 3, 16mo, old blue mo- 
rocco, a few of the leaves have margins cut, some remargined. 
London: J. Roach, 1794 


77. CrurksHank (Isaac). [Wallace (J.).] Savillon’s Elegies, or, Poems, 

written by a Gentleman, A.B. late of the University of Cambridge. 

With 6 engravings, five of which are after I. Cruikshank. Small 8yvo, 

. original boards, uncut, SOME LEAVES UNOPENED. With cloth pro- 
tecting wrapper, in cloth slip-case. Back repaired. 

London: Hookham and Carpenter, 1795 


FINE copy oF THE First Epition. Marchmont, No. 417. 
This is one of the scarcest items illustrated by the elder Cruikshank. 


v8. CrurksHaNK (Isaac). Cupid’s Annual Charter; or, St. Valentine’s 
Festival. Frontispiece by Isaac Cruikshank, colored by hand, 12mo, 


£ th 


2.58 original wrappers, uncut. London: W. Perks, circa 1798 


79. CrurksHANK (Isaac). The Fatal Marriage, or Dangers of Precipitancy, 
Exemplified in the Melancholy Story of Blanche and Henrigez, an — 
Historical Tale. Engraved frontispiece, signed—“Cruikshank, de- 

0 lin.” 16mo, three-quarter maroon levant morocco, lettered up back, 

= gilt top, BY RIVIERE. London: Tegg and Castleman [1803] 


First EpirioN WITH THIS PLATE. A pencilled note in front states that 
“The Frontispiece is by Isaac Cruikshank and is a pleasing example of 
his finer work.” 


80. CrurksHANK (Isaac). Fairburn’s Third Edition of the Trial of John 

Holloway, and Owen Haggerty, for the Wilful Murder of Mr. Steele, 

On Hounslow Heath, November 6, 1802. And of Elizabeth God- 

| frey, for Stabbing Rd. Prince in the Eye. Folding frontispiece 

A “The Inhuman Murder of Mr. Steel,’ signed “I. Ck.” (Isaac Cruik- 
shank). 8vo, half blue morocco, lettered up back. 

London: John Fairburn [1807] 


From the Captain Douglas Collection, No. 602 in his sale’s catalogue. 
The plate is scarce. : 


81. CRUIKSHANK (Isaac). State Trial. Report of the Interesting Trial 
and Acquittal of that Well Known Character John Bull . . . for 

/ Attacking, Forcibly Entering Copenhagen, and Seizing Various 
Ships, Naval Stores, &c. belonging to his Majesty the King of Den- 

mark, in the Month of September, 1807. By “A Barrister.” Fold- 
ing frontispice by Isaak Cruikshank. 8vo, boards, leather back. ; 
London, 1807 

First Eprtion. With leather bookplate of Edward Hailstone. 


First Session, Tuesday Evening, February 4th 
Set TSS A 


82, OrvIKsHANK (Isaac). Lord Chesterfield’s Advice to His Son. . . to 


which are added, Franklin’s Way to Wealth . . . Engraved frontts- 
~ sy prece and title, by I. Cruikshank. 18mo, new boards, uncut. With 
—- cloth protecting wrapper. London: G. Walker, 1817 


First EpITvIoN WITH THESE ILLUSTRATIONS. Marchmont, No. 100. 
The Captain Douglas copy, No. 106 in his sale’s catalogue. 


83. CrurksHaNK (Isaac). My Wife, a Canzonet. Written, composed and 
most respectfully inscribed to the British Ladies, by Frances Pa- 
J, normo. “I. Cruikshanks, Del.” »“W. Panormo sculpsit.” London, 
Published by the Author. 4to. Enclosed in cloth folder, lettered 

on front. Margin slightly soiled. 


ORIGINAL EDITION. Engraved music in centre; three colored views on 
each side and one at foot, illustrated of scenes in home life. 
BROADSIDE MUSIC, WITH COLORED VIEWS. 


84. CrUIKSHANK (Isaac). ORIGINAL SEPIA DRAWING. Swearing In at 
Highgate in 1796. Signed,—“J. CG.” Size, 6144 by 914 inches. 
Matted. 


0. AN ORIGINAL DRAWING BY THE ELDER CRUIKSHANK, with ‘“Subject-title” 
IN HIS AUTOGRAPH. Contains nine figures. 


85. CrurksHank (Isaac). Cotorep Ercuine. The Martyrdom of Louis 
XVI. King of France. I Forgive my Enemies, I Die Innocent!!! 
Signed —“I. Cruikshank Inv.” On the top margin,—Pubd. Feby 

Y, 1., 1793 by S. W. Fores, No. 8 Piccadilly. Size, 9 by 74% inches. 

. PROOF IMPRESSION BEFORE LETTERS, COLORED, WITH THE TITLE, LINE 
OF QUOTATION AND PUBLISHERS LINE, AS GIVEN ABOVE, IN THE AUTO- 
cRaPpH or Isaac CrurksHANK; Also, the FINISHED PLATE on the 
same, with different coloring; the knife on the guillotine being a 
triangle, in the proof the same has a circular edge. Together, 2 
pieces, neatly hinged in one folder. Enclosed in cloth folder, let- 
tered on front. 


UNIQUE ITEM. Plates, with the elder Cruikshank’s autograph are ex- 
ceeding rare. The above shows Louis XVIth standing beside the guil- 
lotine. 


86. ORUIKSHANK (ISAAC). COLORED CARICATURE. The Fruition of Nantes 
or the Vision Interpreted. “Cruikshank.” Lond Pub July 15 1791 
Z by 8 Fores; [Auso| The Vision of Nantes or the Patriotick Attack 
#°’ of the Troops National. “I. Cruikshank.’ London Pub July 20 
1791 By S Fores No 3 Piccadilly. Together, 2 pieces, oblong 4to, 

neatly matted. 


ORIGINAL IMPRESSIONS, COLORED. 


87. OrurksHaNK (Isaac.) CoLoRED CARICATURE. John Bulls Hint for a 
Profitable Alliance. “I. Cruikshank fecit.” London Sepr 26, 1794 by 
S W Fores No 3 Piccadilly. Size, 84% by 15 inches. Matted. 


2; ORIGINAL IMPRESSION, COLORED. 
The Prince of Wales bowing before Queen Catherine of Russia; Am 
[Continued 


First Session, Tuesday Evening, February 4th 


[No. 8%—Continued | 
bassador of each country standing behind their respective sovereign. 
The Prince is saying, “Oh what a thing it is to be in Love.” The Am- 
bassador from England remarks, “There my Lord is a fine. buxome 
Widow.” 


88. CRUIKSHANK (Isaac). CoLoRED CARICATURES. A Series of three cari- 
cature etchings on the Effects of Flattery, Adversity and Disap- 
pointment. Size of each, 1% by 1814 inches. Enclosed in cloth 
folder, lettered on front. One plate has margin cut close, another 

has tear in fold. Retouched. 1794-1805 


ORIGINAL IMPRESSIONS. Each plate has eight couples illustrative of the 
subject treated, with lines of text. 


Can 


(1) THe Errects oF FrLarrery. “Designed by G. M. Woodward.” 
“Htched by I. Cruikshank.” Published, Novobr. 1st, 1794, by 
S. W. Fores. 


(2) Tue Errects or DISAPPOINTMENT. Signed on the plate,—Cs. 
Sc.’ The watermark is “1805.” 

(3) Tue Errects oF ADVERSITY. “G. M. Woodward Delin.” Signed 
on the plate-——“I C.” Pubd. Novr. 1st 1794 by S. W. Fores. 


89. CRUIKSHANK (Isaac). COLORED CARICATURES. A Collection of Hob- 
goblins. Respectfuly Dedicated to the Admirers of Blue Devils and 
Vapours! [Atso] A Collection of Ghosts!! “Woodward del,” 

2 Signed on the plate, “I. C.” London, Published, February 25 (and 
ft 26), 1795, by S. W. Fores. Size of each, 12 by 1814 inches. En- 
closed in one cloth folder, lettered on front. 


ORIGINAL IMPRESSIONS of two curious and rare caricatures. The first 
contains 10 grotesque figures; the second, 8 curious scenes depicting inter- 
views with ghosts. 


90. CRUIKSHANK (Isaac). ConorEep Caricature. Deputy Pendulum’s Mo- 
tion for an Address. “I CO.” Lond. Pub Nov 29, 1795 by S W Fores 
4 No 50 Piccadilly. Size, 834 by 814 inches. Beneath is the engraved 
address. Matted. : 


ORIGINAL IMPRESSION, COLORED. 
One of the elder Cruikshank’s political caricatures. 


91. CrurKSHANK (Isaac). A Collection of Original coLoRED Caricatures 
by Isaac Cruikshank. All oblong 4to. Together, 10 pieces. En- 
closed in cloth folder, lettered on front cover. Three of the plates 
are creased. 1797-1798 | 


An UNUSUALLY CHOICE COLLECTION OF ORIGINAL IMPRESSIONS of the fol- . 


lowing,— 
(1) THE DELEGATES IN COUNSEL or Beggars on Horseback. “I. Ch” 
v London Published by 8. W. Fores . . . June 9, 1797. 
(2) TuHat Accounts For IT. Pub. Jan. 15, 1799, by S. W. Fores. 
Signed on the plate,—“J. C.” 


(3) APOLOGIES FOR 'TIPPLING. “Woodward del.” “Oruikshank 
sculp.” Pubd. May 1, 1798, by 8. W. Fores. 
(4) OursELvEs!! “Woodward delin.’ Pubd. Jany. 1st, 1796 by 


S. W. Fores. Signed on the plate,—“IC.” 
[ Continued 


First Session, Tuesday Evening, February 4th 
ot ES Bla Las A eR NO 


[No. 91—Continued | 

(5) TrrumMPHs oF TeMPER!! “Woodward Delinr.” Pubd. March 1st, 
1796, by S. W. Fores. Signed on the plate,—“/C.” 

(6) Tue Procress oF HEROISM! “Woodward Delint.” Pubd. April 
9th, 1796 by S. W. Fores. Signed on the plate,—“J Ck.” 

(7) Days or Yore!! “Woodward Delin.” “Cruikshank Sculpt.” 
Pubd. Feby. 16th, 1797 by S. W. Fores. 

(8) Famiry Secrets!! “Woodward Delin.” “Oruikshank Sculpt.” 
Pubd. October 12th, 1797 by S. W. Fores. 


(9) A Huntine PIECE oN A NEW CONSTRUCTION. “Woodward del.” 
“Oruikshank sculp.” Publisher’s line cut off. 
(10) A Scnoot For Parsons. “Woodward delin.” ‘“Oruikshank 


sculp.” Pub. Feby. 26 1798 by S. W. Fores. 
The last nine of the above, comprise a series of humorous and other 
sketches, illustrated in groups, and depicting scenes in various walks of 
life, including,—Domestic, The Drunkard, Social, ete. 


92. CRUIKSHANK (Isaac). Cotorep Caricature. Birds of a Feather Flock 

together—or Bond Street Loungers attending the Examination of 

~Y their Fellow Scarecrows!!! “IC.” Publishd March 20th 1800 by 
JS? 8 W Fores Piccadilly. Size, 9 by 15 inches. Matted. 


ORIGINAL IMPRESSION, CoLorED. Etched by the elder Cruikshank. 


93. OruIKsHANK (Isaac). CoLorED Caricatures. Son’s of Harmony— 
Scene Chandois Street.—;Son’s of Friendship—Scene Chandois 

Street. “Drawn by Cruikshank” (Isaac). Published 8th Jany. 1801, 

4 Sv by Laurie & Whittle, 53 Fleet Street, London. Size, 7 by 9 inches. 
~ Together, 2 pieces, enclosed in folding cloth covers, lettered on front. 


ORIGINAL IMPRESSIONS. Rare and very interesting. 

(1) Members of the society seated around a table in a listless manner, 
some asleep, while the chairman is speaking. 

(2) The same members as shown in the above, are here seen break- 
ing up the meeting; the chairman in the act of striking 
one of the members with his gavel; another member standing 
on table, in the position of a prize-fighter, warding off an 
attack. 


94. OrvIKSHANK (Isaac). CoLorep CarrcaTure. The Buck and the Goose. 
Signed,—“Orutkshank del et s.” Pub: July Ap 80 nby Sa. 
Fores No. 50 Piccadilly. Size, 6 by 834 inches. In cloth folder, 
Van lettered on front. 


UNIQUE COPY, WITH AUTOGRAPH INSCRIPTION BY GEORGE CRUIKSHANK,— 
“By my Father Isaac Cruikshank. G: 10k.” 


95. ORUIKSHANK (Isaac). CoLorep Caricarure. A Parish Meeting, on 
the Subject of Invasion. John Bull in the Chair. Written and 
Designed by G. M. Woodward. Pubd. by M. Allen, 15 Paternoster 

A Row, July 18, 1803. Etching signed,—“T. Ck.” Size of etching, 514 
by 834 inches. Beneath are two columns of text, in the form of a 
dialogue. Tear down centre repaired, backed with linen. Enclosed 
in cloth folder, lettered on front. 


RARE ORIGINAL IMPRESSION. Seated around a large table are John Bull 
and several of his companions, smoking and drinking. 


First Session, Tuesday Evening, February 4th 
eee 


96. CRUIKSHANK (Isaac). CartcaturB. Chips of the Block—Specimens 
of the Breed or the Gallic Mongrel at Bay. Unsigned. Pubd Sept 
26 1803 by S W Fores 50 Piccadilly. Size, 9 by 13 inches. Matted. 

/ ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 178. 

Etched by Isaac Cruikshank. John Bull is represented as a bull dog, 
crouching defiantly beneath an oak tree, with five pups yelping “Keep 
off!’ Bonaparte is represented as a monkey surrounded by Holland, Italy, 
Prussia (portrayed as animals), and a jackass laden with Swiss cheese. 


97. CRUIKSHANK (Isaac). CoLORED CARICATURE. The Tilted Waggon. 
Publish’d March 12, 1805, by Laurie & Wluttle, 53 Fleet Street, 
London. Beneath are 18 verses, in three columns, with caption,— 
“The following pleasant Couplets were written in a Tilted Waggon, 

4 between Hambledon and Bishops Waltham, Hampshire; by Signor 
f.! Jiggorini, Knight of the Three Periwigs, and Poet-Laureat to the 
Hambledon Waggon.” Size of etching, 534 by 9 inches. Enclosed in 

cloth folder, lettered on front. 
RARE ITEM, WITH AUTOGRAPH INSCRIPTION BY GEORGE CRUIKSHANK, 


reading,— ; 
“Brom a drawing by my father Ic. Cruikshank.” 


98. CRUIKSHANK (Isaac). CotorEp CaricaTURES. Progress of a Corrupt 
Senator. A series of six colored caricature etchings,—“ Woodward 
del.” “Cruikshank sc.’ Beneath each are several lines of verse 
descriptive of various incidents in the career of the Senator, from 

42 the time he is first visited by a “Clown from North,” until he him- 

ZU, self is bought with the gold of “a titled chief.” Size of each, 7 
by 9 inches, wide margins. Enclosed in cloth folder, lettered on 
front. Three of the plates have slight tears in margins repaired. 

London: Published by T. Tegg, 1806-1807 


ORIGINAL IMPRESSIONS. An interesting series. 

Pl. I. Shows the Senator attacked by the gout, interviewed by the 
“Clown :” the valet about to leave the room. 

Pl. Il. Tradesmen bowing at the Senator’s door, which is being 
guarded by the trusty servant; Doctor shows his bill, 
others with long faces, in the background. 

Pl. III. An Agent is made by the Senator to sign a false receipt; 
mother in background warns her son to avoid “such 
deep laid paths, of sordid vice.” 

Pl. IV. Scene before an Inn. The Senator, who has become: ambi- 
tious for a seat in Parliament, is seen presenting a 
purse to a Voter; liveried servant to left; Inn to 
right. 

Pl. V. Having attained his seat in Parliament, he joins the Oppo- 
sition and raves against Ministerial power. Most of 
the members think that “He'll sluft his banners, at a 
proper season.” : 

Pl. VI. The final corruption of the Senator. A scene in his parlor, 
where he is being handed a bag of gold by “a titled 
chief,” for which he agrees to espouse the Ministerial 
cause. 


First Session, Tuesday Evening, February 4th 
SSA EE RES 


99, CruriKSHANK (Isaac). CoLORED CARICATURE. Progress of a Corrupt 

Senator. Plate II. Tradesmen bowing at the Senator’s door, which 

ve is being guarded by the trusty servant; Doctor shows bill, others 
(2? with long faces, in the background. 4to. Matted. 

London: Pub. by T. Tegg [1807] 


100, CrurksHank (Isaac). COLORED CaricatuRE. The Dance of Death 
Modernized. “Design’d by G. M. Woodward.” “EHtch'd by I. Crutk- 
shank.’ London Pubd. Octr. 1808, by Willm. Holland No. 11 Cock- 
spur Street. Size, 22 by 28 inches. Tears in old fold and at 

.. margin, repaired, the whole backed with linen. Enclosed in cloth 
hv? folder, lettered on front. 

ORIGINAL IMPRESSION OF THIS EXCEEDINGLY. RARE CARICATURE. Four tiers 
of six groups each. Death shown as leading representatives of the 
various professions in life, from the king down to a beggar; each group 
contains an appropriate inscription expressive of the feelings of the 
character represented. 


101. CrurksHank (Isaac). Cotorep Caricature. The last Grand Minis- 
terial Expedition! on the Strt Piccadilly. CINGe A Pabd ged 
W Fores 50 Piccadilly April 9th 1810. Size, 814 by 15% inches. 

/S? Matted. 


ORIGINAL IMPRESSION, COLORED. 

Etched by Isaac Cruikshank. On the Riots occasioned by the arrest 
of Sir Francis Burdett. The Life Guards are charging the people, who 
are flying right and left; women are seen falling, one with a child in 
her arms. An officer is holding on to the mane of his horse, and ex- 
claiming, “This is far superior to the Walcheren Expedition.” 


BOOKS ILLUSTRATED BY GEORGE CRUIKSHANK 
[Numbers 102 to 405, inclusive] 


102. CrurksHANK (GEORGE). The Imposter Unmasked ; or, The New Man 
of the People; with Anecdotes, never before published . . . In- 
scribed, without permission, To that superlatively honest and dis- 

4 sD interested Man, R. B. S-e-d-n, Esq. (Richard Brinsley Sheridan) 

? ConoreEp folding frontispiece, signed “Oruikshank, del.” 8vo, half 
“calf, uncut. London: Tipper and Richards, 1806 


First Epirion. Cohn, No. 416. 

The frontispiece shows Sheridan addressing the Electors. RARE. 

This is the Douglas copy (No. 320), where it is stated that the plate 
is probably by Isaac and George. 


103. CRUIKSHANK (GrorGcE). The Satirist, or Monthly Monitor. Vol I. 
(only) With 5 folding COLORED plates. 8vo, calf, broken and title 
London, 1808 


torn. 
Y, See Cohn, No. 695. The plates are signed by De Wilde and Syl- 
vester, but the work is classed by Cohn under George Cruikshank. 


First Session, Tuesday Evening, February 4th 


104. CrurksHank (GEorcE). Andrewes (George). A Dictionary of the 
Slang and Cant Languages: Ancient and Modern. As used by 
. . Every Class of Offenders. COLORED folding frontispiece, “The 
Beggar’s Carnival,” in which the figures are by I. Cruikshank and 
{- the background by George Cruikshank. 1emo, boards, morocco back, 

uncut, margins time soiled, plate has one corner slightly scorched. 
London: Published by George Smeeton [1809] 

First Eprtion. Cohn, No. 25; Douglas, No. 319. 


C~ 


105. CrurksHank (Grorcr). Lloyd (G.) and Symes (R.). The Improved 
Art of Riding. Folding frontispiece with 6 illustrations. 12mo, new 


boards, roan back. London: J. Bailey [1810] 
alan? First Eprtion. Cohn, No. 481; Douglas, No. 347. 
SO UY 
Ee The frontispiece contains six subjects, one of which seems to be a 


portrait of himself. Reid mentions the plate only at No. 113. 
According to Cohn, the plate is “attributed to G. C., but rejected by 
him to Dr. Truman.” 


106. CrurKsHANK (GrorcE). The Beggar’s Opera. An Highly Interesting 
and Truly Important of the Extraordinary Manners and Customs 
of the London Beggars. Conorep folding frontispiece, similar to the 

a work of G. Cruikshank. 12mo, sewed. Enclosed in folding wrap- 
S per and cloth slip-case. Frontispiece has tear in fold repaired. 
London: G. Smeeton, circa 1810 


Rare. Not mentioned by Cohn or Douglas. 

Smeeton published other pamphlets with frontispieces by George Cruik- 
shank. There is no way of verifying whether the plate in this work 
is byeG. Cruikshank; however, it forms an admirable companion piece 
to that in Andrewes’s “Dictionary of Slang,” published in 1809, which 
plate is by Cruikshank, and so signed. 

The plate in this tract is entitled—‘‘A Scene in St. Giles’s,” and shows 
the tavern room, with a large table, at which are seated several parties ; to 
the left is a large fire-place. 


107. CrurxsHank (GEorcE). Lexicon Balatronicum. A Dictionary of Buck- 
ish Slang. University Wit, and Pickpocket Eloquence. Compiled 
originally by Captain Grose. And now considerably altered and en- 
larged, with the Modern Changes and Improvements, by a Member 
of the Whip Club. Assisted by Hell-Fire Dick, and James Gordon, 

oe Esqrs. of Cambridge; and William Soames, Esq. of the Hon. Society 
of Newman’s Hotel. Htched frontispiece (plain) by G. Cruikshank. 
8vo, original boards and label, uncut, rebacked, label chipped. With 

cloth wrapper, in morocco slip-case. 
London: Printed for C. Chappel, 1811 


First Eprrion. Cohn, No. 472; Douglas, No. 7. 
The plate in this work is a second State of that in No. 6 of “The 
Scourge.” 


First Session, Tuesday Evening, February 4th 


108. CrurksHankK (GzorcE). The Scourge; or Monthly Expositor, of Im- 


Ie 
WOO : 


posture and Folly [With continuation, as] The Scourge, or Literary, 
Theatrical and Miscellaneous Magazine | AND, the further continua- 
tion, with caption to each part, as] The Scourge and Satirist; or, 
Literary, Theatrical, and Miscellaneous Magazine. WITH ALL THE 
%2 FOLDING COLORED PLATES, SATIRICAL AND HUMOROUS, MANY OF 
WHICH ARE BY GEORGE CRUIKSHANK. 12 vols. 8vo, half sprinkled 
calf, yellow edges, newly bound, BY LARKINS. 

London: For M. Jones (ete.), 1811-1816 


ARSOLUTELY COMPLETE SET, INCLUDING THE VERY RARE VOL. XII. Bound 
from the original monthly parts, with ALL THE CONTENTS LEAVES PRESENT , 
also, the title-page to each volume. As no title-page was issued for 
Vol. XII., of which only a small number were printed, owing to lack 
of subscribers, a title-page of Vol. X. with number and date altered in 
ink, has been supplied for the volume in this set. 

ALL THE PLATES ARE PRESENT, including the ORIGINAL UNCOVERED STATE 
of the plate “A Financial Survey of Cumberland, or Beggar's Petition,” 
regarding which Mr. Legard, the author of that excellent work on “Sup- 
pressed Plates,” says,—“F'or many years I hoped and hoped in vain 
to come across an uncoloured proof displaying the hidden figure. But it 
was not until 1905 that I was fortunate enough to light upon THE PROB- 
ABLY UNIQUE EXAMPLE HERE REPRODUCED.” 

Further features of this set, are as follows,— 

The January number, 1812, is a first issue, having 86 pages. 

Plate 2, is without date. 

Plate 16, is the first state. 

Plate 23, is dated, Nov. 1st, not 12th, as given by Douglas. 

The June number, 1814, is a first issue, with 518 pages. 

Vol. XII. contains 480 pages, not 420 as given by Cohn and Douglas. 

A REMARKABLY FINE SET OF ONE OF THE RAREST OF ALL BOOKS ILLUS- 
TRATED BY CRUIKSHANK TO FIND WITH THE FULL QUOTA OF COLORED PLATES. 
Many of the plates are Caricatures of Napoleon I. 

THE WILLIAM HERMANN COPY. 


109. CrurksHaNK (GEORGE). Metropolitan. Grievances; or, A Serio-Comic 


/2, 


Glance at Minor Mischiefs in London and its Vicinity, including a 

few which extend to the Country. By “One who Thinks for Him- 

self.” A very curious frontispiece, in cotors, by G. Cruikshank. 

12mo, full calf, polished, gilt back, fillet borders, gilt edges, BY 

RIVIERE. London: For Sherwood, Neely, and Jones, 1812 
First Epitron. Cohn, No. 538; Douglas, No. 9. 


110. CruiksHANK (GerorGE). Resurrection of Pitt!! An Account of the 


/ 


Appearance of a Mysterious Figure, Solemnly asserted, by Francis 
Murray, of Lambeth, to be no other than the Right Honourable 
William Pitt, Late Prime Minister of England. Folding frontts- 
piece, uncolored —“The Ghost of Pitt,’ etched by G. Cruikshank. 
8vo, new wrapper, in leather folder. Name on title. 

London: J. Fairburn [1812] 


First Epitron. Cohn, No. 661; Douglas, No. 351. Rare. 
The copy is without date on title. 


First Session, Tuesday Evening, February 4th 
thc enc te ee nett <A eR REE EE 


111. CrurksHank (GxorcE). The Conundrum. With uncolored etching, by 


ap 


George Cruikshank, showing a covered dais, approached by three- 
steps, on which are placed three chairs for three triumvurs who, 
however, stand in front, the figure of “Anthony,” being @ PORTRAIT 
or Kran, the celebrated actor. 4to, original boards, uncut, slight 
tear in leaf, pp. 9-10. 
London: Printed for the Author by D. N. Shury, 7%, Berwick 
Street, Soho [1812] 


Second issue, with the change in imprint; being without the words 
“and sold by Stockdale, 41, Pall Mall.” 

EXcEEDINGLY Scarce. This book was written by General Arabin, and 
was suppressed. The etching is very curious. 

See, Cohn, No. 156; Douglas, No. 11. 


112. OrviksHANK (GrorGE). The Cabinet of Comicalities; or, Humorous 


WY 


Repository: a Collection of Approved Comic Tales, Droll Stories, 
and Recitations. Collected and arranged by T. Spiller, Comedian. 
With 4 curious woodcut, crudely colored by hand, two by G. Cruk- 
shank, and so signed. 16mo, original boards, paper back with 
original paper label, cloth wrapper, in solander red levant morocco 
case, BY ROOT. Small piece missing from margin of one leaf. 
London: Published by J. Duncombe [1813] 


First Eprrion. Cohn, No. 102; Douglas, No. 361. 
EXCEEDINGLY scarce. A pencil note states that only two perfect copies 
are known. 


113. CrurksHanx (GrorcE). Southcott and Shiloh!! Fairburn’s Edition 


of the Prophetess; containing an Impartial and Authentic Record 
of Facts concerning Joanna Southcott’s Miraculous Conception and 
Mission; particularly the Opinion of the Doctors. With engraved 
portrait of Joanna Southcott. 8vo, half calf, gilt back and top, 
uncut, original wrappers bound in. London: John Fairburn, 1814 


UNIQUE COPY OF THE First EDITION OF No. 1., comprising the first 18 
pages of the work, with the original printed wrapper. 

This is the Douglas copy, the only one known, and has the following 
inscription on margin of portrait, in the handwriting of George Cruik- 
shank,— : 
“T may have made the drawing 

but the engraving is by a 
chalk engraver.” 


114. CrurksHank (GEORGE). Moore (A.). The Annals of Gallantry; or, 


The Conjugal Monitor: being a Collection of Curious and Important 
Trials for Divorces, and Actions of Crim. Con. during the present 
reign; Accompanied with Biographical Memoirs and Anecdotes, and 
Illustrated with Notes. With 19 plates (should have 20), all but 


one in coors, three of which are by George Cruikshank, and 
[Continued 


Ve Cunlos 


WILLIAM COMBE 
Lire or NAPOLEON—COLORED PLATES BY G. CRUIKSHANK 
Reduced facsimile of title-page 


‘ 
F 
; Oo 
4 ‘ i 


First Session, Tuesday Evening, February 4th 


[No. 114—Continued] 


signed. 3 vols. 8vo, light calf, gilt backs with red and green 
leather labels, triple fillet borders, gilt edges, some in the rough. 
London: Printed for the Proprietors, and sold by M. Jones, 
1814-1815 


FIRST AND ONLY EDITION OF THIS CURIOUS WORK. Cohn, No. 28; Douglas, 
No. 15. 

A complete set of this work (published in parts) is extremely difficult 
to secure, for the reason, that as many parts as possible were destroyed 


‘as they came out on account of the scandalous attacks they contain on 


many notables of the day. 
The above copy has been bound by a former owner, from the original 


‘parts, the plates being inserted in their proper places according to the 


text. The plate missing in this copy is an unimportant one, being an 
uncolored portrait of a lady. 


115. CrurksHank (GeEorGE). In Parliament. Dropt Clauses Out of the 


Mp 


Bill Against the Queen. For Mr. Attorney General To peruse and 
settle. With a Refresher. W. Hone, Ludgate Hill, London, Solici- 
tor for said Clauses. RARE ORIGINAL printed document [1814]. 
Etched head-piece, in three compartments, by G. Cruikshank, be- 
neath which is the caption.—“A Bill To deprive Her Majesty Caro- | 
line Amelia Elizabeth of the Title, Prerogatives, Rights, Privileges, 
and Pretensions of Queen Consort of this Realm, and to dissolve the 
Marriage between His Majesty and the said Queen.” Small folio, 
4pp. folded, docketed on back. 

[Atso] In Parliament. Dropt Clauses (etc., the same as pre- 
ceding). First Eprrion in pamphlet form. The vignette by 
Cruikshank, at the head of the caption has but two etchings, the 
centre one representing the crown ona stool being dropped out. 
8vo, pp. 8. [1821]. Together, 2 pieces, preserved from injury, 1n 
a green morocco folder, lined with brown moire silk, contents let- 
tered on outside cover. [London, 1814-1821] 


VERY RARE. See, Cohn, No. 601; Douglas, No. 529, neither of whom 
mentions date, or give the pamphlet form. 


116. CrUIKSHANK (GrEORGE). [Combe (William).] The Life of Napoleon, 


ve] 


a Hudibrastic Poem in Fifteen Cantos, by Doctor Syntax. Em- 
hellished with Thirty Engravings by G. Cruikshank. ALL FINELY 
coLoRED. Royal 8vo, full light polished calf, gilt back and top, sides 
with triple fillet border and floral corner designs, inside borders, 
uncut, BY JOHN BUMPUS. London: Printed for T. Tegg, 1815 


First Epition. Cohn, No. 148; Douglas, No. 16. . 

A remarkably fine and large copy, 6 by 914 inches, some of the plates 
show printer’s line on outside margin. With armorial bookplate of 
William Morley Pegge. 


[See Reproduction of Colored Title-page) 


First Session, Tuesday Evening, February 4th 


117. CRUIKSHANK (GEorGE). Pitman (Ambrose). The Miseries of Musick- 
Masters: including The Art of Fingering Key’d Instruments, and 
Introductory Rudiments of the Practice of Harmonicks. A Serio 
Comick Didactick Poem. With FINE COLORED frontispiece, signed,— 

a MN? “CG. Cruikshank,’ Published as the act directs by G. and T. White, 

(¢“™~ May 1815. 4to, brown calf, uncut, lettered up back and on front 
cover, BY woop. Margin of title slightly soiled. 

London: G. and T. Wilkie, 1815 


TIE VERY RARE First Epitrion. With Hrrata leaf. Cohn, No. 624; 
Douglas, No. 17. 


118. CrurksHank (Gxrorce). The Whimsical Song Book for 1814. Frontis- 
piece and large vignette on title, BOTH IN COLORS, neither one signed, 
but engraved by George Cruikshank, 12mo, original wrappers, with 

a printed title, uncut. London: Thomas Tegg [1815] 

/ First Epirion. The frontispiece is entitled,—“Captain Mulligan ;” 
the vignette on title represents a domestic scene, the “Captain,” in uni- 
form, knocked from his chair, by his better-half, with a lighted candle; 
love flies out of the window. . 

ONE OF THE RAREST OF ALL CRUIKSHANK ITEMS. Not listed by Douglas, 
Cohn, or Reid. 


119. CrurksHank (Grorcs). [Daniel (G.).] The Modern Dunciad, x 
Satire. Etched frontispiece, in brown tint, by G. Cruikshank. 
Fourth Edition, corrected and enlarged. 16mo, original boards, ) 


’ uncut, new paper back, cracked at hinges. 
London: Effingham Wilson, 1816 


120, CRruIKSHANK (GxorGE). Hone’s Interesting History of the Memorable 
Blood Conspiracy, Carried on by 8. Mac Daniel, J. Berry, J. Egan, 
and J. Salmon, Thief-Takers, and their Trials and Sentences, in 

/ ev. 1756. Etched portrait of Mac Damel, by G. Cruikshank, after Chr. 
“~ — Leigh. 8vo, new wrappers. London: William Hone, 1816 
First Epitrion. Cohn, No. 383; Douglas, No. 417. 


121. CrurksHaNnK (GrorcE). Hone’s Popular Cabinet Edition. Guy Man- 
nering, The Astrologer, or The Prophecy of Meg Merrilies, The 
Gipsey. Frontispiece and vignette on title, both by G. Cruakshank, 


- and both colored. 12mo, blue calf, fillet border, lettered up back, 
® 3 dentelle inside borders, BY LARKINS. ‘T'wo leaves repaired, slightly 
time soiled. London: Printed for W. Hone, 1816 


First Epition. Cohn, No. 359 ; Douglas, No. 423. Marked on fly-leaf, 
“Douglas copy.” 


122. Crurksmank (Gores). A Collection of Tracts published by William 
Hone, relative to the Princess Charlotte and Prince Leopold, some 
with illustration by G. Cruikshank—5 tracts bound in one vol. 8vo, 

= se original boards, binding broken. With cloth folder. 

, London: W. Hone, 1817 


Hone’s Eprrion. Authentic Memoirs of the Life of the late Lamented 
[Continued | 


First Session, Tuesday Evening, February 4th 
=U ee EEG TERROR Bae NOE ast eae ee 


[No. 122—Continued | 
Princess Charlotte. Frontispiece with portraits of the Prince 
and Princess. 
First Epririon. Cohn, No. 128; Douglas, No. 429. 

Hone’s Epition. Authentic Memoirs of the Death of the Princess 
Charlotte and her Infant. Third Edition. Frontispiece with 
portraits of Leopold and Charlotte and vignette on title by G. 
Cruikshank. 

See, Cohn, No. 130; Not in Douglas. 

Honre’s Epirion. The Whole of the Burial Procession and Obsequies. 
A Most Correct Account of the Funeral of the Princess Charlotte. 
Fifth Edition. Folding frontispiece, “G. Cruikshank fect. Pubd. 

. Nov. 20, 1817.” 
See, Douglas, No. 428. Not in Cohn. 

THE Princess. The Death of Our Lady, in Child-Bed. A Ballad 
Effusion. 

Memorrs of Prince Leopold. With portrait of Leopold, and woodcut 
on title, both by G. Cruikshank. 

First Epition. Cohn, No. 467; Douglas, No. 430. 


From the Douglas Collection. No. 101 in his sale’s catalogue. 


123. OrurksHank (Grorce). A New Race of Contemptibles!! Dandiana; 
or, A Looking-Glass for the Dandies . . . interspersed with Original 

Poetry, and a New Song. By a Dandy, a whole Dandy, and nothing 

Us; but a Dandy!! Cotorep frontispiece, signed “Cruikshank fe.” 
8vo, boards, leather back, uncut, plate cut close with top margin cut 

into. London: John Fairburn, circa 1817 


First Epirion. Cohn, No. 570; where it is stated as being “Attributed 
by Douglas and Reid to G. C.” 

The plate in this copy is as stated by Cohn, signed “Cruikshank,” 
thus being at variance with Douglas (No. 432), who claims the same 
as unsigned, and with Reid (No. 616), where it is stated to be signed 
“G Ok.’ The present plate is entitled,—“THrE Danpy Exquisite! !,” 
the figure being shown in a different attitude and with different sur- 
roundings. 


124. CrurksHANK (GxorcE). Charlotte (Princess). Memoirs of the Life 
and Death of the Lamented Princess Charlotte, and Her Infant; a 
Minute Detail of the Funeral Procession (etc.). Woodcut folding 
frontispiece of the Interment in St. Georges Chapel, by G. Crusk- 
/ shank. 12mo, half calf, uncut, original wrappers bound in, lower 
margin of plate cut close. London: J. Bailey [1817] 
Frest Eprrion. Cohn, No. 125. 
From the Douglas Collection, No. 102, in his sale’s catalogue. 


125. Crurksuank (Gzorcr). Roberts (Samuel). The State Lottery, A. 
Dream; also, Thoughts on Wheels, A Poem. By James Montgomery. 
CotoreD frontispiece by G. Cruikshank. 8vo, original boards and 

/j), abel, uncut, binding slightly rubbed. 
London: Sherwood, Neely, and Jones, 1817 


First Epirion, FourtH State, with the lower margin of the plate cut 
off. Cohn’s “Notes on Rare Cruikshankiana,” page 19. 


First Session, Tuesday Evening, February 4th 


126. CrurksHANK (GEorGE). Bank Restriction Note. Specimen of a Bank 


20, 


Note—not to be imitated. Submitted to the Consideration of the 
Bank Directors and the inspection of the Public. An etching by 
George Cruikshank. Oblong 12mo sheet (top margin repaired). 
Mounted and matted, and bound in full blue levant morocco, lettered 
up back, sides with fillet border enclosing title in gilt, gilt edges, 
inside border, BY HYMAN ZUNCKER. | 

[London:] Published by William Hone [1818] 


RARE ORIGINAL ISSUE OF THE NOTE, without the envelope. Douglas, No. 
1842; Reid, No. 965. 

Between the inscription and the line of publication is an ornament 
of fetters. Vignette, representing Britannia devouring her naked chil- 
dren, in a frame, which is composed of wretches hanging, and sur- 
mounted by a death’s head. “Bank Restriction,” is inscribed over a 
gibbet in the form of the blade of the guillotine, with eleven men and 
women hanging in a row to its handle. 

About 1817 or 1818, the one-pound notes of the Bank of England were 
put in circulation. They were frequently forged, and the penalty for 
“passing” one was Death. On witnessing the hanging of several men 
and women, for passing these notes, Cruikshank went home, and in ten 
minutes designed the above “Note,” the drawing of which, being exhibited 
in one of the Print Shops, attracted a large crowd which had to be 
dispersed by the police. Soon after, the Bank Directors held a meeting 
upon the subject, and decided to have no more one-pound notes issued. 
Eventually, Sir Robert Peel had passed in Parliament, a bill by which 
there was to be no more minor offences punishable by death, and so 
by this little drawing, Cruikshank claims to have saved many lives. 


127. CrurksHanx (GxorcE). Billets in the Low Countries, 1814 to 151%. 


/7) 


In a series of Letters. With 4 colored plates, unsigned, attributed - 
by Douglas to G. Cruskshank. 16mo, red calf, polished, richly tooled 
gilt back, sides with double fillet border, inside dentelle border, gilt 
edges, BY ZAEHNSDORF London: J. J. Stockdale, 1818 


First Epition. See, Douglas, No. 33 and Cohn, No. 70. The latter 
states regarding these plates,—“In the Truman copy. G. ©. repudiated 
these as ‘Not by Me.’ They are probably by Re Ge 


128. CrurksHANK (GrorcB). A German Mountebank blowing his own 


oft 


Trumpet at a Dutch Concert of 500 Piano Fortes!! or A natural 
[music note] from the “Scale of Nature” according to the Logier- 
head-Ian system!! Dedicated to his Countryman the Prince of 
Humbug and all those double Flats [music notes] that are not # 
enough to Secure their Notes from being transposed into the pockets 
of an ignorant Pretender. “Yedis invt. G. Cruikshank, fecit.” With 
two pages of engraved text and music notes. 4to, enclosed in cloth 
folder; lettered on front cover. 

London: Pub. April 1818, by Sidebethern 


EXCEEDINGLY SCARCE. FINE COPY. ORIGINAL IMPRESSION. 


129. CrurksHank (GEorGE). Inducements to Virtuous Habits; exemplified 


in a Series of Original Letters, between a Father and Son, during 


[Continued 


G $Y the Absence of the Latter at School. Hngraved vignette on title, and 


First Session, Tuesday Evening, February 4th 
ee ee 


[No. 129—Continued | 
frontisprece “Oruikshank del. Roberts scu.” 12mo, half red levant 
morocco, lettered up back, gilt edges, BY ROOT. 
London: Printed for J. Bysh, 1818 


Not in Douglas or Cohn. 


130. CruIKSHANK (GEORGE). Neckclothitania; or, Tietania: being an Hssay 
on Starchers. By “One of the Cloth.” Engraved frontisprece show- 
2 ing varieties of neckcloths, by G. Cruikshank. 12mo, original wrap- 

, per, uncut, in cloth folder with protecting ends. 
London: Printed for J. J. Stockdale, 1818 


First Epirion. Cohn, No. 566. Not in Douglas. 


131. CrurksHaNK (GxEorcE). Mary, the Maid of the Inn. An Admired 
Pathetic Poem. By Robert Southey. Wurth 4 etchings, probably 
by G. Cruikshank. London: George Smith, 1818; [Auso, by an 
anonymous writer] Mary, the Maid of the Inn, or the Secrets of 

Pa the Ruins. Folding cotorED frontispiece by G. Cruikshank. Lon- 

he pe don: Orlando Hodgson [1823]. The 2 tracts in one vol. 12mo, 
calf, polished, gilt back, fillet border. First tract inlaid to size, BY 
MORRELL. London, 1818-[1823] 


First Epitrons. The first not in the Douglas Bibliography. The second, 
—Cohn, No. 518; Douglas, No. A478. 
The above is the Douglas copy, No. 395 in his sale’s catalogue. 


132. CrurksHank (GxrorcE). Egan (Pierce). Boxiana; or, Sketches of 
Ancient and Modern. Pugilism. Illustrated with portraits of cele- 
brated pugilists, and plates, including 3 plates by George Crutk- 
shank. COMPLETE SET OF BOTH SERIES. 5 vols. 8v0, half red levant 

/ SD. morocco, gilt panelled backs, lettered, gilt edges, inside margin of 


title-page to Vol. 2, remargined. London, 1818-1829 
The first two volumes are the re-issue; others are first editions. 
‘Comprises,— 


Vol. I. From the Days of the Renowned Broughton and Slack, to 
the Championship of Crib. Engraved title, 19 portraits and plates 
of sparring matches, and three plates by George Cruikshank. 

London: Sherwood, Neely, and Jones, 1818 

Vol. II. During the Championship of Cribb. With 6 portraits of 
pugilists. London: W. M. Clark, undated 

Vol. Ill. During the Championship of Cribb to Spring’s Challenge to 
All England. With 7 portraits of pugilists. 

London: Sherwood, Neely, and Jones, 1821 

Vols. IV. and V. New Series of Boxiana. With 15 portraits of cele- 
brated pugilists. 2 vols. London: George Virtue, 1828-1829 

The plates by Cruikshank are all in the first volume, and include,— 
“Sparring Match at Fives Court,” “Second Contest between Crib and 
Molineux,” and ‘Cup.” 


First Session, Tuesday Evening, February 4th 


133. CrurksHank (GxorcE). Cecil (John). Sixty Curious and Authentic 
Narratives and Anecdotes respecting Extraordinary Characters: Il- 
lustrative of the Tendency of Credulity and Fanaticism. Engraved 

PRY frontispiece by H. R. Cook after G. Cruikshank. 12mo, half calf. 

- London: William Hone, 1819 


First Epirion. Cohn, No. 121; Douglas Collection, No. 97. 
With four pages of advertisements of “New Books published by William 
Hone.” ‘ 


134. CrurksHaNK (GEORGE). Moore (Francis). The Age of Intellect: or 
Clerical Showfolk, and Wonderful Layfolk. Dedicated to the Fair 

eg Circassian. Frontispiece by G. Cruikshank, after Francis Moore. 

/ 20 12mo, calf, gilt tooled back, leather labels, fillet borders, gilt top, 
uncut, BY ROOT. London: William Hone, 1819 

First Epirion. FINE AND LARGE COPY. Cohn, No. 553; Douglas, No. 37. 


135. CRUIKSHANK (GEorGE). Picture Gallery, No. 20, . . . Catalogue of a 

Collection of Pictures, of that Ornament of the British School, 

William Hogarth. Folding key-plate to Hogarth’s “Mustcal Assem- 

2 D bly,” etched by G. Cruikshank. 12mo, half green calf, lettered up 

rte Dats No place, 1819 
First Eprrion. Cohn, No. 115. The Douglas copy. 


136. CruIKSHANK (GeEorGE). The Englishman’s Mentor. The Picture of 

the Palais Royal; Describing its Spectacles, Gaming Rooms, Coffee. 

: Houses (etc.) With Characteristic Sketches and Anecdotes of its 

(40,  Frequenters and Inhabitants. Fine folding frontispiece, in COLORS, 
by G. Cruikshank. 16mo, calf, gilt, gilt edges. 

London: Printed for William Hone, 1819 


First Epition. Cohn, No. 260; Douglas, No. 36. 


137. CrurksHANK (GsorcE). The Free-Born Englishman Deprived of His 

Seven Senses by the Operation of the Six New Acts of the Borough- 

_- »» mongers. A Poem, By Geoffry Gag’-em-all. Folding COLORED 

CO-% frontispiece, by G. Cruikshank, not siened, “Pubd. Jany. 15th, 1819 
by J. Fairburn, Broadway Blackfriars.” 8vo, morocco, uncut. 

| London: John Fairburn [1819] 


RARE GENUINE First EDITION, without date on title-page. Both Cohn 
(No. 311) and Douglas (No. 488) give date as on title. 


138. CRUIKSHANK (GEORGE). The Humourist: a Collection of Entertaining 
Tales, Anecdotes, Repartees, Witty Sayings, Epigrams, Bon Mots, 

Jeu d’esprits, &c. Carefully Selected. Illustrated with 40 COLORED 

LO 0 etchings (including vignette title and frontisprece to each volume) 
; by George Cruikshank, all of which are very good and highly fin- 

ished, and generally have some small design at top and bottom of the 
principal ones. 4 vols. 12mo, full blue levant morocco, polished, 
richly tooled gilt backs, sides with double fillet border enclosing a 


framework of fillets with corner ornaments, dentelle inside borders, 
[Continued 


[LS8T “ON] 
aov1dstjuody pue o8ed-9]}t} JO o[IUIISOBJ poonpesy 
LSINQOWAR, AH, 


MNVHSMINYO AONUOUD 


- 


First Session, Tuesday Evening, February 4th 


[No. 138—Continued | 


gilt edges, in cyan-blue compartment slip-case, chamois lined, BY 
RIVIERE. Slight tear in frontispiece to Vol. I, and in margin of 
one leaf, both skilfully repaired. 
London: Printed and Published by J. Robins and Co., 1819- 
1819-1819, 1820. 


First EDITION OF ALL THE VOLUMES. FINE Copy, measuring 614 by 3% 
inches. Cohn, No. 405; Douglas, No. 34. 

All the plates contain Robin’s imprint, and each volume has the leaf 
containing the list of plates with the Robins advertisement on verso. 


[See Reproduction of Title-Page and Plate to Vol. I] 


139. CrurksHank (GzorcE). A Collection of Satirical Pamphlets relating 


Mh, 


to the Trial of Queen Caroline; with a Full Report of the Trial, 


4819-1821. With nearly 268 satirical woodcuts, CHIEFLY BY GEORGE 


CRUIKSHANK, including “The Radical Ladder.” Together, 906 
pamphlets, bound in 4 vols. 8vo, half morocco, uncut. 
London, 1819-1820 


A fine and unusually long series of these tracts. Amongst other por- 
traits of the Queen and the King, are the famous Courier Bergami, 
“Grand Master of the Order of St. Caroline,” of Lord Liverpool, Lord 
Brougham, Cobden, etc., etc. The curious ‘Radical Ladder” is nearly 
always wanting, as it was published separately. This plate is a fine 
impression, in COLORS. 

So extensive a collection upon this subject as the above, is probably 
unique. 


140. CruiksHank (GrorcE). Caulfield (James). The High Court of Jus- 


“a 


tice; comprising Memoirs of the Principal Persons who Sat in 
Judgment on King Charles the First, and Signed his Death-War- 
rant, Together with those Accesaries, Excepted by Parhament in the 
Bill of Indemnity. Illustrated with their portraits, autographs, and 
seals. Collected from authentic materials. 24 portraits of which 
93 have the same illustrated border by George Cruikshank.  4to, 
original cloth, uncut, margin of first portrait foxed. Enclosed in 
a green levant morocco solander case, lettered on back, BY SANGORSKI 
& SUTCLIFFE. London: John Caulfield, 1820 


First Eprrion. Cohn, No. 120; Not in Douglas. 

This copy has a UNIQUE FEATURE, namely, an inserted ORIGINAL SKETCH 
BY GEORGE CRUIKSHANK, of the border which appears on the portraits 
in this work, in the centre (later used for the portrait) is an unfinished 
sketch, in harmony with the border, and signed,—“G. Cruikshank, del.” 


141. CrurksHank (GxorcE). The Loyal Investigation and Radical Non Mi 


Ricordo; or The History of the Snug Family; Caroline—Bergami— 
Relatives, and Lieutenants .. . Final Victory of the Queen!! 
(Queen Caroline). An heroic poem, with notes. CoLorED frontis- 
piece, “The Funeral Pile,’ by G. Cruikshank. 8vo, halt calf, let- 
tered up back, uncut. London: W. Wright, 1820 


First Eprrion. Cohn, No. 109. 

The plate was also issued in a work published simultaneously with 
the above. entitled “The Loyalist” (Douglas, No. 40), and the following 
year in “The Royalist Magazine.” 


First Session, Tuesday Evening, February 4th 


142. CrurksHaNnk (GrorcE). The Political Quixote; or, The Adventures of 
the Renowned Don Blackibo Dwarfino, and his Trusty *Squire, 
Seditiono; a Romance. With 3 woodcuts by George Orwikshank. 

] 12mo, original boards, original printed label on front cover, uncut, 
protected by cloth wrapper, back chipped, some margins slightly time 
soiled. London: Published by C. Chapple, 1820 

First Eprtion. Cohn, No. 687; Douglas, No. 519. 


143. CrurksHANK (GxoRGE). The Radical Ladder; or, Hone’s Political 
Ladder and his Non Mi Ricordo Explained and Applied . . . A 
Satyrical Poem. Colored frontispiece, by G. Cruikshank. 8vo, half 

¥: red calf, gilt back, uncut. London: W. Wright, 1820 


First Epitron. Cohn, No. 110; Douglas, No. 442. 
The plate is that used in the “Loyalist’s Magazine.” 


144. CrurksHank (Guorce). The Radicals Unmasked and Outwitted; or, 
The Thistle Uprooted in Cato-Field. Colored aquatint plate,— 
“Radical Parliament!!’ by G. Cruikshank. 8vo, half blue mo- 
rocco, lettered up back. London: G. Greenland, 1820 


yt First Eprtion. Cohn, No. 655; Reid, No. 950; Unknown to Douglas. 
The plate shows the Cato Street Conspirators assembled and armed 
in their loft, in full numbers, round a long table; Thistlewood, the chair- 

man, discussing his plan for the assassination of the ministers. 


145. CrUIKSHANK (GEORGE). The Royal Wanderer (Queen Caroline) Be- 
guiled Abroad and Re-Claimed at Home; or a Sketch of St. Caro- 
line’s Pilgrimage to the Holy Land; of her Lessons Learned and - 

; Omitted, and of her Return to Prudence and Royal Dignity; and 
the Queen’s Final Triumph—Huzza!! Colored frontispiece, re- 

+) touched, by G. Cruikshank, entitled—“The Mother Red Cap Public 
House, in Opposition to the Kings H ead.” 8vo, half calf, uncut, 
lettered up back. London: W. Wright, 1820 


First Eprtion. Cohn, No. 108; Douglas, No. 444. . 
RarE TRACT relative to Queen Caroline and King George IVth of Eng- 
land. 


146. CrurKsHANK (GuorGE). Various Tracts Illustrated by George Cruik- 
shank, as follows,—The Political House that Jack Built. Tenth 
Edition. London: W. Hone, 1819; The Queen in the Moon. Second 
Edition. London: Grove and Co., 1820; The Queen and Magna 

»  Charta. Fourth Edition. London: T. Bolby, 1820; The Man in 
the Moon. Ninth Edition. London: W. Hone, 1820; Non Mi © 
Ricordo! Sixteenth Edition. London: W. Hone, 1820; The Queen’s 
Matrimonial Ladder. ‘Thirty-fifth Edition. London: W. Hone, 
1820; The Political Showman—At Home! Ninth Edition. Lon- 
don: W. Hone, 1821. ach tract contains many woodcuts by G. 
Cruikshank. Bound in one vol. 8vo, half red calf, polished, gilt 
back and edges BY ZAEHNSDORF. | | 


CAS 


London, various dates, 1820, etc. 


First Session, Tuesday Evening, February 4th 


147. CrurksHanx (Guorcz). A Slap at Slop, and The Bridge-Street Gang. 
With 26 woodcuts by G. Cruikshank. Folio, pp. 4. Folded to 4to, 
and enclosed in cloth folder, lettered in gilt on front cover. Outer 

5 pages slightly soiled. 
?) [Colophon.| Printed by and for Wilham Hone. . . 1821 


THE VERY RARE NEWSPAPER FORM. Cohn, No. 718; Douglas, No. Sau. 

Contains 26 woodcuts. The head-line bears the words “Third Edition.” 
After the death of Queen Caroline, the next (14th) edition had a 27th 
woodcut. 

This is the issue published before the Queen’s death. 


148. CrurksHinx (Grorcz). A Slap at Slop and The Bridge-Street Gang. 
With 26 woodcuts by G. Cruikshank. Folio, 4pp. Folded to 4to, 

Pi and bound in half calf. 
phe, [Colophon.] Printed by and for William Hone. . . 1821 


RARE NEWSPAPER FoRM. The head-line bears words ‘“I'wenty-Sixth Edi- 
tion.” This issue contains all the woodcuts which appear in the pre- 
ceding item, the position of some with the text accompanying the same 
being placed in different columns. The first page contains a notice of 
the Queen’s Death, and a poem,—*“The Death-Light of Caroline’s Hall,” 
in the place of “Advertisement” appearing in the preceding issue. There 
are also a few other minor alterations. 

This is the issue published after the death of Queen Caroline. 


149. OruiksHANK (GEorGE). British Regalities. The Coronation Reporter ; 
containing A Report of Every Occurence, and a Description of 
Every Ceremony connected with the Coronation of His Majesty 
ay a King George IV, July 19, 1821. Engraved title, 2 folding plates 
~ and plate of “The Champions Challenge,’ all by G. Crutkshank. 
16mo, original terra-cotta boards, with printed title on front cover, 
uncut. In cloth protecting wrapper, enclosed in red morocco so- 

lander case, lettered on back, BY ROOT. | 
[London:] Printed and Published by TT. Dolby [1821] 


First EpitioN, AND A BEAUTIFUL COPY. VERY RARE IN THIS STATE. 
Cohn, No. 88; Douglas, No. 44. 


150. CruiksHank (GeEorGE). Crockery’s Misfortunes; or, Transmogrifica- 
tions. A Burletta, in One Act, performed for the first time, on 
Monday, July 11th, 1821, at The Royal Cobourg Theatre. To which 
/9 is added the Celebrated Comic Medley, as Sung by Mr. Sloman. 
, / ‘~~ CoxorEp character portrait of Sloman, etched by G. Cruikshank, 
not signed. 8vo, light calf, gilt back, sides with triple fillet border, 
inside gilt borders, uncut, BY RIVIERE. 
London: John Lowndes, 1821 
Rare First Eprtron. Cohn, No. 170; Douglas, No. 449. 


151. CRUIKSHANK (Grorce). Hunt (Henry). Investigation at Tlchester 
2 Gaol, in the County of Somerset, into the Conduct of William 
/O. Bridle, the Gaoler, before the Commissioners appointed by the 


2 


Grown. The Evidence taken by H. B. Shillibear. With 6 full-page 
[Continued 


First Session, Tuesday Evening, February 4th 


[No. 151—Continued | 


plates (frontispiece colored at a later date), and etched portrait nm 
teat, including portrait of Bridle, by George Cruikshank, signed “G. 
C.,” and 5 other portraits, which according to Cohn are, “probably 
by Robert Cruikshank.’ 8vo, calf, elaborately tooled gilt back, 
double fillet border on sides, gilt edges, BY WALLIS 

London: Thomas Dolby, 1821 

First Epirion. Cohn, No. 408; Douglas, No. 458. 

Fine copy. Pages 272 to 276 are unnumbered, after which follow 8 
pages, including a long letter by H. Hunt, “To the Sheriff, Magistrates, 
Freeholders, and County-Payers, of the County of Somerset,” relative 
to the above investigation. These pages are not mentioned by either 
Douglas or Cohn. 


152. CrRUIKSHANK (GrorGE). [Hunt (Henry).] A Peep into a Prison ; or, 


fr 


CK 


\ 


The Inside of Ilchester Bastile. Third Edition. Htched folding 
plate by G. Cruikshank. 8vo, original wrappers, uncut, with limp 
leather folder. London: Thomas Dolby, 1821 
First EDITION WITH THIS PLATE. RARE. Cohn, No. 406; Douglas, No. 
4595.0 2" 
Fine impression of the plate, entitled, “A Peep into Ilchester Bastile,” 
showing various modes of punishment. UNKNOWN TO REID. 


153. CrurKsHANK (GEORGE). The Tour of Doctor Prosody, in search of th 


Sih 


Antique and Picturesque, through Scotland, the Hebrides, the Ork- 
ney and Shetland Isles. Frontispiece (by George Cruikshank), and 
19 PLATES IN coLor, by Williams and Read. First Epirion. 8vo, 
contemporary russia, gilt, gilt edges, joints weak. London, 1821 


Cohn, No. 648. Not in Douglas. 

The frontispiece, “Dr. Prosody arrives in the Vicinity of Edinburgh.” 
was identified by George Cruikshank as his work, he having signed this 
plate with his autograph for his friend Edward Truman, on a copy 
sold at auction in London in 1906. 


154. CrurksHaNnk (GEorGE). Carey (David). Life in Paris; comprising the 


[7S 


Rambles, Sprees, and Amours, of Dick Wildfire, of Corinthian 
Celebrity, And his Bang-up Companions, Squire Jenkins and Cap- 
tain O’Shuffleton; with the Whimsical Adventures of the Halibut 
Family; including Sketches of a Variety of other Eccentric Char- 
acters in the French Metropolis. Wath 21 COLORED PLATES repre- 
senting scenes from real life, designed and etched by George Cruak- 
shank, and 22 woodengravings by the same artist. Royal 8vo, full 
crimson levant morocco, polished, richly tooled gilt back, triple 
fillet border, dentelle inside borders, gilt over partly marbled edges, 
BY RIVIERE. London: Printed for John Fairburn, 1822 


First Eprrion. Cohn, No. 104; Douglas, No. 43. 

JT.ARGE PAPER. 

This copy is an exceptionally large one, as is shown by two additional 
leaves from a smaller copy. which are bound in. Size, 9% by 5% inches. 
Does not contain the “leaf to the binder.” The paper varies slightly 
in shading. : 

[See Reproduction of Frontispiece | 


oe 


Sess Saeco ee 
Seiheares, 


DAVID CAREY 
LIFE 1X Parts—Coriorep PLATES BY G. CRUIKSHANK 
Reduced facsimile of frontispiece 
[No. 154] . 


First Session, Tuesday Evening, February 4th 


155. CrurksHANK (GrorGE). Kilts and Philibegs!! The Northern Excur- 
sion of Geordie, Emperor of Gotham: and Sir William Curt-his. 
CotoreD frontispiece,—‘Geordie and Willie keeping wt up,” by G. 
Cruikshank; [Auso| The Second Act of Kilts and Philibegs! or 
Geordie and his Northern Lassie. CoLorep frontispiece—“Doves 
/ 34 and Turtle Soup,” by G. Cruskshank. The 2 parts bound in one 

‘ vol. 8yo, boards, leather back, margin of second plate cut into. 
London: John Fairburn [1822 | 


First Epitions. The first part unknown to Cohn; but Douglas, No. 460. 
The “Second Act.” Cohn, No. 448; Douglas, No. 461. BoTH PARTS ARE 
RARE. 


156. CrurksHANK (GEORGE). The Harmonists’ Preceptor, or Treasury of 
Mirth: being a New and Extensive Collection of Modern and 
Popular Songs. Written and Selected by Mr. Bryant. Colored 
frontispiece by George Cruikshank, im five compartments, having 
SD a portrait of Mr. Bryant the celebrated Irish Singer of the Royal 
' Cobourg Theatre surrounded by engravings. 16mo, original pink 
boards with printed title, uncut, with protecting wrapper, in slip- 

case. 


London: Printed and Published by John Fairburn [1822] 


THE EXCEEDINGLY RARE EIRST EDITION. ONLY THREE COPIES KNOWN TO 
Coun. Cohn, No. 370; Douglas, No. 49. 


157%. CrurKsHANK (GEORGE). The Round-of-Beef Parson! Fairburn’s Edi- 
tion of the Trial between James Sharpe (A labouring Gardener) and 
the Rev. Thomas Vialls (A rich Clergyman) ; including the Bril- 
liant and Animated Speech of Mr. Charles Phillips, at full length, 

1220 with the Evidence, and Reply of the Solicitor General . . . De- 
™ cember 12, 1822. Hitched conorup frontispiece by G. Cruikshank. 
8vo, half calf, lettered up back, uncut. 
London: John Fairburn [1822] 
First Epirion. Cohn, No. 685; Douglas, No. 465. 


158. CrurksHank (Guorce). A Collection of Tracts relating to Charles 
Mathews, containing—The London Mathews,—Celebrated Enter- 
tainments; Travels in Air, on Earth, & on Water; Trip to America ; 
Memorandum Book; [Aso] Mathews in America. Wath 5 folding 

/3 frontispieces showing Charles Mathews in 33 different Characters, 
* ‘aL IN conors, one of the plates is signed “G. Ch fect.” others un- 
signed. Bound in one vol. 16mo, original boards and label, uncut, a 


few leaves unopened. London, circa 1823 
A REMARKABLY FINE copy. The lower margin of three of the plates is 
uncut. 


159. OrurksHANK (GxorGE). Dolly and the Rat, or The Brisket Family. 
A Burlesque, Tragic, Comic, Operatic Parody on The Maid and 


OS~ Magpie. With Songs, &. &c. CoLorED frontispiece —“Mr. Vale 
- [Continued 


First Session, Tuesday Evening, February 4th 


[No. 159—Continued | 
as Dickey Scrag,” by G. Cruikshank. 8vo, new boards, calf back, 
uncut. London: Duncombe, 1823 


First Epirion. Cohn. No. 238; Douglas, No. 471. 
With two leaves of advertisements, not mentioned by Cohn or Douglas 
in their collation of the work. Rarer. 


160. CruiksHANK (GEORGE). Hone (William). Ancient Mysteries De- 
scribed, especially The English Miracle Plays. Hitched frontispiece 
by G. Cruikshank, and other illustrations. 8vo, original boards, 

i uncut, lacks 2 plates. London: W. Hone, 1823 
See, Cohn, No. 385; Douglas, No. 60. 


161. CRUIKSHANK (GEORGE). Der Freischtitz Travestie: By Septimus 
Globus, Esq. With twelve etchings, by George Cruikshank, from 
drawings by an amateur (Crowquill); and the Original Tale 

32 Do. whereon the German Opera is Founded. Royal 8vo, full calf, gilt 

- back, triple fillet border, gilt top, uncut. Original back paper wrap- 
per bound in, BY RIVIBRE. London: Printed for C. Baldwin, 1824 


First Epitrion. Cohn, No. 312;-Douglas, No. 63. 
One of the rare and limited issues with PROOF IMPRESSIONS OF THE 
PLATES ON INDIA PAPER. The plates are signed,—“A C del” “G Ck sculpt.” 


162. CrRUIKSHANK (GEORGE). Italian Tales. Tales of Humour, Gallantry, 


and Romance, Selected and Translated from the Italian. With sia- 


teen drawings by George Cruikshank. Small 8yvo, calf, marbled 
edges, a few margins with slight stain. 
ye London: Charles Baldwyn, 1824 


GENUINE First Epitron. Cohn, No. 480; Douglas, No. 66. ~ 
With the plate “The Dead Rider,” and without woodcut on title. Has 
inserted plate from second edition, “The Elopement,” on India paper. 


163. CRUIKSHANK (GzoRGE). London Oddities; or, Theatrical Cabinet: 
being a Collection of the Most Popular, Serious, Comic, and Truly 
Eccentric Songs, Recitations, Narratives, and Laughable Stories, 
. . . for the Lovers of Fun and Eccentricity. Collected and re- 

Lp 34 vised by Tim Tidy. With 12 coLoreD PLATES, of which 11 are by 
Robert and one by George Cruikshank. The 12 numbers complete, 
in one vol. small 8vo, original boards, paper label, uncut, back 
strengthened, label rubbed. Enclosed in cloth case with morocco 
back, inner protecting cloth wrapper. cates 

London: Hodgson and Co., 1824 


First EDITION IN BOOK FORM. Cohn, No. 492. 

EXTREMELY RARE IN THIS CONDITION. The Samuel H. Austin Copy, 
from the Truman Collection, with George Cruikshank’s initials written 
in pencil, on Plate 7. 


First Session, Tuesday Evening, February 4th 


164. CrurksHaAnK (GeEorGE). The Family Oracle of Health; Economy, 


b, 


Medicine, and Good Living. By A. F. Crell and W. M. Wallace. 
Fine aquatint plate “Martin’s Bull in Operation,” by G. Cruikshank. 
8vo, half calf. London: Published by J. Walker, 1824 
This work was first published in monthly numbers, from August 1823 
to July 1824, and later issued as a volume. The title-page cites this 
issue as the “Sixth Edition.” See, Cohn, No. 282. 
With bookplate of T. Thornely. 


165. CrurxsHaNK (GrorcE). [Whitty (1.).] Tales of Irish Life, Illus- 


—-, 


Us , 


trative of the Manners, Customs, and Condition of the People. Wath 
designs (6 woodcuts), by George Cruikshank. 2 vols. 12mo, calf, 
gilt floral tooled backs, leather labels, fillet borders, gilt tops, uncut, 
BY WOOD. London: J. Robins and Co., 1824 


First Epirion. AN UNUSUALLY FINE AND LARGE COPY, WITH PLATES IN 
TWO STATES, ONE SET COLORED, THE OTHER UNCOLORED. Each volume con- 
tains the leaf of advertisement at end. Vol. I. has an additional leaf 
at end, advertising as “In the Press, Robert Emmet, or the Resources 
of Ireland.” This leaf is not mentioned by either Cohn (No. 752), or 
Douglas (No. 71). 


166. CrurkKSHANK (GxoRGE). The Ladies’ Pocket Magazine. For 1824, 1825 


ib, 


and 1826. Hngraved portrait, views and woodcuts; also, engraved 
vignette on each title by G. Cruikshank. The first two vols. in the 
original boards, uncut, the last four vols. in half calf. Together, 
6 vols. 18mo. A few of the pages in four last volumes slightly 
soiled, the same volumes have bindings cracked. 
London, 1824-1826 
First Epition. Complete set. Cohn, No. 459; Douglas, No. 604. 


167. CrurxsHank (GrorcE). Wight (J.). Mornings at Bow Street, a 


450 


a 


Selection of the Most Humourous and Entertaining Reports which 
have appeared in the Morning Herald. With 21 illustrations by 
George Cruikshank. London: Printed for Charles Baldwin, 1824. 
Szconp Issuz, printed by D. 8S. Maurice; More Mornings in Bow 
Street. With 25 illustrations by George Cruikshank. First EpITIon. 
London: James Robins and Co., 1827. Together, 2 vols. 12mo, calf, 
gilt, gilt edges, By BEDFoRD. Bindings rubbed at hinges, one 
slightly cracked. . London, 1824-1827 
See, Cohn, Nos. 803 and 804; Douglas, Nos. 67 and 68. 


168. CrurksHANK (GEORGE). Catholic Miracles; illustrated with Seven De- 


(a 


signs, including a characteristic portrait of Prince Hohenlohe, by 

George Cruikshank. To which is added, A Reply to Cobbett’s De- 

fence of Catholicism, and his Libel on the Reformation. With 7 

woodcuts on 4 leaves. 8vo, half olive levant morocco, gilt back and 

top, uncut, BY RIVIERE. London: Knight and Lacey, 1825 
First Eprrion. Cohn, No. 116; Douglas, No. 482. 


First Session, Tuesday Evening, February 4th 


169. CRUIKSHANK (GEORGE). [Clarke (William).] The Cigar. With wood- 
cut vignettes by Mason after designs by G. Cruikshank. 2 vols. 24mo, 
/ y) morocco, bindings slightly rubbed. London: T. Richardson, 1825 


RARE First Epirion. Not in Cohn, Douglas, nor Marchmont. 
Bookplate of Frederick Burgess. 


170. CRUIKSHANK (GEORGE). [Clarke (Wilham).] The same. Woodcuts 
by Mason after designs by G. Cruikshank. 18mo, half morocco, gilt 
top, uncut, BY RIVIERE. 

oo London: Sherwood, Gilbert and Piper, undated 


RARE ISsvE. Marchmont cites an edition of this work, published in 
1830, as the First Edition. 


171. CruIKSHANK (GEORGE). Hans of Iceland. With 4 fine Rembrandtesque 
etchings by G. Cruikshank. Small 8vo, red levant morocco, richly 
tooled gilt back, triple fillet border on sides, gilt top, inside border, 

nD ap BY RIVIERE. London: J. Robins and Co., 1825 

in « 


First Epirion. With leaf of advertisements of Works published by 
Robins and Co.; also leaf advertising ‘New Works, illustrated by George 
Cruikshank,” not mentioned by Cohn or Douglas. The “viii” preliminary 
leaves are missing. 

Cohn, No. 367; Douglas, No. 73. 


172. CRUIKSHANK (GEORGE). Smiles for All Seasons: or, Mirth for Mid- 
summer, Merriment for Michaelmas, Cheerfulness for Christmas, 
Laughter for Lady-Day. Second Edition, with more than a Hun- 

/) dred additional Articles, and a frontispiece drawn and engraved by 

“> — Cruikshank. 12mo, original pink boards with printed title, uncut, 
leather wrapper and slip-case. | 

London: Printed for Baldwin, Cradock, and Joy, 1825 


First EDITION with this plate; the issue of 1823 was without the head- 
ing “Smiles for all Seasons,” and had a different frontispiece. Cohn, 
No. 725; Douglas, No. 77. 

FINE copy, with the leaf advertising “by the same author,” Old Friends 
in a@ New Dress. Mr. Truman has written in pencil on inside of front 
_cover,—“Wonderful state of a rare book.” 


173. CRUIKSHANK (GEORGE). The Chimney-Sweeper’s Friend, and Climb- 
ing-Boy’s Album. Arranged by James Montgomery. Woodcuts 

#2 - after designs by G. Crurkshank, unsigned. Small 8vo, original 
cloth, uncut, binding worn. London: Harvey and Darton, 1825 


Scarce. Unknown to Douglas and Cohn. Laid in are two A.LS., 
written by William Tooke, a prominent man of the time, who was inter- 
ested in the Chimney Sweeper’s Cause. The letters relate to the book. 


174. CRUIKSHANK (GEORGE). The Old English Drama. A Selection of 
Plays from the Old English Dramatists. Frontispiece to each 
volume, by G. Cruikshank. 2 vols. small 8vo, original boards and 

52 $v labels, uncut, backs repaired. 

- . London: Hurst, Robinson, and Co., 1825 


First Epition. Cohn, No. 589; Douglas, No. 69. 
Fine copy. The collation varies somewhat from that given by Cohn, 
being as follows,— 
Vol. I. Frontispiece, 1 leaf; General title, 1 leaf; Title to “The Second 
[Continued 


First Session, Tuesday Evening, February 4th 


[ No. 174—Continued | 


Maiden’s Tragedy”; (Preface), pp. (iii)-iv; Leaf of Persons Represented ; 
Text, pp.(1)-90; Title to “A Pleasant Conceited Comedy, 1 leaf; (Note), 
1 leaf; Second title to preceding, 1 leaf; Persons Represented, 1 leaf; 
Text, pp.(i)-99; Title to “The Ball,” 1 leaf; Persons Represented, 1 leaf; 
Second title to preceding, 1 leaf; (Note), pp.(iii)-iv; Text, pp.(1)-97 
(wrongly numbered as 79) ; Title to “The Rape of Lucrece,” 1 leaf; Slip 
as to the “Fourth Number of ‘The Old English Drama’;” (Note), 
pp. (iii)-iv; Second title to preceding, 1 leaf; To the Reader, 1 leaf; Per- 
sous Represented, 1 leaf; Text, pp. (1)-106. 

Vol. Il. Frontispiece, 1 leaf; General title, 1 leaf; Title to ‘‘Love’s 
Mistress,” 1 leaf; Thomas Heywood, pp. (iii)-x; Love’s Mistress (Note), 
1 leaf; Second title to preceding, 1 leaf; To the Reader, pp.(xv)-xvi; 
To the Right Hon. Edward, Earl of Dorset, pp.(xvii)-xviii; The Pro- 
logue. Epilogue, etc. pp.xix-xxii; Persons Represented, 1 leaf; Text, 
pp.(10)-82; Persons Represented, 1 leaf; Title to Wallenstein, 1 leaf; 
Henry Clapthorne, 1 leaf; Second title to preceding, 1 leaf; To William 
Murray, 1 leaf; Persons Represented, 1 leaf; Text, pp.(1)-72; Title to 
“Dido, Queen of Carthage,” 1 leaf; Persons Represented, 1 leaf; (Biog- 
raphy of) Thomas Nash, pp.(v)-xii. Second title to preceding, 1 leaf; 
(Note to same), 1 leaf; Text, pp(1)-683; Title to “The Lady’s Privilege,” 
1 leaf; (Note to same), 1 leaf; Second title to same, 1 leaf; To Sir 
Frederick Cornwallis, 1 leaf; The Prologue, 1 leaf; Persons Represented, 
1 leaf; Text, pp.(1)-78; Epilogue, 1 leaf. 

AN UNUSUALLY FINE copy. Said to surpass the Douglas copy, which 
was in half morocco. Baldwyn’s advertisements mentioned by Cohn, 
as in Vol. I. are not present. 


175. CrurksHank (GrorcE). [Westmacott (Charles).] Fitzalieyne of 


IS, 


Berkeley. A Romance of the Present Times. By Bernard Black- 
mantle, author of The English Spy. With woodcut on each title- 
page, by G. Cruikshank. 2 vols. small 8vo, half calf, gilt backs, 
slightly rubbed. London: Sherwood and Co., 1825 


First Epition. Not in Cohn, Douglas or Marchmont. 
The woodcuts are said to be by George Cruikshank. 


176. OrvrksHank (GeEorcGE). Wilson (Harriette). Memoirs of Harriette 


bf 


Wilson. Written by Herself. With 12 colored portraits of notable 
characters, all signed “G. Ck.” (George Cruikshank). All the plates 
have Stockdale’s imprint, and date, 1825. 4 vols. 12mo, crimson 
levant morocco, gilt backs, tops, and borders, some edges uncut, 
enclosed in one cloth slip-case, BY ROOT. 
London: J. J. Stockdale, 1825 
The title-pages are reprinted, the first and second having “Thirtieth 
Edition” on same. The plates are colored by hand, and comprise the 
series of 12 plates, which were issued separately and also in the bound 


volumes. 
Douglas, No. 74; Cohn, No. 811. The latter calls for 24 plates, which 


is wrong. 


177. CrurksHANK (GrorGE). The Spirit of the Public Journals. 1823, 1824 


ye. 


and 1825. Portrait of Lord Byron, and numerous woodcuts by 
George and Robert Cruikshank, Thomas Rowlandson, and other 
artists. 3 vols. 8vo, half morocco. London, 1825, 1825, 1826 

Vol. I. is a Second Edition, others are First Editions. See, Cohn, No. 
739; Douglas, No. 61. 


First Session, Tuesday Evening, February 4th 


178. CRUIKSHANK (GEORGE). The Dublin and London Magazine (1825 to 
1828, inclusive). 27 engraved portraits, and a fine etching “The 
Seprechaun” by G. Cruikshank; also, several woodcuts by Crutk- 
shank. [The April number, 1825 has an article “Graphic Humour— 
George Cruikshank, by Roty O’Rourke.| 4 vols. in 2, 8vo, original 

2 23v boards and labels, uncut, some leaves unopened. 


London: Robins & Co. [1825-1828] 


First Epition. FINE copy. From the Captain Douglas Collection, No. 
200 in his sale’s catalogue. Douglas, No. 78; Cohn, No. 244. 

Cohn gives but 25 plates, the present copy contains 28 plates. 

It is exceedingly difficult to obtain this work complete with all the 
plates and indexes. This copy contains all the titles, indexes, and all 
the plates according to the list given in two of the volumes. 


179. CRUIKSHANK (GEORGE). Hone (William). Complete set of The Every- 
Day; The Table Book; and The Year Book. Illustrated with nu- 
merous woodcuts, many by George Cruikshank. Together, 5 vols. 
8vo, ORIGINAL PARTS, WITH ALL THE ORIGINAL BROWN WRAPPERS, 
uncut. In 4 cloth boxes. London: William Hone, 1825-1832 


FINE SET, SELDOM FOUND COMPLETE IN THE ORIGINAL PARTS, AS ISSUED. 
cw) Cohn, Nos. 386, 387 and 388; Douglas, No. 82. 
a) = Comprises,— 


Every-Day Boox, or The Perpetual Guide to the Year. The com- 


plete 26 numbers; together, with the two parts containing the 
Titles and Indexes [First Number published, January, 1825; 
last number, December, 1826.] In all 28 numbers. [2 vols.] 
THE TABLE Book (A Continuation of the above). Complete in the 
14 original Monthly Numbers, commencing, January, 1827 and 


ending, January, 1828. With both title-pages and Indexes. [2 ~ 


vols. ] 
THE YEAR Book (A Continuation of the above). Complete in the 
18 original monthly numbers, commencing, January, 1831 and 
ending, December, 1831; with the Supplementary Part, contain- 
ing Title and Index. [One vol.] 
The last of the above works does not contain any illustrations by 
Cruikshank; but forms the concluding volume of the series. 


180. CRUIKSHANK (GEORGE). Advertisement Sheet, one-page 8vo, with wood- 
cut after G. Cruikshank, announcing the publication of THE Loe 

Boox. “Now Publishing in Numbers, price 3d. or in Parts, 1s. each, 

S$ , Tx Loe Book, or, Nautical Miscellany.” Enclosed in cloth folder. 
London: Joseph Robins & Son [1826] 


THO ORIGINAL ADVERTISEMENT: of the above. 'The woodcut shows four ~ 


sailors sitting at a table, and drinking “To the Tars of Old EHngland, 
and their Friends! !” 
Undescribed by Douglas or Cohn. 


181. CruIKSHANK (GEORGE). [Barker (M. H.).] Greenwich Hospital, a 

Series of Naval Sketches, Descriptive of the Life of a Man-Of-War’s 

oe Sp Man. By An Old Sailor. With 12 colored plates and several wood- 

- cuts by G. Cruikshank. 4to, boards (not pictorial), morocco back, 
slight stain on few margins. 

London: James Robins and Co., 1826 


First EDITION IN BOOKFORM. Cohn, No. 47; Douglas, No. 80. 


ye 


First Session, Tuesday Evening, February 4th 
ee eee — 


182. CrurksHaNnkK (GEorGE). Fairburn’s Edition of the Life & Death of the 


/§, 


Elephant, at Exeter Change; to which is added, An Account of the 
Dissection of this Noble Animal. Folding colored frontisprece, not 
signed, but undoubtedly by George Cruikshank. 12mo, original 
wrappers, uncut, somewhat stained and back wrappers torn. 
London: J. Fairburn, circa 1826 


The plate in this work is a smaller state and similar to the Broadside 
issue of the same, by George Cruikshank. For the latter, see No. 452 
in this catalogue. 

Rare Issue, the first in bookform. Not in Cohn or Douglas. 


183. CrurksHank (GrorcE). Grimm (M. M.). German Popular Stories. 


SS. 


Translated from the Kinder und Hans Mirchen, Collected by M. 
M. Grimm, From Oral Tradition. With 22 etchings by George 
Cruikshank. 2 vols. 12mo, full red levant morocco, polished, gilt 
backs, triple fillet borders, gilt edges, BY ROOT & SON. One plate 
neatly repaired, former owner’s name obliterated from both titles 
but showing faintly. on second title. 
London: [Vol. 1] Published by C. Baldwyn, Newgate Street, 
1823—[Vol. 2] James Robins & Co. London, and Joseph 
Robins Junr. & Co., Dublin, 1826 


Vol. 1 is the third issue, with the dots over the “a” and the additional 
line “or the Waits of Bremen” following the title “The Travelling Mu- 
sicians.” The collation of Vol. 2 is as follows,—pp.i-iv; (1)-256; Trans- 
lator’s Note, 1 leaf; Leaf of advertisement “Just Published, Fairy Queen.” 

Cohn, No. 354; Douglas, No. 53. 


184. CruIKSHANK (GrEoRGE). London Drolleries; or, Comedian’s Pocket 


25, 


Book. A Right Merrie Pithie and Conceited Collection of Comic 
Songs and Recitations. Aquatint frontisprece, in compartments, 
COLORED portraits (4) of Harley, Vestris, Liston and Kmght, and 
woodcut on title, repeated as caption on page (3), all by G. Crutk- 
shank. 12mo, original boards, rebacked with calf, uncut, somewhat 
foxed. In cloth slip-case. London: John Lowndes [1826] 

THE VERY RARE ORIGINAL EDITION IN BOOKFORM. Cohn, No. 488; Douglas, 


No. 83. 
First issued in parts, with sub-titles, which do not appear in the first 


-issue in book-form, and the leaf of advertisements. 


185. ORvIKSHANK (GEORGE). Paul Pry, in which are all the Peculiarities, 


yaad 


Irregularities, Singularities, Pertnacity, Loquacity, and Audacity 
of Paul Pry, as Performed by Mr. Liston, at the Theatre Royal, Hay- 
market. Double-page coLorEn frontispiece, Mr. Liston as Paul Pry, 
“G. Cruikshank del,’ “P. Roberts sc.’ 12mo, sewed, in cloth covers, 
a few slight tears at inner margin of outer leaves, and small pin-holes 
down fold in plate. Signature and address of Thos. Musgrave, on 
title. London: T. Hughes [1826] 
First Epirion. Cohn, No. 604; Douglas, No. 607. 


First Session, Tuesday Evening, February 4th 


186. CruIKSHANK (GkoRGE). Phrenological Illustrations, or An Artist’s 

View of the Craniological System of Doctors Gall and Spurzheim. 

Printed title with the woodcut of three indwiduals, and 6 COLORED 

ve 2 SO paves, each of the plates with five or sia illustrations, by G. Crutk- 

™ shank. Oblong 4to, half blue morocco, gilt back and edges, BY 
RIVIERE. The title-page has slight tear at inner margin, repaired. 

London: Published by George Cruikshank, 1826 


GENUINE Frrst Epitrion, with the correct Watermark of “J. What- 
man .. . 1826,” on five of the colored plates. No wrapper., 
Cohn, No. 178; Douglas, No. 87. 


187. CRUIKSHANK (GEORGE). [Soane (G.).] Specimens of German Ro- 
mance. Selected and Translated from Various Authors. With 3 
/0 etchings by G. Cruikshank. 3 vols. smal] 8vo, mottled calf, gilt backs 
and edges, BY RIVIERE. Edges of bindings slightly rubbed. 
London: G. B. Whittaker, 1826 
First Epition. Cohn, No. 729; Douglas, No. 81. 


188. CruIKSHANK (GrEoRGE). The Death Fetch, or The Student of Gottingen. 
Cotorep folding frontispiece by G. Cruikshank. 12mo, half brown 

3D levant morocco, gilt back, BY MORRELL. 
Gs London: Printed for T. Hughes [1826] 


First Epition. Cohn, No. 218. Not in Douglas. 
UNIQUE copy, from the Truman Collection. The frontispiece bears the 
following inscription in George Cruikshank’s autograph,— 
“Drawn and ecched by Geo. Cruikshank.” 


189. CRUIKSHANK (GroRGE). [Clarke (William).] Every Night Book; or, 


Life After Dark. By the author of “The Cigar.” With a vignette 


; title after design by George Cruikshank. 12mo, original boards, 
2., uncut, binding broken. London: T. Richardson, 1827 


First Epition. Unknowr to Douglas and Cohn. 


190. CruIKSHANK (GEORGE). Hone (William). Facetiz and Miscellanies. 
With one hundred and twenty engravings, drawn by George Crutk- 
shank. 8vo, half calf. 

ip London: Published for William Hone, 1827 


First Epirtron. Cohn, No. 384; Douglas, No. 98. 

This work consists of fourteen tracts, with an Introduction of viii 
pages. A vignette on the title shows Hone and Cruikshank seated at 
a table. 


191. CrurksHANK (GzoRGE). Illustrations of Time. By George Cruik- 
shank. Hitched title-page and 6 plates, several designs on each, by 
c, G. Crutkshank, Oblong 4to, original wrapper, with printed title. 

©’ Enclosed in limp leather folder, letter on front. 
London: Published May 1st, 1827, by the Artist 


This issue does not contain the slip in front of title, nor do the plates 
have the watermark necessary for a first issue. The advertisement on 
back wrapper reads,—“The following Works are Published,” ete. In 
the first issue, this reads, “Lately Published,” ete. 

See Cohn, No. 179; Douglas, No. 88. 


First Session, Tuesday Evening, February 4th 
ee 


, 192. OrurksHank (GuorcE). Another copy’of the preceding. With engraved 
| title, and 6 plates, by G. Oruikshank. Oblong 4to, boards, calf back, 
) leather lettered label on front cover. 
/ London: Published May 1st, 1827, by the Artists 
Probably issued about 18380. 
193. CrurksHank (GrorcE). John Harcourt’s Original Jests. Etched fron- 
tispiece by George Cruikshank, lettered,—“Shalling Comic Annual.” 
iy 2 16mo, original wrappers. London: Cowie and Strange, 1827 
GENUINE First Epition. Cohn, No. 369; Douglas, No. 485. 
The frontispiece is lettered, as should be. The wrapper contains a 
vignette, and “London: Published by William Cruikshank.” 


( 


194. CrurksHank (Grorce). Kosewitz (W. F. von). Eccentric Tales. With 
illustrations by George Oruikshank, from sketches by Alfred Crow- 
3 2%? quill, 20 COLORED PLATES. 8vO0, calf, gilt, marbled edges. 
London: James Robins and Co., 1827 
First Eprrion. Very RARE. Cohn, No. 456; Douglas, No. 86. 


195. CrurksHanx (GrorcE). London Characters. Designed and etched by 
George Cruikshank. A series of 24 coLorED plates. With a new 
title and cover. 16mo, boards. London, 1827 


30 The plates, which were issued without title and cover, are original, 
but the title and binding are new. 


196. CrurksHank (Gxorce). [Printed title] John Harcourt’s Original 
Jests. London: Cowie and Strange . . . 1827 [Title on wrapper] 

The Shilling Comic Annual, a Collection of All the Short, Good 

? Things . . . for the Expansion of the Understanding. London: 
Published by William Cruikshank. Price One Shilling. Etched 
frontispiece, signed,—“Geo Cruikshank del.,” also vignette on wrap- 

per. 18mo, original wrapper, in cloth folder. London, 1827 


Rare GENUINE First Eprrion. Fine copy. Cohn, No. 369; Douglas 
Catalogue, No. 285. 


197. CrurksHank (GuorcE). The Dolphin; or, Grand Junction Nuisance: 
Proving that Seven Thousand Families, in Westminster and its 
Suburbs, are Supplied with Water, in a State, Offensive to the Sight. 

50, Folding lithographic plate by Engelmann. COLORED plate “Salus 
Populi Suprema Lex,’ by G. Cruikshank (Reid, No. 1464), in- 
serted. 16mo, half calf, gilt back and top, uncut, original wrappers 
bound in. London: T. Butcher, 1827 

Grorce CRUIKSHANK’S Own copy, from the Truman Collection. Cruik- 
shank’s autograph signature, with date, 1827, on title-page. 


198. OrurksHank (GrorcE). Cervantes (Miguel). The Life and Ex- 

ploits of Don Quixote de la Mancha. Translated by Charles Jarvis. 

287 Portrait, engraved titles, and woodcuts by Sears after designs by 

> Opuikshank. 2 vols. small 8vo, light calf, polished, gilt backs, fillet 
borders, gilt tops, uncut, BY MORRELL. 

London: Jones and Co., 1828 


First Session, Tuesday Evening, February 4th 


199. CrurKksHANK (GEorGE). [Collier (J. P.).] Punch and Judy, with H- 
lustrations designed and engraved by George Cruikshank. Accom- 
panied by a Dialogue of the Puppet-Show, an Account of its Origin, 

/ . and of Puppet-Plays in England. With 24 etchings. Small 8vo, 

s. half morocco, gilt back and edges. 
London: Printed for S. Prowett, 1828 
First Eprrion. Plain copy. Cohn, No. 148; Douglas, No. 102. 


200. CruIKSHANK (GxorGE). Ireland (W. H.). The Life of Napoleon 
Bonaparte. With all the 24 FINELY COLORED PLATES, tmecluding 
accurate views of battles, etc., engraved by George Cruikshank, and 
the three folding uncolored plates of Marie Louise, the Due of 
Reichstadt, and Napoleon’s Generals. 4 vols, 8vo, half crimson mo- 
rocco, gilt backs and tops, a few of the plates have margins cut 

/ OU: close, five plates have slight tear in fold. 

London: John Cumberland [Vol. I] undated, others, 1828 


Cumberland’s Issue of this Celebrated’ Work. Printed title for Vol. 3 
only. Some of the plates are from the Original Fairburn Edition, as 
follows,— 

Vol. I. Bngraved title with imprint, John Cumberland, 2 Cumber- 
land Terrace, undated. One plate with Fairburn’s imprint, 
others, with Cumberland imprint, “No. 19 Ludgate Hill.” 

Vol. II. Engraved title, with imprint, John Cumberland, 19 Ludgate 
Hill. ALL THE PLATES HAVE FAIRBURN IMPRINT. 

Vol. III. Engraved and printed titles, with imprint, John Cumber- 
land, Ludgate Hill. All the plates, with the exception of the 
last have the FAIRBURN IMPRINT. 

Vol. IV. Engraved title, with imprint, John Cumberland, 19 Lud- 
gate Hill. All plates as issued, with Cumberland imprint. 


[See Reproduction of Plate. | 


201. CRUIKSHANK (GEORGE). [Taylor (Reverend C. B.).] A Fireside Book, 
or The Account of a Christmas Spent at Old Court. By the Author 
of “May You Like It.” Etched frontispiece by G. Cruikshank. 

Sie. ores lavender levant morocco, gilt back, sides with triple fillet 
1° D border enclosing an elaborate framework with inlaid corners, inside 
border of gilt, doublures and fly-leaves of brocaded silk, uncut, plate 
and few margins slightly soiled. 
London: Printed for J. A. Hessey, 1828 
First Eprrron. Cohn, No. 753; Douglas, No. 101. 


202. CRUIKSHANK (GzorGE). The Annual Chronology, and Historical Rec- 

ord of Important and Interesting Events in 182%. By Tell-Tale 

. Time. Etched frontispiece by G. Cruikshank. 16mo, original boards 
PO» with printed title, uncut. Enclosed in cloth folder. 

London: John Fairburn, 1828. 


First Eprrron. Cohn, No. 30; Douglas, No. 105. 
Fine copy, with leaf of advertisement, not mentioned by Cohn or 
Douglas. RARE. 


L00Z “ON ]I 
Sso}R[d 94} JO 9uUO JO V[TWIISOBy Psdnpoy 
MNVHSMINUD *H Ad SALVIG GIHOTODN—T NOWTdVN AO Aat'] 


GNVIGUI “H “M 


First Session, Tuesday Evening, February 4th 


203. ORUIKSHANK (GxorcE). [Wilson (John).] A Catalogue Raisonné 
of the Select Collection of Engravings of an Amateur. With 40 en- 
gravings, tailpieces, and vignettes, of which 5 etchings are by George 

/ /, Cruikshank. 4to, original cloth, uncut, binding broken at hinges. 
London [privately printed,| 1828 


First Eprrion. Laree Parrr. Cohn, No. 812; Douglas, No. 103. 
Only 100 copies printed, with the plates on India paper. 


204, CruIKsHANK (GEORGE). Defoe (Daniel). A J ournal of the Plague 
Year. A New Edition, attentively revised, and illustrated with His- 
torical Notes, by Edward W. Brayley. With 4 engravings by Daven- 

/ 3 port, after designs by G. Cruikshank. 16mo, dark blue morocco, 
with onlaid designs of skull and cross-bones, gilt top, uncut, BY 

GUILD OF WOMEN-BINDERS. 
London: Printed for Thomas Tegg, 1829 


, 205. CRUIKSHANK (Gzorce). Edmonds (Cyrus R.). The Life and Times of 
General Washington. Engraved frontispiece after G. Cruikshank, 
portrait, and facsimile. Third Edition. 2 vols. 16mo, cloth, uncut, 

sv the first volume has binding shaken and plate foxed. 
3 London: Thomas Tegg, 1829 


. 
' 
| 206. CrurksHanK (GEoRGE). Stories of Popular Voyages and Travels... 
South America. Lithographic views, including one SCARCE LITHO- 
arapH by G. Cruikshank. 16mo, original cloth, binding somewhat 
loose. London: Charles Tilt, 1829 
First Eprrron. Cohn, No. 745; Douglas, No. 118. 


207. CRUIKSHANK (GEORGE). The New Year’s Gift; and Juvenile Souvenir. 
| Edited by Mrs. Alaric Watts. Wath 2 woodcuts by George Crutk- 
shank (from “Philosophy in Sport’) and steel engravings by North- 
Y, cote and other artists. 18mo, original boards, leather back, gilt 
edges, stitches loose. London: Longman, 1829 

Cohn, No. 794. Not in Douglas. 


208. CRUIKSHANK (GrorcE). The Young Lady’s Book: A Manual of Elegant 
Recreations, Exercises, and Pursuits. Second Edition. Nwmerous 
illustrations, including one, “Archery,” by G. Cruikshank. 12mo, 

fp original red brocaded silk, gilt edges, binding somewhat worn, the 
original cloth laid down over boards. 
London: Vizetelly, Branston, and Co., 1829 


Cohn, No. 820; Douglas, No. 109. This copy contains the printer’s leaf 
at end, having on recto the poem “TAdieu,’ and the leaf of advertise- 
ments. 


209. OrUIKSHANK (GxzorGE). [Ackerman (J. Y.).] Tales of other Days. 
By J. Y. A. With illustrations (6 full-page and one vignette on 
title), by George Cruikshank, engraved by J. Thompson and S. and 
/5v T. Williams. Margins of plates slightly spotted. 
Be London: Effingham Wilson, 1830 
First Epition. Cohn, No. 22; Douglas, No. 118. 


First Session, Tuesday Evening, February 4th 


210. CruIKSHANK (GEORGE). Anstey (Christopher). The New Bath Guide; 
or Memoirs of the B-n-r-d Family, in a series of Poetical Epistles. 
A New Edition; with a Biographical and Topographical Preface, and 
Z Anecdotical Annotations, by John Ritson. With 7 illustrations, 5 
of which are etchings by George Cruikshank. Small 8vo, full crim- 
son calf, polished, gilt tooled back, fillet borders, gilt top, some 

edges uncut, BY ZAEHNSDORF. 
London: Hurst, Chance, & Co., 1830 
First EDITION WITH THE CRUIKSHANK PLATES. Cohn, No. 31; Douglas, 

No. 116. 


211. CruIKSHANK (GxEORGE). [Clarke (William).] Three Courses and a 
Dessert. With 51 spirited and amusing woodcuts (including 8 full- 
be page plates), by G. Cruikshank. Small 8vo, half brown levant mo- 
A. rocco, richly tooled gilt back, gilt top, uncut, small tear in margin 
of title neatly repaired. London: Vizetelly (etc.), 1830 

First Epition. Cohn, No. 187; Douglas, No. 125. " 


, 212. CruiksHANK (GEORGE). Hood (Thomas). The Epping Hunt. With 
. 6 etchings by G. Cruikshank. 16mo, half morocco. 
London: Charles Tilt, 1830 


} Second Edition. With letter (one-page) by the author, relative to the 
id 7 work, which did not appear in the first edition issued the year previous 
to this. 


213. CrurkKsHANK (GrorGE). [Illustrations of Popular Works, by George 

Cruikshank. Part I. (All Published.) With 6 etchings by G. 

Cruikshank. Small folio, original wrappers, with printed title on ~ 

front, and advertisement on back. With protecting cloth cover, 
lettered on front. 

London: Published for the Artist, by Longman (ete.) [1830] 

First Epition. LArGe Paper. INDIA PROOF copy. Cohn, No, 175; Doug- 


las, No. 117. 
This is the Captain Douglas copy, No. 141 in his sale’s catalogue. 


214. CrurIKSHANK (GroRGE). O’Hara (Kane). Tom Thumb; a Burletta, 

altered from Henry Fielding. With designs (5 full-page and 2 

4 vignette woodcuts) by George Cruikshank. 16mo, cloth, leather back 
“=* lettered. Original wrappers bound in. 

London: Thomas Rodd, 1830 


First Epition. Cohn, No. 587; Douglas, No. 120. 
With the leaf advertising the Second Edition of “Bombastes Furioso.” 


215. CruIKSHANK (GzOoRGE). Phrenological Illustrations, or An Artist’s 
View of the Craniological System of Doctors Gall and Spurzheim. 
Printed title with woodcut of three heads, and 6 plates, all plain, 
7, by G. Cruikshank. Oblong 4to, board sides, calf back, with leather 

’ lettered label on front cover, the original cover of this edition. 
London: Published by George Cruikshank, 1830 


RARE 1ssuE. Not mentioned by Cohn or Douglas. 


First Session, Tuesday Evening, February 4th 
ER EE ee ee 


216. CRUIKSHANK (GEORGE). Rhodes (William Barnes). Bombastes Furi- 

oso: A Burlesque Tragic Opera. With designs (7% full-page and one 

/ vignette woodcut) by George Oruikshank. 16mo, half calf, let- 
tered up back, original yellow printed wrapper bound in. 

London: Thomas Rodd, 1830 


First Eprrion. Cohn, No. 662; Douglas, No. 121. 
Rare with the original wrappers. 


217. CrurksHaNK (GxorGE). Scott (Sir Walter). Letters on Demonology 
and Witchcraft. Hngraved frontispiece, not by Crutkshank. 16mo, 
red polished morocco, gilt back and top, fillet border on sides. 

/ 3, London: John Murray, 1830 
First Epition. Cohn, No. 702. 

Inserted are 12 etchings (each mounted) by George Cruikshank, and 

a title-page of the 1835 edition. The plates are from the 1835 edition. 


218. CRUIKSHANK (GEORGE). Slavery in the West Indies. Woodcut by G. 
Cruikshank. 8vo. pp. 8. With leather folder. 

[London :] Robert Howard [1830] 

First SEPARATE EDITION. Unknown to Cohn or Douglas, both of whom 


mention the Westminster Review, No. 22, where this article first ap- 
peared, and from which the above is taken. RARE. 


ote 


219. OruiksHanK (GrorcE). The Affairs of the Nation Represented to the 
Duke of Wellington, by Common Sense. Vignette on title and 
cover by G. Cruikshank (not in Reid). 12%mo, original boards, un- 
cut, back chipped. London: Effingham Wilson, 1830 


First Epirion. Cohn, No. 9. 
This copy said to be from the Douglas Collection. 


220. ORUIKSHANK (GEORGE). The Political Alphabet. With Notes and Il- 
lustrations. Embellished by thirty-two engravings, from designs by 

George Cruikshank. Fifth Edition. 8vo, sewed, uncut. Enclosed 

Uy = in cloth covers. London: William Carpenter [1830] 


Cohn, No. 630; Douglas, No. 535. The illustrations are principally 
from tracts published by Hone. 


221. ORUIKSHANK (GrorGE). Hood (Thomas—Hditor). The Comic An- 
nual. 1830, 1831, 1832, 1833, 1834, 1835, 1836, 1837, 1838, 1839, 
1842. With hundreds of illustrations by Thomas Hood, George 
Oruikshank and John Leech. Together, 11 vols. 12mo, 10 in origi- 
nal boards, with roan backs, the last volume in original cloth, some 
volumes slightly worn. London, 1830-1842 


The volume for 1830 contains “Sonnet to a Cat, by the late John Keats.” 
Cruikshank’s illustrations appear in the volume for 1830; those by 
Leech in the volume for 1842. 


; 


222. CRUIKSHANK (GzorcE). [Dalton (J.).] The Gentleman in Black. 
With illustrations by George Cruikshank, engraved by J. Thompson 
and C. Landells. 16mo, calf, gilt, binding rubbed. 

London: William Kidd, 1831 
First Eprrion. Cohn, No. 218; Douglas, No. 137. 


. 


First Session, Tuesday Evening, February sth 


223. ORUIKSHANK (GEorGE). [Defoe (Daniel).] The Life and | 
Adventures of Robinson Crusoe, of York, Mariner. 

- ductory Verses by Bernard Barton, and illustrated 
27? engravings (etched frontispieces on India paper, 
~/ + throughout teat) from drawings by George Cruth 
designed for this edition. 2 vols. small 8vo, calf, 

gilt backs, leather labels, gilt fillet borders on side 

BY RIVIERE. ee” Londaams 

Fing Larce Paper copy. First EprrioN WITH 1 

Cohn, No. 221; Douglas No. 128. . 


At THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORE 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 


ILLUSTRATED BOOKS AND CARICATURES FROM THE 


LIBRARY OF J. BARTON TOWNSEND, ESQ. 
OF PHILADELPHIA 


Second Session, Numbers 224 to 453, inclusive 


WEDNESDAY AFTERNOON, FEBRUARY 5th, AT 3:00 O’CLOCK 


BOOKS ILLUSTRATED BY GEORGE CRUIKSHANK 


(Continued, Numbers 224 to 405, inclusive] 


224, ORUIKSHANK (GerorGE). Ferdinand Franck; an Auto-Biographical 


Lf 


: 


Sketch of the Youthful Days of a Musical Student; Second Edition. 
With 3 illustrations on India paper, by G. Cruikshank. 16mo, 
original boards, uncut, new back. 

London: R. Ackermann, 1831 


First Eprrion wirH THE CRUIKSHANK ILLUSTRATIONS. Cohn, No. 295; 
Douglas, No. 136. 


225. ORUIKSHANK (GEORGE). Kidd’s London Directory on a Novel Plan. 


5, 


The Book of Books; or, London As It Is, and As It Ought To Be: 
[Consists of four parts,—“How to Enjoy London,” “London Am- 
bulator,” “London and All Its Dangers” and “London and All Its 
Miseries.””| Illustrated with thirty-eight wood engravings, by G. 
& R. Cruikshank, Seymour, & Bonner. 16mo, original brown cloth, 
paper label on front cover, sprinkled edges. 
London: William Kidd [1831] 

First Eprrion. Cohn, No. 447; Douglas, No. 188. 

Only two of the cuts are by George Cruikshank, used previously in 
“The Gentleman in Black.” 


226. CrurkKSHANK (GxorGE). Merle (William Henry). Odds and Ends. In 


SSD 


Ve 


Verse and Prose. Illustrated by George Cruikshank, from designs 
by the author; with 13 illustrations, of which 11 are woodcuts, and 
one an etching, all by George Cruikshank. Small 8vo, original green 


cloth and label, uncut, label slightly chipped. London, 1831 
First Eprrion. Cohn, No. 535; Douglas, No. 1385. 


Second Session, Wednesday Afternoon, February 5th 


297. CRUIKSHANK (GrorGE). Merle (William Henry). Odds and Ends. In 
Verse and Prose. Illustrated by George Cruikshank, from designs 
by the author. 18 illustrations, including 11 woodcuts and one etch- 

(4, ing. Small 8vo, morocco, gilt back and top, uncut, original paper 
label pasted in at back. A few minor spots on three or four pages. 
London: Longman, 1831 
First Epirion. Cohn, No. 535; Douglas, No. 1385. 


228. CRUIKSHANK (GzorGE). [Paris (Dr. J. A.).] Philosophy in Sport 
Made Science in Earnest. Woodcuts by George Cruikshank. New 

Edition, with additions. 3 vols. 16mo, half red calf, polished, gilt 

/ ye, — backs and tops. London: Colburn and Bentley, 1831 


The first issue with the additions. 


229, CRUIKSHANK (GEorGE). The Cat’s Tail: being the History of Childe 

Merlin. A Tale. By the Baroness de Katzleben. Wath 3 fine etch- 

o ings by G. Cruikshank. 16mo, three-quarter red morocco, gilt back 

oS. and edges. Edinburgh: Blackwood; and T. Cadell, London, 1831 
First Eprtion. Cohn, No. 118; Douglas, 129. 


230. CRUIKSHANK (GEORGE). Roscoe’s Novelist’s Library. Edited by Thomas 


Roscoe. With 74 etchings by George Cruikshank, and other dlus- 


trations. 19 vols. 12mo, original cloth, with black and gold labels, 

/ 20, uncut. Enclosed in 3 cloth boxes. The bindings and labels are 
slightly rubbed, three of the covers are slightly soiled. 

London, 1831-1833 


CoMPLETE SET. ALL THE VOLUMES ARE First EDITIONS WITH THESE 
ILLUSTRATIONS. Cohn, Nos. 671 to 682, inclusive; Douglas, No. 127. 
All but one have the half-title, and the greater part have the original 
advertisements in front of volume. Comprises the following,— 
SMOLLET?T’S Humphrey Clinker. 4 etchings by Cruikshank, and por- 
trait. 4 pages of advertisements. 
London: Cochrane & Pickersgill, 1831 
Smotter?’s Roderick Random. 5 plates by Cruikshank. 2pp. of ad- 
vertisements. London: James Cochrane & Co., 1831 
SMoLLET?T’s Peregrine Pickle. 8 plates by Cruikshank. 2pp. of ad- 
vertisements in each volume. 2 vols. 
London: James Cochrane & Co., 1831 
Fretpine’s Tom Jones. 8 plates by Cruikshank, and portrait. 4 and 
2 pages of advertisements. 2 vols. 
London: James Cochrane & Co., 1831 
Frevpinc’s Joseph Andrews. 4 plates by Oruikshank. 4pp. of ad- 


vertisements. London: James Cochrane, 1832 
Fretpine’s Amelia. 8 plates by Cruikshank. 4 and 2 pages of ad- 
vertisements. 2 vols. London: James Cochrane, 1832 


Gorpsmirn’s Vicar of Wakefield. 4 plates by Oruikshank, and por- 
trait. 4pp. of advertisements. 
London: James Cochrane & Co., 1832 
SrrrNe’s Tristram Shandy. 8 plates by Cruikshank, and portrait. 2 
and 2pp. of advertisements. 2 vols. 
London: James Cochrane & Co., 1832 
[Continued 


Second Session, Wednesday Afternoon, February 5th 


[No. 230—Continued | 
CreRVANTES’ Don Quixote. 15 plates by Cruikshank, and 3 frontis- 
pieces. 3 VOls. London: Effingham Wilson, 1833 
Le Saqe’s Gil Blas. 10 plates by Cruikshank, and 2 portraits. The 
second volume lacks half-title, but has +pp. of advertisements. 
2 vols. London: Effingham Wilson, 1833 
Dr For’s Robinson Crusoe. Portrait and plates on India paper, not 
by Cruikshank. Each volume with 2pp. of advertisements. 2 
vols. London: Cochrane and Pickering, 1831 


231. CrurksHaNK (GEorGE). A Slap at the Church! [A Weekly Periodical, 
17 nos. from January 21 to May 12, 1832, all published.| Illustrated 
with engravings, designed by Cruikshank, Seymour, Meadows, and 
Dorrington, engraved by Bonner (and others) | With continuation 
of the same, as} Church Examiner and Ecclesiastical Record. 21 
nos. [May 19 to December 1, 1832]. In all 36 nos., with general 
title-page to first publication. Bound in one vol. 4to, half calf, 
binding broken. London: William Strange [1832 | 


Frrst Epirion. Cohn, No. 717. 
From the Douglas Collection, No. 535 in his sale’s catalogue. 


ba 


232. OrurksHANK (Guorce). [Hogg (James).|] Altrive Tales: Collected 
among the Peasantry of Scotland, and from Foreign Adventures. 
By The Htrick Shepherd. Portrait of the author, by Edwards, and 
etchings by G. Cruikshank. Vol. I (All published.) 16mo, origi- 
nal green cloth and label, uncut. With cloth protecting wrapper, in 
cloth slip-case. London: James Cochrane and Co., 1832 


First Epition. Cobn, No. 382; Douglas, No. 189. 
With leaf advertising the work; also leaf of advertisements, at end, the 
latter not mentioned by Cohn or Douglas. 


~ 


233. CRUIKSHANK (GEORGE). The Bee and the Wasp. A Fable—In Verse. 
With designs and etchings (4), by G. Cruikshank. 16mo, original 
/2 yellow wrappers, uncut. London: Charles Tilt, 1832 

‘ FIne copy oF THE First Epirion. Cohn, No. 59; Douglas, No. 140. 


234, CRUIKSHANK (GxorGE). The Comic Offering . . . for MDCCCXXXIII. 
Edited by Louisa Henrietta Sheridan. Numerous woodcuts, one by 

¢ G. Cruikshank. 16mo, original embossed leather, gilt edges. 
ets London: Smith, Elder and Co., 1833 


First Epririon. Cohn, No. 150; Douglas, No. 147. 


235. ORUIKSHANK (GEorGE). The Comic Offering; or Ladies’ Melange of 

Literary Mirth, for MDCCCXXXIII. Edited by Louisa Henrietta 

ty Sheridan. Numerous illustrations by Robert Seymour and other 

5. artists, and one plate “Passenger in the Basket!” by George Crutk- 
shank. 16mo, original embossed leather, gilt edges. 

London: Smith, Elder and Co., 1833 


First Epirrion. Cohn, No. 150; Douglas, No. 147. 


Second Session, Wednesday Afternoon, February 5th 


236. CRUIKSHANK (GrorcE). Angelo’s Pic Nic; or, Table Talk, including 
numerous Recollections of Public Characters, who have figured in 
some part or another of the Stage of Life for the last Fifty Years. 
Colored frontispiece (with portrait of the author) and vignette, by 

3 G. Cruikshank. 8vo, half crimson levant morocco, gilt back and 
top, uncut, BY RIVIERE. London: John Ebers, 1834 


First Epirron. Cohn, No. 26; Douglas, No. 153. 
Contains original literary contributions by Colman, Theodore Hook, 
Bulwer, Horace Smith, and others. 


237. CRUIKSHANK (GHORGE). Bruce (Carlton). Mirth and Morality: a Col- 
lectian of Oriental Tales. With 20 woodcuts by G. Cruikshank. 
12mo, light calf, gilt tooled back, leather labels, sides with fillet 

q borders and corner ornaments, gilt top, uncut, BY ROOT. 
London: T. Tegg and Son, 1834 
Rare First Eprrron. Cohn, No. 92; Douglas, No. 152. 


238. CRUIKSHANK (GzoRGE). My Sketch Book. With dlustrated title and 
36 plates, ALL IN coLoRs, each plate having several subjects, de- 
signed and etched by George Crutkshank. Oblong 8vo, olive-green 

-levant morocco, gilt back, sides with triple fillet border, dentelle in- 

SV , side border, gilt top, BY RIVIERE. 

[London:] Designed, Etched & Published by George Cruik- 
shank . . . & Sold by Charles Tilt . . . Decr. Ist, 1834 


First EDITION IN BOOKFORM. WITH THE ORIGINAL CLOTH COVERS BOUND 


in. Cohn, No. 182: Douglas, No. 94. 

The engraved title represents a proscenium having four shelves, with 
workmen placing letters, as large as themselves, under the direction of 
George Cruikshank, whose likeness is represented. FINE COPY. 


239, ORUIKSHANK (GEORGE). My Sketch Book. 24 plates, each with several 


sketches, by G. Cruikshank; also engraved and printed title-pages. 
A Sv Oblong 4to, original cloth, somewhat foxed.: * 
we London: Published for the Artist, by Charles Tilt [1834] 


First Eprrion IN BooKFoRM. Uncolored copy. Cohn, No. 182; Douglas, 
No. 94. 


240, CRUIKSHANK (GEORGE). My Sketch Book. Illustrations by G. Cruik- 
shank. Oblong 4to, blue morocco, gilt back, sides and edges. 


3S? [London, a reprint of the 1834 edition | 


241. CRUIKSHANK (GEORGE). Pettigrew (Thomas J.). A History of Egyp- 


tian Mummies, and an Account of the Worship and Embalming of 
2% the Sacred Animals by the Egyptians. With 13 plates (3 in colors), 
, 10 of which are by G. Cruikshank. 4to, boards, uncut, binding worn, 
margin of plates soiled. London: Longman (ete.), 1834 

First Epirron. Cohn, No. 616; Douglas, No. 149. 


FOOT S —— 


Second Session, Wednesday Afternoon, February 5th 


242. CRUIKSHANK (GroRGE). [Barker (M.H.).] Tough Yarns; a Series of 
Naval Tales and Sketches to Please all Hands, from the Swabs on 
the Shoulders down to the Swabs in the Head. By “The Old 

mn Sailor.” Illustrated by George Cruikshank, with 8 etchings and 
9 woodcuts. 12mo, half crimson levant morocco, gilt back and top, 
uncut, BY ZAEHNSDORF. London: Effingham Wilson, 1835 

First EpiTrion. Cohn, No. 50; Douglas, No. 154. 


243. CRUIKSHANK (GEORGE). Berenger (Baron de). Helps and Hints. How 
to Protect Life and Property. With Instructions in Rifle and Pistol 

Ly Shooting. With many illustrations, of which eight (including 4 

' etchings) are by George Cruikshank. 8vo, original green cloth, 
partly uncut. London: T. Hurst, 1835 


First Epirion with the four woodcuts by George Cruikshank. 
Cohn, No. 64; Douglas, No. 156. 


244. CRUIKSHANK (GrorGE). [Kendal (EH. A.).] Burford Cottage, and its 
Robin-Red-Breast. Hngraved frontismece and woodcut on title, after 
designs by G. Cruikshank. 12mo, half morocco, gilt, gilt top, uncut, 

/$?  pinding rubbed. London: William Teg, 1835 
First Epition. Cohn, No. 98; Douglas, No. 615. 


245. CRUIKSHANK (GrorGE). [Knowles (J. Sheridan).| The Wife; or, 
Women as they are. With 4 etchings by G. Cruikshank. 16mo, red 
levant morocco, richly tooled gilt back, sides with triple fillet border, 

Ceo. gilt top, uncut, original cloth covers bound in, BY RIVIERE. 
London: Published for the Author, 1835 


First EDITION WITH THESE ILLUSTRATIONS. Cohn, No. 455; Douglas, 
No. 145. 
; The work was first published in 1833, with a prologue and epilogue 
by Charles Lamb, and without illustrations. FINE copy. 


246. CRUIKSHANK (GEORGE). The Comic Almanack. Contains 195 etched 
plates by George Cruikshank, including. some folding plates, 4 of 
the latter in cotors; also 76 woodcuts by the same artist, and hun- 
dreds of equally humorous small woodcuts by Hine and other artists. 
CoMPLETE SET. 15 vols. in the ORIGINAL PICTORIAL PAPER COVERS 

/ 70 , (4 in the ortcinaL ctotH). Together, 19 vols. 12mo and 16mo. 
Enclosed in cloth case, with separate section for each volume. Five 
of the volumes have backs somewhat chipped, 2 backs have portions 
missing, and that for 1847 has back and stitching missing. 

London, 1835-1853 


First EpITION OF EACH VOLUME. AN ABSOLUTELY COMPLETE SET. Cohn, 
No. 183; Douglas, No. 159. 

Contains all the special features mentioned by Captain Douglas, in- 
cluding all the advertisements and special slips, notably the slip and 
specimen page for 1844. The 1848 Almanack contains 16pp. of advertise- 
ments, at end, not mentioned by Captain Douglas. 

The text, edited by Mayhew, was contributed to by a host of humorous 

[Continued 


Second Session, Wednesday Afternoon, February 5th 


[No. 246—Continued | 
talent, including Thackeray, who enriched the issues of 1839 and 1840, 
with two of the best of his minor writings,—‘“The Fatal Boots,” and 
“Barber Cox’s Diary.” The 24 etchings for these years being solely 
devoted to illustrating those two Miscellanies. 

“It is extremely difficult to obtain the first thirteen, 1835 to 1847, 
with the backs at all perfect, for the reason that, although the sides were 
strengthened with stiff paper, the thin paper cover was pasted or glued 
over the back without any strengthening beneath.”—DOUGLAS. 

With the exceptions of the imperfections mentioned above, this is one 
of the few desirable and perfect sets heretofore offered at public sale 
in America. 


[See Reproduction of Plate in 1853] 


247. CruiKsHANK (GrorGE). A Comic Alphabet. Designed, Etched & Pub- 
lished by George Cruikshank. Folding panoramic sheet with 24 
subjects, ALL IN coLors, illustrative of the letters of the alphabet. 
16mo, original boards, binding somewhat worn. Pentonville, 1836 


a 
/ x : First Epirion. Cororep copy. Cohn, No. 149; Douglas, 172. 
Cohn states that the colored copy is a second issue and has date of 
1837. The above however is a colored copy, with date 1836, as issued, on 
cover. The back cover has the portrait called for. 
A choice copy of the GENUINE ORIGINAL ISSUE, IN CoLors, and without 
the mention of being “issued plain or coloured.” 


248. CRUIKSHANK (GuoRGE). | Barker (M. H.).] Land and Sea Tales. By 
“The Old Sailor.” Illustrated by George Cruikshank, with 2 etched 
frontispieces and 2 engraved titles with etching. 2 vols. 12mo, calf, 

y) polished, gilt backs, fillet borders, gilt tops, uncut, original cloth 
backs bound in, BY RIVIERE. 

London: Effingham Wilson, 1836 

First Epition. Cobn, No. 49; Douglas, No. 171. y 


249, CRUIKSHANK (GkEoRGE). John’ Gilpin; the words by Cowper. Set to 
Music by W. A. Nield. Adapted for Young Amateurs, and Illus- 
trated (by George Cruikshank). With vignette woodcuts through- 

pa out the score and a vignette on the wrapper. Oblong 4to, original 

o> yellow wrapper, pp. 48. The wrapper slightly torn. 
; . London: Allen Bell & Co., 1836 


First Epirion with these illustrations. Unknown to Douglas and Cohn. 
The preliminary leaf contains Press-Notices relative to the work and 
its artist. 

Six woodcuts for “The Diverting History of John Gilpin” were pub- 
lished by George Cruikshank, in 1828. 


250. CRUIKSHANK (GEORGE). Polichinelle, Drame en trois Actes. Illustra- 
tions by George Cruikshank. 16mo, original boards, with printed 
Ae SV title, binding rubbed, name written on one leaf, 
ry Paris: Bureaux de l’Histoire Pittoresque d’Angleterre, 1836 
Rare French Edition of “Punch and Judy.” 


a ee 


[L9tG ON] 
IJRId podlo[Od SULPLOF JO I[LUTS IB PIUpIy 


GJ YOd MOVNVWIY OIWOD AHL 
MNVHSMIOYOD WOYOU)D 


CG 
G 


LNG GST, 


Second Session, Wednesday Afternoon, February 5th 


251. CruIKSHANK (GEORGE). Smith (Egerton). The Elysium of Animals: 
A Dream. Frontispiece by W. Harvey, and etched plate by G. Orutk- 
shank. 8vo, original printed wrapper, uncut. Enclosed in leather 
folder. Wrapper chipped, a few margins soiled. 

/ London: J. Nisbet, 1836 
; FIRST SEPARATE EDITION. Cohn, No. 727; Douglas, No. 132. 
With all the preliminary leaves and the eight pages of “prospectus,” 


also the leaf of advertisement. The plate by Cruikshank is a second 
state, not mentioned by Reid. 


202. CRUIKSHANK (GEORGE). The Adventures of Sir Frizzle Pumpkin; 
Nights at Mess; and other Tales. With illustrations (8 etchings) 
by George Cruikshank. 12mo, half light calf, gilt back and top, 
uncut. Edinburgh: Wiliam Blackwood and Sons, 1836 

/ A) First Epitron. Cohn, No. 7; Douglas, No. 170. 
4 This copy contains a leaf of “Books printed for William Blackwood 


& Sons,” not mentioned by either Cohn or Douglas, and has the etching 
at page 157, which is not mentioned in the List of Plates. 


253. CRUIKSHANK (GEORGE). lLandscape-Historical Illustrations of Scot- 
land, and the Waverley Novels: From Drawings by J. M. W. Turner. 
Descriptions by Rev. G. N. Wright. Steel engravings, after Turner, 
and comic sketches by G. Cruikshank. 2 vols. complete in the 

G2 — ORIGINAL 18 parts, with all the original wrappers, uncut. Pro- 
tected by cloth folder, in red levant morocco back slip-case. A few 
backs neatly repaired. London: Fisher, Son, & Co., 1836-1838 


First Epit1on. Cohn, No. 700; Douglas, No. 162. 
Rare in the original parts. 


254. CRUIKSHANK (GEORGE). Comic Alphabet. Designed Etched & Pub- 
lished by George Cruikshank. 24 colored plates, illustrative of the 
alphabet. Second Issue. London, 1837; | Atso, bound in same 

4» volumes| R. Cruikshank’s Comic Alphabet. Woodcuts. First Ept- 

fn hn, TION. 16mo, full red morocco, gilt, lettered on back and front cover, 
ORIGINAL WRAPPERS OF BOTH WORKS, bound in, BY MANSELL. 

London, 1837 


An interesting copy. The letters of the alphabet by George Cruik- 
shank are bound in, opposite those by Robert Cruikshank. 
From the library of Stephen George Holland, with bookplate. 


255. CRUIKSHANK (GEORGE). Inglis (H. D.). Rambles in the Footsteps of 

Don Quixote. With illustrations (6 etchings and 2 woodcuts) by 

George Cruikshank. Small 8vo, hight calf, richly tooled gilt back, 

/ iw: triple gilt fillet border on sides, inside border, gilt top, uncut, origi- 
-nal cloth back bound in, BY RIVIERE. 

London: Whittaker and Co., 1837 


First Epition. Cohn, No. 419; Douglas, No. 173. 
With book-plate of Robert Hall, 1902. FINE copy. 


| 


Second Session, Wednesday Afternoon, February 5th 
Oe ee re 


256. CRUIKSHANK (GrorGE). Lewis’s Atlas, comprising the Counties of Ire- 
land, and a General map of the Kingdom. Engraved title with fine 
bm dy vignette designed by G. Cruikshank and etched by Joseph Goodyear, 
- and colored maps. 4to, original cloth. 
London: 8. Lewis & Co., 1837 
First Epitron. Cohn, No. 471; Douglas, No. 1831. 


257. CRUIKSHANK (GEORGE). Scenes from the Life of Edward Lascelles, 
Gent. With 2 etched frontispieces and 2 etched titles by G. Crutk- 
iy, shank. 2 vols. 12mo, full calf, polished, gilt backs and tops, uncut, 
BY RIVIERE. Dublin, London, Edinburgh, 1837 

First Eprrion. Cohn, No. 462; Douglas, No. 174. 


258. CRUIKSHANK (GzorGE). The Original Wrapper (ront and Back of 
No. 1.) with illustration by G. Cruikshank, for Thier’s “History 
J of the French Revolution.” 8vo, enclosed in cloth folder, lettered. 
[London :] Richard Bentley [1837] 
First Eprrion. Cohn, No. 761; Douglas, No. 177.° 


This cover was identical for each of the parts, so that possession of 
one, is all that is necessary for the Cruikshank illustration. : 


259. CRUIKSHANK (GrorGE). A Present for An Apprentice. To which is 
added, Franklin’s Way to Wealth. By A Citizen of London. En- 

aH graved vignette and frontisprece, after G. Cruikshank. 18mo, 
original green cloth, in cloth slip-case. 

London: Thomas Tegg & Son, 18388 . 


First Epition. Cohn, No. 646; Douglas, No. 616. 

The frontispiece is a fine engraving, in compartments, entitled,— 
“Keep within compass and you will be sure 
To avoid many troubles that others endure.” 


260. CRuIKSHANK (GuoRGE). [Barker (M. H.).] Topsail-Sheet Blocks ; 

or, The Naval Foundling. By “The Old Sailor.” With 3 etched 

a frontispieces by G. Cruikshank. 3 vols. small 8vo, half calf, gilt 

10, backs. London: Richard Bentley, 1838 
First Eprtion. Cohn, No. 48; Douglas, No. 183. : 


261. CRUIKSHANK (GrorGE). [Dickens (Charles).] Memoirs of Joseph 

Grimaldi. Edited by “Boz.” With dlustrations (12 etchings), by 

% George Cruikshank, and a portrait of Grimaldi. 2 vols. 12mo, ORIGI- ~ 

LI, NAL PINK FLOWERED CLOTH, uncut. Name of former owner on 

blank leaves at front, the same name partly obliterated from both 
title-pages, rebound in original binding. 

London: Richard Bentley, 1838 


First ISSUE OF THE First Epition. Cohn, No. 229; Douglas, No. 185. — 

Contains the 36pp. of Bentley’s advertisements at end of Vol. IL, 
and the last plate-—“The Last Song,” in the First STATE, without the 
border. Does not contain the “List of Plates” called for by both Cohn 
and Douglas. 


Second Session, Wednesday Afternoon, February 5th 


262. CRUIKSHANK (GEORGE). [Dickens (Charles).] More Hints on Eti- 
quette, for The Use of Society at large, and Young Gentlemen in 
Particular. With cuts by George Cruikshank. 16mo, original dark 
blue ribbed-cloth, with the cut of a gentleman, on front cover, gilt 
edges, name written on title. Enclosed, with protecting cloth wrap- 

Pa, gy per, in red morocco solander case, lettered on back, BY ROOT. 
, London: Charles Tilt, 1838 | 
THE EXCESSIVELY RARE First Epition. Cohn, No. 234; Douglas, No. 
188. With the leaf of advertisement at front; also, the leaf of adver- 
tisement and the two-leaf slip of advertisement at end. 
UNIQUE COPY, WITH BOLD INSCRIPTION, ON FLY-LEAF, IN THE HAND- 
WRITING OF GEORGE CRUIKSHANK, reading,—‘From Geo. Cruikshank to 


his most esteemed friend W. H. Merle Esq. Feby. 23, 1838.” ONE OF 
THE EARLIER COPIES CIRCULATED. 


263. CRUIKSHANK (GEorGE). [Dickens (Charles).] Oliver Twist; or, The 
Parish Boy’s Progress. By “Boz.” With 24 etchings by G. Cruik- 
shank. 3 vols. small 8vo, original brown cloth, uncut, strengthened 

3 d and replaced in original bindings. 

London: Richard Bentley, 1838 


FIRST ISSUE OF THE First EDITION IN BOOKFORM. With the original 
“Fireside” plate, and the 4pp. of advertisements in Vol. I. There is a 
half-title in Vols. I. and II., but not in Vol. III., in the latter, its place 
is taken by a leaf of advertisements. 

“With and without the list (of illustrations), both are genuine.”— 
JOHN C. ECKEL. 

Cohn, No. 231; Douglas, No. 180. 


264. CrurksHANK (GEORGE). Glascock (Captain). Land Sharks and Sea 

Gulls. With 6 etchings by George Cruikshank. 3 vols. small 8vo, 

/ half blue morocco, polished, gilt backs and tops, uncut, margins of 
Y. plates and of a few leaves slightly soiled. 

London: Richard Bentley, 1838 


First Epirion. Cohn, No. 338; Douglas, No. 184. 
With leaf of advertisement at end of Vol. 3. 


265. CRUIKSHANK (GEORGE). Landscape-Historical Illustrations of Scotland, 

and the Waverley Novels. From drawings by J. M. W. Turner, 

5Sv comic illustrations by G. Cruikshank. 2 vols. in one, 4to, leather, 

- worn, some pages soiled. London: Fisher, Son, & Co. [1838] 
First Epirion in Booxrorm. Cohn, No. 700; Douglas, No. 162. 


266. CRUIKSHANK (GuoRGE). Lympsfield and its Environs, being a series of 
views, with descriptions, of that village and objects of interest in 
its vicinity [With Introductory Note, signed “H. G.”]; and THE 

‘ Onp Oak CHatr, a Ballad. With illustrations by George Cruik- 
; shank. 8vo, half levant morocco, gilt back and top, uncut, original 

wrappers bound in, BY ZAEHNSDORF. 
Westerham: Henry George, 1838: 


First Eprtion. THE VERY RARE LARGE PAPER ISSUE, With plates on India 
paper. Autograph inscription,—‘‘From the Publisher to his Sister.” 
Cohn, No. 506; Douglas, No. 189. 


Second Session, Wednesday Afternoon, February Sth 
aa hdeadaesealaerhehaiat ie aeRO ER EES EMEA SES 


267. CRUIKSHANK (GEoRGE). lLympsfield and its Environs, being a series 
of views, with descriptions, of that village and objects of interest 
in its vicinity; and The Old Oak Chair, a Ballad. With dlustra- 

A tions by George Cruikshank. 8vo, original cloth, paper label on 

front cover. Westerham: Henry George, 1838 


First Epirion. Cohn, No. 506; Douglas, No. 189. ‘ 
The 12 lithographs illustrative of “Lympsfield” are not by Cruik- 
shank, but the four woodcuts in “The Old Oak Chair,” are by him. 


268. CRUIKSHANK (GrorGE). The Strange Gentleman; a Comic Burletta, in 
Two Acts, by “Boz.” (Charles Dickens.) First performed at The 
St. James’s Theatre, on Thursday, September 29, 1836. CoLoRED 
5 SO frontispiece by F. W. Pailthorpe, and one etching by George Cruik- 
~ shank. 12mo, half red levant morocco, gilt back and top, uncut, 
wrappers bound in BY TOUT. London, 1838 | reissue | 

This is the re-issue with the Pailthorpe plate, etched after 1878. 


269. OrvIKSHANK (GxorGE). Ainsworth (W. Harrison). Jack Sheppard. 
With illustrations (2% etchings) by George Cruikshank, and a por- 
trait of the author. 3 vols. small 8vo, original green cloth, uncut, 

5+ bindings rubbed at corners, some margins slightly soiled. 5 

a ae London: Richard Bentley, 1839 


First Epition. Cohn, No. 11; Douglas, No. 190. RARE IN THE ORIGINAL 
cLoTH. Owing to its popularity, copies of this work are more or less 
badly defaced. 


270. CrUIKSHANK (GrorcE). Bowring (John). Minor Morals for Young 
People. Illustrated in Tales and Travels. With engravings by 
George Cruikshank and William Heath. {Part I.| contains frontis- 
/") piece by Cruikshank and 8 plates by Heath, Part Il. has 5 etchings 
‘and Part III. 6 etchings, all by Cruikshank, and signed. 3 vols. 
12mo, half red calf, polished, gilt backs and tops, uncut, original 

paper labels inserted. 
London: [Parts I and II.] Whittaker and Co., 1834-1830 

[Part III.| William Tait, 1839 


First Epirion OF ALL PARTS. Cohn, No. 83; Douglas, No. 150. 
Complete with all the plates. FINE Copy. 


271. CrurksHank (GrorcE). Chemistry no Mystery; or, A Lecturer’s Be- 

quest. Arranged from the Original Manuscripts, and Revised by 

John Scoffern. Frontispiece and vignette on title by George Cruik- 

shank, and illustrations by other artists. 16mo, original blue cloth. 

Bx a slight stain on corner of plate and title, inscription on blank leaf. 

[>?, London: Harvey and Darton, 1839 
First Eprrion. Cohn, No. 698; Douglas, No. 193. 


272. CrurksHaNK (GrorGE). [Dickens and Thackeray.]| The Loving Ballad 
of Lord Bateman. Illustrated by George Cruikshank, with 11 eteh- 
ings, all designed by him, and a page of music. 12mo, each page 

[Continued 


Second Session, Wednesday Afternoon, February Sth 


[No. 272—Continued | 
of text and each plate mounted (four on one leaf), and extended to 
4to, size, half morocco. London: Charles Tilt, 1839 


First Epirion. Cohn, No. 235; Douglas, No. 196. 

With the page-numbers in centre of page, as should be. The printer’s 
name on back of title and on last leaf is “Clarke, Printers, Silver Street, 
Falcon Square, London.” The original green cover is bound in. There 
is also a series of COLORED impressions (four to the page, unseparated) 
of the plates, bound in, opposite of the plain plates. : 


, 2724. CRUIKSHANK (GEORGE). The same. Wath 11 plates and one plate of 
é music. 12mo, original green cloth, shaken. 
London: David Bogue, 1851 


/ 


{ 273. CRUIKSHANK (GzorGE). [Irving (Washington).| Salmagundi. New 

: Edition corrected and revised by the author. Woodcuts by George 

42. Cruikshank. 16mo, half calf. London: Thomas Tegg, 1839 
Cohn, No. 425; Douglas, No. 194. 


274. CRUIKSHANK (GEORGE). [Mogridge (George).| Sergeant Bell, and 
His Raree-Show. Hmbellished with woodcuts, by Crwukshank, 
Thompson, Williams, etc. 18mo, original cloth. 

7 London: Thomas Tegg, 1839 
+ 


First Epirion. Cohn, No. 551; Douglas, No. 195. 

Several of the woodcuts are by G. Cruikshank, the frontispiece and 
vignette on title are the only ones here first printed. Charles Dickens 
is supposed to have been connected with the literary part of the work. 
Cohn places the same under Mogridge, with the following remarks,— 
“  . . although Dickens proposed to write the book, the idea fell 
through, and it was eventually written by Mogridge .. .” 


275. CrurksHank (GrorcE). The Life of Mansie Waugh, Tailor in Dal- 

keith. Written by himself. A New Edition, revised and greatly 

Re enlarged. With eight illustrations by George Cruickshank (sic.) 

if &» 12mo, red calf, polished, richly decorated gilt back, gilt top, uncut, 
BY ZAEHNSDORF. 

Edinburgh: William Blackwood and Sons, 1839 


First EDITION WITH THESE ILLUSTRATIONS. Cohn, No. 474; Douglas, 
No. 192. 


276. CRUIKSHANK (GrorGE). Ainsworth (William Harrison). The Tower 
of London. A Historical Romance. With 40 etchings and 58 wood- 
| 2 ry cuts, by George Cruikshank. 8vo, light calf, gilt back, elaborately 
~& . tooled, triple fillet border on sides, gilt edges, BY LLOYD. 
London: Richard Bentley, 1840 
First Eprrion. Cohn, No. 18; Douglas, No. 197. 


277. CRUIKSHANK (GxorGH). [Thackeray (William Makepeace).] “An 
Essay on the Genius of George Cruikshank” [Westminister Review. 
pp. 60.] With 14 full-page etchings and numerous woodcuts by 
George Cruikshank. 8vo, half morocco, gilt back and top, uncut. 

‘iz [London, 1840] 


First EDITIon. 


Second Session, Wednesday Afternoon, February 5th 
Soe eee 


978. ORUIKSHANK (GBoRcE). The Gipsy Mother, or The Miseries of Hn- 


20. 


forced Marriages, by the authoress of “Emily Moreland, Rosaline 
Woodbridge, &c.” Hngraved title and 26 engravings by various 
artists, all illustrative of the story, two of the plates,— Mr. Levison 
lay on the floor in strong convulsions,” page 49, and “A pretty night's 
work you have made you ungractous rascal,” page 165, are by George 
Cruikshank, one of them signed “Crutkshanks.” 8vo, half brown 
polished morocco, gilt back and top, BY ZAEHNSDORP. 

London [1840] 


VeRY RARE. UNKNOWN TO DovuGLAs, MARCHMONT, CoHN AND REID. 
This is Lord Mexborough’s copy, with his bookplate. There is also the 
leather book label of “Ellen Sears, 1848.” The title has, at top, “Vie- 
toria Edition of Original Copyright Works.” . 


979, CRUIKSHANK (GxorcE). [Barham (Richard Harris).] The Ingoldsby 


loo 


, 


Legends, or Mirth and Marvels. By “Thomas Ingoldsby, Esquire.” 
Illustrated with 19 spirited etchings, 8 of which are by George 
Cruikshank, and the remainder by John Leech. 3 vols. small 8vo, 


original cloth, uncut, edges of bindings rubbed, a few margins of 


text and plates slightly soiled. 
London: Richard Bentley, 1840, 1842, 1847 
First Eprrion. Cohn, No. 44; Douglas, No. 198. 


The Genuine first issue, with the blank page 236, but without the small 
slip relating to the same. 


280. CRUIKSHANK (Gror@E). Ainsworth (William Harrison). Guy Fawkes ; 


281. CruriksHANK (GrorcE). Cockton (Henry). Stanley Thorn. With nu- 


/, 


or, The Gunpowder Treason. An Historical Romance. With alus- 
trations (22 etchings) by George Cruikshank. 3 vols. small 8yo, ori- 


ginal brown cloth, uncut. Enclosed in cloth slip-case. Edges of 
bindings slightly rubbed, a few of the margins somewhat soiled. 
London: Richard Bentley, 1841 


First EpItion IN BOOK-FoRM. Cohn, No. 15; Douglas, No. 208. 

Although slightly soiled, this copy is nevertheless a desirable one, 
as the work is VERY RARE in the original cloth and uncut; many copies, 
on account of the great popularity of the novel, having in the course 
of time, become badly mutilated. 


merous illustrations, designed by Cruikshank, Leech, etc., and en- 
graved by Yeager. 8vo, cloth, somewhat foxed. 


Philadelphia: Lea and Blanchard, 1841 — 


First AMERICAN Epitron, issued the same year as the First English 
Edition. 

Joseph Yeager was engraving and etching in Philadelphia, 1816-1845. 
He made copies of etchings by Cruikshank and other English artists, 
for American reprints of books illustrated by them. 


282. CRUIKSHANK (GEorGE). Dibdin (T.). Songs of Charles Dibdin. With 


} 


12 etchings by G. Cruikshank. Second Edition. 16mo, cloth, un- 


cut. London: John Murray, 1841 


This edition contains 328 pages. 


isp hee Per is 


Second Session, Wednesday Afternoon, February 5th 


983. CrUIKSHANK (GxOoRGE). Dickens (Charles—EKditor). The Pic Nic 
Papers. With illustrations (14) by George Cruikshank, “Phiz,” 
and others. 38 vols. small 8vo, full green polished morocco, gilt 

ova backs and tops, triple fillet lines on sides, uncut, original cloth 

«©°* covers used as doublures for back of each volume, original cloth back 
pasted in front of each volume, By GriEvE. Three of the plates have 
been rehinged, one plate has margins repaired. 


London: Henry Colburn, 1841 
First Eprtron. Cohn, No. 228; Douglas, No. 202. 
Only 2 of the plates are by Cruikshank. 


284, CRUIKSHANK (GrorGE). George Cruikshank’s Omnibus. Ldited by 
Laman Blanchard. Illustrated with 100 engravings on steel and 
wood (22 and 78 respectively), by George Cruikshank. Royal 8vo, 

a IN THE ORIGINAL 9 PARTS, WITH ALL THE WRAPPERS, uncut. With 

/Gs - cloth folder, enclosed in cloth solander case, gilt morocco back, BY 
ROOT & SON. Three small tears in back. 

London: Tilt & Bogue, May, 1841—January, 1842 


FINE Copy OF THE FIRST EDITION, AS ISSUED, IN THE ORIGINAL PARTS, 
WITH ALL THE ADVERTISEMENTS AND SPECIAL FEATURES REQUIRED BY THE 
COLLECTOR, including “Our Preface,” “A Few Words to the Public,” “Table 
of Contents,” “List of Illustrations,” and the ExTRA LEAF in No. 8 to be 

used for cancelling the same leaf in No. 7. 

Cohn, No. 184; Douglas, No. 206. 

A MOST INTERESTING COPY FROM THE COLLECTION OF CRUIKSHANK’S OLD 
FRIEND AND FAMILY bDocTOR, PETTIGREW, with the following additional 
features,— 

No. I. Laid in is a sheet from the advertisements to “Ainsworth’s 
Magazine,” on which is a woodcut by George Cruikshank, adver- 
tising “The Omnibus.” This woodcut appears on the cloth 
covers of the bound edition. The gentleman assisting the stout 
woman is a portrait of G. Cruikshank, while the driver is a 
portrait of Laman Blanchard, the Editor of “The Omnibus.” 

No. II. The wrapper of this part, has the illustration partly col- 
ored, evidently an experiment on the part of George Cruikshank 
to see how the colored cover would go. 

No. III. THIs IS A UNIQUE copy, being a presentation copy to Mr. 
Upcott, the famous bibliographer and autograph collector, with 
an AUTOGRAPH INSCRIPTION on the wrapper, by George Cruik- 
shank, a fine and bold inscription, reading,— 

“U. Upcott Esq. with the regards of Geo. Cruikshank.” 

In a letter from G. Cruikshank, to Charles Dickens, regard- 
ing this work, Cruikshank writes as follows,— 

“T have introduced the ‘Postboy’ to the ‘Conductor, of the 
‘Omnibus’ & hope he may get a Sitivation, for I think you know 
that I am, like yourself, always ready to lend a helping hand 
to those who want it.” 


[See Frontispiece for reproduction of wrapper | 


285. ORUIKSHANK (GrorcE). Ainsworth (William Harrison). The Miser’s 
Daughter, a Tale. With illustrations (20 etchings) by George 
Cruikshank. 3 vols. small 8vo, original cloth, uncut, bindings worn 

/}, and plates somewhat foxed. 
London: Cunningham and Mortimer, 1842 
First Eprrion. Cohn, No. 16; Douglas, No. 208. 


Second Session, Wednesday Afternoon, February 5th 


986. CRUIKSHANK (GEORGE). Ainsworth’s Magazine: a Miscellany of Ro- 
mance, General Literature and Art. Edited by William Harrison 
Ainsworth. Vols. 1 to 10 [February, 1842 to December, 1846, in- 
clusive.}| Illustrated with numerous full-page etchings and en- 

“rs gravings, of which 68 are by G. Cruikshank, including tlustrations 
{/¥ to “The Miser’s Daughter,’ “Windsor Castle,” “Guy Fawkes,” “The 
Elliston Papers,’ etc. There are also a number of plates by “Phage 
Together, 10 vols. 8vo, ORIGINAL PARTS, WITH ALL THE WRAPPERS, 
uncut. Each volume protected by a cloth folder, and enclosed in 
cloth slip-case, leather lettered labels. London, 1842-1846 


AN UNUSUALLY FINE SET, including the greater portion of “The Adver- 
tiser,” and all the plates. The first six and the ninth volumes are the 
only ones which contain the Cruikshank plates, consequently, the present 
is all that is necessary for the Cruikshank Collector. The first six 
volumes are RARE. The volumes are seldom found in as fine condition 
as the above. 

Cohn, No. 17; Douglas, No. 207. 


287, CrUIKSHANK (GEorGE). Jerrold (Douglas). Cakes and Ale. Hitched 
title and frontispiece to each volume, by G. Crutkshank. 2 vols. 
ie 12mo, light calf, gilt backs, leather labels, gilt tops, uncut, original 
She cloth covers bound in, BY RIVIERE. : 
London: How and Parsons, 1842 

First Eprrion. Cohn, No. 435; Douglas, No. 210. FINE copy. 


288. CrurKsHANK (GEoRGE). O’Neill (John). The Drunkard. A Poem. 
Portrait, and 4 etchings by G. Cruikshank. 12mo, calf, gilt tooled 
back, leather labels, sides with fillet and dotted border, gilt edges, © 
5 BY ZAEHNSDORF. London: Tilt and Bogue, 1842 


First Eprtion. Cohn, No. 592; Douglas, No. 211. 
This copy has the leaf advertising works by Cruikshank; but lacks the 
other 16 pages of advertisements. 


SS 


289. ORUIKSHANK (GEORGE). Ainsworth (W. Harrison). Windsor Castle. 
An Historical Romance. New Edition. . Illustrated by George Crutk- 
shank and Tony Johannot, with designs on wood by W. Alfred Dela- 
motte. vo, maroon crushed levant morocco, gilt back, sides with 

-», 9) triple fillet border and corner ornaments, gilt top, inside border, 

54 < uncut, original cloth back and front cover bound in, BY TOUT. 

London: Henry Colburn, 1843 


First ocravo EDITION. Cohn, No. 20; Douglas, No. 213. 

Extra-ILLUSTRATED with 37 portraits and plates. The illustrations 
contained in the work, include 14 steel etchings by George Cruikshank. 
Only three plates by him appeared in the first edition. ; 


290. CrurksHANK (GeEorGE). [Barham (R. H. D.).]  Martin’s Vagaries; 
being a Sequel to “A Tale of a Tub,” recently Discovered at the 
; University of Oxford. With 2 etchings and a woodcut by G. Crutk- 
) © shank. 12mo, original stiff yellow paper wrapper, with printed title 
and woodcut. Plates have margins soiled. 
London: A. H. Baily & Co., 1843 
First Eprtion. Cohn, No. 516; Douglas, No. 215. 


Second Session, Wednesday Afternoon, February 5th 
ET IS Sl a ale eta 


291. CruIKSHANK (GEORGE). [Gore (Mrs. C. F.).] Modern Chivalry: or, 
A New Orlando Furioso. With illustrations (4 etchings and vignette 
= on each title-page), by G. Cruikshank. 2 vols. 8vo, original boards 
/? and labels, uncut, back of Vol. I. slightly chipped at top, margin of 
plates lightly spotted. London: John Mortimer, 1843 

Frrst Epirion. Cohn, No. 341; Douglas, No. 216. 


292. OrvIKsHANK (GxorcE). A’Beckett (Gilbert Abbott). The Comic 
Blackstone of “Punch.” With illustrations by Cruikshank. 12mo, 

4 half morocco, with embossed stamp and bookplate of George S. 
« Gibson, Jr. Philadelphia: Carey and Hart, 1844 


This is Part I. of the work, published the same year in England, as 
the first edition. The engraved frontispiece and title are both from 
the originals of George Cruikshank, having been pirated, and engraved 
by A. Koellner, and printed by P. S. Duval. > 


293. CRUIKSHANK (GrorcE). Ainsworth (William Harrison). Saint 
James’s: or The Court of Queen Anne. An Historical Romance. 

. With illustrations (9 etchings) by George Cruikshank. 3 vols. small 
“0. 8vo, original boards and labels, uncut, each volume protected by 
cloth wrapper and enclosed in straight-grained green morocco so- 

lander case, lettered on backs, By Roor & sons. Bindings slightly 

rubbed at hinges. London: John Mortimer, 1844 


First Epirion. Cohn, No. 18; Douglas, No. 224. 
RARE IN THE ORIGINAL BOARDS. 


294. CRUIKSHANK (GzorGE). Maginn (William). John Manesty, the Liver- 
pool Merchant. With illustrations (six etchings), by George Orurk- 
shank. 2 vols. small 8vo, vellum, gilt backs, fillet borders, uncut, 
MG, BY MORRELL. A few margins slightly soiled. 

London: John Mortimer, 1844 


First Eprition. Cohn, No. 509; Douglas, No. 219. 
From the collection of Captain Douglas. No. 390 in his sale’s catalogue. 


295. CRUIKSHANK (GxEorGE). The Bachelor’s Own Book: being the Progress 
of Mr. Lambkin in the Pursuit of Pleasure and Amusement, and 
also in Search of Health and Hapiness. With engraved title-page 

>, anda series of 24 scenes etched on 12 plates by George Cruikshank, 

' the plates plain, not colored. Oblong 12mo, half morocco, original 

illustrated front wrapper bound in. 

[London:] Designed Etched & Published by George Cruik- 
shank, August Ist, 1844 
First Epirion. Cohn, No. 185; Douglas, No. 223. 


296. CRUIKSHANK (GzorGE). Adshead (Joseph). Prisons and Prisoners. 
Etched frontispiece,—“Newgate—Prison Discipline,’ by G. Crutk- 


lg shank, and 2 other plates, not by Cruikshank.  8vo, original green 
: [Continued 


Second Session, Wednesday Afternoon, February 5th 


. a 


[No. 296—Continued | 
cloth, uncut and partly unopened, small tear in back of cover, fron- 
tispiece cut down and mounted. London: Longman (ete.), 1845 

First Eprrion. Has the rare leaf of Hrrata, not included in pagina- 
tion given by Cohn. 

Cohn, No. 4; Douglas, No. 229. 

The above is a presentation copy, with the following autograph in- 
scription, by the author,—‘T’o the Editor of the Glasgow Examiner, From 
the Author.” 


297. CRUIKSHANK (GzorGE). Adshead (Joseph). Prisons and Prisoners. 

With etched frontismece by George Cruikshank, and 2 other illus- 

oy trations, not by him. 8vo, original blue cloth, uneut and mostly 

» unopened. London: Longman, Brown, Green, and Longman, 1845 
First Epitron. Cohn, No. 4; Douglas, No. 229. 


298. CRUIKSHANK (GzoRGE). Gore (Mrs. C. F.). The Snow Storm, a 

Christmas Story. With illustrations (8) by Geo. Cruikshank. 12mo, 

7 original blue cloth, gilt design on back and front cover, gilt edges, 

s margin of plates with light spots, signature of Crawford J. Powell 

J, on inside front cover. London: Fisher, Son, & Co. [1845] 
First Epirion. Cohn, No. 342; Douglas, No. 231. 


299. CruIKSHANK (GkEoRGE). [Lever (Charles).] Arthur O’Leary: His 
Wanderings and Ponderings in Many Lands. Illustrated (with 10 


etchings, including a portrait) by George Cruikshank. 8vo, half 


/ ealf, gilt back and top, uncut, a few margins slightly soiled. 
G, London: Henry Colburn, 1845 
FIRST OCTAVO EDITION. Cohn, No. 470; Douglas, No. 221. 


300. CRUIKSHANK (GEORGE). Maxwell:(W. H.). History of the Irish Re- 
bellion in 1798; with Memoirs of the Union, and Emmett’s In- 
surection in 1803. Portraits of Lord Cornwallis, Robert Emmett 

/1V and others, and numerous spirited etchings by George Orutkshank. 

’ IN THE ORIGINAL PARTS (XV. in 12), with ALL THE WRAPPERS AND 
ADVERTISEMENTS, UNcuT. Enclosed in green silk folder and green 
levant morocco solander case, BY ROOT & SON. 

London: A. H. Baily & Co., 1845 
First Epition. Cohn, No. 525; Douglas, No, 227. 


The Samuel H. Austin Copy. With the exception that new backs 


and several small portions of wrappers have been skilfully supplied, 
and some inconsiderable writing on two covers, a VERY FINE SET. Dx- 
ceedingly rare in the original parts. There are 27 plates, of which 21 
are by G. Cruikshank. 


301. CruriksHANK (GzEORGE). The General Reciter; a Unique Selection of 
the most Admired and Popular Readings and Recitations: including 

i Dramatic Scenes, Tales, Odes, Orations. Frontispiece by George 
Cruikshank, and woodcuts by another artist. 12mo, full light calf, 
[Continued 


Second Session, Wednesday Afternoon, February 5th 


[No. 301—Continued | 
polished, gilt back, sides with double fillet border and corner orna- 
ments, gilt top, uncut, BY ROOT & SON. ORIGINAL BLUE CLOTH COVERS 
bound in. 
Halifax: Printed and Published by William Milner, 1845 


UNKNOWN TO CoHN AND DovucLas, who give as the first edition with 
these illustrations, the issue of 1846. 


302. CrurksHANK- (GrorGE). Blanchard (Laman). Sketches from Life. 7 
With a Memoir of the Author, by Sir Edward Bulwer Lytton. Hm- 
bellished with a portrait, after a drawing by Daniel Maclise, and 

ef" So several wood engravings, from designs by George Cruskshank, Kenny 
Meadows and Frank Stone. 3 vols. small 8vo, original brown cloth, 
uncut, two backs slightly torn. London: Henry Colburn, 1846 

First Hpition. Cohn, No. 73; Douglas, No. 237. 


303. CruiksHank (GEoRGE). “Gore (Mrs. C. F.). New Year’s Day, a Win- 
ter’s Tale. With illustrations (4 etchings) by George Cruikshank. 

i 16mo, original cloth, gilt edges, margins of plates slightly foxed. 
London: Fisher, Son, & Co. [1846] 


First Epirion. Cohn, No. 348; Douglas, No. 282. 
With the § pages of advertisements. 


304. CrurksHANK (GerorcE). Head (Sir Francis B.). The Emigrant. 
12mo, ORIGINAL BOARDS, with design on front and back cover, by G. 
Cruikshank, uncut. Cloth wrapper, in leather slip-case. Slightly 

é ’ rubbed at edges, and few margins foxed. 
London: John Murray, 1846 


First EpITionN. VeERY RARE. Cohn, No. 372. Not in Douglas. 

The work is very difficult to procure in fine shape, owing to the 
nature of the board covers on which the design is printed. 

A political history of the writer’s administration in Canada. 


305. OrviKsHaNK (GEORGE). Our Own Times.- With 4 etchings and 34 
glyphographs and woodcuts, by G. Cruikshank. The four parts 
[April to July, 1846, without wrappers] bound in one vol. 8vo, calf, 
/ /. polished, gilt tooled back, fillet borders on sides, ailt edges, BY 
MORRELL. (London: Bradbury & Evans, 1846] 


First Epirion. : Cohn, No. 186; Douglas, No. 235. 

Bound from the original parts (all published), without the wrappers. 
No title-page, the caption “Our Own Times” appearing at top of the 
first page. 


306. CruiksHANK (Grorcr). [Chamerozow (L. A.).] The Yule Log, for 
Everybody’s Christmas Hearth. By the author of “The Chronicles 
/ of the Bastile.” Illustrated by George Cruikshank ; with 4 etchings, 
illustrated title and one woodcut in text. 16mo, original blue cloth, 
gilt, gilt edges, plates slightly foxed. London: T. C. Newby, 1847 

First Epirion. Cohn, No. 123; Douglas, No. 241. 


Second Session, Wednesday Afternoon, February 5th 
pndiatatialbina ne nOicahahs edie Se ETT Rae 


307. CRUIKSHANK (GEORGE). The Good Genius that Turned Everything 
Into Gold, or the Queen Bee and the Magic Dress, a Christmas Fairy 

Tale. By The Brothers Mayhew. With ilustrations (8) by George 

/, /. Cruikshank. 12mo, full polished calf, gilt back, fillet borders, gilt 
top, BY RIVIERE. London: David Bogue, 1847 


First Eprtion. Cohn, No. 526; Douglas, No. 239. 
With leaf of advertisement at end. 


308. CRUIKSHANK (GEORGE). The Greatest Plague of Life: or The Adyen- 
tures of a Lady in Search of a Good Servant. Edited by the 
Brothers Mayhew. Illustrated (with 12 etchings) by G. Crutk- 

| shank. 12mo, half light calf, gilt back and top, four margins slightly 
S soiled. London: David Bogue {1847 | 


First Epition. Cohn, No. 527; Douglas, No. 238. 
Bound from the original parts, but without the advertisements. 


309. CRUIKSHANK (GEORGE). Sinks of London Laid Open. CoLorEp frontis- 
50 piece and humorous illustrations by George Cruikshank. 12mo, 
[?" doth. London, 1848 [Reprint] 


310. CruIKSHANK (GEoRGE). Whom to Marry and How to Get Married! 


or, The Adventures of a Lady in Search of a Good Husband. Edited 


by the Brothers Mayhew. Illustrated (with 12 etchings and vignette 
¢ ) on title) by George Cruikshank. 12mo, original brown cloth, mar- 
gins of plates slightly soiled, small embossed stamp on title. 
London: David Bogue [1848] 
First Eprrion. Cohn, No. 528; Douglas, No. 244. 


311. CrurksHANK (GrorGE). [Clarke (Mary Cowden).] Kit Bam’s Ad- 


ventures. With 4 etchings by G. Cruikshank. 16mo, half calf, 
/ , marbled edges, plates soiled, binding rubbed. 
London: Grant and Griffith, 1849 
First Epirton. Cohn, No. 186; Douglas, No. 247. 


312. CrurksHANK (GxEorcE). Reach (Angus B.). Clement Lorimer; or, 

The Book with the Iron Clasps. A Romance. Illustrations (12 

rep etchings) by George Cruikshank. 12mo, half blue morocco, gilt 

* back and top. London: David Bogue, 1849 
First Epitrion. Cohn, No. 658; Douglas, No. 249. 


313. CruiksHaNK (GEORGE). Basile (Giambattista). The Pentamerone, or 
the Story of Stories, Fun for the Little Ones. Second Edition. I1- 

Uf ,  lustrations by George Cruikshank, colored by hand. 12mo, half 
morocco, gilt back and top. London: David Bogue, 1850 


314. CrurksHANK (GuorGE). Stop Thief; or, Hints to Housekeepers to Pre- 
vent Housebreaking. By George Cruikshank. With woodcuts by 
2 * S) Cruikshank. 8yvo, red leather, polished. 
is London: Printed and published for the Author, by Bradbury & 
Evans [1851] 
First Epirion. Cohn, No. 201; Douglas. No. 536. 


Presentation copy, with autograph inscription by the author, reading,— 
“To the Editor of the York Herald with the Compts. of Geo. Cruikshank.” 


Been, S 


Second Session, Wednesday Afternoon, February 5th 


315. CrurksHANK (GEORGE). “Common Sense” on the Domestic Habits of 
the People. With six illustrations, by George Cruikshank. 12mo, 

po? half calf, gilt back, original wrapper and advertisements bound in. 

= London: Charles Gilpin, 1852 


First Eprrrion. Cohn, No. 151; Douglas, No. 257. 
The advertisements include the blue slip and 8pp. buff paper. 


316. OrvIKSHANK (GrEoRGE). “Common Sense” on the Domestic Habits of 
the People. With six illustrations, by George Cruskshank. 12mo, 
6 original printed wrappers. With cloth folder, in cloth slip-case. 
London: Charles Gilpin, 1852 
First Epirion. Cohn, No. 151; Douglas, No. 257. 
The advertisements include the blue slip and the eight pages of buff 
paper. RARE IN ORIGINAL WRAPPERS. 


317. CRUIKSHANK (GEORGE). Pettigrew (T. J.). On a Roman Urn Found 
in Charnwood Forest. With colored etching, by G. Cruikshank. 
/, 8vo, pp. 4, new wrappers, in cloth folder, lettered up back, 
VU - _[ London, 1852] 
First Epirion. Cohn, No. 34; Douglas, No. 1835. 
The above is an excerpt taken from Vol. 7 of the “Archeological 


Association Journal.” 
The date is taken from Cohn. Douglas gives same as 1840. 


318. CrurksHANK (GrorGE). Pledge of the Band of Hope Temperance So- 
ciety. With the following inscription,—“Pledge. I agree to 
abstain from all Intoxicating Liquors as a beverage and to dis- 
countenance the Causes & Practises of the Intemperance” [Line 

4sp for name of member, not filled in] “Is a member of the Band of 

= Ty Hope.— 18 Secy.” Designed & etched by George Cruvkshank— 
Total “Abstainer from all Intoxicating Liquors, and Tobacco.—” 
Printed & Published by John Jordison, Middlesboro on Tees. Size 
of sheet, 414 by 7% inches. Mounted in sunken mat, and bound 
in half crimson levant morocco, gilt edges, BY SANGORSKI & SUT- 
CLIFFE. Middlesboro on Tees [1852 | 

EXCEEDINGLY SCARCE. Similar to Reid, No. 2548, but without the addi- 
tional words ‘‘Temperance Society.” AN UNUSED COPY. 

This pledge is composed of seven vignettes, the centre one, above the 
inscription as given above, represents Faith supporting the Bible on her 
knee, and patronising Bands of Hope; the other six show contrast be- 
tween temperance and drunkenness. 

This is 2 FINISHED IMPRESSION of the earlier state of the plate, which 
was designed and etched by Cruikshank for the Temperance Society, 
in 1852. For a description of the original drawing of this plate, see, 
Austin catalogue, No. 330. 


319. CrurksHANK (GEorGE). Stowe (Harriet Beecher). Uncle Tom’s Cabin. 
With 27 illustrations on wood, by G. Cruikshank. Small 8vo, half 
straight-grained morocco, gilt back and top, BY ZAEHNSDORF. 

/3 London: John Cassell, 1852 
First EpItioN WITH THESE ILLUSTRATIONS. Cohn, No. 747; Douglas, 
No. 259. 


Second Session, Wednesday Afternoon, February 5th 


320. CRUIKSHANK (GxorcE). The Betting-Book. With 5 woodcuts by 
George Cruikshank. Second Edition.. 8vo, half red morocco, gilt 
/ Sy top, original wrappers bound in. London: W. & F. G. Cash, 1852 


First EDITION WITH PLATE. Cohn, No. 67; Douglas, No. 537. | 
Bound in, the following tract by M. L. Weems,—“The Drunkard’s Look- 
ing Glass.” With woodcuts. Printed (in America) for the Author, 1818. 


321. CrurksHANK (GrorcE). The British Journal. No. 4. April, 1852. 8vo, 
original wrapper. In cloth folder, lettered up back. 

PAU London: Aylott & Jones, 1852 

Jr 3 First Eprrion. Cohn, No. 87; Douglas, No. 253. 


a Fine copy, with advertisement. The design on wrapper of “Britannia 
and Her Children,” is by G. Cruikshank. Twelve parts in all were issued. 


992. CRruIKSHANK (GuorGE). The Temperance Offering: consisting of Es- 
says, Tales, and Poetry, Furnished Gratuitously by Eminent Tem- 
Rt perance Writers. Edited by James Silk Buckingham, Esq. Htched 
Y & i frontispiece by G. Cruikshank. Square 16mo, original yellow printed 
wrapper, with cloth cover. London: W. Tweedie [1852] 

First Eprrion. Cohn, No. 758; Douglas, No. 256. 


323. ORUIKSHANK (GrorGE). Fairy Library. Complete Set, as follows,— 

No. 1. George Cruikshank’s Fairy Library. Hor-O’My-THUMB, 
and The Seven-League Boots. Hdtted and illustrated, with sva 
etchings by George Cruikshank. Small 4to, original illustrated 
aC. wrappers. . London: David Bogue [1853] 


GENUINE ORIGINAL ISSUE, With the correct advertisement,—“Preparing 
for Publication,” on back wrapper. List of plate at end of volume. 

AUTOGRAPH INSCRIPTION BY CRUIKSHANK, on title, reading,—“ With the 
Compliments of Geo. Cruikshank.” 


No. 2. George Oruikshank’s Fairy Library. THs History oF 
Jack & THE BEANSTALK. Edited and illustrated with sia etchings 
by George Cruikshank. Small 4to, original illustrated wrappers. 

London: David Bogue [1854] 


GENUINE ORIGINAL ISSUE, With the correct advertisement on back,— 
“Already Published . . . Preparing for Publication, No, HIE 65 ’ 
List of plates before title. : 


No. 3. George Cruikshank’s Fairy Library. CINDERELLA and the 
Glass Slipper. Edited and illustrated with ten subjects, designed 
and etched on steel, by George Cruikshank. Small 4to, original il- 
lustrated wrappers. London: David Bogue [1854] 


GENUINE ORIGINAL ISSUE, with the correct advertisement on back wrap- 
per advertising the two preceding numbers. Contains the Address by 
Cruikshank (three pages at end), referring to Mrs. Stowe and Charles © 
Dickens. 


[Continued 


[Ezé ON] 
‘T ‘ON 0} ddoIdsyQUOIy puBw osBd-9]}1} JO B[IWIISOBJ Ppson poy 
AUVUAIT AVIVA AHL AO LAG ALWIAWOD 


MNVHSMINWO ADUOWS 


- AAAULS LAATA 98 “ANDOd GIAVG 
_ >NOGNOT | : 


UNVHSYINUO TOUO: 


SONIHOGA XIS Hii 


C4LVUISATH ONY CALIGs 


Second Session, Wednesday Afternoon, February 5th 


[No. 823—Continued | 
| No. 4. George Cruikshank’s Fairy Library. Puss 1n Boots. 
Edited and illustrated with etchings (6, one or more designs on 
each plate) on steel, by George Cruikshank. Small 4to, original 
illustrated wrappers. 
London: Routledge, Warne, and Routledge [1864] 


GENUINE ORIGINAL ISSUE, with the same imprint on wrapper as on 
title-page, and the correct Address by G. Cruikshank, on inside of front 
cover. 


Together, 4 vols. small 4to, original illustrated green wrappers. 
Protected by red silk folder, in one red levant morocco solander 
case, panelled backs, gilt, gilt lettering, BY SANGORSKI & SUT- 
CLIFFE. London, 1853-1864 


COMPLETE SET, PERFECT THROUGHOUT, OF THE GENUINE FIRST ISSUED OF 
ALL THE VOLUMES. WITH THE ADDED INTEREST OF A PRESENTATION IN- 
SCRIPTION BY GEORGE CRUIKSHANK. The first state of any of these books 
is very difficult to procure, especially those of “Jack and the Bean Stalk” 
and of “Puss in Boots.” 

ONE OF THE FINEST SETS EVER OFFERED AT PUBLIC SALE IN AMERICA. 

Douglas, No. 268; Cohn, Nos. 191 to 194, inclusive. 


[See Reproduction of Title-Page and Plate to No. 1] 


324. OruIKSHANK (GEorGE). [Hoskyns (C. W.).] Talpa: or the Chronicles 
of a Clay Farm. With 24 vignette illustrations by G. Crutkshank. 
12mo, original cloth, uncut, corners worn. 

/ London: Reeve & Co., 1853 


Second Hdition. With advertisements (1 leaf at front and 2 leaves 
at back) by Reeve and Co. 


325. CRUIKSHANK (GEORGE). .Original Advertisement Leaf, One page, with 
woodcut vignette, by George Cruikshank, beneath which is the 
announcement, commencing,—“On January 2, 1854, will be pub- 

jv lished, price One Shilling, with illustrations on Steel and on Wood, 
- Part I. of Grorce CRUIKSHANK’S Macazine. Conducted by Frank 
BH. Smedley (Frank Fairlegh). . . .” 8vo sheet, in leather folder. 
London: David Bogue [1853] 


ORIGINAL ADVERTISEMENT. Only 2 numbers of the Magazine were pub- 
lished. The woodcut was used later, on the cover of the magazine. RARE. 


326. CRUIKSHANK (GrorcE). The Glass and the New Crystal Palace. Wood- 
cuts by George Cruikshank (the author). 8vo, sewed, with original 
> sv front wrapper. Enclosed in cloth folder. 


London: J. Cassell, 1853 
First Epirion. Cohn, No. 204; Douglas, No. 538. 


327. ORUIKSHANK (GuorcE). The House that Jack Built. Wath 12 cuts by 
George Cruikshank. [Contains 4 pages of Notes.] 4to, paper, in 
cloth folder, lettered on front cover. 

v London: W. Tweedie [1853] 


RARE ISste. Unknown to Cohn, and not cited in the Douglas Bibliog- 
raphy, though a copy appeared in the latter’s sale’s catalogue, No. 162. 
[Continued 


Second Session, Wednesday Afternoon, February 5th 


[No. 82%—Continued | 

The last leaf contains an advertisement relative to the publication 
of the first number of a “New Work” to be published “on the first of 
January, 1854;” also a notice by the artist relative to this “Penny Edition 
of the House that Jack Built, principally intended for the use and in- 
struction of grown-up babies.” Cruikshank also announces the “First 
Part” of his “Fairy Library.” 

It would appear from the above that this edition is an earlier issue 
than the 8vo, edition cited by Douglas, No. 539 and Cohn, No. 205. 


328, CRUIKSHANK (GrorcE). The Tourist’s Illustrated Hand-Book for Ire- 


land. With numerous engravings, from drawings by Crutkshank, — 


Crowquill, Lover, Mahony, eic., and a profusion of mmor illustra- 

) tions. 12mo, original green paper boards, with woodeut by Crutk- 

4) shank. Cloth protecting folder, in cloth slip-case, lettered. The 
/' edges of binding slightly rubbed. 

London: Printed for the Railway Companies (etc.), 1853 


First Eprtion. Cohn, No. 768; Douglas, No. 262. 

Although the edges of the binding are somewhat rubbed, it will be 
very difficult to find a more perfect copy than the above, WHICH IS IN 
THE ORIGINAL BOARDS, and necessary in this state, as the cover contains 
an original illustration by George Cruikshank. 


329. OrvIKSHANK (GEORGE). The Uncle Tom’s Cabin Almanack or Abo- 
litionist Memento. With 3 woodcuts by G. Cruskshank, and numer- 


Z 0, nal pictorial wrappers, with cloth folder, lettered up back. 
London: John Cassell, 1853 


Frest Epition. Cohn, No. 780; Douglas, No. 260. 
Fine copy, with all the advertisements. 


330. ORUIKSHANK (GrorcE). [Ellis (Mrs.).] My Brother, or The Man of 
Many Friends. By An Old Author. Woodcut frontismece by G. 

| Cruikshank. 16mo, original red cloth, gilt back and edges. 
if London: Sampson, Low & Son, 1855 


: First Eprrion. Cohn, No. 257; Douglas, No. 268. 

This copy contains a leaf of advertisement of “Illustrated Presentation 
Books published by Low,” dated, December, 1854; which is part of the 
last signature, and which is not mentioned by eifher Cohn or Douglas. 
FINE COPY. 


331, CRUIKSHANK (GxorGE). [Ellis (Mrs.).] My Brother, or The Man 
of Many Friends.. By “An Old Author.” Woodcut frontispiece, am 
“two compartments, by T. Williams, after G. Cruikshank. 12mo, 
half red calf, polished, gilt back and edges. 
London: Sampson, Low, & Son, 1855 
First: Eprtion. Cohn, No. 257; Douglas, No. 268. 


ous illustrations by H. K. Brown, J. Gilbert, and others. S8vo, origi- . 


a ay ah anette ieee 


Second Session, Wednesday Afternoon, February 5th 


332. CRUIKSHANK (GzORGE). Midnight Scenes and Social Photographs: be- 
ing Sketches of Life in the Streets, Wynds, and Dens of the City. 

By Shadow. With a frontispiece by George Cruikshank. 12mo, 

/so original boards with design, binding worn, and few margins soiled. 
- Glasgow: Thomas Murray and Son, 1855 


First Epirron. Cohn, No. 540; Douglas, No. 276. 
With 2 separate leaves of advertisements at end. 


$33. CRUIKSHANK (GEorGE). The Book of Spurs. . . Forming a Catalogue 
to The Collection of J. James, F.S.A. With 2 etchings by G. 
RE Orutkshank, and several lithographs after Percy Cruikshank. 8vo, 
E54 half calf, original wrappers bound in, By woop. me 
P No place [1855] 
First Eprrion. Cohn, No. 80. 
The Douglas Copy, No. 67 in his sale’s catalogue. 


334, CRUIKSHANK (GroRGE). [Dickens (Charles).| Sketches by Boz. New 
Edition. With 40 etchings by G. Cruikshank. 8vo, half morocco, 

9 gilt back, marbled edges, binding rubbed. 
London: Chapman and Hall, 1856 


335. CRUIKSHANK (GrorGE). Pardoe (Miss). Lady Arabella: or The Ad- 
ventures of a Doll. Illustrated by George Crutkshank, with 4 wood- 
cuts, colored. Square 12mo, original red cloth, lettered in gilt on 
25 front cover. London: Kerby and Son [1856] 


A 
First Epition. Cohn, No. 598; Douglas, No. 271. 
Contains four pages of advertisements, not mentioned by Cohn. 


336. CRUIKSHANK (GEORGE). The Bands in the Parks. Copy of a Letter 
Supposed to have been sent from A High Dignitary of the Church 
4.3% to “The Right Man in the Right Place,” upon the Subject of the 
ys Military Bands Playing in the Parks on Sundays. Picked up and 
published by George Cruikshank. Woodcuts by G. Crutkshank. Ato, 
sheets, 4pp. In cloth folder, letter in gilt, on front. 

London: W. Tweedie [1856] 


First EpItion. RARE ORIGINAL ISSUE. Cohn, No. 200; Douglas, No. 540. 


337. CRUIKSHANK (GrorGE). A Slice of Bread and Butter, Cut by G. 
Cruikshank. With 3 cuts by G. Cruikshank. pp. 16. 8vo, sewed. 
London: William Tweedie [1857] 


J7S0 Rare First Eprrion. Cohn, No. 199; Douglas, No. 542. 
ne UNIQUE ITEM. GEORGE CRUIKSHANK’S OWN COPY. ORIGINALLY INTENDED 
BY HIM AS A PRESENTATION COPY; BUT LATER USED AS A DUMMY FOR A 
SECOND EDITION OF THE worRK. The title-page contains the following in- 
scription and manuscript note, ALL IN THE HANDWRITING OF GEORGE 
CRUIKSHANK, the inscription being crossed out,— 
“Sir John Parkington with the compliments of Geo. Cruikshank.” 
“__Second EHdition—” 
“To which is added some remarks, & facts, 
with respect to Pauperism, Crime, & 
Neglected Children.” 
[Continued 


Second Session, Wednesday Afternoon, February 5th 
Bee ee 


[ No. 33%—Continued | 
The publisher’s name is crossed out, and the following inserted, below,— 
“Bell & Daldy, York St. : 
Covent Garden.” 

Pages 14 and 15 contain MANUSCRIPT CORRECTIONS IN THE HANDWBITING 
oF GEORGE CRUIKSHANK. 

Two letters are laid in, one addressed to George Cruikshank, which 
he had probably neglected to take out, after having finished with the 
book. The presence of these letters adds interest to the item, giving it 
an even more personal touch. 


338. CRUIKSHANK (GEORGE). Locker (Frederick). London Lyrics. With 
an illustration by George Cruikshank. Square 1emo, half blue 
: levant morocco, gilt back and top, uncut, BY STIKEMAN. Upper 
5. margin of title-page inlaid with new strip of paper. 
; London: Chapman and Hall, 1857 
First Eprrion. Cohn, No. 482; Douglas, No. 278. 


339, CRUIKSHANK (GxoRGE). Raymond (George). The Life and Enter- 
prises of Robert William Elliston, Comedian. Illustrations by George 
Cruikshank and “Phiz’’ 16mo, half crimson levant morocco, gilt 
fillets on back, gilt top, BY ROOT. London: G. Routledge, 1857 _ 


340. CrurKsHANK (Grorce). The British Workman and Friends of the Sons 
of Toil. Numerous illustrations, a few of which are by George Crutk- 
shank. 2 vols. folio, half bound, condition poor. Not returnable. 

London, 1857-1858 © 


a 


Cohn, No. 89; Douglas, No. 265. 
Not a complete series, merely a selection of numbers. 


341. CRUIKSHANK (GroRGE). Brough (Robert B.). The Life of Sir John 
Falstaff. With a Biography of the Knight, from authentic sources. 
With 20 full-page etchings, a woodcut on wrapper, by G. Cruikshank. 
Royal 8vo, full olive-green levant morocco, richly tooled gilt backs, 
6 2 $V sides with fillet borders enclosing an elaborate framework of curved 
fillets, dots, rosettes and floral spray, dentelle inside border, gilt 
top, uncut, original cloth back and front cover bound in, BY ZAEHNS- 
DORF. London: Longman (ete.), 1858 


First EpITion IN BooKForM. Cohn, No. 91; Douglas, No. 275. 
With all the points. FINE CoPY. 


342, CRUIKSHANK (GrorGE). - Cole (Alfred W.). Lorimer Littlegood, Esq. 
A Young Man Who Wished to See Society, and Saw It Accord- 
/- ingly. Illustrated (with 12 etchings) by George Cruikshank and (4) 
' by William M’Connell. 8vo, red calf, polished, gilt back and top, 
- fillet borders, original red cloth covers bound in, BY ZAEHNSDORF. | 
| London: James Blackwood, 1858 
Fist Eprtion. Cohn, No. 141; Douglas, No. 270. 


Second Session, Wednesday Afternoon, February Sth 


343. ORUIKSHANK (GEORGE). The Bentley Ballads. Edited by Dr. Doran. 
With four Ballads contributed by the Editor. LHtched title-page, 
“<G Orutkshank delt. J. Brown, sculp.,’ and woodcuts. 12mo, 

oR original cloth, uncut, corners of binding worn. 
London: Richard Bentley, 1858 


First Epition. Cohn, No. 62; Douglas, No. 274. 


344. CRUIKSHANK (GEORGE). A Journeyman printer’s description of the art 
of Etching on Copper. Ltched by George Cruikshank when de- 
scribing the process of Etching at a “Hampstead Conversazione” on 
the 4th of May-1859. Size of sheet, 614 by 914 inches. Mounted 

Oe heavy card, and enclosed in cloth portfolio, lettered in gilt on 
' sides. | No place, 1859 


AN EXCEEDINGLY RARE PORTRAIT OF ORUIKSHANK, etched by himself. 
Mentioned by Douglas in Note 27, page 273 of his Bibliography. 


845. CRUIKSHANK (GEORGE). Blakey (Robert). Old Faces in New Masks. 
Btched frontispiece and title-page, by George Crutkshank. 12mo, 

/ original cloth, uncut, plates slightly spotted. 
London: W. Kent & Co., 1859 


First Epirion. Cohn, No. 72; Douglas, No. 279. 


346. CRUIKSHANK (GrorGE). Lowell (James Russell). The Choice Humor- 
ous Poetry of The Age. The Bigelow Papers. With additional 
Notes, an Enlarged Glossary, and an illustration (etching) by George 
Oruikshank. 12mo, full red levant morocco,. back tooled with 
5, , fillets, dots and rosette; front cover with elaborate panel design of 
fillets, festoons of dots and inlaid ornaments, with inlaid centre 
of a circular medallion of ‘vellum containing title surrounded by 

colored wreath; gilt top. In cloth case. 
London: John Camden Hotten, 1859 


First EpIrioN WITH THIS ILLUSTRATION. Cohn, No. 503; Douglas, No. 
280. | 

FInE copy, with leaf of advertisement, not mentioned by Cohn or 
Douglas. 


34”. CRUIKSHANK (GEORGE). Friswell (Hain). Out and About. A Boy’s 
Adventures. With illustrations (6) by George Cruikshank. 16mo, 
re original red cloth, somewhat rubbed. With protecting cloth wrap- 
a Sv per, in cloth slip-case. London: Groombridge and Sons, 1860 


or First Epition. Cohn, No. 313; Douglas, No. 283. 
Contains all the preliminary leaves, and the 10pp. of advertisements. 


348. CrurksHANK (GEORGE). Fullom (S. W.). The Exile’s Daughter. A 
Story of the Italian War. Htched frontispiece by George Oruikshank. 
uy Small 8vo, half calf, gilt back and top, uncut, top corner of leaf of 
preface neatly repaired, slight stain on edges of a few leaves at end. 
London: Charles Joseph Skett, 1860 

First Epirion. Cohn, No. 316; Douglas, No. 282. 


Second Session, Wednesday Afternoon, February 5th 


349, ORvIKsHANK (GxorcE). Costello (Dudley). Holidays with Hobgob- 

lins: and Talk of Strange Things. With illustrations by George 

4, Cruikshank. 16mo, half calf, gilt back, one plate missing, few 

f margins slightly soiled. London: John Camden, 1861 
First Eprition. Cohn, No. 162; Douglas, No. 286. 


350. ORUIKSHANK (GxorGE). Lowell (James Russell). The Choicest 
Humorous Poetry of the Age. The Biglow Papers. With Additional 

Notes, an Enlarged Glossary, and. coloured illustrations (4 on 3 
4, plates) by George Cruikshank. Second English Edition. 16mo, 
original cloth, uncut. London: John Camden Hotten, 1861 


First EDITION IN THIS FORM. 

This edition contains three additional illustrations. The frontispiece 
was designed expressly for the 1859 edition of this work, the others were 
drawn by Cruikshank several years prior to the publication of this 
book, but are here included, together with the slip relative to the © 
illustrations. There are eight pages of advertisements at end. 


351. CRUIKSHANK (GrorcE). The Oyster; Where, How, and When to Find, 
Breed, Cook, and Eat It. With 3 woodcuts by G. Oruikshank, two of 
which are repeated on the covers, in colors. 12mo, original pictorial | 
“.  poards, back strip missing, title written in ink on hack, slightly | 
cracked at one hinge. London: Triibner & Co., 1861 4 
First Eprtron. Cohn, No. 594; Douglas, No. 287. . 


352. CRUIKSHANK (GuorcE). What Put My Pipe Out; or, Incidents in the 
Life of a.Clergyman. With 5 full-page woodcuts by G. Cruikshank, 
including the illustrated title-page. 12mo, original blue cloth. With 

~ cloth protecting wrapper, in cloth slip-case, lettered. Autograph 
“~* © of Augustus W. Dalglist, on fly-leaf. 
London: S. W. Partridge [1862] 


First Epirion. Fine copy. Cohn, No. 196; Douglas, No. 288. 
A modern “Counterblast to Tobacco.” 


353. CRUIKSHANK (GEORGE). A Catalogue of a Selection from the Works 
of George Cruikshank, extending over a period of upwards of 
sixty years [from 1799 to 1863,] Now Exhibiting at Exeter Hall, 
consisting of upwards of One Hundred Oil Paintings, Water-Colour 

4 Drawings, and Original Sketches . . . and the Worship of Bacchus. 
8vo, original wrappers. ’ London: William Tweedie, 1863 


First Eprrion. With Autograph Inscription by George Cruikshank,— 
“From Geo. Cruikshank to his esteemed friend, Charles A. Howell, March 
21st, 1866.” 


354. CRUIKSHANK (GxEorcE). London Society. The Christmas Number, 
, 1864. With numerous woodcuts by Marcus Stone, Du Maurer, 
. George Cruikshank and others (One full-page cut by Cruikshank.) 
35% 8vo, new wrappers, with cloth protecting cover, in cloth slip-case. _ 
London, 1864 
First Epition. Cohn, No. 490; Douglas, No. 289. 


Second Session, Wednesday Afternoon, February 5th 


355. CrurksHank (GeEorcE). Hunt (Robert). Popular Romances of the 
West of England; or, The Drolls, Traditions, and Superstitions of 
Old Cornwall. Hitched frontispiece and vignette on title to each 
& volume, by G. Oruikshank. 2 vols. small 8vo, half red calf, polished, 
; gilt backs and tops, uncut, BY ZAEHNSDORF. 
London: J. C. Hotten, 1865 
First Epition. Cohn, No. 409; Douglas, No. 290. 


With the leaf containing Cruikshank’s letter to Mr. Hotten, relative 
to the frontispiece representation of “The Giant Bolster.” 


356. ORUIKSHANK (GEORGE). The Worship of Bacchus . . . Painted by 
Mr. George Cruikshank . . . A Critique of the Above Painting, by 

John Stewart; A Descriptive Lecture by George Cruikshank, and 

/e Opinions of the Press. Sixth Edition. 8vo, half calf, lettered up 

\ back. pp. 24, including the front wrapper with the printed title, 
BY ZAEHNSDORF. London, William Tweedie, 1865 


VERY RARE. Unknown to Cohn and Douglas. Marchmont gives date 
as 1862. Some of “The Opinions of the Press,” bear date of 1863. There 
is a presentation inscription on wrapper of this copy. 

FrRoM THE Liprargy oF Lorp MexsoroucH, with his bookplate. 


357. CRUIKSHANK (GrOoRGE). The History of Napoleon Buonaparte. Re- 
printed from the Family Library, and illustrated by George Cruik- 

4 shank. With an Appendix. Vignette portrait of Napoleon on title, 

0 and 9 other illustrations by Cruikshank and others. 12mo, half 
blue levant morocco, gilt back and top, original cloth covers bound in. — 
London: William Tegg, 1867 


This edition contains three additional illustrations, not in the first 
Edition. 


358. CRUIKSHANK (GroRGE). Halliday (Andrew—Editor). The Savage- 
Club Papers. Numerous illustrations, including 2 woodcuts by G. 
Oruikshank. 2 vols. 8vo, original green cloth, gilt backs. 

6. London: Tinsley Brothers, 1867-1868 
First EDITION OF BOTH SERIES. Cohn, No. 696; Douglas, No. 1839. 
Contains many interesting contributions and illustrations by well- 

known authors and artists of the day. 


359. CruIKSHANK (GroRGE). Locker (Frederick). Poems. [Not Pub- 
lished.] Hitched frontispiece by George Cruikshank, signed and 
dated, 1866. Small 8vo, original cloth and morocco back, gilt top. 

London: John Wilson, 1868 
es”. First Eprtion. Douglas, No. 302. 

Only 100 copies privately printed. With autograph presentation in- 
scription by the author, reading,—“R. 8. Turner Esquire, from Frederick 
Locker.” 

Contains poem “The Rose and the Ring,” with note on Thackeray’s 
Christmas Book of that name. At the end are 20 pages of contemporary 
Press Opinions on Locker’s Poems as they appeared in Thackeray’s 


“Cornhill.” 
Cohn, No. 483; where the work is cited as “London Lyrics,” and 
the Publisher is given as “James Wilson.” This copy contains viii. 


preliminary pages, pp.134 (Cohn says 136), a printer’s leaf, and the 
20 pages of notices. 


Second Session, Wednesday Afternoon, February 5th 
pclaiacehncla tte het OE MG OL ARERR EELS SSSI EE 


360. CRUIKSHANK (GxzorGE). Autobiography and Personal Recollections of 
John B. Gough. Illustrated by George Cruikshank and others. 8vo, 
iy original cloth. Springfield: Bill, Nichols & Co., 1869 

; First Eprrion. Cohn, No. 347; Douglas, No. 304. 


361. CRUIKSHANK (GrorGE). The Travels and Surprising Adventures of 

Baron Munchausen. Illustrated with thirty-seven curious engravings, 

from the Baron’s own designs, and five woodcuts by G. Cruikshank. 
(4 12mo, half blue morocco, gilt back and top, BY RIVIERE, 

: London: William Tegg, 1869 


First EpItIoN WITH THESE ILLUSTRATIONS. Cohn, No. 557; Douglas, 
No. 293. ; 

The full-page plates in cotors. ‘The woodcuts by Cruikshank were 
previously used in other works. 


362. CRUIKSHANK (GrorcE). The Artist and the Author. A Statement of 
Facts, By the Artist, George Cruikshank, Proving that the Dis- 
tinguished Author, Mr. W. Harrison Ainsworth, 1s “Labouring under 
a singular delusion” with respect to the origin of “The Miser’s 

$? Daughter,” “The Tower of London,” etc. 8vo, full red levant mo- 

= yoeco, lettered up back, fillet border. Patt +e 

[London:] Bell & Daldy [1872] 

First Eprrion. Cohn, No. 203. Not in Douglas. 


A pamphlet, without illustrations, put forth by Cruikshank as giving 
his views of the quarrel between Ainsworth and himself. 


363. CruIKSHANK (GEorGE). Hall (S. C.). The Trial of Sir Jasper. A 
Temperance Tale, in Verse. Woodcuts, one of which is designed 
y by G. Cruikshank and engraved by Dalziel Brothers. Small 8vo, 
O original wrappers. With cloth protecting wrapper, in cloth-slip- 
case. London: Virtue & Co. [1873] 
Cohn (No. 364) gives an edition of 64 pages quarto, published by 
Virtue in 1872. Douglas (No. 1840) gives size as quarto, without colla- 
tion, and with date of publication as 1874. 
This copy contains, title, 24pp. of text, 2 leaves of advertisements, 
and 25 illustrations. On the reverse of the title is a list of the artists, 


and two newspaper reviews, one of which bears date of “May 12th, 
1873.” RARE. . 


ON 


364, CRUIKSHANK (GrorGE). Hall (Mrs. 8. C.). Boons and Blessings. 
Stories and Sketches to Illustrate the Adventures of Temperance. 

aS . $v Illustrations, one by G. Cruikshank. Small 8vo, cloth. 
, London: Virtue, Spalding, and Co., 1875 


First Eprtion. Cohn, No. 362. Not in Douglas. 


365. CRUIKSHANK (GEORGE). Peeps at Life; and Studies in My Cell. By 
es the London Hermit. With two illustrations by George Crustkshank, 

i | and numerous vignette initials. 12mo, original green cloth, gilt 
edges. London: Simpkin, Marshall & Co. [1875] 


First Epirron. Cohn, No. 606; Douglas, No. 312. | 
The frontispiece is signed—“George Cruikshank age 88. 1875;” the 
vignette on title-——“Drawn by G. Cruikshank, Age 83—1875.” 


Second Session, Wednesday Afternoon, February 5th 


366. CRUIKSHANK (GEORGE). Blewitt (Mrs. Octavian). The Rose and the 
Lily . . . A Fairy Tale. With a frontispiece by George Crutk- 
shank. Square 12mo, half calf, gilt back and top, uncut. 

oC, | London: Chatto and Windus, 1877 


First Epirion. Cohn, No. 74; Douglas, No. 318. 
The illustration in this work is supposed to be the last book illus- 
trations by G. Cruikshank. 


367. CRUIKSHANK (GEORGE). Hasy Reading for Little Readers. Wath nu- 
merous illustrations by Doyle, Greenaway, Wet, and other artists, 
the front cover design in COLOR by George Oruikshank. 4to, pic- 

/. torial boards, enclosed in cloth protecting folder. 
| London: Griffith & Farren, circa 1880 


The illustration on the cover of this work has always been attributed 
to George Cruikshank, as one of the last engravings executed by him; 
it is a charming scene of children playing in the field, with a large 
open book in the background, which bears the title of this work. 

First Eprtron. Not in Douglas or Cohn. 


368. CRUIKSHANK (GxEorcE). Bloomfield (Robert). The Horkey, A Ballad 
[With Introductory Note by F. C. Burnand.| Colored illustrations 

; by George Cruikshank. 4to, pictorial boards. 
(0 London: Macmillan and Co., 1882 


First Eprition with these illustrations. 


369. CrUIKSHANK (GxorcE). Old ‘Miscellany’ Days. A Selection of 
Stories from ‘Bentley’s Miscellany.’ By various authors. Illus- 
trated by George Cruikshank, 1837-1848. Wath twenty-three tlus- 

/9. trations printed from the Original etchings on steel. Royal 8vo, 
mottled calf, panelled sides, gilt back and top, doublure of tree calf 
with border of gilt fillets, dots and sprays, BY TOUT. 

London: Richard Bentley and Son, 1885 


First CoLLeEcTED EDITION. 

Fine copy. The volume contains thirty-three stories, which appeared 
in “Bentley’s Miscellany,” from 1837 to 1843; but which are here brought 
together and published in one volume form, for the first time. 


370. CrurksHaNK (GEorcE). The Rowfant Library. A Catalogue of the 
Printed Books, Manuscripts, Autograph Letters, Drawings and 
Pictures, Collected by Frederick Locker-Lampson. Etched frontis- 

20 piece by George Cruikshank, and portrait on Japan paper. Royal 
»  8yvo, cloth, morocco back, uncut. London: Quaritch, 1886 


Edition limited to 150 copies. ‘The etching is one of 250 impressions 
from the plate. 


371. CruIKSHANK (GrorcE). A Handbook for Posterity: or Recollections of 
“Pwiddle Twaddle” by George Cruikshank, about himself and other 
people. A series of sixty-two etchings on glass, with Descriptive 

3S . Notes. 8vo, cloth, morocco back, uncut. 
London: W. T. Spencer, 1896 
No. 11 of an edition of 50 copies with COLORED PLATES. Laid in is an 
ORIGINAL PENCIL SKETCH BY GEORGE CRUIKSHANK, of “The Bag of Gold,” 
a plate appearing in this work. Sketched on the back of a business 
card of W. Noble, a neighbor of the artist. 


Second Session, Wednesday Afternoon, February 5th 


372. CRUIKSHANK (GEORGE). Bunyan (John). The Pilgrim’s Progress. 
Illustrated with 25 drawings on wood by George Cruikshank, from 
the Collection of Edwin Truman. With Biographical Introduction 

se and Indexes. Royal 8vo, cloth, uncut and unopened. _ 
= London: Henry Frowde, 1903 


First EDITION WITH THESE ILLUSTRATIONS. Cohn, No. 95. 
Number 246 of 1000 copies printed, with plates on Japanese paper. 
Prefatory Note signed by Mr. Truman. 


373. CRUIKSHANK (GEORGE). The Cruikshankian Monus. Pictorial Broad- 
sides and Humorous Song-Headings. Fifty-two comic designs to 
Lig Popular Ballads by the Three Cruikshanks . . . coloured by hand 
(after the Originals). Royal 8vo, half morocco, uncut. 
London: Nimmo, 1912 
Edition limited to 520 copies for England and America. 


374. CRUIKSHANK (GEORGE). Atlantic Monthly, for January, 1865, contain- 

ing an article on “George Cruikshank in Mexico;” Princeton 

ALUMNI WEEKLY, December 13, 1916, with an article on “Cruik- 

$ shank’s Illustrations of Shakespeare ;” Tue Bookman. November, 

~' 1916, with an article on “Cruikshank in America,” by A. B. Maurice. 
New York, 1916. Together, 3 pamphlets. 


375. CRUIKSHANK (GEORGE). A Collection of Trials. With 2 folding coLorED 
plates said to be by G. Cruikshank. Bound in one vol. 8vo, cloth. 


London, various dates 


4 Comprises,— 
> Te DAMAGES Three Thousand Pounds!! Fairburn’s Edition of the Trial 
: between Maria Foote, the Celebrated Actress, Plaintiff, and 
Joseph Hayne, Esq. Defendant, for a Breach of Promise of 
Marriage. With a curious coLorED frontispiece, said to be by 
G. Cruikshank (margins cut close). 
[London:] John Fairburn, undated 
THE BisHop!! Particulars of the Charge Against the Hon. Percy 
Jocelyn, Bishop of Clogher, for an Abominable Offence with 
John Movelley, a Soldier of the First Regiment of Foot Guards. 
{London:] John Fairburn, wndated 
Pierce Hean’s Account of the Trial of Mr. Fauntleroy, for Forgery 
. . the 30th of October, 1824. Portrait on title. 
London: Knight and Lacey, wndated 
Dick versus FLETCHER, For a Breach of Promise of Marriage!! 
London: John Fairburn, undated 
Cox versus Kean. Fairburn’s Edition of the Trial . . . January 
17th, 1825. With folding cotorep plate, “A Theatrical Dressing 
Room-or-Trunks & Leggings,” said to be by G. Cruikshank. 
[London:] John Fairburn, wndated 
Crim. Con. The Trial between Alderman Cox and Edmund Kean, 
for Criminal Conversation. 
London: B. Clarke, undated 
FAIRBURN’S Edition of the Trial of Sir F. Burdett . . . 22d of March, 
1820. London: John Fairburn, wndated 
The two tracts referred to above, with plates by Cruikshank, are not 
mentioned by Cohn or Douglas; neither are the plates listed by Reid. 
A RARE COLLECTION. ie 


—— eS 


Second Session, Wednesday Afternoon, February 5th 


376. CRUIKSHANK (GEORGE). Barney Buntline and Billy Bowling, or The 


i / 
re 


Advantages of being at Sea. Written by George Colman, Esq. Ex- 
pressly for Mr. Harley, and sung by him with great applause at 
the Theatre Royal Drury-Lane, and by Mr. Fitzwilliam, at Public 
Festivals. Arranged with an Accompaniment, for the Piano Forte, 
by J. Blewitt. Hiching on title of an incident in the song, signed,— 
“George Cruikshank fect.’ With 2pp. of engraved music. 4to. 
With protecting cloth folder, lettered in gilt on front. In cloth slip 
case. London: Clementi, Collard & Collard, wndated 


First Epirion. Cohn, No. 147; Douglas, No. 551. 

The humorous etching on title (Reid, No. 5137), represents two pedes- 
trians, one of whom has his umbrella blown inside-out, the other holds 
his headgear with both hands; a stout lady in the distance is losing 
her bonnet. 


377%. CRUIKSHANK (GroRGE). Blewitt (J.). The Matrimonial Ladder. A 


2. 


Serio Comic Scene, With Characteristic Symphonies. Written by 
Banter Benedick Esq. Music and words. Engraved title, contain- 
ing 16 subjects, by G. Cruikshank. 4to, Enclosed in cloth cover, 
lettered on front. 

London: Published for the Proprietor by C. Gerock & Co., undated 


First Epition. Cohn, No. 75; Douglas, No. 548. 
Said to be the Captain Douglas’s copy. 


378. ORUIKSHANK (GEORGE). Conversation Between the Monument and St. 


590 


Paul’s. The Celebrated Comic Chaunt Sung by Mr. Fitzwilliam, 
At the City Festivals, &c. &. Written by Thos. Hudson, And 
arranged by J. Blewitt. Large vignette on title, signed,—“G. Crurk- 
shank del. M. Gauci lith.’ With 5pp. of music. 4to, paper. En- 
closed in cloth covers, lettered on front. - 

London: Clementi, Collard & Collard, wndated 


First Epitron. Douglas, No. 554; Cohn, No. 404. 
The illustration (Reid, No. 4591) shows the upper portions of both 
buildings treated humorously. 


379. CRUIKSHANK (GxzoRGE). Cruikshank’s Alphabet of Oddities. Wath a 


59 SY 


colored representation of each letter of the alphabet. 8vo, original 
blue cloth, letter in gilt on front cover. Enclosed in blue levant 


morocco solander case, lettered on back. 
London: Edward Wallis, wndated 


First Epition. UNKNOWN TO ALL BIBLIOGRAPHERS. No copy in the 
“British Museum.” 

This is the Samuel H. Austin copy. Inserted is a card of George 
Cruikshank, also an autograph signature of the artist. Accompanying 
the volume is a letter from A. W. K. Miller of the British Museum to 
a former owner, in which the expert says that “There does not appear 
to be a copy of Cruikshank’s Alphabet of Oddities in the. British Mu- 
seum ...l1am.. .. unable to say to which of the Cruikshanks it 
should be attributed—no doubt to either George or Robert. As regards 
date, other Cruikshank books were published by Edward Wallis between 
1818 and 1822.” . 


Second Session, Wednesday Afternoon, February 5th 


380. CRUIKSHANK (GEorGE). Oupid’s Bazaar, or A New Mart for Lovers, 
Wherein is presented A Choice Variety of Valentines Adapted for 
}) all sorts of Customers. Colored frontispiece (by George Orutkshank, 
; not signed). 12mo, half morocco, lettered up back. | 
London: Printed by E. Langley and Co., undated 
First Epition. Cohn, No. 208; Douglas, No. 363. 


381. CrurksHANK (GrorcE). Dandymania; being a Dissertation on Modern 
Dandies; Humbly Dedicated to all the Dandies, but more especially 
to those Exquisites, The Stamford Dandy The Amateur Dandy and 
The Great Dandy-Lion. By a “Jackey Dandy.” Third Edition. 
Colored frontispiece of “A Genuine Dandy,” signed, Cruikshank, 

/ 9 $V fecit. Small 8vo, half mottled calf, lettered up back, gilt top, BY 
— ROOT & SON. London: Published by Duncambe, undated 


A later issue than that mentioned by Cohn as No. 215; where it is 
stated that the plate is either by Robert or George Cruikshank. Doug- 
las inclines to the opinion that it is by Robert. 


382. CRUIKSHANK (GxorcE). Derby-Day. Shown in six Reliefs, painted by 
George Cruikshank. A series of 6 relief “cut-out” COLORED plates, 
each 3 by 1214 inches. With the original wrapper. Enclosed in 

yay) cloth folder, lettered on front. 
London, Paris and New York: Raphael Tuck & Sons, undated 
An exceptionally fine copy of this charming series of sketches of a 
celebrated sporting event. It is exceedingly difficult to procure this set 
in anywheres near perfect condition, as owing to its composition and 
“cut-out” nature, it is very easily torn. 


383. CruIKSHANK (GxorGE). Fairburn’s Everlasting Songster, being an ex- 


tensive collection of One Thousand Naval, Love, Comic, Hunting, 
Bacchanalian, Sentimental, Scotch, & Irish Songs. Fourth Edition. 
Cotorep frontispiece and COLORED vignette on title, by G. Crutk- 

3 by. shank, 16mo, green calf, gilt back and top, uncut BY BUMPUS. 
- No place: J. Fairburn, undated 


The first edition was published in two volumes, in 1811. This appears 
to be the First Edition in one volume. The plate is that cited by Reid 
as No. 4498. 


384. CruIKSHANK (GEORGE). Fairburn’s Pleasing Instructor; being a De- 

scription of All the Nations of Europe, their Produce, Trade, and 

DISD Curiosities. With 13 emblematic woodcuts by George Cruikshank ; 

/ £°* also, a folding couoren frontispiece in 7 compartments. 16mo, calf, 
original marbled wrappers bound in. ce 

; ’ London: John Fairburn, Jun., wndated 


First Eprtton. The Edwin Truman copy; afterwards in the Douglas 
sale, No. 228. The only copy known. 


385. CRUIKSHANK (GEorGE). Fairy Songs & Ballads for the Young. Writ- _ 


ten, Composed ‘and Dedicated to Her Royal Highness The Princess 


2 ty Royal, by O. B. Dussex. Lithograph on title, signed,—George 
- [Oontinued 


Second Session, Wednesday Afternoon, February 5th 


[No. 385—Continued | 
Oruikshank.” With music. 4to. Enclosed in cloth folder, lettered 
on front. London: D’Almaine & Co., undated 


First Eprrion. Cohn, No. 245; Douglas, No. 547. The plate (Reid, 
No. 2425) contains 12 vignette illustrations of fairy tales. 

This copy contains five pages of engraved music,—‘Whittington and 
His Cat,” a variation from that cited by Cohn, who gives 22 pages. The 
title is in brown tone. 


386. CruiksHANK (GrorGE). Another copy of the preceding; but with pp. 
22 to 40 of engraved music, containing the following songs,—“The 

Three Wishes;” “Jack and the Bean Stalk;” “Puss in Boots;” 

op “Red Riding Hood;” “Robin Hood;” and “Tom Thumb.” Illus- 

* trations on title, in brown tone. 4to. Enclosed in cloth folder, 
lettered on front. London: D’Almaine & Co., wndated 


It would seem from the above, that Cruikshank designed the cover for 
the purpose of having the same used on different collections of Fairy 
Songs, as the illustrated title on both the works [Nos. 385 and 386] is 
the same. 


387. CruriKSHANK (GrorGE). Flight (Edward G.). The True Legend of 
St. Dunstan and the Devil; showing how the Horse-shoe came to 

4 be a Charm against Witchcraft. With illustrations (8) drawn by 
George Cruikshank, and engraved by John Thompson. 8vo, half 

red morocco, polished, lettered up back, original wrappers bound in. 


London: D. Bogue, wndated 
First Epirion. Cohn, No. 302. 


388. CrUIKSHANK (GEORGE). George Cruikshank’s Fairy Library. The 
History of Jack & The Bean-Stalk. Hdited and illustrated with 
sia etchings by George Cruikshank. Small 4to, illustrated green 

7 wrappers, slight stain on frontispiece. _ 
London: George Routledge and Sons, undated 


389. CrurksHANK (GxEoRGE). Kirton (J. W.). How Sam Adams’ Pipe 
Became a Pig! Illustrations by G. Crutkshank, frontismece signed 
“J. K.’ 12mo, half blue calf, lettered up back, gilt top. ORIGINAL 

WRAPPER with colored vignette portrait, bound in BY WORSFOLD. 
London: S. W. Partridge, undated 


First Eprrron. Cohn, No. 454; Douglas Catalogue, No. 345. 

Laid in, is an undescribed state of the woodcut frontispiece. The back 
wrapper contains advertisement of “Illustrated Sixpenny Books,” in 
which the above work appears as being illustrated by Cruikshank. 


390. CrurksHankK (GEORGE). La Bagatelle. Composed by G. Cook, and 1l- 
lustrated by George Cruikshank (their names written in music 
notes). Hngraved wrapper, composed of five compartments, IN 

ca conors, the centre one containing full-length figures of Cook and 
» Oruikshank, which are exact likenesses. With engraved music. 
1%pp, and the original back wrapper; front wrapper slightly time- 
soiled, inner margin repaired and rehinged. Enclosed in cloth 
eover, lettered in gilt, on front. 
London: Leader & Cock, undated 
Rare First Epitrion. Cohn, No. 158; Douglas, No. 549. 


‘ 


Second Session, Wednesday Afternoon, February 5th 


391. CRUIKSHANK (GEORGE). Mathews’s New Budget of Fun. . . Inter- 
spersed with a Variety of Humorous Songs. With two COLORED 
folding plates, the frontispiece signed “G Ck.” and containmg 18 
/ character portraits of Mathews, the other, unsigned, and contamin 
Vt 11 character portraits of Mathews. 18mo, half morocco, gilt bac 
and edges, BY RIVIERE. Margins cut close. 
Derby: Thomas Richardson, wndated 


The frontispiece is the same as that used in “Mathews’s Theatrical 
Budget,” published in 1828; but the other plate is added. ‘The text is 
the same as the earlier issue. 

Not in Cohn or Douglas. 


392. CRUIKSHANK (GEORGE). Mayhew (Brothers). The Magic of Kindness. 
With 3 etchings by Cruikshank, and an engraved title. 16mo, red 

) cloth, gilt edges, binding somewhat soiled, one leaf repaired. 
5 London: Darton and Co., undated 


Seconp Issur. The first issue was without the engraved title, and 
contained four plates by Cruikshank. See, Cohn, No. 529; Douglas, No. 
246. 


393. CRUIKSHANK (GuorcE). Mayhew (Henry). The World’s Show. 1851: 
or, The Adventures of Mr. and Mrs. Sandboys and Family, who 

Came Up to London, to Enjoy Themselves, and to See the Great 

rr Exhibition. With 10 etchings and a woodcut title-page, by G. Crusk- 

fey shank. 8vo, calf, richly tooled gilt back, fillets on sides, gilt top, 

inside border, uncut, BY RIvIbRE. One plate skilfully backed with 

linen. London: George Newbold, undated . 


Fine copy. This is Newbold’s re-issue of the original edition. 


394. CRUIKSHANK (GrorcE). Nix My Dolly Palls Fake Away. Sung by 
Mrs. Kelley & P. Bedford, in the Popular Romance of Jack Shep- 
pard, At the Theatre Royal Adelphi. Composed by G. Herbert 
Rodwell. Lithographic title, with several views and portrait, 
signed,—“Geo. Cruikshank.” With Music. 4to. Enclosed in cloth 
cover, lettered on front. Cut close and somewhat soiled. 

C2 London: D’Almaine & Co., undated 

y Cohn, No. 668; Douglas, No. 557. 

The illustration (Reid, No. 2790) contains a portrait of the hero, six 
vignettes of incidents in his life, and a scene from the play, where the 
chorus of the song is sung by “Blueskin” and his companions. 

This copy has the words “12 Edition,” on title, which refers to the text. 


295. ORUIKSHANK (GEorGE). Re-Issue of Scraps & Sketches, by George 
Cruikshank. In Monthly Parts. Part 1st. Illustrations of Time. 
Illustrated title and 6 plates, each with several illustrations by G. 
} Cruikshank, ALL IN cotors. Oblong 4to, ORIGINAL COLORED illus- 
trated wrappers. Enclosed in cloth covers, lettered on front. . 

London: W. Kent & Co., alet Bogue, undated 


Fine copy. The most interesting part of this item is the front cover, 
which bears an illustration in colors, by G. Cruikshank, and which is 
very rare. ; 


Second Session, Wednesday Afternoon, February Sth 


396. CRUIKSHANK (GzEORGE). Tea in the Arbour, A Comic Song, written 


by J. Beuler, and Sung with great applause by Mr. Fitzwilliam. 
Lithograph on ttle, signed,—“George Cruikshank fect.” With 
music. 4to, old creases straightened out. Enclosed in cloth folder, 
lettered on front. London: Paine & Hopkins, wndated 


RARE ISSUE. The imprint varies from that given by Douglas (No. 550) 
and Cohn (No. 68). The illustration (Reid, No. 1518) shows an old 
gentleman and lady, with their daughter in an arbour, alarmed at the 
condition of the damsel’s beau. 


397. CrurksHANK (GrorGE). (Tenth Edition.) Two Sets of Quadrilles, 


/, 


From Rodwell’s Celebrated Romance JAcK SHEPPARD. Arranged 
for the Piano Forte, & Dedicated to Musard. Hngraved lithographic 
title, by G. Cruikshank, being a scene from the play, with the fol- 
lowing characters—P. Bedford as “Blueskin,”’ Miss Campbell as 
“Moll Maggott,’ Mrs. Keeley as “Jack Sheppard,’ and Mrs. Nailer 
as “Edgeworth Bess.’ With the 1llpp. of engraved music. 4to. 
Enclosed in cloth folder, lettered on front cover. 

; London: D’Almaine & Co., undated 

See, Cohn, No. 669; Douglas, No. 18380. Rare. 


398. CRUIKSHANK (GEORGE). The Bottle: in Hight Plates [Autso| The 


/ 


Drunkard’s Children: A Sequel to The Bottle. In Hight Plates. 
Designed and Etched by George Cruikshank. With Illustrative 
Poems by Charles Mackay. Jn all 16 plates, SPECIALLY COLORED. 
Folio, original wrappers. Enclosed in cloth folder, lettered in gilt, 
on front cover. London: David Bogue, wndated 

FINE COPY OF THIS RARE ISSUE. UNKNOWN TO DOUGLAS AND COHN. 

This is the First CoLLectep Epition of the above two works. ‘The 
title, as given above, is that appearing on the wrapper. Each part has 
its separate title-page, with imprint as given in the original separate 
issues. There is a slip before first title, advertising “New Poems by 
Charles Mackay,” and this issue of Cruikshank’s “Bottle” and “Drun- 
kard’s Children.”’ 


399. CRUIKSHANK (GrorGE). The Complete Valentine-Writer, For the New 


}) 


Year: containing, a Large Collection of the Choicest Valentines, 
Ever Published. Frontispiece in bronze, Cruikshank del., Landum 
sculp. 12mo, half calf, lettered up back, marbled edges, original 
front wrapper bound in. 
London: Printed for Champante and Whitrow, undated 
First Epirion. Cohn, No. 152; Douglas, No. 609. 


400. CrurksHaNnkK (GEORGE). The English Hermit; or, Adventures of Philip 


>, 


Quarll, who was Discovered by Mr. Dorrington, a Bristol Merchant, 
on an Uninhabited Island, upon which he had been wrecked, and 
where he had lived upwards of Fifty Years. With frontisprece in 
four compartments, in colors, by George Cruikshank, 12mo, new 
boards. London: Dean and Munday, undated 

“Frontispiece drawn by Geo. Cruikshank. Identified by him in the 
Douglas copy. Not in the Douglas catalogue.”—coHN. 

Apparently there are two issues of the work, as the one listed by Mr. 
Cohn (No. 259), records an issue printed for R. Harrild. Not in 
Douglas. 


Second Session, Wednesday Afternoon, February 5th 


401. CRUIKSHANK (GrorcE). The Querist’s Birthday Book, Language of 

Flowers, and Confession Album. With engravings of Natural 

.. Grasses, and four COLORED illustrations of the Seasons, by George 
bas Cruikshank. 4to, limp leather, gilt edges. 

Glasgow: David Bryce & Son, undated 


Not in Cohn or Douglas. 


402. CrvIKSHANK (GEoRGE). The Tooth-Ache. Imagined by Horace May- 
hew, and Realized by George Cruikshank. A folded sheet with 43. 

pe COLORED illustrations, by G. Cruikshank. In 16mo, original colored 
bed, illustrated boards. Philadelphia: J. L. Smith, wndated 


FINE COPY OF THIS RARE ISSUE. Unknown to Douglas or Cohn. 


403. CRUIKSHANK (GrorcE). The Wood-Lark: being a Selection of the 
Newest and most Popular Comic, Naval, Military, Patriotic, Scot- 
tish, Irish, Pastoral, Humorous, Bacchanalian, Amatory, Rural and 
Hunting Songs. From the most Approved Author. Engraved 
frontispiece, in bronze, “Oruikshank del. Landin sculp.” 16mo, 

) ( original wrappers, uncut, with protecting cloth wrapper, im cloth 
?,  slip-case. : 
London: Printed for the Booksellers, and Sold by T. Newling, 
Printer, Salop, wndated . 
First Eprtrion. Frne cory. Cohn, No. 817; Douglas, No. 608. 


404, CRUIKSHANK (GroRGE). Wery Rediculous! or, Fickle Miss Nicholas; 
A New Comic Song, sung by Mr. Kelly, At the Theatre Royal, Co- 
“4 vent Garden; The Words by Mr. Beuler, Music by J. Blewitt. Latho- . 
/ graph on title, signed on plate,—“Mr. Cruikshank delt. H. Gauci 
'  ‘lith2? With 5pp. of engraved music. 4to. Bound in boards, let- 
tered up back. Title slightly soiled. pee 
London: Clementi, Collard & Collard, undated 

First Epirron. Cohn, No. 77; Douglas, No. 558. 
The illustration (Reid, No. 4590) contains portrait of Mr. Kelly as 
the victimized Lothario, waiting at a church door for the lady who 

fooled him. 


405. CRUIKSHANK (GEorGE). Wilkinson (Sarah). The Turtle Dove; or 
Cupid’s Artillery Levelled Against Human Hearts, being a New 

2. and Original Valentine Writer. COLORED folding frontispiece, by 

4 Isaac and George Cruikshank. 12mo, half calf, lettered up back, 

| uncut, BY BAYNTON. London: W. Perks, wndated 


Frest Eprrion. Cohn, No. 805; Douglas, No. 337. 
The Albert M. Cohn copy, with bookplate. 


406. CRUIKSHANK (GEoRGE). Crosland (Mrs. Newton). Light in the Val- 
ley. My Experiences of Spiritualism. First Eprrion. Colored 
and other plates. 16mo, new cloth. London, 1857 


0 ; This is the book which Cruikshank criticises adversely in his addenda ie 
[Continued 


Second Session, Wednesday Afternoon, February 5th 


[No. 406—Continued] 
to “A discovery concerning ghosts, with a rap at Spirit rappers” 
(pp.48-46), published in 1863. 

Cruikshank’s own copy of this work contained full notations in his 
hand, of especial significance being the one on the title-page, which 
reads,—‘“George Cruikshank, 1857. Author of a discovery concerning 
ghosts & raps at the spirit rappers. 1857’—five years before the publica- 
tion of “A discovery concerning ghosts &c.”’ 


BIBLIOGRAPHICAL WORKS RELATIVE TO 
GEORGE CRUIKSHANK 


[Numbers 407 to 416, inclusive | 


40%. CRUIKSHANK (GEORGE). Bates (William). George Cruikshank: the 
Artist, the Humourist, and the Man, with an Account of his brother 
Robert. A Critico-Bibliographical Essay. Illustrated chiefly from 
6<? original drawings by G. Cruikshank, in the possession of the author. 
4to, boards, morocco back. 
Birmingham: Houghton and Hammond, 1878 
First EpiTion. LARGE Paper. Only a limited number printed. 


408. CRUIKSHANK (GroRGE). Bates (William). The same as preceding. 
9 Second Edition, Revised and Augmented. Portratt and illustrations. 
/°" to, cloth, leather back, uncut. London, 1879 


409. CRUIKSHANK (GEORGE). Hamilton (Walter). A Memoir of George 
Cruikshank, Artist and Humourist. With numerous illustrations. 

4 8vo, half red calf, polished, gilt back, original wrappers bound in. 
London: Elliot Stock, 1878 


410. CruikSHANK (GrEoRGE). Jerrold (Blanchard). The Life of George 
Cruikshank. With numerous illustrations, 2 vols. 12mo, full crim- 
son levant morocco, richly tooled gilt backs, sides with border of 

_ fillets and lacework, inside borders, gilt tops, uncut, BY LARKINS. 
Gs London: Chatto and Windus, 1882 


PxTRA-ILLUSTRATED by the insertion of nearly 75 inlaid etched plates, 
plain, CoLoRED, and on India paper, selected by F. W. Pailthorpe, the illus- 
trator. A few of the plates are identified in pencil, by Pailthorpe. Laid 
in is a letter by Pailthorpe, relating to the selecting of the plates for 
these volumes. FINE COPY. 


411. CrurksHaNK (GrorcE). Layard (George 8.). George Cruikshank’s 
Portraits of Himself. With more than forty illustrations. 8vo, cloth, 
. morocco back, uncut. London: Spencer, 1897 


412. CrurKSHANK (GEoRGE). Marchmont (Frederick). The Three Cruik- 

shanks, a Bibliographical Catalogue. Illustrations. 8vo, half mo- 

& Tocco, uncut. London, 1897 
Edition limited to 500 copies. 


Second Session, Wednesday Afternoon, February 5th 


413. CrurksHANK (GrorcE). Cruikshank’s Water Colours. With an Intro- 
i duction by Joseph Grego. Colored illustrations. 8vo, cloth, uncut. 
> London: Black, 1903 


414. CrurKsHANK (GrorcE). Douglas (Captain R. J. H.). The Works of 
George Cruikshank, Classified and Arranged with References to 
me Reid’s Catalogue. Frontispiece. Square 8vo, cloth, uncut. 


# 

} 

— London, 1903 
Limited to 1000 copies. 


415. CRUIKSHANK (GEORGE). Cohn (Albert M.). A Bibliographical Cata- 
)» logue of the Printed Works Illustrated by George Cruikshank. 8vo, 
#2. — cloth, uncut. London, 1914 


416. CRUIKSHANK (GzorGE). Cohn (Albert M.). A Few Notes Upon Some 
Rare Cruikshankiana. Illustrations. Royal 8vo, wrappers, in mo- 

| rocco folder. London, 1915 

¢ Edition limited to 250 copies. This copy, No. 34, signed by the author. 


ORIGINAL DRAWINGS BY GEORGE CRUIKSHANK 
[Numbers 417 to 422, inclusive | 


41%, CRUIKSHANK (GEORGE). ORIGINAL UNPUBLISHED WATERCOLOR DRAWING, 
AND THE FIRST STATB OF THE SONG-HEAD, “BANG-Up-RANDOM, OR 
1 TanpEM, with an uncolored copy of the latter. All by George Cruik- 
/ Y, shank. The 3 pieces, neatly mounted, the first in sunken mat, and 
bound in one vol. oblong 4to, green levant morocco, lettered in gilt 
on back and front cover, with panel of fillets in gilt, on sides. 
London, 1810 
A HIGHLY IMPORTANT CRUIKSHANK ITEM, the drawing is aN ORIGINAL 
WATER-COLOR, 514 by 8 inches, not signed, and depicts Mr. Mathews in the 
character of the coachman, similar to that used on the “Song-Head.” | 
The view is one of a room, opening into the street, apparently a dis- 
tillery; the coachman has entered, and is holding a glass of liquor in 
his right hand, before him stands a portly dame, with bottle in hand ; 
in the background, the distillery. EXCEEDING SCARCE AND UNIQUE, UN- 
PUBLISHED. 
The engraved “Song-head,” is @ FIRST STATE, IN coLors, of,—BAnc-UP- 
Ranpom, or TANDEM. Written by J. Pocock, Esq., composed by Mr. C. 
Smith; and sung . . . by Mr. Mathews. Unsigned. With publisher’s 
line,—Published 4th April, 1810, by Laurie & Whittle, No. 53, Fleet Street, 
London. Beneath are three columns of verse. This view is one of a 
broad country road, with a carriage drawn by three horses in tandem 
fashion and standing near a turn-pike. Mathews, in the character of 
a coachman is in the foreground. This plate gives an excellent idea of 
the costume and slang of fast men at the beginning of the 19th century. 
The above copy has two small tears at upper corners. 
Accompanying the above is an uncolored copy of the plate. See, 
Douglas, No. 1818; Reid, No. 4496, for plate. 


[See Reproduction of Drawing] 


[1TF ON] 
O[LUIISNBJ Poonpoy 
ONIMVUC, YOTOOUMLV MA IVNIDINO 
MNVHSMINYO AODUYOUWD 


iy 
oh 
= 


Second Session, Wednesday Afternoon, February 5th 


418. CRUIKSHANK (GEORGE). ORIGINAL PEN-AND-INK SKETCH. The Horrid 


30. 


Murder of Elizabeth Beasmore. Signed,—“G. Ch.” Size, 634 by 
834 inches. Matted: [Auso] Effects of Jealousy! The Whole 
Proceedings on the Trial of Thomas Bedworth for the Wilful 
Murder of Elizabeth Beesmore, in Short’s Gardens, Drury-Lane, 
June 20, 1815, including the Speeches of Counsel, His Confession, 
&c. Taken in shorthand by J. A. Dowling. Second Edition (Plate 
missing.) 8vo, full calf, gilt. [London:| John Fairburn, undated. 
The book in a sunken mat the size of the mount on the drawing. 
The whole enclosed in cloth folder, lettered in gilt. 

London [1814-1815 | 


The above sketch was drawn and etched by George Cruikshank for 
the first edition of the above mentioned pamphlet, published by Hone 
in 1815, and entitled, “The Power of Conscience.” It also appeared in 
Fairburn’s First Edition of the tract entitled, “Effects of Jealousy.” 
Cruikshank in his drawing has endeavored to depict the scene of the 
murder, as described in the pamphlet. 


419. CRUIKSHANK (GEORGE). ORIGINAL SKETCHES IN SEPIA AND PEN-AND- 


Ink. Several sketches on one sheet, 714 by 834 inches. SIGNED. 
Neatly mounted in sunken mat, and bound, with several blank leaves 
in one vol. small oblong 4to, half crimson morocco extra, lettered in 


5 2 fv gilt on back and front. In cloth case, lettered. No place, 1829 


AN INTERESTING PAGE OF SKETCHES. The first represents “The Snow 
Ball,” a number of figures making a snow ball of one stout. gentleman, 
—the moon smoking and looking on. 

Beneath this, is a small pen and ink portrait sketch of WILLIAM HONE, 
with his name written on the side in the AUTOGRAPH OF CRUIKSHANK. 
To the right is a study of a Raven, and George Cruikshank’s signature 
in ink. 

On the reverse, is a very fine and bold signature of “Geo. Cruikshank,” 
with the date, “Feb. 19, 1829;” also two small studies in pen and ink. 

FROM THE COLLECTION OF Mrs. CRUIKSHANK. FINE ITEM. 


420. CRUIKSHANK (GEORGE). OriIGINAL PENCIL SKETCH AND AUTOGRAPH 


Teo 


Letrer. The pencil-sketch represents George Cruikshank’s Godson, 
sleeping in a large armchair, underneath which is his pet dog Lilla. 
“On Guard.” The accompanying letter is dated, April 4th, 1854, 
and is a three-page communication to his Godson, sending him news 
of the death of his dog Lilla, and describing the illness preceding ; 
also mentioning Mr. Pettigrew and Mr. Bogue. On the last page 
of letter is the address,—“George Cruikshank Palford, Melbourne, 
Australia,’ and in the corner, the signature “Geo. C.” (the last name 
being cut out). The 2 pieces, inlaid to 4to, and neatly bound, with 
several blank leaves, in one vol. 4to, half green morocco extra, 
lettered up back. 


FINE item. Unfortunately Cruikshank’s signature has been cut out 
of the letter, and another signature of his inserted in its place. On the 
reverse of the Drawings, are several small pencil sketches. 


Second Session, Wednesday Afternoon, February 5th 


421. CRUIKSHANK (GEORGE). ORIGINAL Pencit DRAWING, SIGNED. A quarto 
sheet containing a centre and several margin sketches, lettered by 
> the artist,—“A first Sketch for Masers Daughter,’ and signed by 

. him,—“ George Cruikshank.” Matted. 


422. CRUIKSHANK (GzoRGE). ORIGINAL DRawINe. Street Scenes, Old 
Woman smoking Pipe, sitting at an Orange Stall; and three other 
figures, one a portrait of the artists. Unsigned. Size, 4 by 7 inches. 
Matted. 


/ lp From the Truman collection. This drawing is described by G. S. 
. Layard, in “George Cruikshank, portraits of himself,” page 98 


POLITICAL CARICATURES AND ETCHINGS 
BY GEORGE CRUIKSHANK 


[Numbers, 423 to 446, inclusive | 


423. CRUIKSHANK (GEORGE). COLORED CARICATURE. French Recruits, or a 
Bird’s Eye View of the New Conscription—“G. Cruikshank fect.” 
- Pubd for the Proptrs of Town Talk Novr. 1st 1818. Size, 94% by 
Gf, 141% inches. Neatly inlaid and matted. 
t* ORIGINAL IMPRESSION, Cotorep. Broadley, No. 369. 
Marie Louise riding on a starved;looking jackass carrying the young 
King of Rome on her shoulders, while beating up for recruits for the 
Grand Army. 


424, CRUIKSHANK (GEORGE). CoLORED CARICATURE. Little Boney Gone to 
Pot. “G. Cruikshank fect.” Pubd-May 12th 1814 by Thos Tegg No 
111 Cheapside. Size, 834 by 12% inches. Matted. 
FINE ORIGINAL IMPRESSION, COLORED. Douglas, No. 706; Reid, No. 328. 
Shows the usual type of the little Emperor, seated bare-legged on a 
large utensil, lettered “Imperial Throne.” The arch-fiend is standing in a — 
sea, and endeavouring to tempt him to commit suicide. 


425. CRUIKSHANK (GEORGE). CoLoRED CARICATURE. The Mothers Girl; 
Plucking a Crow, or—German flesh & English Spirit. Signed on 
the plate —‘“R. C’k. fect.” Pubd by S. W. Fores No. 50 Piccadtlly— 

Ly April 28th 1816. Size, 9 by 1234 inches. Matted. a 
‘ FINE IMPRESSION OF THE ORIGINAL, CoLorep. Both Douglas and Reid 
eredit this piece to George Cruikshank. 

In a sitting-room, the Princess Charlotte, who has been interrupted 
in the writing of a letter to her mother, by old Queen Charlotte, is attack- 
ing the old lady, not only by a blow on the mouth, but in strong language. 
Leopold is seen timidly looking in at the door. po 


426, ORUIKSHANK (GEORGE). COLORED CARICATURE. The Triumph of the 
Dey of Algiers over the Naval Glory of Englalnd! or the late 

dy boasted Defenders of Freedom driven into Slavery by a piratical 
f>  Banditti!! Dedicated (without permission) to the Government that 
pride themselves on the Abolition of the Slave trade, the brilliant 
Victories of Trafalgar & Waterloo & the Downfall of the Corsican 
[Continued 


Second Session, Wednesday Afternoon, February 5th 


Tyrant!!!!!! Signed on the plate—‘“Yedis envt. G. Cruikshank 
fect.” London Pubd July 1816 by I. Sidebotham No. 96 Strand 
(the number and last word written in). Size, 814 by 18 inches. 
Mounted. 

ORIGINAL IMPRESSION, COLORED. Douglas, No. 1281; Reid, No. 587. 


Shows the Dey in his triumphal car, drawn by British seamen, officers, 
and men. 


427. CRUIKSHANK (GEORGE). CoLoRED CaricaTurE. The Hombourg 


Y 


Waltz, with Characteristic Sketches of Family Dancing! “Knahs- 
kiure fect.” London Published May 4 1818 by G. Humphrey 27 
St. James's St. nephew & successor to the late Mrs. H. Humphrey. 
Size, 814 by 13 inches. Matted. 


FIRST STATE, COLORED. Douglas, No. 828; Reid, No. 773. 

A satire on the Royal Duke’s haste to marry, after the death of the 
Princess Charlotte. The scene is the old Queen’s drawing-room, where 
the Duke of Hombourg and his consort are the most conspicuous of the 
dancers. Queen Charlotte is seated on the right; there are also por- 
traits of the Regent, the Duke of Clarence and the Duke of York. 


428. CRUIKSHANK (GEORGE). CoLOoRED CaricaTurE. The Curse of Spain. 


A 


Washington—Pubd. Novr. 1818. SIGNED IN THE AUTOGRAPH OF 
“Geo. Cruikshank.” Neatly inlaid, and bound with several blank 
leaves, in one vol. oblong 4to, half dark blue polished morocco, let- 
tered up back and on front cover. London, 1818 

ORIGINAL IMPRESSION. Douglas, No. 1283; Reid, No. 784. With the five 
lines, commencing,— 

“To prompt his cruel mind Hell sends its fiends.” 

A earicature of the time of George III. Ferdinand, King of Spain, 
seated on the throne of Tyranny; he has ass’s hoofs and ears. On his 
left is a monk pointing to the inquisition, with a stream of blood flowing 
past and evidences of its crimes and cruelties showing in its worst form. 
On his right stands the devil of black justice with bloody axe and halters, 
while behind may be seen the butchering of General Lacy by three 
soldiers. 


429. CRUIKSHANK (GEORGE). CoLorEeD Caricature. The Funeral Proces- 


sion of The Rump.—For Lamentable acct. of Death &. see Rump 
Chronicle Extrary. March 3d.1819. “G. Cruikshank wnvt. et fect.” 
Pubd. March 22d 1819 by G. Humphrey 2” St. James’s St. London. 
A large oblong coLORED caricature, 9 by 2414 inches. Neatly hinged 
at centre, on sunken mount. Bound in three-quarter levant morocco, 
gilt back, lettered on front and back. An old crease down centre has 
been neatly straightened ‘out. London, 1819 
COLORED COPY OF THE FIRST STATE. Douglas, No. 925; Reid, No. 874. 
EXCEEDINGLY RARE CARICATURE illustrative of the Reign of George III. 
of Great Britain. The members of the Grenville administration as offici- 
ating priests, bearers, and mourners at a funeral. The rump of a horse 
literally presented on a carriage, which is drawn by a half-starved 
donkey, preceded by Jack Ketch, who is leading acquitted felons, and 
followed by Mr. Thelwall. The chief mourner is John Cam. Hobhouse, 


riding on a hobby-horse, his train is supported by Sir Francis Burdett and 
Mr. Paul, the tailor. 


Second Session, Wednesday Afternoon, February bth 


430, CRUIKSHANK (GEORGE). CoLorED Caricature. The New Union-Club. 


4 


Being a Representation of what took place at a celebrated Dinner, ~ 
given by a celebrated—Society.—“G. Cruikshank—sculpt.” Pubd 
July 19th 1819 by G. Humphrey 27 St. James's Street London. 
Size, 11 by 1814 inches. Neatly matted and backed, slight tear at 
upper left corner skilfully repaired. | 
ORIGINAL IMPRESSION, CoLoRED. Douglas, No. 1109; Reid, No. 898. 
Douglas calls this plate “the chef @auvre of George Cruikshank’s Cari- 


catures.” 

A scene of the most animated nature at a meeting of the Anti-Slavery 
Society, most of the company being negroes. Wilberforce is in the chair, 
pledging the people in the “Black joke.” Billy Waters is dancing on a 


tub and playing a fiddle. Many pictures hang on the wall, illustrating 
the emancipation of the slave. 


431. CRUIKSHANK (GrorcE). CoLorEp Caricature. The Cato Street Con- 


te 


spirators, on the Memorable Night of the 2érd of Feby. 1820, at 
the moment when Smithers the Police officer was stabbed; The 
Scene faithfully represented from the Description of Mr. Ruthven, 
The View of the Interior correctly Sketched on the Spot. “G. 
Cruikshank fect.” Pubd March 9th 1820 by G. Humphrey No. 27% 
St. James’s Street—London. Size, 10 by 15 inches. Neatly matted. 
‘ FINE IMPRESSION OF THE ORIGINAL STATE. Douglas, No. 938; Reid, No. 
41. : 
Smithers falling back into the arms of Ruthven on receiving the sword 
of Thistlewood through his body; one of the gang is putting out the 
lights, others are making their escape. 


432. ORUIKSHANK (GEORGE). CotorEp CaricaturE. Interior View of Hay- — 


in 


Loft &c. in Cato Strt., Occupied by the Conspirators. “G. Crutk- 
shank fect.” Pub. by G. Humphrey 27 St. James's St. March 9th, 
1820. Size, 714 by 634 inches. Neatly matted. 

FINE IMPRESSION OF THE ORIGINAL FINISHED STATE. Douglas, No. 939; 


Reid, No. 943. 

Two sections on one plate; above, shows the loft where Thistlewood 
and his confederates were in the habit of meeting; below, the stable 
beneath, with ladder leading to the loft. Beneath are explanatory 


lines. 


433, CrvrksHANK (GuorGE). CoLorep CartcaTurE. Coriolanus addressing 


IS 


the Plebeians. “G. Cryikshank det et scult.” Pubd. Feby. 29, 1820, 
by G. Humphrey 27 St. James's St. London.- Size 6 by 914 inches, © 
with good margins. Mounted on card, on which is a VERY INTER- 
ESTING AUTOGRAPH INSCRIPTION regarding the print, by G. Cruik- 


‘shank. On sunken mat, 171% by 15 inches. Enclosed in cloth 


folder, lettered in gilt, on front cover. 

ORIGINAL, AND FINE IMPRESSION OF THIS NOTED CARICATURE RELATIVE TO 
THE TIME OF Kine Grorce IVth of Great Britain, showing the King out- 
side Carlton House addressing the “Reform” mob, as Roman Citizens, 
wearing liberty caps, ete. | 

UNIQUE COPY, WITH AUTOGAPH INSCRIBED BY GEORGE CRUIKSHANK, 
RELATIVE TO THE CHARACTERS IN THE ABOVE PRINT. 

FrRoM THE COLLECTION oF Mrs. CRUIKSHANK. 

Douglas, No. 839; Reid, No. 939. 


[See Reproduction for Inscription] 


GEORGE CRUIKSHANK 
COLORED CARICATURE, WITH ARTIST’S AUTOGRAPH NOTE 


Reduced facsimile 
[No. 483] 


Second Session, Wednesday Afternoon, February 5th 


434. CRUIKSHANK (GEORGE). COLORED CARICATURE. Freedom & Purity of 
Election!!! Showing the Necessity of Reform in the Close Bor- 
oughs.—Not signed. “Pub. April 23rd 1820 by G. Humphrey 27 St. 
James’s St. Size, 914 by 134% inches. Matted. 

FINE ORIGINAL IMPRESSION, CoLoreD. Douglas, No. 940; Reid, No. 948. 

6 On the back is a pencilled note, reading,—“Original impression. Col- 
oured by G. Cruikshank himself. Echibited at Exeter Hall, 1863.” 

View of a village, with a sign-post at the right, pointing to Tregony 
and St. Austel. A burly stewart, with a list of the proscribed in his 
hand, is driving the poor people from their homes; they are moving off 
with their chattels. The unsuccessful candidate, Daniel O’Connell, is 
‘standing looking on, and tells the sufferers not to be cast down. 


435. CRUIKSHANK (GEORGE). COLORED CARICATURE. La Gloire des Hon- 
netes Gens! !—“Sr. Facto del.” “G. Ck Sculp.” Signed on the plate, 
—Pubd—June 15th 1820 by G. Humphrey 2% St. James's Street. 
Size 1014 by 151% inches. Matted. 

Seconp STATE, with the quotations in verse added. Reid, No. 953. 
Contains four views, as follows,— 
(1) Mopesty !—Her Royal Highness and her Favourite, in a private 
box at the Genoese theatre. 
(2) Dientry !—The cabin of a man-of-war. The Queen and Bergami 
seated at a table where dinner is served. ; 
(3) CHastiry !—Her Royal Highness and her favourite resting on 
an ottoman, exchanging endearments. 
(4) NationaL LOVE !—A public ball at Naples. 


436. CRUIKSHANK (GEORGE). COLORED CARICATURE. Billy Bewitched or 
the Calicot Champion—a Portrait—Dedicated to Horace Seymour 
Esq. a Gentleman who by Martial Deeds & Illustrious Descent 1s 
qualified for the distinguished honor of acting as Champion of 
3 England at the Coronation. “Shetched by an amateur—etched 
, by G. Ok.” Pubd. July 8th 1820 by G. Humphrey 27 St. James s 
Street. Beneath are eleven lines of verse. Size of etching, 7 by 
614 inches. Matted. 
FINE ORIGINAL PROOF PRINT, CoLORED. THIS STATE UNKNOWN TO DOUGLAS 


AND REID. 

Beneath the full-length portrait of a fashionable fop, are the verses, 
signed, “Q. in the Corner.” On the reverse side is a large colored cari- 
cature of ‘““THE CAMELOPARD, Or a New Hobby,” representing George IV. 

Printed on Whatman paper, with water-mark, and date ‘1820.” 


/ 


43%, CRUIKSHANK (GxorGH). Caricature. “The Magic Lantern.” In 
brown. With margins. Matted. London Pubd Novr 1st 1822 by 


J. Johnston, 9 e Cheapside. 1822 
4 Not in Reid or Douglas. Interior of a room, partly in darkness, in 
‘ which are various personages. Operator of a lantern throwing upon a 


sereen a group consisting of George IV. in Chinese costume, seated upon 
his throne, surrounded by his ministers. The group on the screen etched 
by George Cruikshank. 


Second Session, Wednesday Afternoon, February 5th 


438. CrUIKSHANK (GxorGE). Cotorep Caricatures. Cribbage. Shuffling, 
Whist, and A Round Game!!—Being a Representation of the Bar- 
barities towards the Greeks by the Cruel Caliph Burnye & his Bow 
String Officers. With appropriate Escutcheons on the Downfall of 

v Greek Liberty—“G. Oruikshank invt. et fect.” Pubd. Octr. 30th 

1822 by G. Humphrey 2% St. James's St. London— Size 834 by 13% 
inches. Matted. 
FINE ORIGINAL IMPRESSION, Cotorep. Douglas. No. 1138; Reid, No. 1096. 
Six subjects on one sheet, in two rows, as follows,— 

(1) Crisace. Bow String Officers playing the Devil in Hell, with ye 
Greeks seizing their Bank, &c. The blacklegs fly in all 
directions. 

(2) Suurriinc. The poor Greeks Cut & seek for safety in Conceal- 
ment, the Officers enter “Pell Mell.” Trying to hide them- 
selves in the bed. 

(3) Wuuist. Make them Prisoners & bring them before the Caliph 

Beak who condemns them to the Wheel. 

(4) One of the Escutcheons. Black-legs turned up—and dice Box 
proper. 

(5) A Rounp Game. The prisoners on a treadmill, lettered “Miss 
Fortunes Wheel;” above, a sign, lettered, “The New Game 
of Roulette or Gamboling by the Oubitt.” 

(6) Another of the Escutcheons. Rookery & Cards, ete. 


439. CrurKSHANK (GEORGE). CoLorED CartcaTuRE. Money Hunting. “De- 
signed by an Amature. Etched by G. Ck.” Pub jany 10 1823 by 
G. Humphrey 2% St. James St. Beneath are four lines of verse. 
vi Small 4to, neatly matted. 
: FINE ORIGINAL IMPRESSION. VERY SCARCE. Not in Douglas or Reid. 
An officer seated on a couch beside a stout lady, suing for her hand in 
marriage. On the wall, pictures of the “Bank of England,” and the 
“Seige of Acre.” 
“Had I a Heart for falsehood fram’d 
I ne’er could injure you,” etc. 


440, [CRUIKSHANK (GxEoRGE).| Caricature. The Irish Catholic Jubilee at 

y Dublin; or, the Bulletin Express of the late Ministry. Phelim 
é. O’Cruikshank, del ib fecit. Not in Reid or Douglas. 

London, circa 1825 

BRILLIANT IMPRESSION IN Coton. Proof before inscription on lower left. 


Represents a spirited scene in Sackville Street, Dublin, in connection with 
the Catholic Emancipation. 


441. [CRUIKSHANK (GxEOoRGE).] Another impression of the preceding, also 
rom in colors. The inscription is on the plate, is a blurred impression, 
/ ot not decipherable. 


442, CRUIKSHANK (GEORGE). Ercuine. The British Bee Hive. “Designed 
4 in the year 1840—by George Cruikshank and altered & etched by 
ob him in Feby 186%7—& Pubd. in March /6%.” Published Bir: sale 

ontinue 


Second Session, Wednesday Afternoon, February 5th 


[No. 442—Continued | 
and sold by W. Tweedie 337 Strand-London— Size, 11144 by 74% 
inches. Matted. 


FIRST PROOF IMPRESSION ON INDIA PAPER, SIGNED IN THE AUTOGRAPH OF 
THE ARTIST, “First proof. George Cruikshank.” Douglas, No. 1439; Reid, 
No. 2653. 

A section of a hive, with the artist’s idea of the admirable arrange- 
ment of English society, and the folly of interfering with the structure 
by means of Parliamentary Reform. 

UNIQUE COPY. 


443. ORUIKSHANK (GEORGE). Woopcut Caricature. The Queen and the 
Union! No Repeal!—No O’Conell!! Signed on the plate,—“G. 
Ok.’ Beneath are two columns of text, signed “G. C.” [Designed 
)sv and Published by George Cruikshank.] Sold by David Bogue. Size 
— of etching, 8 by 61% inches. Matted. 


First state: Douglas, No. 1704; Reid, No. 4052. 

The text is a rail by the artist against O’Connell’s agitation for the 
repeal of the Union. In the illustration, Britannia and Erin are seated 
on the banks of the Channel, and joining hands; a blustering bully is 
standing with one foot on the shoulder of Britannia and the other on 
the Harp, with an immense uplifted axe. 


444, CrUIKSHANK (GEORGE). CoLorED Caricature. The Modern Hannibal 
alias The King of Rome, Swearing Eternal Enmity to England. 
rp “G. Cruikshank fect.” Signed on the plate,—Pubd Jany. 16th by T. 

5 SY Tegg. 111 Cheapside London. Size, 84% by 13 inches. Matted. 


FINE ORIGINAL IMPRESSION, CoLORED. Douglas, No. 688; Reid, No. 283. 

Bonaparte, with arms and legs outstretched, booted and spurred, and 
wearing a cock’d hat, stands before the King of Rome, represented as 
an infant with long pig-tail. To the left, a chair surmounted by a canopy, 
drawn by monkeys, with a gaily-dressed female on each side. To the 
extreme right, an altar having upon it, skull, hearts, etc. burning. 


445. CRUIKSHANK (GroRGE). CoLorEp Caricature. Britannia The Political 
Egotist and the Old Woman of Botley. Pub by S. W. Fores No. 50 
Piccadilly London. Not signed. Size, 814 by 13 inches. Matted. 


ORIGINAL IMPRESSION, CoLorRED. Douglas, No. 869; Reid, No. 79. 

A characteristic portrait of William Cobbett, standing before Britannia, 
using the language spoken by him at the Winchester trial. Behind Cob- 
bett stands an old woman; while Britannia, with a scroll containing 
extracts from the “Political Register,” is saying “Really Sir—this defence 
out does all your former out doings!!!” 


446. ORUIKSHANK (GEORGE). CoLorED Caricature. The Royal Cot, or 
The Great Babe taken Ill. Third Edition. New Version. A 
a BRoaDsIDE, with nine stanzas of verse. Size of etching, 614 by 9 
ad inches. Matted. 
[Colophon.] Published by OC. E. Pritchard, undated 
. WINE IMPRESSION. Douglas, No. 861; Reid, No. 1835. 

The view shows George IV. surrounded by his Ministers, who play 
the parts of physicians, on his alarm at the supposition of having taken 
the “foreign emetick.” They nurse him in a cradle ornamented with 
figures. 


Second Session, Wednesday Afternoon, February 5th 


THEATRICAL CARICATURES BY GEORGE CRUIKSHANK 
[Numbers 447 to 453, inclusive | 


447, CRUIKSHANK (GEORGE). CoLorEp CarrcATURE OF EpMuND Kaman. The 
Theatrical Atlas. “G. Cruikshank fect.” Pubd. May 7th 1814 by 

H. Humphrey St. James’s Street. Folio, hinged to mat, and pro- 

/ tected by cloth folder. London, 1814 


EXCEEDINGLY RARE FIRST STATE. Douglas, No. 980; Reid, No. 326. 

Edmund Kean, in the character of Richard III., standing on a large 
volume, while resting on his sword, and having the whole weight of 
Whitebread’s brewery on his head, in allusion to the brewer (who was 
also lessee of Drury-Lane Theatre) engaging the eminent tragedian, 
and by this speculation saving the credit of his firm. 


448, CRUIKSHANK (GxorGE). Conorep Caricature. “Portrait of Grimaldi 
in the Popular Pantomime of ‘Harlequin Whittington’.” SIGNED IN 
THE AUTOGRAPH OF THE arvist,—‘A Portrait of Joe Grimaldi.— 
Geo. Cruikshank.” Size 614 by 814 inches, wide margins. Matted. 


/ 
rr 
us 

AND THE SONG. See, Douglas, No. 987; Reid, No. 457. 

The celebrated clown is dressed as a French fop, holding a tall chim- 
ney-pot hat in his right hand, and standing singing, while pointing to 
the French city, which is seen in the distance. 


449, ORUIKSHANK (GEorGE). CoLorep CHaracrer Portrait. Mr. Kean, as 
Barabas, in “The Jew of Malta.” Cruikshank, fecit. Published, 
P May 1st, 1818, by J. H. Jameson. Exquisitely costumed in various 
Ef colored silks, the body of the portrait having been cut-out and 
¢ portions used in the adornment of the dress. Laid down. In cloth 
folder, lettered in gilt. 
UNIQUE AND SPLENDID EXAMPLE. Costume, a replica of the dress worn by 
Kean as Barabas; consisting of red silk Jewish gabardine, trimmed with 
black slashed and yellow bands, lined with blue silk; black belt with 
gold tassels; crotch stick in right hand; high conical hat with black 
band; open sleeves at wrist, with blue trimming; Byronie collar. 
Douglas, No. 990; Reid, No. 651. 


450. ORUIKSHANK (GEORGE). CoLorep CHaracTEer Porrratts. A Series of 
Portraits of Master Burke, in various Characters. Hach plate 
signed,—“Drawn by Wageman, & Etched by Rd. Cruikshank.” “En- 
graved by P. Roberts.” London, Pubd. by Wm. Kenneth, Corner 
of Bow Street, Covent Garden. Together, 5 pieces, small folio, 
enclosed in cloth folder, lettered on front. Margins of one plate 
repaired. 


This series comprises the following characters,— 
‘Mr. Terence O’Leary;” “Napoleon Buonaparte;” “Jack Ratline mys 
“Bluster Bubble;” and “Signor Dordini.” 


FINE PROOF IMPRESSION, IN COLORS, BEFORE THE ADDITION OF LETTERS 


ats lt ath a 4 eo eu. A 
Pe a ee eS ee 


Second Session, Wednesday Afternoon, February 5th 


451. CRUIKSHANK (GrorcE).. A Buz in a Box or the Poet in a Pet—with a 
Chip of the Block, mounted on Papa’s Pegasus. Unsigned. Pub 
Oct 21 1812 by S. W. Fores 50 Piccadilly. Size, 9 by 1314 inches. 
Matted. 


ORIGINAL IMPRESSION, COLORED. 

Etched in the manner of George Cruikshank. The opening night of 
Drury-Lane theatre. Shows Elliston on the stage, introducing a char- 
acter riding on an ass; Dr. Busby, the latter’s supporter, is seated in 
one of the boxes. 


452. CRUIKSHANK (GrorGE). LirnHocraPH. Scene from Hamlet,—“Hamlet 
and the Ghost.” Size, 6144 by 74% inches. Neatly matted. 


453. CRUIKSHANK (GEORGE). COLORED GLypHoGRAPH. All the World’s a 
Stage. The First Appearance of William Shakespeare, on the Stage 
of “The Globe.” Surrounded by part of his Dramatic Company, the 

» other members coming over the hills. Signed on the plate,—“De- 
© — signed by George Cruikshank, Jany. 1863, and this drawing made 
by him in 1863-5.” “From the original watercolor drawing by George 
Cruikshank, in the possession of T. Morse Eqr. Junr.’ Printed in 
permanent Pigments by the Autotype Fine Art Company, London. 

Size, 1014 by 8 inches. Matted. 
INDIA PROOF, HIGHLY COLORED, SIGNED IN THE AUTOGRAPH OF ‘‘GEORGE 


CRUIKSHANK.” 
Not listed by Douglas or Reid. RARE. 


a 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 
ILLUSTRATED BOOKS AND CARICATURES FROM THE 
LIBRARY OF J. BARTON TOWNSEND, ESQ. 

OF PHILADELPHIA 


Third Session, Numbers 454 to 683, inclusive 


WEDNESDAY EVENING, FEBRUARY Sth, AT 8:15 O’CLOCK 


BROADSIDES AND SONG-HEADS BY GEORGE 
CRUIKSHANK 


[Numbers 454 to 465, inclusive | 


454, ORUIKSHANK (GEORGE). Caricatures. A Collection of twelve cari- 
cature etchings by George Cruikshank, and rare BroaDsIDE Sonc- 
Hzaps. Neatly mounted on heavy paper, and hinged. Bound in 
one vol. 4to, half blue morocco, lettered on back and front cover. 
London, 1805-1813 


A RARE AND MOST IMPORTANT COLLECTION, as follows,— 

(1) Country Lirr, contrasted with the Pleasures of Town; Written 
2 by Captain Morris, with additional stanzas by the late Mr. 
yes : Hewerdine. Signed on the plate—‘“Cruikshank Del.” Pub- 

lisher’s line at top,—‘“‘Publishd, 6th April, 1807, By Laurie & 
Whittle, 53 Fleet Street, London. Beneath are 14 verses, 
in three columns, lower line of two verses cut off. Repre- 
sents the alarm of a country gentleman and his daughters 
at their carriage sticking in the mud. 

Douglas, No. 1805; Reid, No. 4493. 

(2) Pappy M’SuHane’s Seven Acres; Written by Major Downs, and 
sung . . . by Mr. Johnstone. Signed on the plate,—“Cruik- 
shank, del.” Publisher’s line at top,—Publish’d Apr. 6, 
1807, by Laurie & Whittle, 53, Fleet Street, London. Beneath, 
five verses. The cut represents Paddy arriving at his grand- 
father’s cabin, at Ballyporeen, and finding the “poor soul” 
sharing it with a cow and a pig. 

Douglas, No. 1807; Reid, No. 4492. 

(3) Tue Tra-Taste Tapsy Tom’s Tracic Tates. Not signed. Be- 
neath are four verses, in four columns. The artist has chosen 
the climax of the ditty, and depicted the overthrow of the 
table in consequence of the attack of the ancient maiden’s 
cats on the bachelor’s dog. 

Douglas, No. 1316; Reid, No. 408. 
[Continued 


Third Session, Wednesday Evening, February 5th 


[No. 454—Continued | 

(4) Kare Kearney. O’Corolan (the Irish Bard). Signed on the 
plate,—‘J. Cruikshank Del.” Publish’d Novr. 9, 1807, by 
Laurie & Whittle, 53 Fleet Street, London. The bewitching 
and cruel damsel at her cottage door churning, and cast- 
ing a “fatal glance” at the sturdy swain. With two lines 
of verses. 

Douglas, No. 1808; Reid, No. 4494. 

(5) THe Ovp. CommMopore. The Words by Mr. Lonsdale—Sung .. . 
by Mr. Taylor. Not signed. Publisher’s line at top,— 
Publish’d, Dec. 1, 1807, by Laurie & Whittle, 53 Fleet Street, 
London. Below, 69 lines of verse. The old Commodore as a 
“batter’d old Hulk” with two crutches, gives amusement 
to passers-by. 

Douglas, No. 1809; Not in Reid. 

(6) Tue CosteR AND Porr. Sung. . . by Mr. Faweett. Signed 
on the plate—“Z. Oruikshank.” Publisher’s line at top,— 
Publish’d Apr. 25, 1808, by Laurie & Whittle, 53 Fleet Street, 
London. Beneath, 4 verses, in four columns, outer lines -of 
first verse slightly shaved. A street scene, cobler and 
customer in conversation before the former’s shop; group 
of women and children on opposite side of street. 

? Douglas, No. 1812; Not in Reid. 

(7) Tue CELEBRATED Mock ITALIAN SONG; As sung .-.). oy eee 
Fawcett, Mr. Taylor, &c. Signed on the plate,—“Cruik- 
shank, Del.’ Publisher’s line at top,—Publish’d Augt. 24, 
1808, by Laurie & Whittle, 53 Fleet Street, London. Be- 
neath are 63 lines of text. Tavern scene, representing 
“Masteri” seated at a table covered with plates of bologni, 
and singing; dog yelping; waiter placing dish of celery 


on table. 
Douglas, No. 1813; Not in Reid. 
(8) LUNNON IS THE DEvIL; Sung... . by Mr. Emery .. . com- 


posed by Mr. T. Cooke. Not signed. Colophon,—Published, 
February 14, 1809, By Laurie and Whittle, No. 53, Fleet 
Street, London. Three couples standing beneath a tree; 
one, an officer in uniform, with two ladies; one of the 
couples is about to part angrily. 

Douglas, No. 1815; Not in Reid. 

(9) Baron-DONDER-DRONK-DICKDORF AND Miss Quottz. Sung by Mr. 
Fawcett . . . Written by J. F. Reynolds, Hsq. Not signed. 
Publisher’s line at top,—Published 20th, March, 1810, by 
Laurie & Whittle, No. 53 Fleet Street, London. Beneath, 
four verses, in two columns, with references. 

The artist has depicted the last verse, in which the baron 
is seen sitting on the top of the mantel over the chimney- 
piece, where he had been placed by his wife during a 
quarrel; a servant enters, with the baron’s supper. 

Douglas, No. 1821; Not in Reid. 

(10) Bonaparte. Written by Mr. Lawler; introduced by Mr. HEllis- 
ton, and Sung by him . . . in the character of Sylvester 
Daggerwood. “G. Cruikshank del et sculp.” Publisher’s 
line at top,—Published March 25th, 1811, by Laurie & Whit- 
tle, 53 Fleet Street, London. Beneath, five verses: View of 
the stage; Elliston singing in the above character, with a 
good deal of grimace and gesticulation. 

Douglas, No. 1305; Reid, No. 117. 

[Continued 


= 


- A 
mae ae AS 


Third Session, Wednesday Evening, February 5th 


[| No. 454—Continued | 


(11) A Day or FASHION. Sung... by Mr. C. Taylor . . . inscribed 
to George Rogers Barrett, Esq., by Mr. W. T. Parke. “G. 
Cruikshank fect.” Published 24th August, 1818, by James 
Whittle and Richard Holmes Laurie . . . London. Interior 
of Christie’s Auction Room; the celebrated auctioneer knock- 
ing down a portrait of a “Lady Squander,” by Reynolds, 
while the assembled connoisseurs are attentively criticizing. 
Slight tear in plate. 

Douglas, No. 1818; Reid, No. 255. 

(12) THE IrRisH DUEL; or, ‘Loves of Paddy Wackmackcruck and 

Mackirkincroft the Tailor. Written by Mr. T. Dibdin, and 


Sung... by Mr. Johnstone. “G. Cruikshank del et sculp.” 
Publisher’s line at top,—Publish’d 15 April 1816, by J. 
Whitile € R. H. Laurie... London. Beneath, three columns 


of verses. The tailor represented as walking out of sight 
to avoid the fire of his adversary. 
Douglas, No. 1833; Reid, No. 4503. 


455. CRUIKSHANK (GEORGE). CoLoreD Ercuine. Miss Wrinkle. As sung 


7, 


by Miss Tyrer, with unbounded Applause, at the Theatre Royal, 
Covent Garden, in the popular Farce, of Arbitration of Free & 


_Hasy, Written by G. Nicks. Signed, —“Oruikshanks, del.” Ato 


sheet, hinged, and protected by cloth covers, lettered in gilt. 
London: Published, March 12, 1807, by Laurie and Whittle 


RARE ITEM. UNKNOWN TO DOUGLAS AND REID. 

The scene illustrates the third stanzas of the song, in enh the 
“Thacher” is seen through an opening in the roof, espying the “Old 
Maid” at prayer. 

“One of Cruikshank’s earlier etchings, executed when he was fifteen 
years old.” 


456. CRUIKSHANK (GEORGE). COLORED AND PLAIN Caricaturss. A Collec- 


23. 


tion of five caricatures, each 1n TWO STATES, ONE SET IN COLORS, of 
rare BROADSIDE Sonc-HEAps. Neatly mounted on heavy paper, each 
leaf hinged. Bound in one vol. 4to, half blue morocco, lettered 
in gilt, on back and front cover. London, 1808-1821 


AN IMPORTANT AND RARE COLLECTION, as follows,— 

(1) THe Murperry-Tree. Signed on plate—‘Cruikshank, Del., 1808.’ 
Inscription on upper margin—Publish’d Mar. 1, 1808, by 
Laurie & Whittle, 53, Fleet Street, London. Beneath are five 
verses, in double column, with colophon,—Puwoblished 1st 

\ March, By Laurie and Whittle, No. 53, Fleet Street, Lon- 
don. 
Three bacchanalian gentlemen, seated under the spread- 
ing branches of a tree, enjoying their pipes and wine. 
Douglas, No. 1802; Reid, No. 40. 

(2) CoLorED copy of the above, without the verses, publisher’s line 
on top margins. A PROOF IMPRESSION, VERY RARE. 

(3) Mr. Lopsx1; or, The River Sprat-Catcher. Sung with unbounded 
Applause by Mr. Faucett . . . in the New Grand Melo- 
Dramatic Opera, called “The Exile:’” written by John Fred- 
erick Reynolds, Esq. On top plate-margin,—Publish’d Novr. 
24, 1808, by Lawrie &€ Whittle, 53 Fleet Street, London. A 

[Continued 


Third Session, Wednesday Evening, February 5th 


[No. 456—Continued] 


character portrait of an actor, in the scene mentioned. Not 
signed. 
Douglas, No. 1814; Not in Reid. 

(4) CotorEep copy of the above, somewhat soiled, publisher’s line at 
top eut off. 

(5) A BuNDLE oF TRUTHS. Sung, with great Applause, by Henry 
Johnston, in Dublin, Cork, &c., &c. Not signed. Publisher’s 
line at top,—Published 2nd Sept. 1811, by Laurie & Whittle, 
53 Fleet Strt. London. Beneath are six verses, in three 
columns. A street scene, with an old wooden-legged peddler, 
standing and singing, with a bottle of Irish whisky in his 
hand, and his case of commodities slung before him. Not 
signed. 

Douglas, No. 1808; Reid, No. 4497. 
) CoLorED copy of the above, margins cut close, no publisher’s line. 

(7) IrnisuH HospiTaLiry. Sung with great Applause by Mr. Incledon, 
in his New Entertainment, called “The Minstrel.” “J. R. 
Cruikshank del.” “G. Ck. sculp.” [Colophon. ] Published, 
the 20th October, 1815, by J. Whittle and R. H. Laurie, No. 
58, Fleet Street, London. Four gentlemen, seated at a table, 
over their dessert and wine. 

Douglas, No. 1831; Reid, No. 508. 

(8) IrntsuH Hosprrarity. A Plain copy of the preceding. . ; 

(9) Prerer Snovut, or A Shift to Make a Shirt, Sung, with universal 
Applause, by Mr. Sloman and Mr. Munden. “G. Cruikshank.” 
Beneath are eight verses, in three columns, with colophon,— 
Published the 1st of August, 1821, by R. H. Laurie, No. 53, 
Fleet Street, London. Cotorep copy. Bed-room, where Par- 
son Botch is enjoying a morning nap, his bed-fellow Snout 
is quickly making his retreat, with his friend’s shirt. 

Douglas, No. 1346; Reid, No. 1028. 
(10) Perer Snout. Plain copy of the preceding. 


457. CRUIKSHANK (GEORGE). COLORED CARICATURE. An affecting Scene in 


4 


bes 


the Downs. Signed on the plate,—“G. Ck.” Beneath are seven 
verses, in double column. Size of etching, 614 by 10 inches. Matted. 
[Colophon.] London—Printed and Published September, 1809, 

by Johnston, Cheapside 

FINE COPY OF THE ORIGINAL IMPRESSION, CoLorED. Douglas, No. 1303 ; 
Reid, No. 81. " 

View of a portion of Sir William Curtis’s yacht, having a turtle sus- 
pended on the poop, over which the gallant knight, ladle in hand, is 
leaning, listening to his friend Lord Castlereagh, who is approaching in 
a boat, with a handkerchief held towards his eyes. 


458. CrvurIKSHANK (GuorcE). A Collection of Twenty-six Laurie and Whit- 


/ As 
| @ 
Bs 


tle’s “Song-Heads,” each illustrated with an engraving, of which 12, 
and possibly more are by George Cruikshank. Neatly bound in one 
vol. 4to, half brown morocco, gilt back and top, BY RIVIERE. 


London, 1811 
A Choice Collection. Includes the following,— 

BonaPaRteE. Written by Mr. Lawler; introduced by Mr. Elliston. 
“G. Cruikshank del et sculp.’? View of stage, with Elliston in 
the character of “Sylvester Daggerwood.” 

[Continued 


Third Session, Wednesday Evening, February 5th 


| No. 458—Continued | 


Douglas, No. 1805; Reid, No. 117. 

A BuLt IN A CHINA-SHop. Written by Mr. C. Dibdin . . . sung by 
Mr. Grimaldi. “Cruikshank, Del.” <A view of Mr. Bull’s shop, 
where the bull is committing depredations. 

Douglas, No. 1889; Reid, No. 4501. 

A Day or FasHion. Sung by Mr. C. Taylor. Written... by Mr. 
W. T. Parke. “G. Cruikshank fect.” 1813. View of Christie’s 
Auction Room. 

Douglas, No. 1818; Reid, No. 255. 

HeicHo! Says THIMBLE. Written by G. Colman... sung... by 
Mr. Liston. Not signed, but by G. Cruikshank. 1809. Graveyard 
scene, the affrighted sexton falling on his back at seeing the 
ghost of a woman. 

Douglas, No. 1816; Reid, No. 4495. 

BanG-Up-RANDOM, oR TANDEM. Not signed, but by G. Cruikshank, 
1810. View of a country road near turn-pike. Mr. Mathews in 
the character of the coachman. [See No. 417 in this catalogue for 
original impression. ] 

Douglas, No. 1818; Reid, No. 4496. 


THE CELEBRATED Mock ITALIAN Son; As sung... by Mr. Fawcett, 
Mr. Taylor, &c. “Cruikshank, Del.” 1808. 

Master Frost AnD Miss Snow. Sung... by Mr. Dowton. Not 
signed. 1807. 

Catt AGAIN Tomorrow. Written by Mr. C. Dibdin . . . Sung by 


Mr. Smith. Not signed. 1808. This is not the plate mentioned 
by Douglas and Reid, but an entirely different subject; said to 
be by Cruikshank. 
Tut Forty TuHieves. Written and Sung by Mr. Emery. Not signed. 
1807. View of orchard with Emery in character. 
THE GuHost oF A Scac or Mutton. Written by Mr. C. Dibdin. . 
sung by Mr. Smith. Not signed. 1809. Curious kitchen scene. 
Tue Mart-Coacu. Sung by Mr. Mathews. Not signed, but by G. 
Cruikshank. 1821. Tavern scene, the postilion about to depart 
with lady passenger. 
Mr. Lossxk1; or, The River Sprat-Catcher. Sung by Mr. Fawcett. Not 
signed, but by Cruikshank. 1808. 
Douglas, No. 1814. 
THe LITTLE CHIMNEY-SwWEEP. Written by Mr. Upton: “Cruikshank, 
Del.” 1808. Not mentioned by Douglas or Reid. 
DAN THE WAITER’S JOURNEY TO LONDON. Sung by Mr. Hliry. Not 
signed. 1808. : 
THE TintED Waccon. Not signed. 1805. This plate identified in a 
colored copy [ No. ] as being by I. Cruikshank. 
Tue Country CLus. Written by C. Dibdin. Not signed. 1805. 
Love AND Forty. Composed by Mr. Josh. Major. Not signed. 1807. 
Nogopy Comine To Marry Me. Sung by Mrs. Jordan. Not signed. 
1806. 
Tom CLUTTERBUCK & PoLtLy HiccGINBoTTOM. Sung by Mr. Mathews. 
Not signed. 1806. 
True Tea-TAasLe Tasppy Tom’s Tracic Tate. Not signed, by G. Cruik- 
shank. 
Douglas, No. 1816; Reid, No. 408. 
Country Lire, Contrasted with the Pleasures of Town. Written by 
Captain Morris. “Cruikshank, Del.” 1807. 
Douglas, No. 1805; Reid, No. 4493. 
FRANK HAayMAN. Written by John Taylor, Not signed. 1807. 
[Continued 


Third Session, Wednesday Evening, February 5th | 


[No. 458—Continued | 
A Bonp-SrreEt LouNGER. Written by George Saville Carey. Not 
signed. 1800. 
Tim SwEatine Sickness. Not signed. 1798. 
A PARODY UPON THE POEM OF ALONZO THE BRAVE AND THE Farr Imo- 
cenE. Not signed. 1799. 


459, ORUIKSHANK (GxorcE). BroapsipE. The Appearance of an Appari- 
tion To James Sympson, of Huddersfield, in Yorkshire, an elderly 
Broad-cloth Weaver, commanding him to do strange Things in Pall 

4D Mall, and what he did—a Wonderful Narrative, in Two Parts, To 

a which is added, The Woodpecker Travestie . . . a poetical Parody— 

. now First Published. Folio. Matted. 
[Colophon.] London: Printed for W. Hone. . . [1816] 


First 1ssur. Douglas, No. 1702; Reid, No.-2815. 
A colored woodcut by Aldrich, after G. Cruikshank, at the head of 
the sheet; below are three columns of text containing the Narrative. 


460, CRUIKSHANK (GEORGE). CoLORED CARICATURE. Bags Noodles’s Feast ; Or, 
The Partition and Re-Union of Turkey A New Ballad; founded on 

Fact. Signed on the plate-——“G. Cruikshank fect.” Two colored 

etchings on one sheet, between which is letterpress of four columns, a 

4D satire on Lord Eldon and his lady. Size, 16 by 914 inches. Matted. 
Tapas [Colophon.] Published by W. Hone. . . 1817 

FINE IMPRESSION OF THE FIRST STATE, CoLorED. Douglas, No. 1838; 
Reid, No. 618. 

The headpiece represents a dining room, the moment depicted being 
when an unfortunate guest has cut the uncooked half of the bird from 
the cooked portion. The tail-piece represents the kitchen of the Chan- 
cellor's Oe the hostess and her half-sturved cook preparing 
the bird. 


461. CRUIKSHANK (GrorcE). CotorEp CaricaTurE. Boxing Extraordinary 
—or—a Noble fall—!!!!!! | Voila—t-on Mort!!! “Etch'd by G. 
3.50 Cruikshank? Beneath is letterpress, headed,—Pugilism Hxtraor- 
: dinary. Signed on the plate,—Pubd July 1%th 1819 by G. Hum- 
phrey 2% St. James's St. London. Size of etching, 7 by 9 inches. 

Matted. 


First staTE, Cororep. Douglas, No. 1844; Reid, No. 897. 

A satire on the affair between the Earl of Morton and the manager 
of the Union Canal Company. The interior of a comfortably furnished 
parlor, where the owner has been struck to the ground, his table and 
writing material knocked over. ; . 


462. CRUIKSHANK (GrorGE). Cotorsp Sonc-Hrap. Looby Lump’s Life in 
London, A New Song, Written & now Singing by Mr. Briant, of the 

<p Royal Coburg Theatre, and likewise by Mr. Lancaster, at the 
Sa Olympic Theatre, with rapturous applause. “G. Cruikshank fect.” 
Pubd. March 22d, 1822 by G. Humphrey 2% St. James's St. London. 


Beneath are 8 verses, in double column, and two bars of music. 
[Continued 


be ic 


Third Session, Wednesday Evening, February 5th 


[No. 462—Continued | 
Neatly hinged to mat, and bound, with some blank leaves. Folio, 
half green morocco, lettered up back and on front cover. 
London, 1822 

FINE IMPRESSION OF THE FIRST STATE. Douglas, No. 1348; Reid, No. 
1072. 

Four constables enjoying the fright of an unfortunate countryman 
whom they are pushing into the watch-house cell; the Keeper comfortably 
seated, with a pot of beer, smoking with placidity. 


463. CRUIKSHANK (GEORGE). COLORED AND PLAIN STATE OF A RARE CARI- 
cATURE. Destruction of the Furious Elephant at Exeter Change. 
“G. Cruikshank fect.” London Pubd. March 6th 1826 by J. Har- 
rison—56 Long acre—COLORED IMPRESSION. Beneath are four col- 
umns of text, headed,—“Interesting Particulars Relating to the 
/2. Elephant, with colophon,—“Printed and Sold by J. Harrison, 56, 
Long Acre.” : 

ANOTHER COPY, PLAIN. Same inscription on plate, but the letter- 
press in five columns, with a slight addition at the end, which shows 
this to be a SECOND STATE. The two pieces, each neatly hinged at 
the centre,—between plate and text, and bound in one vol. folio, 
half green polished morocco, lettered up back and on side. There 
are a few slight tears, neatly repaired ; each plate backed with paper. 

London, 1826 


Two RARE ETCHINGS. The colored copy is the FIRST STATE, the plain 
one iS a SECOND STATE. In the text of the first plate complaint is made 
of the danger from the rapid decomposition “which has taken place on 
this immense mountain of flesh,’ and asking for its removal. In the 
second state, this portion of the text is changed, showing that the dis- 
section of the body had taken place. 

On the right of the menagerie, the infuriated monster, its madness 
increased by the pain of wounds, is seen breaking the bars of the 
den; on the left is a mixed assembly, including foot-guardsmen and 
sportsmen, firing volleys at the animal, while the keeper, Mr. Herring, 
is giving the animal a thrust with a sword-bayonet; other animals 
in dens in background. 

Douglas, No. 1351; Reid, No. 1343. The second state, not mentioned 
by either. 

A slightly different etching of 12mo size, though with the same general 
sketch, appeared in a tract issued by Fairburn about the year 1826. 
[See, No. 182 in this catalogue. ] 


464. CRUIKSHANK (GrorGE). ConorED CarrcaTurE. “Call Again To-Mor- 
row.” Signed on the plate-—“G. Cruikshank del.” Size, 5% by 

4 634 inches. Matted. 
os FINE IMPRESSION, without margins. Douglas, No. 13837; Reid, No. 


615. 
A fop dressed in the extreme of fashion, and wearing Hessian boots 
- with large tassels and prodigious spurs, telling three of his astonished 
creditors, who have presented their bills, to call again. 


Third Session, Wednesday Evening, February 5th 


465. CRUIKSHANK (GEORGE). . COLORED ETCHING OF CHILD'S CHRISTMAS 


/o. 


Prace. Bombardment of Algiers. Printed and Published by Lang- 
ley and Belch, No. 173 High Street Borough London. Large folio, 
uncut edges. Neatly hinged at centre and folded. Bound in half 
red polished morocco, lettered up back and on front cover. 

London, undated 


FINE, AND BEAUTIFULLY COLORED COPY OF THE RARE FIRST STATE, Douglas, 
No. 1398; Not in Reid. 

Cruikshank made but very few “Christmas Pieces,” probably not more 
than six, and three of these are unknown to Reid. ; 

At top, a large illustration of the Bombardment; Three engravings 
on each side, including,—The Dey of Algiers, The British boarding the 
Algerian Flotilla, Cruelties committed on the Christian Slaves, Lord 
Exmouth, Seizing the British Consul’s Child, and Massacre of the Chris- 
tians at Bona; at foot, View of the City of Algiers. The space in the 
centre is left blank. UNUSED COPY. 


CARICATURES AND ETCHINGS BY GEORGE 


CRUIKSHANK 
Early Efforts, Fancy Subjects and Others 


[Numbers 466 to 502, inclusive] 


466. CRUIKSHANK (GrorGE). Ercnine. Colored Engraving for a Child’s 


Can 


Halfpenny Chap-Book, lettered below, in pencil,—“Children’s Halt-. 


penny Chap-plate done by George Cruikshank at 12 Years of Age, 
1803-5.” Publish’d by Langham 3 Red Lion Street Holborn.” ‘Two 
colored views on one sheet,—“Boys Fryrne Kits,” and “Bors & 
Kirn.” 8vo sheet. Enclosed in small folio, cloth wrapper, lettered 
on front cover. 


EXcEEDINGLY scarce. “Attributed to G. Cruikshank.” The publisher is 
the same as the one who issued some of the early works of Cruik- 
shank, referred to in Douglas, Nos. 639 and 640. 


467. CRUIKSHANK (GxEorGE). Ercuina. Donkey Raceing. Not signed. 


3 


‘ 


Published & Sold by I. M. Langham, 3, Red Lion Street, Holborn. 
Small oblong 4to. Mounted on card. Enclosed in cloth folder, 
lettered on front. 

RARE ORIGINAL STATE. Douglas, No. 640; Reid, No. 5. 

Said to be the first etching of George Cruikshank, when a boy of 11 
years of age. It was sold for halfpenny about the year 1803-1804, The 
Captain Douglas copy had Cruikshank identification stating that he 
etched the same when a boy. ONE OF FOUR COPIES KNOWN. 

A scene at a fair, where a bull dog is seen running after two con- 
tending donkeys. 


7 ao 


Third Session, Wednesday Evening, February 45th 


468.\CRUIKSHANK (GEORGE). CoLorED Caricature Ercuine. An Irish 
Epitaph. “Woodward del.” “Cruikshank S.’ Signed on the plate, 
—Published by T. Tegg. 111 Cheapside. Hinged to sheet of same 
size, and protected by cloth folder, lettered in gilt on front cover. 
“ [London, 1807 | 
FINE ORIGINAL IMPRESSION, CoLoRED. Douglas, No. 1045; Reid, No. 28. 
bf A churchyard scene; tombstone to the right, which a bull-dog is 
treating very disrespectfully; a couple of persons are making some 
very odd observations in the style used by the Irish lower order. 
A SCARCE AND EARLY SPECIMEN OF THE WORK OF GEORGE CRUIKSHANK. 


469, CRUIKSHANK (GEORGE). CoLorEp Caricatures. A Collection of Cari- 
catures from the “Caricature Magazine.” Vol. II. ‘Together, 5 
pieces, oblong 4to. Matted. [London: T. Tegg, 1808] 

Comprises,— 
UNLAWFUL UNION. Douglas, No. 1046; Reid, No. 26. A couple ad- 
. vanced in life, seated in a snug parlour, opposite to each other. 
D4 * Mrs. Fics Carp Party DisrurBeD. Douglas, No. 1047; Reid, No. 27. 
A comfortable party of four disturbed by the beadle and watch- 
man while at a game of cards. 

Lone Heapep AsseMBLY! Douglas, No. 1849. In front a card party 
of four, through an arch is seen the ball room and the orchestra. 
MISERIES OF HuMAN LiFe (1) ‘“Squatting plump on an unsuspected 
cat in your chair” (2) “During the endless time that you are 

kept waiting in a carriage while the ladies are shopping.” 


470, CRUIKSHANK (GEORGE). COLORED CARICATURE. A Collection of cari- 
catures from the “Caricature Magazine.” Vol. Il. ‘Together, 4 
pieces, oblong 4to. Matted. [London: T. Tegg, 1808 | 


Comprises,— 
y / ; Long Heads Upon Change, or the return of Ld Lauderdale. 
Jack Junk, Embarking on a Cruise. 
The Irish Poets Grace to a Short Allowance. 
A Lilliputian Auction. 


471. CrurksHaNnk (GrorcE). AQuarinr ETCHING. William Norris—an 
Insane American, Rivitted alive in Iron & for many years confined 
in that state, by chains 12 inches long to an upright massive bar 
in a Cell in Bethlem. “Sketched from Life in Bethlem %th June 

La 1814 by G. Arnold, Esq. A.R.A. Etched by G. Cruikshank from 
the original drawing exhibited to the Select Committee of the 
House of Commons on Madhouses 1815.” Published July 1815, 
by William Hone . . . London. Size of plate, 5 by 714 inches, 
wide margins, two uncut. Matted. 


ORIGINAL IMPRESSION. Douglas, No. 1368; Reid, No. 493. 
A view of part of the cell occupied by the unfortunate man; he is 
represented as chained to his straw bed. 


Third Session, Wednesday Evening, February 5th 


472. CRUIKSHANK (GEORGE). CotoreD Etcuines. A Series of 4 COLORED 
etchings by George Cruikshank, illustrative of the Dancz. Hach 


plate neatly mounted. Bound, with a few blank leaves, in one 


vol. oblong 4to, half red morocco, lettered on front cover. 
% London, 1817. 


This set contains four of the eight dancing subjects, etched by Cruik- 
a shank, as follows,— 
$36: (1) Les Graces. Inconveniences in Quadrille Dancing. “G. Oruik- 
shank fect.” Pubd. April 9th, 1817, by H. Humphrey 27 
St. James’s St. 

Douglas, No. 1176; Reid, No. 669. A representation of a 
drawing-room at the moment when the side couples are 
performing the figure “pastourelle.” | 

(2) Movutinet—Hlegancies of Quadrille Dancing. “G. Oruikshank 
fect.” Pubd. April 11th, 1817, by H. Humphrey, 27 St. 
James’s St. . 

Douglas, No. 1177; Reid, No. 670. A drawing-room whére 
twelve fashionable persons are assembled. One set has been 
formed. 

(3) Dos a Dos—Accidents in Quadrille Dancing. “G. Cruikshank fect.” 
Pubd. March 4th, 1817, by H. Humphrey 27 St. James’s St. 

Douglas, No. 1174; Reid, No. 662. A ball-room with 

dancers, in one set only. 

(4) Vis A Vis—Accidents in Quadrille Dancing. “G. Cruikshank 
fect.” Pud April 15th, 1817 by H. Humphrey, St. James’s 
Street. 


Douglas, No. 1175; Reid, No. 671. One of the gentlemen 


engaged in the figure has made a faux pas, fallen upon his 
vis-a-vis. 


The above series of plates are all First 1ssuES, before the numbering | 


of the plate. 


473, CRUIKSHANK (GEORGE). Caricature. Middling Heat in the West 
Indies. Signed in the AUTOGRAPH OF THE ARTIST,—“Hiched by me 
G. O. from a design by some Blackguard.” Pubd. by S. W. Fores 
// 50 Piccadilly, London, Decr. 16th 1817. Size, 914 by 1234 inches, 
slight tear at lower right corner. Matted. 
FINE COPY OF THE ORIGINAL IMPRESSION. Not listed by Douglas or Reid. 
VERY RARE. 

Interior of room, with three ladies and one gentleman, all making 
remarks about the weather; colored steward in background; groom 

with horses at door. 


474, CRUIKSHANK (GEORGE). CoLorED CaricaTurE. A German Mounte- 
_ bank blowing his own Trumpet at a Dutch Concert of 500, Piano 
4 * Fortes or A natural [music bar] from the “ScaLE or NATURE” ac- 
cording to the Logrmr-HnAD-Lan System!! “Yedis invt. G. Oruik- 
shank fect.’ London, Pub. April 1, 1818, by Sidebethem, & Sold 
at 27, St. James’s St. Size 914 by 8% inches. Matted. 

RARE ORIGINAL IMPRESSION, CouorED. Not in Douglas or Reid. Accom- 
panied by two engraved pages of letterpress. 

In a crowded concert room, the “Mountebank” is standing on the 
top of the first piano, dancing, and blowing a trumpet, tp the disgust 
and horror of his audience. 


~ 


Bales i ia aw 
‘we hg SS ae eee 


Third Session, Wednesday Evening, February 5th 


4%5. CRUIKSHANK (GEORGE). COLORED CaricATURE. A Nice Lady or an 
Incomparable!!!! Signed on the plate-——“Crutkshank del.” Pubd 
Oct 20th 1818 by S W Fores 50 Piccadilly. Size 1214 by 8%4 
te inches. Matted. 

Di a FINE IMPRESSION OF THE ORIGINAL, IN COLORS. Douglas, No. 1089; Reid, 

No. 783. 
Companion piece to “A Nice Gentleman.” <A portrait of an old maid, 
with every part of her person or dress named after things which are 

well known in common parlance. 


476. CRUIKSHANK (GEORGE). CoLoRED CaricaTuRE. An Exquisite Dandy— 
Prodigious!!!_ A Nice Gentleman. “Cruikshank fect.” Pubd. 
: Septr “12th 1818—by S. W. Fores 50: Piccadilly. Size, 124% by 8% 
2%? inches. Matted. | 
FINE IMPRESSION OF THE ORIGINAL, COLORED. 
The figure of a fop, walking to the right; every part of his person 
-is named after gastronomical delicacies, from the “Calf’s ieee jelly” 
in his hat to the “gilt gingerbread” of his spurs. 
Douglas, No. 1088; Reid, No. 777. 
A companion piece to the preceding. 


Mis CRUIKSHANK (GEORGE). CoLorED CartcaTuRE. A little Music a la 
Frangoise—Les Savoyards. “G. Cruikshank fect.” London Pub- 
lished Septr. 18 1818 by G. Humphrey nephew & successor to the 

IS late Mrs. H. Humphrey, 2% St. James’s Street. Size, 834 by 13 

2 inches. Matted. 

FINE IMPRESSION OF THE FIRST STATE, CoLorED. Douglas, No. 1091; 
Reid, No. 779. 
A man playing the organ and singing; one of his female companions 
also sings, another plays on the violin; a couple in a window; group 
around the players, consisting of dustman, butcher, etc. 


478. CRUIKSHANK (GEoRGE). CoLorED Caricature. A peep at the French 
Monstrosities—Le Palais Royal de Paris—“Hiched by G. Crutk- 
shank.” London Published Sept. 18th 1818—by G. Humphrey— 

S, 9.) nephew & successor to the late Mrs. H. Humphrey—e7 St. James's 

Street. Size, 814 by 13 inches. Matted. 
FINE IMPRESSION OF THE ORIGINAL STATE, COLORED. Douglas, No. 1090; 


Reid, No. 778. 
An extravagant satire on the Gallic love of eccentric dress and dis- 
play. Two Englishmen form part of a bevy of loungers on a promenade. 


479, CRUIKSHANK (GEORGE). ConoreD Ercutne, Aquatint. The French 
Artist. “G. Cruikshank sculpt.” Pubd. Jany. 10 1819 by G. 
Humphrey 2% St. James’s Street London. Size, 642 by 8% inches, 

DY wide margins. Matted. 


First state, CoLtorep. Douglas, No. 1100; Reid, No. 866. 
The miserable garret of a painter, who is represented at work on a 
picture of Jupiter and Danae. 


Third Session, Wednesday Evening, February 5th 


480. CRUIKSHANK (GEORGE). CoLorED CARICATURE. An Election Ball. “G. 
Cruik. fect.” Pubd. June 31st 1819 by G. Humphrey—27 St. 
James's Stt. Size, 414 by 614 inches, tear on right margin. Matted. 

ORIGINAL IMPRESSION, CoLorED. Douglas, No. 1219; Reid, No. 901. 

This is quite different in treatment from the larger plate, published 
April, 1818. The arrangement of the orchestra and the room remains 
the same, but reverse; here the whole company are engaged in a country 
dance. 


i 


481. CRUIKSHANK (GEORGE). COLORED CARICATURE. Humming-birds—or— 
a Dandy Trio. “J. 8. Esq. del. G. Cruikshank, etchd.”’ Pubd July 
4,80 15, 1819 by G. Humphrey 27 St. James's Street. Size, 834 by 1254 
Wa e inches. Matted. 
ORIGINAL IMPRESSION, CoLorED. Douglas, No. 1192; Reid, No. 895. 
Three dandies practising vocal and instrumental music; one reclining 
on a couch. 


482. CRUIKSHANK (GEORGE). COLORED CARICATURE. Travelling in England, 


or a peep from the White-horse cellar. “G. Oruik. fect. Pubd. 
ey August 12 1819 by G. Humphrey 27 St. James’s St. Size, 334 by 
/°% 5 inches. Matted. 


FINE ORIGINAL IMPRESSION, CoLorED. Douglas, No. 1207; Reid, No. 904. 

An animated scene, showing a stage coach, the coachman assisting a 
stout lady to enter the door; while, a tout, a guard, and a rival whip 
quarrel for the possession of another lady passenger. 


483. CRUIKSHANK (GEORGE). COLORED CARICATURE ETCHINGS. A Collec- 
tion of six caricature etchings, ALL IN coLors, by George Cruik- 
shank, relative to the Headache and other ailments. Neatly mounted 

2. tm sunken mats, and hinged on linen guards. Bound in one vol, 

22> oblong 4to, half red levant morocco, lettered in gilt on back and 
front cover, gilt edges, BY SANGORSKI & SUTCLIFFE. 

| London, 1819-1825 


ALL FINE IMPRESSIONS, AND ALL FIRST STATES, as follows,— 

(1) Tue Heap acHE—“G. Cruikshank fect.” Pubd. Feby. 12th, 1819, 
by G. Humphrey, 27 St. James’s St. An old fellow is seated 
by the fire in his slippers, with phial in his hand, from which 
he has taken physic, which has failed to relieve his malady, 
which is personified by six little devils. 

Douglas, No. 1200; Reid, No. 870. 

(2) Tue CHoric—“G. Cruikshank fect.” Pubd. Feby. 12, 1819, by 
G. Humphrey, 27 St. James’s St. A Companion piece to the 
preceding. An old woman, seated on a sofa, and in ex- 
cruciating agony, which is caused by a thick cord tied round 
her waist, and kept tight by two devils, other imps assisting. 

Douglas, No. 1201; Reid, No. 871. Reid, in giving the notes 
to the above two prints, has reversed them. 

(3) A CuRE ror DrowsINEss—or—A Pinch of Cephalic. ”Htched by 
G. Oruikshank, from a Sketch by the late Jas. Gillray.”’ 
Pubd. Jany. 25th, 1822, by G. Humphrey 27 St. James’s St. 
London. A gouty old John Bull, seated with his brandy and 
water and pipe. 

Douglas, No. 1202; Reid, No. 1067. 
(4) Tue Buus Devirs—t! “G. Cruikshank fect.’ Pubd. by G. 
[Continued 


Third Session, Wednesday .Evening, February Sth 


[No. 483—Continued | 


Humphrey 27 St. James’s St.  London—Jany 10th, 1823. 
An old fellow seated near a fireless grate, with an elfin 
beggar crouched within its bars. Jack Ketch, who has 
made a gallows of the candle-stick, is about to adjust the 
noose of a halter. Bailiff serving a copy of a writ; A beadle, 
followed by a woman, for whom he is authorized to serve 
a summons; with other elfin figures. 
Douglas, No. 1203; Reid, No. 1162. 

(5) JEaLousy—‘“A Crowquill, Esq. invt. G. Cruikshank fect.” Pubd. 
November ist, 1825 by S. Knight, Sweetings Alley, Ryl. 
XChange. A companion picture to the following. A dis- 
tracted husband, who has just finished perusing an anony- 
mous letter, while various imaginary incidents appear to 
his heated imagination, including elfin figures. 

Douglas, No. 1204; Reid, No. 1814. 

(6) INnpIGESTION. “A Crowquill Esqr. delt. Etched by G. Ck.” Pubd. 
Decr. 12th, 1825 by S. Knight, Sweetings Alley, Royal 
XChange. An old dyspeptic person sitting in his arm-chair, 
fearful of going to bed, tormented by many miniature imps. 

Douglas, No. 1205; Reid, No. 1288. 


484, CruIKSHANK (GEorcE). CoLorED Ercuines. The series of six COLORED 


50. 


Etchings for “The Sailor’s Progress.” Printed on handmade paper, 
two of the plates with watermark “C. M. D. 1819,” and one with “J. 
Whatman, 1816.” Size, 514 by 81% inches, with wide margins and 
uNcuT EpGEs. Bound in one vol. oblong 4to, half morocco, lettered 
on front coverg—“Life of a Seaman, Cruikshank, 1820.” 

3 Dublin: Published by McCleary, undated 


The plates, although not signed are by George Cruikshank. The 
series comprises those plates enumerated by Douglas in item 1102 of 
his Bibliography, as follows, 

Plate 1. ENTERING AS LANDSMAN. 

Plate 2d. CAROUSING ON BOARD. 

Plate 3d. InN IRONS FOR GETTING DRUNK. 

Plate 4th. BoarpinGc A FRENCH BRIG. 

Plate 5th. Promorep To BoaTSwAIN and exercising his 
Authority. 

Plate 6th. Lam up a Greenwich Pensioner relating his 
Adventures. 


485. CRUIKSHANK (GxEorcE). CoLorep Ercuine. A Trifling Mistake—Cor- 


rected—“G. Cruikshank fecit.” Pubd. Jany. 1st 1820 by G. Hum- 
phrey, 2% St. James's St. London. 4to, folded to 8vo, and bound in 
volume of tracts. 8vo, calf, binding broken. London, 1820 
First state. Douglas,.No. 1879; Reid, No. 933. 
The plate, which represents John Cam Hobhouse (Lord Broughton), 
in a cell at Newgate, is bound with the following tracts,— : 
A Trifling Mistake in Thomas Lord Erskine’s Recent Preface... 
in A Letter to his Lordship. London, 1819; 
A Letter to Lord Viscount Castlereagh, by John C. Hobhouse.., Lon- 
don, 1819; 
Proceedings in the House of Commons, and in the Court of King’s- 
Bench, relative to the Author of “The Trifling Mistake.’ By John C. 
Hobhouse. London, 1820. 
The combination of the plate and the three tracts relating to the 
same subjects make this an interesting item. 


Third Session, Wednesday Evening, February 5th 


486. CRUIKSHANK (GEORGE). CoLorED Caricature. A Party of Pleasure— 
Dedicated to the Funny Club. “Htched by G. Cruikk.” Pubd June 
,, 25th 1822 by G. Humphrey 2% St. James’ Street—London— _ Size, 
3 SU 81% by 1334 inches. Matted. Slight tear in margin. 
5 ORIGINAL IMPRESSION, CoLoRED. Douglas, No. 1134; Reid, No. 1081. 


A boating party upset in the middle of the Thames above bridge. The 
entire party in a dangerous position. 


487. CRUIKSHANK (GrorGE). A Series of Four cotorep Etchings by George 
Cruikshank, illustrative of Juvenile Dancing Lesson. Each plate, 
434 by 614 inches, neatly mounted in sunken mount, attached to 
: linen guard. Bound in one vol. small oblong 4to, three-quarter ¢rim- 
4% IV son levant morocco, gilt back, lettered on front cover, gilt edges, BY 


¥. SANGORSKI & SUTCLIFFE. London, 1822-1825 
ORIGINAL CoLorED ImprREssions of this Charming Series of plates, as 
follows,— 


1. Tur Dancoinea Lesson [Pt..1.] Etched by Cruikk. Pubd. July 
Sth, 1822, by H. Humphrey 27 St. James’s St. London. 

First state. Douglas, No. 1181. Slight variation from that 
given by Reid as No. 1082. 

2. Tur MINUET. The Dancing Lesson—Pt. 2. G@. Oruikshank fect. 
London Pubd. March 6th, 1824—by G. Humphrey, St. James’s 
Street. 

First state. Douglas, No. 1182. Not in Reid, though listed 
in his Index as No. 1098. 

3. L’Ert. The Dancing Lesson. Pt. 3. G. Cruikshank, fect. London 

Pubdd. March 1st, 1825 by G. Humphrey 24 St. James’s St. 
First statE. Douglas, No. 1188. Slight variation from Reid, 
No. 1294. 


4. Tue Sartors Hornprpr. The Dancing Lesson. Pt. 4. G. Oruik- 


shank fect. London Pubd. March Ast, 1825—by G. Humphrey, 24 
St. James’s St. 
First state. Douglas, No. 1184; Reid, No. 1293. 


488. CRUIKSHANK (GrorGE). Cotorep Ercutne. Dancing Dolls—or—les 
Marionettes 4 Londres. “J. 7. S., Esq. invt. G. Cruik. fecit.” Pubd 
Jany 15, 1823 by G. Humphrey 27 St. James’s St. London. Size, 
2 4 by 5inches. Matted. 
si ORIGINAL IMPRESSION, CoLOoRED. Douglas, No. 1215; Reid, No. 1164. 
A poor Savoyard boy putting his doll in motion by the aid of a string 


fastened to his knee, and playing the pipe, to the great amusement of 
two little girls, an old gardener and an Irish washerwoman. 


489. CRUIKSHANK (GEORGE). ORIGINAL COPPER-PLATE AND LETTER-PROOF 
Impression FROM Same. “The Luprecham.” Size of copper, 6 by 
9 inches. The 2 pieces, neatly framed, as one. 

Q London, 1825 


vv) 

UNIQUE ITEM. Consisting of the original plate on which the etching 
was engraved, and an impression from the same. This plate appeared 
in “The Dublin and London Magazine,” for July, 1825. Douglas under 
item No. 78, mentions the plates as being woodcuts, which in this instance 
is disproved by the original plate here offered. 

FINE PIECE. 


Third Session, Wednesday Evening, February 5th 


490. CRUIKSHANK (GEORGE). Cotorep CartcatTurE. The Return of a Sail- 
ing Party. “A Orowquill, Hsqr. delt. Hitched by G. Ck.” London 
_._ Pubd. August 14th 1826 by 8. Knights. Sweetings Alley Royal Ex- 
yo’ change. Size, 814 by 13 inches. Matted. 
. ORIGINAL STATE, CoLoRED. Douglas, No. 1154; Reid, No. 1312. 


A scene on the beach of a favorite watering-place, where a family 
have just landed, after suffering sea-sickness. 


491. CRUIKSHANK (GEORGE). CaricaTURE. Comic Composites for the 
Scrap Book, with Humorous Lines by Thos. Hood Hsqr. Author of 
‘“Whims and Oddities.” Six compositions of various domestic uten- 
sils, made to resemble human figures, on one sheet. Signed, “G. 
Ok.’ London, Published June 1, 1829, by W. B. Cooke. Size, 9 
by 131% inches. Matted. 
SECOND STATE. Douglas, No. 1128; Reid, No. 1064. 


492. CRUIKSHANK (GzorGE). A Complete Series of eight coLorep etchings 
by George Cruikshank, illustrative of “The Progress of a Midship- 
man.” Bound in one vol. oblong 4to, half red morocco, lettered on 
back and front cover. London: Published by Thos. McLean, 1835 


oem J 

28 This series of plates was first issued by G. Humphrey, in 1820; the 
above are the reissues by McLean. They comprise the complete set, 
as follows,— 


A Srormy Skga, out of which, on a rock, rises The Temple of Fame. 
A boat with the midshipman at the helm, with a large sail, on 
which is inscribed ‘The Progress of a Midshipman.” 

Firtine Out. Four lines of verse. 

Master B. Finpinc THines nor Wxactty WHAT HE HWiXPECTED. 

Mr. B. ON THE MippLtE WatcH. Cold blows the wind and the rain’s 
coming on. 

Mr. B. Masturap—or, enjoying the Fresh Air for the 30th time. 

Mr. B. SEEKING THE BUBBLE REPUTATION. 

WAITING Room AT THE ADMIRALTY. 

Me. B. Promortep to Lieut. & first putting on his uniform. 


493. ORUIKSHANK (GrorcE). The complete series of four plates illustrative 
of Holiday Scenes. “G. Cruikshank fect.” Pubd. Augt. 1st, 1835, 
by Thos. McLean, 26 Haymarket. ALL FINELY COLORED. The 

iy) four plates bound in one vol. oblong 4to, half red polished morocco, 
P . lettered on back and front cover, BY ROOT. . [London] 1835 
This series of plates comprises the reissue of the originals, which 
were first published in 1826, by S. Knights. They comprise the follow- 
ing,— 
: BREAKING UP. 
Ar Home In THE Nursery: or, the Masters and Misses Two-Shoes’ 


Christmas Party. 
Homer From ScHoot, or the Commencement of the Holiday. 
Briack Monpay, or the Last Day of the Holidays. 


494, CruIKSHANK (GEORGE). Ercuine. “The Opening of the Great Indus- 
trial Exhibition of All Nations by her Most Gracious Majesty 


y, Queen Victoria and his Royal Highness Prince Albert on the 1st. 
[Continued 


Third Session, Wednesday Evening, February 5th 
peacetime inane Gi erra ctia Agate an 


[No. 494—Continued | 
of May, 1851.” Signed on plate,—“George Orwikshank.” |'Taken 
on the spot by George Cruikshank. Published by David Bogue, 
London, June 29th, 1851.] Size, 1014 by 1534 inches. Matted. 


INDIA PROOF IMPRESSION, BEFORE ALL LETTERS, WITH AUTOGRAPH PENCILLED 
INSCRIPTION, IN THE HANDWRITING OF THE ARTIST, on lower margin, giving 
names of some of the principal personages attending, and title,—“The 
Representation of all Nations.” 

UNIQUE copy of this view from the south-west gallery, when the Arch- 
bishop was praying for a Divine blessing upon the Great Exhibition. The 
artist has introduced a portrait of himself, standing in the south-west 
gallery. 

Douglas, No. 1438; Reid, No. 2542. 


495. CRUIKSHANK (GrorGE). Ercutne. All the World Going to See the 
: Great Exhibition of 1851. INDIA PROOF, SIGNED IN THE AUTOGRAPH 
3. oF George CrurKksHanK,—‘“Designed & Etched by George Crutk- 

shank.” Size, 8% by 11 inches. In cloth covers. 3 


496. CRUIKsHANK (GrorcE). Woopcur. A Runaway Knock. Painted by 
George Cruikshank.—From the Exhibition of the British Institution. 

Signed on the plate,—“G. Cruikshank.” “Swain Sc.” 4to, mounted 

/ on mat. Enclosed in cloth folder, lettered. London, 1855 


Woodcut from the “Illustrated London News,” February 17, 1855. A 
fat and fussy footman, accompanied by many spaniels and poodles, an- 
swering a knock at the door of a roadside house. 

Douglas, No. 266; Reid, No. 4596. 


4964. CruIKSHANK (GxoRGE). Ercutne. Bishop Lyndewode (1446). 
| “Drawn & etched by Geo. Cruikshank—1852.” Size, 414 by 3%4 
inches, on 4to, sheet. Neatly matted. 
Death mask portrait. Not listed by Douglas and Reid. 


497. ORUIKSHANK (GEorGE). Our “Gutter Children.” By George Cruik- 
; shank. Large etching on glass, by the Hancock process, Published 
by the artist, July, 1869, Sold by all Book and Printsellers. On the 
plate—“Designed and etched by George Cruikshank.” Beneath the 
jy 2Y etching are two columns of text, which are continued on the fol- 
/ [ lowing three pages, the space back of the etching being left blank. 
“Folio, 4pp. Bound in half red morocco, leather lettered label on 
front cover. 
[Colophon.] London: Published by W. Tweedie, 1869 


First WprrioN OF THIS RARE FOLIO TRACT. Douglas, No. 1789; Reid, No. 
2656. 

A satire upon Miss Rye’s Proposition for transporting to Canada and 
the Western States of America, some of the Deserted and Neglected 
Children of England. The scene depicted by Cruikshank, is before the 
doors of the “Angel,” a gin palace, where a reverend gentleman is scoop- 
ing into a mud cart many ragged children, who are being swept to him 

[Continued 


Third Session, Wednesday Evening, February 5th 


[ No. 49%’—Continued | 


by an elderly gentleman and a young lady. Miss Rye officiates as car- 
man, and eulogises her patrons. 

UNIQUE COPY, WITH INSCRIPTION IN THE AUTOGRAPH OF GEORGE CRUIK- 
SHANK, reading,— 

“Tl TIT. Orwikshank Roger, Esq. with the best regards of Geo. Cruik- 
shank Augst 14, 1869.” 


498. CRUIKSHANK (GrORGE). CoLorED Ercuinc. The Chignon. “De- 
signed & Etched by George Cruikshank.” Female head, bust in 
profile, with huge chignon and a Cupid on top. Beneath are six 
lines commencing,—“The chignon is a sort of Cupid’s nest,” etc. 
Signed,—““G. Ck. 1870.” London, Pubd. by W. Tweedie 33% Strand. 

« 20 WITH AUTOGRAPH INSCRIPTION BY GEORGE CRUIKSHANK, reading,— 

#& = “To Miss H. Hodson, with the Kind regards of Geo. Crutkshank. 

Feby. 23d, 1873.” 

[Atso| Tue Oricinat Prenci, SkeroH By G. CruIKSHANK. of 
the above portrait, without the inscription, and unsigned. 

The 2 pieces neatly mounted in one vol. 4to, drab boards, with 
paper label on front cover. London, 1870 


UNIQUE ITEM. FIRST EDITION OF THE PLATE. 
Douglas, No. 1449; Not in Reid. 


499. OrurksHANK (GuHOoRGE). Business Card of J. W. Bouton, Bookseller and 
Importer, 706, Broadway, New York. A scroll contains the fol- 
a lowing inscription,—Desiqned & etched by George Cruikshank 1n 
September 1871, who was born on the 27th Sept. 1792. Size of 
card, 334 by 31% inches. In sunken mount, with leather covers. 
ORIGINAL IMPRESSION. Douglas, No. 1450; not in Reid. 


500. ORUIKSHANK (GxEoRGE). CoLoreD GiypHocRaPH. With manuscript 
inscription “Christian passing through the Valley of the Shadow of 


/ Death? SIGNED IN THE AUTOGRAPH OF THE ARTIST,—“Geo. Crutk- 
. shank. 1871.” Size, 634 by 1214 inches, top corners rounded. 
Matted. 


RARE ITEM. Proor rmpression, highly colored. Douglas. No. 1865. 


501. CrUIKSHANK (GEORGE). COLORED CARICATURE. Exhibition Extraor- 
dinary in the Horticultural Room. “A Bird, wnvt. et delt.” Etched 
by G. Cruikshank. Size, 9 by 13%4 inches. Matted. 

SD FINE ORIGINAL IMPRESSION, CoLorED. Douglas, No. 1155; Reid, No. 

Ly . 1881. 

A meeting of the Horticultural Society, with the company assembled, 
and described as part of the exhibition, commencing with “The Pink 
of Fashion, or Dandy Lion,” and ending with the “Hortus Cantab, propa- 
gated at New-Market.” The articles on the table have affinities to popular 
sensations and inventions. 


502. CRUIKSHANK (GxEorcE). A series of ten plates, eight by George Cruik- 
shank, two by Robert Cruikshank. All printed in brown on thick 
[sv drawing paper. All matted. Together, 12 pieces. 


Third Session, Wednesday Evening, February 5th 


GEORGE AND ROBERT CRUIKSHANK 


Books illustrated by the joint labor of these two artists, and Etchings 
with autograph inscription by George, identifying the work as his own 
or his brother Robert’s. 


[Numbers 503 to 525, inclusive] 


503. CRUIKSHANK (GEORGE AND RoserT). The Fashionable Swindler, or 
Villainy Displayed; being the Genuine History, and Surprising 
Events. . . of the Celebrated and Elegant Sharper, George R— 

) » Fine folding frontispiece, in colors, containing two compartments, 

2 ¢ with AUTOGRAPH INSCRIPTION BY GEORGE CRUIKSHANK,— By my 
Brother I. R. C2. “G. Ck.” .12mo, calf, lettered up back, fillet 
border, dentelle inside borders, BY LARKINS. 

London: Printed and Published by J. Bailey [1812] 


First Eprtron. Colin, No.:287; Douglas, No. 356. 
UNIQUE copy of this scarce book. From the Douglas collection. 


504. CRUIKSHANK (GEORGE AND Rosert). The Busy Body, or Men and 


Manners. Edited by Humphrey Hedgehog, Esq. Vols. 1 to 3 
(March 1, 1816 to August 1, 1817, inclusive). With 18 FINE COL- 
ORED ENGRAVINGS, in the manner of George and Robert Cruikshank, 


and by James Gillray and Williams. Bound from the original parts, — 


k 32 with the addition of titles and prefatory matter. Together, 3 vols. 


/ ~~ gyo, full crimson levant morocco, richly tooled gilt backs, sides with 


fillet borders, the front covers with corners of dots and floral designs, 


gilt tops, uncut, BY BAYNTUN. 
London: J. Johnston, 1816-1817 


Fine copy. The complete set should have four: volumes. 

William Jaggard in his “Index to Book-Prices Current,” lists this work 
under George Cruikshank, giving him credit for several of the engrav- 
ings. In the present copy, three of the plates are signed by Williams, 
two are signed by Gillray, and the others are unsigned. Of the unsigned 
plates, two are by Gillray, which with the two signed plates by this 
artist comprise the first four plates of. his series of eight, executed 


for the “Life of William Corbett.” Gillray’s plates in these volumes - 
appear in front of the four parts containing the “Letters of Corbett.” - 


505. ORUIKSHANK (GzorGE AND Ropert). Trials for Murder! At Kingston 
Lent Assize, 1816. Richard Russel for the Murder of his Father, At 


Thames Ditton, On October the 26th, 1815. John Brooks, for 


/7 the Murder of Edward Thompson, In Ball Alley, Lombard Street, 


bs On Feb. 23d, 1816. Richard Collins, for Murdering his Master, — 
at Elstead, Sept. 11th, 1815. And Elizabeth Mary Miller, Charged ° 


with Poisoning Elizabeth Anne Newman, on 13th of Sept. 1815, 
in the Parish of St. Mary, Lambeth. Folding frontispiece, in colors, 
of the Murder by Richard Russel, with AUTOGRAPH INSCRIPTION BY 


[Continued 


[L0G ON] 
‘I ‘OA 0} ddoIdsTVUOAZ puB osed-9]1} JO O[TUISOBJ poonposy 
MNVHSMINAD LYAMOY GNV ADMOUY Ad GALVALSATIT 


GOVOIS HSILIYd AHL 


Stst 
Seen ceeeaeel 


SOS¥HONE TYAOM “HISRAUNS “6 Aa “SERLGINAONS ANE Una aeNeItae 


RERRID “PIES WEES Shy 


HOQUOTE 


————E&<@$@m<o<&n@3—<«<-—" =. -. 


Third Session, Wednesday Evening, February 5th 


[ No. 505—Continued | 
Grorce OrviksHank,—“By my Brother I. R.C”’ “G. Ck.” 12mo, 
full maroon calf, polished, lettered up back, fillet borders, dentelle 
inside borders, lower margins uncut, BY LARKINS. 
London: Printed and Sold by J. Bailey [1816] 


First Epit1on. Douglas, No. 416. 
UNIQUE copy, from the Douglas collection. 


506. CRUIKSHANK (GEORGE AND Ropert). Fairburn’s Edition of the Whole 
Proceedings on the Trial of James Watson, Senior, for High Trea- 
son: including The Evidence of All the Witnesses: Speeches . 
Charge to the Jury, at Full Length (etc.) Folding frontisprece 
(not by George, perhaps by Robert Cruikshank), plate of “A Correct 
/Q . Likeness of James Watson, The Elder, drawn and engraved by 
Mr. I. R. Cruikshank (with the assistance of George), and plate con- 
taining portraits of Arthur Thistlewood, Hooper and Thomas Pres- 
ton (said by Cohn to be by G. Cruikshank). 8vo, half calf, slightly 
cracked at hinges. London: John Fairburn, 1817 


First Epition. Cohn, No. 798; Unknown to Douglas. VERY RARE. 
The last plate in the above work, is mentioned by Reid, also cited by 
Douglas (Note 16, page 273) as being by G. Cruikshank. 


50%. CRUIKSHANK (GEORGE AND Rogssrt). Kenrick (Thomas). The Brit- 
ish Stage, and Literary Cabinet. Illustrated with 62 plates, MANY 
IN cotors, by George and I. R. Cruikshank, Findlay and other art- 
ists. 5 vols. 8vo, half morocco, fillets on backs, lacks one plate and 

has margin of 6 plates cut close, shaving imprint. 
London: J. Chappell, 1817-1821 
pe } 0, A CRUIKSHANK ITEM OF EXCESSIVE RARITY, VERY SELDOM FOUND COMPLETE. 

The above copy, contains all the plates with the exception of the un- 
colored portrait of Elliston, which appeared in Vol. IV. In Vol. I. the 
portrait of “Mrs. Davenport” is in TWO STATES, one signed, the other 
unsigned. The two numbers of Vol. VI. (which complete the regular 
publication of this magazine), are not included in the above set. 

All the portraits by George’ and I. R. Cruikshank appeared in these 
five volumes, and they are all present in the above copy; for a list of 
these portraits, which include some of the noted actors and actresses 
of the day, see Douglas Bibliography, pages 257 to 258. 

Cohn, No. 445; Douglas, No. 25. | 

[See Reproduction of Title-Page and Frontispiece | 


508. CRUIKSHANK (GEORGE AND Rospsrt). A Series of Books Published by 
J. J. Stockdale, all but one illustrated with @ COLORED ETCHING by 
George or Robert Cruikshank. Together, 7 vols. 12mo, half russia, 


a c gilt backs. London, 1817-1818 

| Asai From the Captain Douglas Collection. No. 270 in his sale’s catalogue. 
Comprises,— 

Tur GREEKS . ..a poem... dedicated to all the Legs! Tenth 


Edition. Without illustrations. 1817. 
THE GREEKS. Twelfth Edition. With 6 cororep plates by G. Cruik- 
[Continued 


Third Session, Wednesday Evening, February 5th 
priest toate foe ES ooh EEE a 


[No. 508—Continued | 
shank. 1817. Leaf of advertisement. See Cohn, No. 350; Douglas, 
No. 19. 

THE Piceons. Dedicated to all the Flats. With 6 cotorEeD plates 
by G. Cruikshank. 1817. First Epition. Cohn, No. 619; Douglas, 
No. 20. 

Fasuion. Dedicated to all the Town. With 6 cotoreD plates by G. 
Cruikshank. Fourth Edition. 1818. See Cohn, No. 286; Douglas, 
No. 21. 

Mopern BELLES. Dedicated to all the Beaux. With 6 cotorED plates 
attributed to George, but really by Robert Cruikshank. 1818. 
First Eprrion. Cohn, No. 547; Douglas, No. 22. 

THe Ton . . . Dedicated to The Gossips. With 6 coLoreD plates, 
attributed to George, but really by Robert Cruikshank. Second 
Edition, 1818. 

MoperN Beaux, Dedicated to Modern Belles. With 6 coLoRED plates, 
attributed to George, but really by Robert Cruikshank. 1818. 
Rare. First Eprrron. Cohn, No. 546; Douglas, No. 24. 

The above form a complete series of these interesting and curious vol- 
umes. Douglas states that it is difficult to procure the last, while there 
“certainly was not one of the ‘Greeks’ with the plates.” Cohn gives date 
of 1819 to the last one of the series—“Modern Beaux,” which is refuted 
by the date on the above copy. 


509. CrvIKSHANK (GEorGE AND Roper). The Universal Letter-Writer. By 
Rev. F. Cooke. Engraved frontispiece by Robert Crukshank. 16mo, 
Io old sheep, binding poor. London: T. Hughes, 1819 


INTERESTING COPY, WITH AUTOGRAPH INSCRIPTION BY GEORGE ORUIK- 
SHANK, on plate, reading,—“By my Brother I. R. Ck.—G. Ck.” 
Unknown to Bibliographers as a Cruikshank item. 


510. CRUIKSHANK (GEORGE AND RoBERT). Retribution; or, The Dangers of 
Adultery; an Authentic Historical Narrative of the Earl and Coun- 
tess of Somerset. CoxorEp frontispiece—“Sir Thomas Overbury 

poisoned while a Prisoner in the Tower of London,” with AUTOGRAPH 

10, INSCRIPTION BY GEORGE CruiKSHANK,— By my Brother I. &. C. 
G. Ck.’ 12mo, half crimson levant morocco, lettered up back, gilt 
top, BY RIVIERE. London: J. Bailey [1819] 


First Epirion. Not in Marchmont. 
There is a watermark “1819” on page nine. 


511. CrurkKsHANK (GEorGE AND Ropert). A Collection of Theatrical Tracts 
relating to Charles Mathews and his Various Tours. EACH WITH A 

COLORED FRONTISPIECE SHOWING MATHEWS IN DIFFERENT CHAR- 

ACTER SKETCHES, engraved by George and Robert Cruikshank, and 

eX ? 20. other artists. 10 vols. 12mo, half light calf, gilt backs and tops, 
‘  g6me uncut, BY ZAEHNSDORF, and one vol. in original wrappers, un- 

cut. Together, 11 vols. 12mo. London, 1820-1832 


AN IMPORTANT AND INTERESTING COLLECTION, interspersed with Laugh- 
able Tales, Comic Songs, Original Anecdotes, ete., as follows,— 
SKETCHES FROM Mr. MATHEWS AT Home! Frontispiece with 4 char- 
acter Sketches, signed “R. ©.” Printed for the Booksellers, 
1822, 
[Continued 


a= 


Third Session, Wednesday Evening, February 5th 


[ No. 511—Continued | 


MATHEWS & YATES AT Home. Frontispiece of “Messrs. Mathews and 
Yates, in all their characters.” Published by J. Duncombe [1820] 

Mr. MatHews’ Comic ANNUAL for 1830. Frontispiece, signed “T'. 
H. Jones fect.’?’ Duncombe [1830] 

Mr. MatHews’ Comic ANNUAL for 1831. Second Edition. Frontis. 
piece, signed. “7'’. Jones, fect.”” Duncombe [1831] Original wrap- 
pers bound in. 

Mr. MatHews’ Comic ANNUAL for 1832. Fourth Edition. Frontis- 
piece, unsigned, probably by T. Jones. Duncombe [1832] 

Mr. Matuews’ Comic ANNUAL for 1833. Fourth Edition. Frontis- 
piece, unsigned. Holmes [1833] 

MATHEWS IN AmeErRICcCA. Frontispiece by G. Cruikshank, not signed. 
Duncombe, wndated. 

SKETCHES OF Mr. MATHEWS’ INVITATIONS. Frontispiece with four 
character sketches, signed, “R. Cruikshank.” Limbird, 1826. 
Original wrappers bound in. 

SKETCHES OF THE YOUTHFUL DaAyS oF Mr. MATHEWS. Frontispiece, 
unsigned, by R. Cruikshank. Caption at top of first page, no 
general title. 

Mr. Matruews “AT Home.” Frontispiece with 11 character sketches, 
unsigned, by R. Cruikshank. 

Mr. MatHews’ MremMorANDUM-Book. Frontispiece signed, “T. Jones, 
fect.” 


512. CRUIKSHANK (GEORGE AND Ropert). Egan (Pierce). Life In London; 


798 


or, The Day and Night Scenes of J erry Hawthorn, Esq. and his 
Elegant Friend Corinthian Tom, accompanied by Bob Logic, ‘The 
Oxonian, in Their Rambles and Sprees through the Metropolis. 
Embellished with 36 cotorED PLATES, by I. R. and George Crutk- 
shank, engraved music, and woodcuts. Royal 8vo, full straight- 
grained brown morocco, gilt back, sides with fillet border enclosing 
a framework of fillets and ornaments, gilt edges, inside borders, 
doublures and end-papers of crimson watered silk. This copy has 
been washed, a few of the pages show discoloration. 

London: Sherwood, 1821 


This is the Edition called by Cohn, a “Spurious 1st Edition,’ with 
the footnote on page 9, commencing “Second Edition.” The printer’s 
name is correctly placed at the left lower corner on back of half-title. 
The 16pp. of advertisements are wanting. 

See, Cohn, No. 250; Douglas, No. 41. 


513. CruIKSHANK (GEORGE AND Ropert). Two OriGINAL CoLorep Etchings 


20 


4 


on one Undivided plate, by Robert Cruikshank, Brother to George. 
One entitledi—“The Needless Alarm,” the other, “A Smoking 
Party.” Neatly inlaid and with several blank leaves, bound in one 
vol. small 4to, half dark blue levant morocco, letfered on back and 
front cover. Undated, circa 1822 ? 


FIRST STATE OF THIS UNIQUE ITEM, having an autograph inscription on 
top margin, by George Cruikshank, identifying the work as that of his 
brother Robert,— 

“All by my brother, I. R. Cruikshank. G. Ck.” 

The Samuel H. Austin copy. 


Third Session, Wednesday Evening, February 5th 
see Oe 


514. CRUIKSHANK (GEORGE AND Roper). CoLORED CARICATURE. Parochial | 

Affairs Hall’s Dicky—or a Row de Dow in the Vestry—St. Paul’s 

Covent Garden 26 March 1828. “Jack Ketch-de Line tb.” Pubd as 

Gis the Act directs by Hunt York St. Covent Garden, April 2d, 1828— 

ek Size, 834 by 14 inches. Neatly hinged. Bound in half blue pol- 
ished morocco, lettered up back and on front. 


ORIGINAL IMPRESSION. UNIQUE COPY, WITH AUTOGRAPH INSCRIPTION BY 
GEORGE CRUIKSHANK,—“Etched by my brother I. R. Cruikshank. G. Ck.” 
Council table, with portraits of prominent politicians of the day. 


515. CRUIKSHANK (GEORGE AND Roser). Pierce Egan’s Finish to the Ad- 
ventures of Tom, Jerry, and Logic, in their Pursuits Through Life 
in and out of London; IJlustrated by the pencil of Mr. Robert Crutk- 
shank, In 36 Scenes from Real Infe, & enriched with several De- 
signs on Wood by the same Artist. The full-page plates FINELY COL- 
oRED. 8vo, red levant morocco, polished, gilt panelled back, sides 

/p with triple fillet border, inside border, gilt edges, BY MORRELL. A 

; few of the plates have slight spots on margins. 
London: G. Virtue, 1830 


Rare First Eprrion, with the woodcuts in text at pages 40 and 42. 
Only three of the plates show the Virtue imprint. Cohn, No. 251. Not 
in Douglas. 

The plate at page 251, “Life in the East,” is by George Cruikshank, 
all other illustrations are by Robert. This plate was identified in the 
Truman copy as being “Drawn and Engraved by George Ck.” 


[See Reproduction of Colored Frontispiece | 


516. CRUIKSHANK (GEORGE AND Ropert). A Series of Dramas performed 
at the Theatre Royal, published by Joseph Thomas, and illustrated 
4 by George and Robert Cruikshank : comprising,—The Tailors. 1836; 
as Bombastes Furioso. 1830; Midas. 1837; Tom Thumb. 1837; The 
Mayor of Garratt. 1837; The Beggar’s Opera. 1837; Shakespeare’s 
Katharine and Petruchio. 1838. Bound in one vol. 16mo, cloth 
gilt edges, loose in binding. London, 1830-1837 


517. CRUIKSHANK (GuorGE AND Ropert). The Quizzical Gazette and Merry 
Companion. Nos. I to XX. (August 27, 1831 to January 6, 1832. 
All published?] With humorous sketches and portraits, in the 


A 

A style of George and Robert Cruikshank, two of them signed by 
Robert. Bound in one vol. 8vo, half red polished calf, lettered up 
back. No place, 1831-1832 


Rare work. “This Gazette is not intended to be a general Satirist, 
on the prevailing follies of mankind, but rather an admonisher, who, 
in a good humoured way, will make men laugh at their own pleasant 
errors. Most of our anecdotes will be original.” —INTRODUCTORY REMARKS. 


518. CRUIKSHANK (GEORGE AND Ropert). Particulars and Recommendations 
of the Stadium, or, British National Arena for Manly and Defensive — 

a 597, Exercises. With 4 etchings by G. Cruikshank, and 3 God by. 
. [Continued 


PIERCE EGAN 
FINISH TO THE ADVENTURES OF TOM, JERRY AND LOGIC 
CoLoRED PLATES BY G. AND R. CRUIKSHANK 
Reduced facsimile of frontispiece 
[No. 515] 


Ee LE RT 


; 
3 


Cenc titans 


pig i a RO ae SN 


eae aries « enn set inte stih 


“ so a 
Pema en mh DA 


Third Session, Wednesday Evening, February 5th 


[ No. 518—Continued | 
Robert Cruikshank. 16mo, original gray wrappers, in cloth pro- 
tecting wrapper. London: T. Hurst, 1834 


RARE First Epirion. Cohn, No. 742; Douglas, No. 155. 

The title-page varies slightly from that given by Douglas and Cohn; 
having the first four words, as given above, in addition. Said to be the 
Douglas copy. 


519. CRUIKSHANK (GEORGE AND RoBERT). COLORED CARICATURE. The Beau- 
tiful Boy. Signed in the autograph of George Cruikshank,—“FRobert 
Ck.” Size, 414 by 614 inches. Neatly mounted, matted, and bound 
in one vol. royal 4to, half blue morocco, lettered up back and on 
& , front cover. 


ORIGINAL WoopcuT, with coloring of a later date, of an illustration to 
Fairburn’s Song Book. Page 130. Signed,—‘‘Robert Ck,” in the Avurto- 
GRAPH OF GEORGE CRUIKSHANK. 


520. CRUIKSHANK (GEORGE AND RoperT). CoLorep Sonc-Heap. The Last 
Shilling. “Cruikshank fecit.” No publisher given. Beneath are 
four verses of the Song, in two columns. Small folio. Matted. 

ORIGINAL IMPRESSION, COLORED, WITH AUTOGRAPH INSCRIPTION BY GEORGE 

\ CRUIKSHANK,—‘“Not any of it by me. G. Ck.’ George has also placed 
the initials “J. R.’? before the engraver’s name. 

The scene is laid near the sailor’s quarters in a town, a returning 
sailor gives his last shilling to the wife of his messmate. 


oD 


521. CRUIKSHANK (GEORGE AND Ropert). The Actor’s Regalo; or, Theat- 
rical Budget; being an Excellent Collection of Comic Tales, New 
Songs, &c. Containing those now Singing at the various London 
Theatres,—including Mathew’s Trip to Paris. DuNncomsBe’s Ent- 

/ } TION OF THE First, SECOND AND THIRD CoLLECTIONS. Hach with a 
COLORED frontispiece of Mathews in character, with the AUTOGRAPH 
INSCRIPTION BY GEORGE CRUIKSHANK. Together, 3. pamphlets, 
12mo, wrappers, uncut, portion of wrapper of last part missing. 

} [London:] Duncombe, Book and Music Seller, undated 
The frontispieces, with their inscription by George Cruikshank are 
as follows,— , 
(1) Mr. MaTHews, AS THE LEADER. “By my Brother. G..Ck.” 
(2) Mr. MatHews, as HezexiaH. “By my Brother. G. Ck.” 
(83) Mr. MATHEWS, AS THE FRENCH PosTILION. “By my Brother. 
G. Ck.” 


522. CRUIKSHANK (GEORGE AND RoperT). OriciInaL Woopcut by George 
and Robert Cruikshank, representing a Drinking Scene. The main 

— figure with uplifted glass, about to propose a toast, seated at a table, 

Rs with two companions; other figures include, party on bed, cobbler 


mending shoes, infant with rattle, etc. Size of plate 3 by 334 inches. 
[Continued 


Third Session, Wednesday Evening, February 5th 


[No. 522—Continued | 
Mounted and guarded with loose mat, and bound with several blank 
leaves in one vol. small oblong 4to, half blue levant morocco, let- 
tered on back and front cover. 


FIRST STATE OF THIS RARE WOODCUT. A unique copy, with a most inter- 
esting inscription in the handwriting of George Cruikshank, as follows,— 
“Some of this by me. G. C. but the : 
greater part is by my brother, ly Re Ges 
On the lower part of plate, George Cruikshank has written,— 
“rR. &. Gs Oke 
THE SAMUEL H. AUSTIN COPY. 


523. CRUIKSHANK (GEORGE AND Rozert). The Art and Practice of English 
Boxing; or, Scientific Mode of Defence. Folding frontisprece show- 
ing eight stages of boxing, signed—“I. R. Cruikshank fct.”” Beside 

‘e= the signature on plate is an AUTOGRAPH INSCRIPTION BY GEORGE 
CRUIKSHANK, reading,—“Not by me G. Ck.” 12mo, half calf, 
lettered up back, uncut, original wrappers bound in. 

London: Published by Dean & Mundy, undated 


First Epition. The Douglas copy. No. 32 in his sales catalogue. 


524. CRUIKSHANK (GEORGE AND ROBERT). London Characters. Designed 

and Etched by George Cruikshank. 24 finely colored etchings, by 

George and Robert Cruikshank. Small 4to, original green cloth, 

lettered up back. With cloth protecting folder, enclosed in cloth 

slip-case. London: Joseph Robins, undated 

LARGE PAPER ISSUE, with the plates on Whatman paper. EXXCEEDINGLY 

ae > = RARE, only 3 copies known to Cohn, who mentions the work under item 
7 SO No. 487. 

“: Of the plates in this collection, which were also used in “The Gentle- 
men’s Pocket Magazine,” Mr. Cohn in his Notes upon some Rare Cruik- 
shankiana, states, that “fifteen bear the signature of George and nine 
that of Robert, but there can be no doubt that George Cruikshank was 
partly responsible for the latter, as well as for those which he acknow- 
ledges.”’ 

The following characters appear in this work,—Parish Beadle ; 
Tax Gatherer; Turncock; Waterman ,; Stage Coachman ; 
Hackney Coachman; Sailor; Sailor’s Lass; Greenwich Pensioner ; 
Chelsea Pensioner; Brewer’s Drayman ; Butcher’s Boy; Baker; 
Fishmonger ; Maid-Servant ; Footman; Barber; Old Clothes’ Man; 
Market-Woman ; Dustman ; Chimney-Sweeper ; Bricklayer’s Labourer ; 
Watchman; Last Dying Speech Man. 


525. CRUIKSHANK (GEORGE AND Ropert). Barker (H. M.). The Old Sailor’s 

Jolly Boat, Laden with Tales and Yarns, to Please All Hands; 

3 Pulled by Wit, Fun, Humor, and Pathos. Illustrated with steel 

/ engravings (25), by George and Robert Cruikshank. 8vo, original 
cloth, uncut, corners of binding worn. 

London: Willoughby & Co., circa 1844 


This is Willoughby’s re-issue, with the letterpress and pagination dif- 
ferent. Has the eight pages of advertisements at end. 


; 
‘ 
; 
1 
a 
; 


Third Session, Wednesday Evening, February 5th 


BOOKS ILLUSTRATED BY ROBERT CRUIKSHANK 
[Numbers, 526 to 617, inclusive | 


526. CrurkSHANK (RopeErt). ‘The Poll Book, for Electing Two Represen- 
tatives in Parliament for the City and Liberty of Westminster, June 
19, to July 4, 1818; before Arthur Morris, Esq. High Bailiff. . . 
To which is added, A List of the Members Returned to serve in 
the New Parliament, for the United Kingdom. Folding coLoREpD 
6, frontismece—‘Westminster Hlection,’ by I. R. Crutkshank, re- 

touched. 8vo, half russia. London: J. J. Stockdale, 1818 


First Epition. Marchmont, No. 498. 
This work is rather hard to find with the plate, which as a rule has 
been abstracted. Portrait of Sir Francis Burdett, inserted. 


™~ 


527. CRUIKSHANK (RopertT). The Art of Making Fireworks, Detonating 
Balls, &c. Containing Directions for Preparing the Ingredients, 
and making and finishing the most simple Devices in the Ingenious 
Art; together with how to prepare and make*Detonating Balls, 

Y, Spiders and Segars, Boots & Shoes, Waterloo Crackers, &c., by 
Christopher Grotz, Real Engineer. Colored frontispiece by Crutk- 
shank, signed—“I. R. C. fecit.” 12mo, original wrappers, uncut, 
preserved in stiff cloth. wrapper, lettered back. London [1819] 


First Eprtion. Not in Marchmont. 


528. OrvIKSHANK (RopertT). Mathews’s Trip to Paris; or, the Dramatic 
Tourist: containing the whole of the Songs, Adventures and Mis- 
adventures, Original Anecdotes, High and Low Life . . . as gleaned 

# by that Unrivalled Performer, “Abroad” and “At Home.” Frontts- 
| piece in cotors of —“Mr. Mathews as Miss Evelin Evergreen in his 
Trip to Paris,’ signed “I. R. C. fect.” (Robert Cruikshank). 
* 12mo, half calf, some pages foxed, frontispiece pasted in. 

London: Dean & Munday, 1819 

First Epition. Not in Marchmont. 
The Dedication is signed by Timothy Flint, and dated, March 30, 

1818. 


529. CRUIKSHANK (Rogert). The Theatrical House that Jack Built. With 
thirteen cuts (by R. Cruikshank). Second Edition. 8vo, new boards, 
uncut. ; London: Joseph Grove, 1819 


530. CruiksHANK (Roserr). [Combe (William).] The Tour of Doctor 

Syntax Through London, or the Pleasures and Miseries of the Me- 

tropolis. A Poem. Third Edition. Hngraved title in colors, and 19 

COLORED PLATES, unsigned, but attributed to both Robert Cruik- 

J shank and Thomas Rowlandson. 8vo, half brown levant morocco, 
gilt back and top, uncut. A few of the pages have light spots. 

London: Published by J. Johnston, 1820 


AN UNUSUALLY LARGE copy of this work, which is entirely anonymous, 
both author and illustrator (or illustrators) being unknown. Mr. Jagard 
[ Continued 


Third Session, Wednesday Evening, February 5th 


| No. 530—Continued | 


in his “Index to Book-Prices Current,” gives Isaac Robert Cruikshank 
as the illustrator, and William Combe as the author. Some collectors 
and experts declare the engravings to be the work of Thomas Rowland- 
son. That more than one artist illustrated the work, is evidenced by the 
slip in the original edition, where the publisher announces the death 
of one of the artists. 


531. CrurksHANK (Rozert). Duncombe’s Edition. Mr. Yates’ New Enter- 

tainment. Portraits & Sketches. Conorep folding frontispiece— 

Sv “Mr. Yate’s Portraits & Sketches,’ by R. Cruikshank. 12%mo, half 
- calf, gilt back and top, BY ZAEHNSDORF. 

London: Duncombe [1820] 


First EpIrioN WITH THIS PLATE. Marchmont, No. 500. 


532. CRUIKSHANK (RoperT). Lessons of Thrift, Published for General 

Benefit. By a Member of the Save-all Club. Title with colored 

A vignette, and 12 full-page FINELY COLORED plates designed and 

60. etched by J. R. Cruikshank. Royal 8vo, original terra-cotta boards, 
uncut, rebacked, a portion of original label used. 

London: Thomas Boys, 1820 


EXCEEDINGLY SCARCE. First Eprtron. Marchmont, No. 310. 
Inserted are two of the ORIGINAL WATERCOLOR SKETCHES BY ROBERT 
CruiksHANK for the following illustrations in this work,—“‘The Poli- 


ticians.” Frontispiece; “The Gentlemen of the White Goose.” Has leaf . 


of advertisements, at end. Very tall copy, ENTIRELY UNCUT. 


533. CRUIKSHANK (RopErt). New Edition, with Additions. The Theatrical 

Olio; or, Actor’s Ways and Means. Portrait of Mathews, and 3 col- 

3 ored character portraits of Mathews, by (Robert) Cryskshank. 
/0: 12mo, half calf, gilt back and top, BY ZAEHNSDORP. 

[London:] Duncombe [1820] 


634, CRUIKSHANK (Rosert). The Political Doctor Syntax, a Poem. With 
satyrical designs by I. R. Cruikshank. % FINELY COLORED engrav- 
ings—“Doctor Syntax Dreaming” and “Doctor Syntax Entertained 

eat Lord C—H’s.” 8vo, full crimson levant morocco, fillet and let- 
Y2s tered back, sides with border of fillets and dots, gilt top, BY SAN- 
GORSKI & SUTCLIFFE. London: Grove and Co., 1820 

First Eprtion. Fine copy. Unknown to Marchmont. 


535. CRUIKSHANK (Rosert). The Spanish Hero; or, History of Alonzo the - 


Brave, containing an Authentic Account of the Wars between the 
iS Spaniards and the Moors, in the Reign of Alphonso III. CoLorEp 
\ folding frontispiece-—signed,—I. R. Cruikshank, fecit.” 12mo, 


new boards. London: Bailey [1820] 


First EpirioN WITH THIS PLATE. Marchmont, No. 451. 


q 
4 
4 

‘ 


Third Session, Wednesday Evening, February 5th 


536. OrviksHANK (RopErt). Tom & Jerry in France; or Vive la Baga- 

telle. A Musical Entertainment in Three Acts, as Performed at 

The Royal Coburg Theatre. Colored frontispiece—“Alfred Solomon 

{0 Solomon Satinet . . . alias Jemmy Green,” signed,—“T. R. C.” 
8vo, new cloth. Plate with slight tear in margin. 

London: Printed for J. Lowndes, circa 1820 


RARE First Epitron. Not in Marchmont. 


537. CruIKSHANK (Roxsert). The Wit’s Album; or Pine-Apple of Litera- 
ture: being an Extensive Repository of Wit, Humour, and Kc- 
centricity: combing the cream of all well-seasoned Jest, Curious 

7 Relations, Droll Doings, Strange Stories, Sprightly Sayings, Witti- 
00, cisms, Epigrams, and Bon Mots, Which have been recorded in the 
last Century, and cannot be exceeded in the Age to come. Lmbell- 
ished with copper-plate etchings (19) by R. Cruikshank, aqua-tinted 
by Joseph Gleadah; also an engraved portrait of R. B. Sheridan. 
8vo, polished calf, gilt back and edges, slightly cracked at one hinge, 

owner’s name partly obliterated from title. 
London: John Duncombe [1820] 


Rare Frrest EDITION. WITH ALL THE PLATES. Marchmont (No. 499) 
ealls for 20 plates by R. Cruikshank, this is wrong, as the list of plates 
includes the portrait of Reynolds, and calls for 20 in all, as in the 
above copy. 

THE Henry W. Poor copy, with leather book-label. 


538. CRUIKSHANK (Ropert). Yates’ Reminiscences. Conorep folding fron- 

tisptece containing various portraits in character, not signed, at- 

2? tributed to R. Cruikshank. 12mo, half calf, gilt back and top, By 

‘ _- ZABHNSDORF. London: Duncombe [1820] 
Lettered on title, Second Edition. Not in Marchmont. 


539. CRUIKSHANK (Roperr). Three Rare Tracts published by T. Dolby, as 
follows,—The King the Avowed Enemy of the Queen. And a New 

Royal Game of Chess, Played for Half-Crown Stakes. Invented by 

4 “Philoi-d’Or.” Folding plate; The Queen and Magna Charta, or, 
The. Thing that John Signed. Woodcuts; The Total Eclipse, a 
Grand Politico-Astronomical Phenomenon which occurred in the 

year 1820. Woodcuts. Together, 3 pamphlets in one vol. 8vo, half 

levant morocco, lettered up back, gilt top, all uncut, BY ZAEHNSDORF. 

London: T. Dolby, 1820 and wndated 


Att First Epririons, and all illustrated by I. R. Cruikshank. All 
unknown to Marchmont. The full-page illustration at the end of the last 
tract is frequently missing. VERY BARE. 

From Lorp ASHBURTON’S LIBRARY, afterwards in the library of the 
Duke of Mexborough, with the latter’s bookplate. 


540. CrurksHANK (RoserT). The London Wilson: being A Choice Collec- 
tion of the most Admired Airs, Songs, &c. of that Justly-Admired 

3 Singer. With full-length cotorEp portrait of Miss Wilson, by 
Robert ‘Cruikshank, signed —TI. R. O. fecit.’ 16mo, original 
printed wrapper, uncut, a few signatures unopened, margins slightly 
spotted. [London:] Printed for Hodgson . . . [1821] 


First Epition. Not in Marchmont. RARE. 


Third Session, Wednesday Evening, February 5th 


541. CrurksHank (Ropert). Tales of the Cordelier Metamorphosed, as Nar- 
rated in a Manuscript from the Borromeo Collection,-and in the 
Cordelier Cheval of M. Piron. With translations (by G. Hibbert, 

/ b the Great Book-Collector). With 11 fine etchings, on INDIA PAPER, 

by I. R. Cruikshank. Ato, calf, polished, gilt back, fillet borders, gilt 
top, uncut, BY RIVIERE. a 
London: Printed at the Shakespeare Press, by W. Bulmer and 
W. Nicol, 1821 

FINE Copy OF THE First Eprrion. With the Printer’s leaf at end. A 
very fine example of the work of Robert Cruikshank. 

Marchmont, No. 466, where the statement is made that “of this curi- 
ous volume only 64 copies were privately printed by the Translator. Very 
rare.” 

542. CRUIKSHANK (Ropert). Ball (Edward). Joan of Are; or The Maid 
of Orleans. A Melo-Drama, in Three Acts. CoLorEp frontispiece — 

We ‘Mrs. Egerton, as Joan of Arc,” by I. R. Crutkshank. First Ept- 
3 Tron. London: John Lowndes [1822]; ReynNox~ps (FREDERICK). 
The Blind Bargain, or Hear It Out, a Comedy. London, 1805; The 

Will, a Comedy. London, 1815. The 3 pamphlets in one vol. 8vo, 

half roan. London, 1822-1815-1805 


The above are the ORIGINAL PROMPT BOOKS, with Manuscript Notes con- 
cerning the production of the plays. SCARCE. 
Not in Marchmont. “ 


543. CRUIKSHANK (Ropert). The British Dance of Death, Exemplified by 
a Series of Engravings, from drawings by Van Assen; with Hx- 


planatory and Moral Essays. Title with woodcut border of skull-. 


= Sf and-cross-bones and hour-glass, and 18 FINELY COLORED plates, the 
frontispiece signed “Robt. Cruikshank sculp.” some of the other 
plates signed “J. Gheadah, sculpt.” 8vo, calf, polished, richly tooled 

gilt back, sides with triple fillet border, gilt top, uncut, BY RIVIERE. 
London: Hodgson & Co. [1822] 


FIRST ISSUE AND AN EXCEPTIONALLY FINE COPY. VERY RARE. 


544, CrurksHank (Roprrt). The Commercial Tourist; or, Gentleman Tray- 

eller. A Satirical Poem, in Four Cantos. With 5 FINELY COLORED 

4.0) engravings by J. R. Cruikshank. Second Edition, greatly enlarged. 

OG" - vo, crimson levant morocco, richly tooled gilt back, sides with 
triple fillet border and ornamental corners, inside border, gilt top. 

London, Sold by G. and W. B. Whittaker, 1822 


FINE copy. Brilliant impressions of the plates. 


545. CRUIKSHANK (RoserT). Comicalities. A series of 24 FINELY COLORED 

plates depicting the various phases of life and times in the early 

% part of the 19th century. . Bound in one vol. oblong 16mo, half 
blue levant morocco, lettered on back and front cover. Tes 

[London, circa 1822} 

First Eprrion. Comprises,—A Card Party; A Steam Packet Cabin; 


Pounds, Shillings, Pence; Honour; Admiral Van Tromp’s Duel, and 
others, four of which are later impressions. 


Third Session, Wednesday Evening, February 5th 
Aa i Le Ee 


546. CRUIKSHANK (RoserT). Memoirs and Anecdotes of Monsieur Alex- 
andre, the Celebrated Dramatic Ventriloquist. [Also, with separate 
title-page] Adventures of a Ventriloquist; or the Rogueries of 

6 Nicholas; an entirely new Comic . . . Entertainment, in three 
-* parts. Portrait, and 10 coLorED portraits of Alexandre in various 
characters. 12mo, mottled calf, polished, gilt back, sides with 

double fillet border, gilt edges. Title repaired and rebacked. 
London: John Lowndes, 1822 


First Epirion. Rare. Not in Marchmont. 


547%. CRUIKSHANK (RoBerT). Ramsay (George). A New Dictionary of Anec- 
dotes. CoxorED frontispiece, signed—‘I. R. Orutkshank.’  8vo, 
calf, gilt, gilt edges, binding broken. 

London: Sherwood, Nelly, and Jones, 1822 


; Srconp Epition, but the First WITH THIS ILLUSTRATION. Marchmont, 
No. 404A. 
The frontispiece contains 13 views, the centre one being a parlor scene 
with three persons, one of whom is reading; the others are vignettes 
illustrative of the passions. 


2 
Se 


548. OrurksHanK (Rosert). Wonder of the World!! Fairburn’s Account 
of the Mermaid, the Most Extraordinary Animal in the Creation, 

k Half Woman & Half Fish, Forming the Connecting Link in the 

Ms ; Chain of Nature between the Human and Piscine Tribes. COLORED 
folding frontispiece showing a front and side view of “The Mermaid.” 
sioned,—“I. R. C.” 8vo, stitched, uncut. With folding cloth cover, 
lettered on front. London: John Fairburn [1822] 


First Eprrion. Very RARE. Not in Marchmont. 

Has the half-title, and the four leaves of advertisements at end (last 
one torn), relative to the publication of “Facetiana,”’ a new work, with 
illustrations by George Cruikshank. 


549. OrurKsHANK (Roperr). The Youth’s Monthly Visitor; or, Instructive 
and Entertaining Miscellany of Useful Knowledge [February 1, 
1822 to January, 1823]. 2 vols. [With continuations, as] The 
} Youth’s Miscellany of Knowledge and Entertainment [February to 
/. July, 1823] One vol. Illustrated with 18 COLORED plates, of whach 
9 are by I. R. Cruikshank, signed, either with initials or in full; also 
woodcuts. Together, 3 vols. 12mo, claret levant morocco, gilt 
panelled backs, sides with framed border of -fillets, dots and ro- 

settes, inside borders, gilt tops, BY SANGORSKI & SUTCLIFFE. 
London: Sherwood, Neely, and Jones, 1822-1823 


First EDITION OF AN EXTREMELY RARE WORK. Not in Marchmont. 
The work was discontinued after the end of the third volume, as stated 
in the Preface to the same. 


550. CRUIKSHANK (Ropert). The same. Vols. 2 and 3 only. 2 vols. 16mo, 
/ ee original cloth. London, 1823 


id 


Third Session, Wednesday Evening, February 5th 


551. CRuIKSHANK (RopeErtT). Dibdin (Charles). Life in London; or, the 
Larks of Logic, Tom & Jerry, An Extravaganza in Three Acts. With 
COLORED folding frontispiece of Mr. Wilkinson, Mr. Burroughs and 

Mr. Wrench, as “Logic,” “Jerry” and “Corinthian Tom.” Unsigned, 
’ 2 VU but undoubtedly by R. Cruikshank. First Eprrion. London, 1822; 
<5 - [Atso] Songs, Parodies, Duets, Chorusses, &c. (to the preceding 

work). With COLORED plate by R. Cruikshank, of “Corinthian Tom.” 

London: John Lowndes, wndated. Bound in one vol. 8vo, calf, 

polished, gilt back, fillet borders, BY RIVIERE. 

London, 1822 and undated 


Accompanying the above is a copy of the original sheet music of 
“London now is Out of Town,” a comic song, sung by Mr. Grimaldi. 


552. CRUIKSHANK (RopErt). Westmacott (C. M.). Points of Misery; or 
Fables for Mankind: Prose and Verse, chiefly Original. Illustrated 

¢ with twenty designs (10 full-page plates and 10 vignettes), by Robert 
“ —— Orwikshank. Royal 8vo,. half calf, uncut, lettered on back, the 
margins of plates are somewhat spotted, the paper being of a soft 

texture. London: Sherwood, Jones, and Co., 1823 


First Epirion. LARGE Paper. Marchmont, No. 489. 
With the Original wrappers, and the 16pp. of advertises bound in. 


553. CRUIKSHANK (Roperr). The Collective Wisdom; or, Sights and 
Sketches in the Chapel of St. Stephen; containing A Bird’s Hye 
View, with Characters and Cuts of John Cam Hobhouse, Peter 


2 : Moore, and Richard Martin. The cuts (4) by (Robert) Cruikshank. 


8vo, new boards, uncut. London: Kmight and Lacey, 1824 


First Epirion. Douglas (No. 533), where it is stated that the four 
woodcuts “seem to be more Robert’s work than George’s.” 


554. CRUIKSHANK (RopERT). ‘Trial of the Rev. Fletcher, A.M. before the > 


Lord Chief Justice of the Common Sense, and a Special Jury. By 

the author of “Trial of the Rev.»Edward Irving, A.M.” With 
/ }- 2 COLORED plates, by R. Cruikshank, unsigned. 8vo, new half calf. 

| London: Knight and Lacey, 1825 


First Epition. Not in Marchmont. 


555. CRUIKSHANK (Ropert). [Westmacott (C. M.).] The English Spy: 
An Original Work, Characteristic, Satirical, and Humorous, com- 
prising Scenes and Sketches in Every Rank of Society, being Por- 

Bow traits of the Illustrious, Eminent, Eccentric, and Notorious, drawn 

] IE _¢ from Life by Bernard Blackmantle. The illustrations designed by 

Robert Cruikshank. Illustrated with 71 full-page plates, FINELY 

COLORED, of which 67 are by Robert Crutkshank, 2 by Thomas Row- 

landson, and one each by T. Wageman and G. M. Brightly; also 


36 woodcuts in the text by Robert Cruikshank and Hughes. 2 vols. 
[Continued 


Py y 4 
eee ‘ <aaied 
———— 


Third Session, Wednesday Evening, February 5th 


[No. 555—Continued | 
royal 8vo, half morocco, gilt backs, a few of the pages have slight 
offset from plate. One plate, “The Daffy Club” called for in list 
to Vol. I., is bound in the second. 
London: Sherwood, Jones and Co., 1825-1826 


First Epirion. Has the plate by Thomas Rowlandson, entitled,— 
“R, A.’s of Genius reflecting on the true line of Beauty,” but lacks 
the plate by Robert Cruikshank, entitled,—‘‘The Five Principal Orders 
of Society.” 


556. CrurksHANK (RoserT). Sketches of Mr. Mathews’ Invitations. CoL- 
ORED frontispiece, in two compartments, by k. Cruikshank, unsigned. 
12mo, new cloth, uncut, plate backed with linen. 

a London: J. Limbird, 1826 


First Epition. Not in Marchmont. 

Complete; although the title calls for four plates, only one was issued. 
Newspaper clipping relative to Miss Foote, bound in. . 

The frontispiece illustrates Mr. Mathews in the characters of his 
“Invitations,” and in “The City Barge.” 


557. CRUIKSHANK (RoperT). [Westmacott (C. M.).] The Punster’s Pocket- 

Book, or The Art of Punning Enlarged. Portrait of George IV., and 

g- numerous illustrations by Robert Cruikshank. Small 8vo, original 

‘cloth, paper label. London: Sherwood (etc.), 1826 
First Eprtion. Marchmont, No. 492. 


558. CrurksHANK (Roperr). Daniel (George). Cumberland Edition of 
three of Daniel’s Plays, as follows,—The Disagreeable Surprise ; 

Doctor Bolus. Frontispiece by Robert Cruikshank, an INDIA PROOF 

7 y of the same inserted; Sworn at Highgate! Frontispiece by Robert 
*. Cruikshank, the ORIGINAL DRAWING OF THE SAME inserted. There 

are also inserted, two portraits, one a character portrait of George 

Daniel. The 3 plays, bound in one vol. 18mo, brown morocco, gilt 

edges. London, 1826 and undated 

A very interesting copy. 


559. CrurksHANK (Ropert). Doings in London, or Day and Night Scenes 
of the Frauds, Frolics, Manners, and Depravities of the Metropolis. 
With thirty-three engravings by Bonner, from designs by Mr. K. 
/ _ Cruikshank. Sixth Edition. 8vo, original pictorial boards, uncut, 
with cloth protecting wrapper, in red levant morocco solander case, 

lettered on back. The back of boards skilfully repaired. 
London: Henry Washburne [Date 1828, inserted in ink] 


First ISSUE WITH THE FRONTISPIECE AND WOODENGRAVINGS BY R. CRUIK- 
SHANK. 


560. CruiksHANK (Roperr). A New, Improved, and Authentic Life of 
James Allan, the Celebrated Northumberland Piper; detailing his 

p Surprising Adventures . . . including a Complete Description of 
the Manners and Customs of the Gipsy Tribes. Collected from 


[Continued 


Third Session, Wednesday Evening, February 5th 
tll hf i DSc AER IE INR se SESE IS 


[No. 560—Continued | 
sources of genuine authority, by James Thompson, with Explanatory 
Notes by E. Mackenzie. Illustrated by fine engravings from designs 
by Cruikshank, including portrait of Allan, 3 plates signed “Crutk- 
shank,” and 2 plates signed “R. Cruikshank.” 8vo, half red morocco, 
elaborately tooled gilt back, gilt edges. 
Newcastle upon Tyne: Mackenzie and Dent, 1828 


First EpITIOoN WITH THESE ILLUSTRATIONS. Not in Douglas, Cohn, or 
Marchmont. 


561. ORUIKSHANK (Ropert). Apician Morsels; or, Tales of the Table, Kit- 
chen, and Larder; containing a new and Improved Code of Hatics. 
4. By “Dick Humelbergius Secundus.” W ith woodcuts by Robert 
»  Oruikshank, some of which are signed with his initials. 12mo, half 
calf, gilt back and top, uncut, BY ZAEHNSDORF. 
London: Whittaker, Treacher and Co., 1829 


First EpIrion. 


562. CRUIKSHANK (RoperT). Brighton!! A Comic Sketch. Illustrations 
by R. Cruikshank. 16mo, halt calf, gilt back and top, BY ZAEHNS- 
/ ISB - DORE. London: William Kidd, 1830 


First Epirion. Marchmont, No. 66. 


563. CrurksHANK (Ropert). The Devil’s Visit; a Poem. Illustrations by 
R. Cruikshank. 16mo, half calf, gilt back and top, BY ZAEHNSDORF. 
London: William Kidd, 1830 


First Eprtron. Printed from the original manuscript. The advertise- 
ment is signed by the editor,—‘O. H. D ¥ 
Not in Marchmont. 


SV 


f 


564. CRUIKSHANK (Rozert). Moncrieff (W. T.). The March of Intellect, 
a Poem. Illustrations by R. Cruikshank. 16mo, half cali, gilt back 


»$? and top, BY ZAEHNSDORF. London: William Kidd, 1830 
ak age First Eprtrion. Marchmont, No. 352. 


565. CRUIKSHANK (Ropert). Monsieur Nongtongpaw. With clever alus- 
trations by R. Cruikshank. 16mo, half calf, gilt back and top, BY 
2.  TABHINSDORF. London: Alfred Miller, 1830 


First Eprrion. Not in Marchmont. 


566. CRUIKSHANK (RopertT). Montagu (H. W.). Monsieur Mallét: or, My 
Daughter’s Letter. A Random Record. I llustrated with six designs 
/V by Robert Cruikshank, engraved by Bonner and Walker. 16mo, 
original wrapper, protected by cloth wrapper, in cloth slip-case. 
London: Thomas Griffiths, 1830 
First Epition. Marchmont, No. 354. . 


op aa ae 
WP eee ee a 


Third Session, Wednesday Evening, February 5th 


567. CruiksHANK (Roxpert). Old Booty! a Serio-Comic Sailor’s Tale. II- 

lustrated by sia spirited engravings on wood, from designs by 

/ Robert Cruikshank. 16mo, half calf, gilt back and top, ORIGINAL 
~ WRAPPERS bound in, BY ZAEHNSDORF. 
London: William Kidd, 18390 


First Epitrion. Marchmont, No. 351. 


568. CruiksHANK (RopertT). Old Booty! a Serio-Comic Sailor’s Tale.  II- 

lustrations by R. Cruikshank. 16mo, half calf, gilt back and top, 

JSP BY ZAEHNSDORF. London: William Kidd, 1830 
First Epition. Marchmont, No. 351. 


569. CrUIKSHANK (Ropert). Ramsay (George). A New Encyclopedia of 
Anecdotes, Illustrative of Character and Events; from Genuine 
nm LY Sources. New Hdition. Colored frontismece with 15 scenes 
a 4. —- (Marchmont says 13); the centre a parlor scene with couple at tea, 
surrounded by smaller sporting scenes. 8vyo, half calf, gilt back and 

top, uncut, BY ROOT. 
London: Sherwood, Nelly, and Jones, 1830 


The frontispiece in this volume is entirely different from that appear- 
ing in the first edition of 1822, and is signed on the plate,—“Drawn & 
Engd by I. R. Cruikshank.” 


570. CrurksHANK (Ropert). The Real Devil’s Walk. Not by Professor 
o Porson. Illustrations by R. Cruikshank. 16mo, half calf, gilt back 
a 4 0 and top, BY ZAEHNSDORF. London: Effingham Wilson, 1830 


First Epition. Marchmont, No. 408. 


571. CrurksHank (Roserr). Steamers v. Stages; or, Andrew and His 
Spouse. Illustrated with six humorous designs by Robert Crusk- 

ey shank. 16mo, original printed wrapper. 
Vg London: William Kidd, 1830 


First EpItron. With several pages of advertisements. Marchmont, 
No. 453. 

There is a pencilled portrait sketch of Robert Cruikshank (?) on 
fly-leaf. 


592. ORUIKSHANK (RopErT). The Devil’s Walk, a Poem, by 8S. T. Coleridge 
and Robert Southey; Monsieur Tonson, by John Taylor; Steamers v. 

/, Stages. All Second Editions. All illustrated by R. Cruakshank. 
Together, 3 vols. 16mo, half calf, gilt backs and tops, BY ZAEHNSDORF. 

London, 1830 and undated 


573. CRUIKSHANK (Rosert). Walks About Town; a Poem, in Two Cantos. 
By “The Antiquated Trio.” With 3 full-page illustrations by R. 
Cruikshank. 16mo, original wrappers. With cloth protecting folder, 

/ Cy, in cloth slip-case. London: Effingham Wilson, 1830 


First Eprvion. With the 18 pages of advertisements. Marchmont, 
No. 487. 


Third Session, Wednesday Evening, February 5th 


574, CRUIKSHANK (RopertT). Taylor (John). Monsieur Tonson. Jllustra- 
tions by R. Cruikshank. First Eprrion. 1830 ; CowPeEr (WILLIAM). 
The Yorkshire Hunt. Illustrations after the manner of Cruik- 
m shank, by M. U. Sears. 1831; Eoan (Prerce). The Show Folks! 
x» Illustrations by T. Lane. 1831; Tur Devit’s Progress. Illustra- 
tions by Seymour. 1830; STEAMERS v. Stages. Illustrations by R. 
Cruikshank. Frrst Eprrion. 1830; Eaan (PIERCE). Mathews’s 
Comic Annual, or the Snuff-Box and Leetel Bird: Illustrations 
by R. Cruikshank. First Eprrion, 1831. Bound in one vol. 12mo, 
sheep, slightly rubbed. London, 1830-1831 


5%5. CRUIKSHANK (Roperr). Dibdin (Charles). The High-Mettled Racer. 
Illustrations on wood by G. W. Bonner, after designs by Robert 
Cruikshank. 16mo, full blue calf, polished, gilt back, fillet borders, 
4 fy gilt top, BY RIVIERE. London: William Kidd, 1831 


é prt bs First EpIrioN WITH THESE ILLUSTRATIONS. The title, and Marchmont 
(No. 185) call for 10 illustrations; this copy contains six different illus- 
trations, each one in two states, ONE SET IN COLORS. 


576. CrurksHank (Roperr). Egan (Pierce). Mathews’s Comic Annual 
or The Snuff-Box and the Leetel Bird: an Original Humorous Poem. 

ep With erght original designs by Robert Cruikshank, engraved by M. 
/ 3? Y. Sears. 16mo, half red polished calf, original printed wrappers 
bound in BY ZAEHNSDORF. London: Alfred Miller, 1831 

First Eprtion. Marchmont, No. 218. 


577, CRUIKSHANK (Ropert). The Gondola, and Guide to the Concerts; a 
choice and unique collection of Songs, Glees, Duets, Chorusses, &c., 


“ Comic and Serious. Coxorep folding frontispiece, im five com part- 
ms fF ments, similar to the work of R. Cruikshank, signed, “Marks, fec.” 
16mo, original boards, uncut. London: H. A.’ Arliss, 1831 


First Eprrion. Not in Marchmont. 


Mee 


578. CRUIKSHANK (RopertT). Margate: a Humorous Poem. By the author 
of “Brighton.” Illustrations by f. Cruikshank. 16mo, half calf, 
4 gilt back and top, BY ZAEHNSDORF. 


Page London: William Kidd, 1831 . 


First EDITION WITH THESE ILLUSTRATIONS. Marchmont, No. 329. 


579. CRUIKSHANK (RoperT). The Archer’s Guide: containing Full Instrue- 
tions for the Use of . . . the Bow. By “An Old Toxophilite.” 

Folding frontispiece with several designs, by R. Cruikshank. 16mo, 

7 ‘Sp red calf, polished, gilt back, fillet borders, gilt edges, BY ZABHNSDORF. 
. The plate has slight tears, repaired. London: Hurst, 1833 


First Epirion. Marchmont, No. 372. 


Third Session, Wednesday Evening, February 5th 


580. CRUIKSHANK (Ropert). Cruikshank v. Agnew; or, A View of Sir 
Andrew Agnew’s Bill for the better observance of the Lord’s Day. 
The illustrations designed and engraved by Robert Cruikshank. 8 
+ s. full-page plates, ALL im TWO STATES, ONE SET COLORED; also a colored 
} vignette on title. 16mo, calf, polished, gilt back, leather labels, sides 
with border of three fillets, gilt top, inside dentelle border, original 
_ wrappers bound in, BY RIVIERE. London: W. Kidd, 1833 

First Epirion. Not in Marchmont. 

With 12 pages of advertisements. 


581. CRUIKSHANK (Roperr). Cruikshank v. The New Police, showing the 
Great Utility of that Military Body, their Employment, &c. With 

8 full-page plates, EACH IN TWO STATES, ONE SET COLORED, and 3 

i / 50 vignettes, all by R. Cruikshank.. 16mo, cardinal calf, polished, gilt 
=~ back, fillet borders, inside border, gilt top, original wrappers bound 

in, BY RIVIERE. London: W. Kidd [1833] 


First Epition. Not in Marchmont. 


582. CRUIKSHANK (Ropert). A Peep into the Holy Land, or Sinks of Lon- 
don Laid Open! forming a Pocket Companion for the Uninitiated. 


£ With COLORED frontispiece. 12mo, original boards, uncut, rebacked. 
: with paper. With cloth protecting folder, enclosed in cloth slip- 
case. London: John Duncombe and Co., circa 1835 


RARE worK. Not in Marchmont. 
The frontispiece is similar to the work of Robert Cruikshank. 


583. CRUIKSHANK (Ropert). [| Foote (Samuel).] The Tailors, (or “Quadru- 
peds,”) A Tragedy for Warm Weather. Illustrated with original 
fa designs by Robert Cruikshank. Introductory Remarks by Richard 
/ , Ryan. 16mo, half calf, gilt back and top, original printed wrappers 
bound in, BY ZAEHNSDORP. London: Joseph Thomas, 1836 

First EDITION WITH THESE ILLUSTRATIONS. Not in Marchmont. 


584. CRUIKSHANK (RopEertT). The Odd Volume; or, Book of Variety: JI- 
lustrated by Two Odd Fellows,—Robert Seymour and Robert Crutk- 

bse shank, the engravings by Samuel Slader. 16mo, green morocco. 
si London: W. Kidd [1836] 


First Epirion. Marchmont, No. 368. 


585. CrRUIKSHANK (Ropert). Foote (Samuel). The Mayor of Garratt, a 
Comedy, in Two Acts. Illustrated with original designs by Robert 
Cruikshank, engraved by P. Cruikshank, Walker and Kirchner. 

/ : 16mo, half green calf, gilt back and top, BY ZAEHNSDORF. 

London: Joseph Thomas, 1837 


First EDITION WITH THESE ILLUSTRATIONS. Not in Marchmont. 


586. CRUIKSHANK (RoBEerT). Gay (John). The Beggar’s Opera. Tilus- 
trated with original designs by Robert Cruikshank, engraved by 

2 sp Kirchner and P. Cruikshank. 16mo, half leather, lettered up back. 
Hs London: Joseph Thomas, 1837 


First EDITION WITH THESE ILLUSTRATIONS. Marchmont, No. 250. 


Third Session, Wednesday ‘Evening, February 5th 


58”. CrurKsHANK (RosertT). Abricht (Johann). Divine Emblems... Em- 
bellished with etchings on copper, after the fashion of Master Fran- 
y) SV cis Quarles. With 13 etchings by R. Cruikshank. 12mo, cloth. 


[London :] Thomas Ward and Oo., 1838 © 


First EDITION WITH THESE ILLUSTRATIONS. Not in Marchmont. 


588. CrurksHank (Roserr). Cruikshank At Home: a New Family Album 
of Endless Entertainment. With many full-page plates and nu- 
merous vignettes by Robert Oruikshank, a few by Seymour engraved 

/ a by Samuel Slader. The four series complete, in 4 vols. 12mo, light 

/ polished calf, gilt panel and floral backs, with Geo. Orwikshank’s 
name in gilt facsimile, sides with fillet border, gilt edges, BY ROOT. 
London: W. Kidd [1838] 
FINE COPY OF THE FIRST COMPLETE COLLECTED EDITION OF THE ENTIRE 
. SERIES, as follows,— 
(Vol. I.) ‘TITLE AS ABOVE, and “First Series.” 
(Vol. II.) THe HvUMOURIST, a New Family Album of Endless En- 
tertainment; being the Second Series of Cruikshank at Home. 
(Vol. III.) CrurksHaNnK AT Home. Third Series. 
(Vol. IV.) THe Opp VOLUME; or Book of Variety. 
Marchmont, No. 138. 


589. CrurksHaNk (Ropert). The Lady and the Saints. In Three Cantos. 
With ten vignettes, designed by R. Cruikshank. Small 8vo, calf, 


os polished, elaborately tooled gilt back, leather labels, gilt top, den- 


Y .  telle inside borders, uncut, BY ZAEHNSDORF. 
London: Edward Bull, 1839 


First Eprrron. Marchmont, No. 308. 
Fine copy, with the rare Errata leaf. 


590. CRUIKSHANK (Ropert). Colburn’s Kalendar of Amusements in Town 
and Country, for 1840. Edited by Boleyne Reeves. With: 12 wood- 
cuts by Robert Cruikshank. 16mo, half red morocco, gilt back and 

g » edges. London: Henry Colburn, 1840 


First Eprrion. Not in Marchmont. 
The Duke of Mexborough’s copy, with his bookplate. 


591. CrurksHank (Rosert). Colburn’s Kalendar of Amusements in Town 
and Country, for 1840. Edited by Boleyne Reeves. With twelve 

/ $v illustrations by R. Cruikshank. 16mo, original cloth. 
London, 1840 


First Eprrion. Not in Marchmont. 


592. CrvuIKSHANK (RoBERT). James Hatfield and the Beauty of Butter- 
mere: A Story of Modern Times. With illustrations (8 etchings) 

/2 _ by Robert Cruikshank. 3 vols. small 8vo, calf, polished, gilt backs, 
v leather labels, gilt edges, BY ROOT. London: Henry Colburn, 1841 


First Epition. FINE Copy. Marchmont, No. 297. VERY SCARCE. 


593. CrurksHaANK (Ropert). Playfair Papers, or Brother Jonathan, the 
__ gy Smartest Nation in All Creation. With % cotorEeD and 2 plain 
22> etchings, all signed by Robert Cruikshank ; also, the RARE Ulwminated 

. [Continued 


Third Session, Wednesday Evening, February 5th 


[ No. 593—Continued | 


title. 3 vols. small 8vo, half claret morocco, elaborately tooled 
gilt backs, gilt tops, uncut, By zZAEHNSDORF. A few of the plates 
have imprint margin cut close. London: Saunders and Otley, 1841 


FIRST COMPLETE COLLECTED EDITION. The work was originally published 
in parts, during the years 1840-1841. It contains Sketches of American 
Life, selected from the papers of “Hugo Playfair’ an officer in the 
Royal Navy of England. The author states in his preface, that “Hugo 
Playfair’s expedition to America was to ascertain the truth by im- 
partially viewing men and things in that extraordinary and great re- 
public.” The plates are illustrative of American life and scenery, and 
include—LiBertTy HALL DINING PARLOUR, LIBERTY HALL DRAWING Room, 
ete. 

RARE work. See, Marchmont, No. 70. 


594. CRUIKSHANK (Ropert). Elder (Abraham). Tales and Legends of the 


6. 


Isle of Wight; with the Adventures of the Author in Search of 
them. 14 colored plates by R. Cruikshank. Second Edition. 12mo, 
half brown levant morocco, gilt back and top, uncut. 

London: Simpson, Marshall & Co., 1843 


595. CruiksHANK (Ropert). The Old Sailor’s Jolly Boat, Laden with 


Jy. 


Tales, Yarns, Scraps, Fragments, ete. To Please All Hands; Pulled 
by Wit, Fun, Humor, and Pathos, and Steered by M. H. Barker. 
Engraved frontispiece and 14 plates, all signed by R. Crutkshank. 
Svo, calf, polished, gilt back and edges, fillet borders, BY MORRELL. 
London: W. Strange, 1844 
THE GENUINE First Eprrion, with the correct imprint. This copy lacks 
the list of plates and 10 plates, called for by both Douglas and Cohn. 
All of the George Cruikshank plates are absent. Should have 24 


plates. 
Douglas, No. 225; Cohn, No. 52. 


596. OrvurksHANK (Ropert). [Chamerovzow (L. A.).] Chronicles of The 


SU. 


Bastile. First Series. The Bertaudiére, an Historical Romance; 
[Auso, the concluding series] Philip of Lutetia; or The Revolution 
of 1789 . . . being the last Series of The Chronicles of the Bastile. 
Illustrated with 62 etchings by Robert Oruikshank. 2 vols. 8vo, full 
blue levant morocco, richly tooled gilt backs, sides with triple fillet 
border, dentelle inside border, gilt tops, BY RIVIERE. 

London: T. C. Newby, 1845-1848 


FIRST COMPLETE EDITION IN BOOKFORM. The first series was started in 
serial form. An edition in bookform with 24 etchings was published, 
according to Marchmont, in 1843; this however was not the complete 
work, as the author in his preface, which is dated, 1845, refers to this 
work as terminating the “First Part;’ moreover there are 16 more 
etchings in this volume than appear in the work cited by Marchmont. 
The latter in referring to the Second Series, gives only 21 full-page etch- 
ings; whereas the above copy contains 22 etchings. 

AN EXCEPTIONALLY RARE ITEM, ESPECIALLY SO WHEN BOTH VOLUMES 
ARE FOUND TOGETHER. See Marchmont, Nos. 90 and 92. 


Third Session, Wednesday Evening, February 5th 


597. ORUIKSHANK (Ropert). [Barker (Matthew H.).] Jem Blunt: a Tale 
of The Land and the Queen. By “The Old Sailor.” With twenty- 
three illustrations on steel, by R. Cruikshank. 8vo, green polished 

J / > ealf, elaborately tooled gilt back, fillet border, dentelle inside border, 
gilt top, BY ZAEHNSDORF. London: Willoughby & Co. [1846] 
First Epition. Marchmont, No. 48. 


/ 


598. ORUIKSHANK (RopertT). Sketches of Pumps, Handled by Robert Cruik- 
shank. With some Temperate Spouting by Alfred Crowquill. With 

Bite wiles full-page and 2 vignette glypho-graphic etchings by Robert Crutk- 
45! V shank. 8vo, new cloth, lettered up back. Some of the pages have 
off-set from plate. London: D. Bogue, 1846 


First Epition. VERY RARE. Unknown to Marchmont. 


599. CRUIKSHANK (RopertT). [Manby (C. W.).] Tom Racquet and his 
Three Maiden Aunts. With engraved title, and 12 etchings by fh. 
Cruikshank. 8vo, half roan, plates have margins foxed, stencilled 
stamp on title and at end. London: Willoughby & Co. [1850] 


First Eprrion. Marchmont, No. 327. 


600. CruiksHANK (Ropert). Two Historical Dramas or Tragedies. By 
“Juvenis.” Etched frontispiece of “A Descent «nto the Lower 
ey Regions,” by K. Cruikshank. vo, half calf, gilt back and top, BY 

a3 rh RIVIERE. Top margin of few pages slightly spotted. 
London: Saunders and Otley, 1852 


First Epition. Not in Marchmont. 


601. CrurKSHANK ‘(RopertT). Thomson (Edward). The Adventures of a 
Carpet Bag. With 3 etchings and other illustrations by Robert 
Cruikshank. 12mo, original decorated colored wrapper. Slight soil 

re? on margins of plates. London: Piper, Brothers & Co., 1853 


’ Rare First Epition. Marchmont, No. 479. ° 
The design on wrapper is by Percy Cruikshank. 


602. CrurksHank (Ropert). Raphael’s Witch!!! or the Oracle of the Future, 
by the Author of the Prophetic Messenger, with ten Colored Designs ~ 
on copper, by R. Cruikshank & the author, and a piece of music 

Ar by Blewitt. Fifth Edition. The illustrations consist of two folding 

bs _ coLorED plates; one, of “The Mystical Wheel of Pythagoras,” the 

other of “The Tablet of Questions & the Cabalistical Tablet of the 

Stars.’ There is also an engraved title with a colored vignette of 

the “Lady Witch of Raphael.” 12mo, brown calf, polished, gilt 

back, leather labels, sides with border of triple fillets, inside dentelle 
border, BY ZAEHNsDORF. ‘Title has top margin cut close, shaving ~ 
some of the letter. London: William Charlton Wright risst| 


603. CrurKSHANK (Ropert). [Byron (Lord).] Don Juan [Cantos 1 to 5.] 
A Correct Copy from the Original Edition. With engraved title, and 


Y . 6 coLoRED plates, 4 of which are signed,—I. R. Cruikshank. 8vo, 
U [Continued 


. 


Third Session, Wednesday Evening, February 5th 


[No. 603—Continued | 

full blue crushed levant morocco, richly tooled gilt back, sides with 
fillet border and corner ornaments of roses and dots, inside border, 
gilt top, with cloth protecting wrapper, in cloth slip-case, BY ROOT. 
Margins of plates slightly spotted. London: G. Smeeton, wndated 


RARE ISSUE. Unknown to Marchmont, who cites an edition by Dalby, 
1822, with 8 colored plates by R. Cruikshank. 


604. CrurksHANK (RopeErt). Fairburn’s Edition. The Life and Unparal- 
leled Voyages and Adventures of Ambrose Gwinett, formerly well 
known to the Public, as the Lame Beggar. Cotorep folding frontis- 

aii piece with four views, similar to, if not the work of Robert Crutk- 
shank. 12mo, half olive levant morocco, gilt back and top, uncut, 

original printed wrappers bound in, BY TOUT. 
London: J. Fairburn, wndated 


The figures in the frontispiece are counterparts of other work by 
Robert Cruikshank. 
Not in Marchmont. 


605. CruIKSHANK (RopeErT). Fairburn’s Odd Fellows Song Book; or, Comi- 

cal Budget for 1839. Cotorep folding frontispiece, “Barney Bral- 

y laghans Courtship,” by R. Cruikshank, not signed. 12mo, new 

; boards. London: J. Fairburn, wndated 
First Epirion. Not in Marchmont. 


606. CruIKSHANK (Robert). The Glorious Reform in Parliament. PRINTED 
IN coLors, on a large silk handkerchief, about 35 by 31 inches. 
Signed—‘Designed dc. by Robd. Cruikshank, a friend of Reform.” 

/ 20 Folded to 8vo, and enclosed in crimson levant morocco case, with 

y - inner protecting cover of silk, lettered on back, BY RIVIERE. 


UNIQUE ITEM. The Samuel H. Austin copy, No. 419 in his sale’s cata- 
logue. ’ 

A political memento of significance, containing portraits of the Duke 
of Wellington, Lord Russell, and other contemporary English notables ; 
with views of the “Dissolution of Parliament,’ “The Country As It Will 
Be,” ete. 


607. CruIKSHANK (RopERT). Kidd’s Fashionable Library [Also, in same 
volume] Book of Gentility ; Book of Elegance; Book of Refinement ; 
U The Lover’s Own Book; Book of Courtship. Woodcuts by R. Crutk- 

‘ shank, Seymour, Bonner, etc. Bound in one vol. 18mo, half calf. 
London: W. Kidd, undated 


608. CruiksHaNnkK (Ropert). Kidd’s Practical Instructions in the Art of 
Fashionable Cookery. Woodcut and vignette by R. Cruikshank ; 
(, [ Also, in same volume] Reminiscences, Whimsical and Ridiculous, 
: by A Travelling Artist... With comic ilustrations from the graver 
of John Phillips, and two vignettes by Cruikshank. The 2 tracts 
in one vol. 18mo, half red calf, lettered up back, original wrapper 
of the first tract bound in, BY ZAEHNSDORE. 
London: W. Kidd, undated 


Third Session, Wednesday Evening, February 5th 


609. CrurnsHANK (Ropert). The Legend of the Large Mouth, and other 
Tales. With illustrations by (Robert) Cruikshank (and Robert Sey- 

f mour). 12mo, cloth, somewhat worn. 
uf London: James Blackwood & Co., wndated 


First Epirion. Not in Marchmont. 


610. CrurKsHANK (Ropert). London Oddities; or, The Theatrical Cabinet: 
being Neat Tit Bits For the Lovers of Humour and Eccentricity, 
and a Glorious Collection of Nerve-working, Side-cracking, Care- 
destroying Songs, Recitations, Duetts, Glees, and Comic Stories. 

. With 12 conoren frontispieces, signed “I. R. OC.” or “I. R. Crusk- 
shank,” all with date, either 1822 or 1823. Together, 1% pamphlets, 
bound in one vol, 12mo, half morocco. 

London: Hodgson & Co., circa 1824 

THE COMPLETE SERIES WITH THE ILLUSTRATIONS BY R. CRUIKSHANKE. 

Marchmont gives date of publication as 1827; the dates on the above 

plates, which are first issues, would indicate the same as being in 1828 
or 1824. RARE. 


611. CrRUIKSHANK (RoserT). The Maid and the Magpie; a Pathetic Tale. 
Folding couorED frontispiece, similar to the work of Robert Criuk- 
shank. 12mo, half calf, lettered up back, BY WALLIS. 

, London: Dean and Munday, wndated 


First Epirion. Not in Marchmont. 


612. CrurksHaNK (Ropert). The Miller and His Men. A Melo-Drame, in 
Two Acts. EXTRA-ILLUSTRATED by a series of 9 plates, all double- 
page, including 5 plates with COLORED costume figures and 4 plates 
of scenery, of which, all but two are im COLORS. 12mo, half mo- 
rocco. London: Printed for the Booksellers, circa 1832 

First EDITION WITH THESE ILLUSTRATIONS. Not in Marchmont. 

The plates comprise the series of engravings entitled “Hodgson’s New 
Characters in the Miller & His Men;” some have publisher’s imprint, 
and date, 1832. The plates are not signed, the costume plates being 
very similar to the work of Robert Cruikshank, who designed and exe- 
cuted similar work for other theatrical tracts of this period, notably the 
celebrated “Mathews’ Tours.” 


4 
wf? 


613. CRUIKSHANK (RosertT). The Moor, the Mine, and the Forrest, or, 
Scenes from Life in the Mining & Mountain Districts of England. 
By William Heatherbred. Nos. I and Il. [All published.] Wath 
(eo 4 etchings by Robert Cruikshank. INSERTED IN THE FIRST PART IS 
* «PETE ORIGINAL COLORED PENCIL SKETOH BY R. CRUIKSHANK, OF THE 
FRONTISPIECE TO THIS PART, ENTITLED,—* DESCENDING THE Scar.” 
Together, 2 parts, 8vo, original wrappers, uncut, each wrapper with 
illustrations by R. Cruikshank, ‘containing a portraat of himself. 
Enclosed in protecting cloth wrapper, in cloth slip case, lettered on 
back. Back of wrappers strengthened. 
London: Banks; Richards and Kent, wndated 


Very RARE. Not in Marchmont. 


Third Session, Wednesday Evening, February 5th 


614. CrurKsHANK (Roserr). A Slap at the Times. By Robert Cruikshank. 
No. I. To be continued Monthly. Woodcuts by Robert Crutk- 
shank. Small 4to, pp.4. Enclosed in cloth cover, morocco back, let- 
tered on front. 

C, [London:] Published by W. Strange, 21 Paternoster Row, 
undated 


BXCEEDINGLY SCARCE. Unknown to Marchmont. 

The first page contains a large woodcut of an archer shooting arrows 
at a political target. The second and third pages contain large wood- 
euts, with caption “THE LIFE AND DEATH OF SCHEDULES A AND B.” 


615. CrurksHaNnk (Ropert). Songs, Parodies, Duets, Chorusses, &c. &c. 1n 
an entirely new Classic . . . Extravaganza Burletta of Fun, Frolic, 

Fashion, & Flash, in Three Acts, called Tom & Jerry; or Life in 

D London. Cotorep frontispiece of John Reeve as Jerry, by Rk. Cruik- 
2 shank. 8vo, new wrappers. With cloth protecting folder, in eloth 
~  slip-case, lettered on back. London: John Lowndes, wndated 


First Eprtion. Unknown to Marchmont. VERY SCARCE. 

UNIQUE copy. The frontispiece has the following AUTOGRAPH INSCRIP- 
TION BY GEORGE CRUIKSHANK,—“IJ. R. O. not any of it by me. G. Ck.” 

This play is founded on Pierce Egan’s well-known work of “Tom 
and Jerry in London.” 


616. CRUIKSHANK (RoserT). Sue (Eugéne). The Orphan: or, Memoirs 
of Matilda. Translated by D. G. Osborne. Illustrated with en- 
gravings (12) by Robert Cruikshank. Bound in 2 vols. 8vo, red 

/b ; levant morocco, gilt tooled floral backs, gilt tops, sides with fillet 
border and ornamented floral corners, inside borders, BY ROOT. 

London: T. C. Newby, undated 


First EDITION WITH THESE ILLUSTRATIONS. Marchmont, No. 461. 
Two original front wrappers bound in. 


617. CrurksHank (Ropert). The Surprising Life of Richard Turpin, a No- 

torious Highwayman . . . to which is added, The Life of Sawney 

- Beane, the Man-Eater. Cotoren frontispiece, by R. Cruikshank, un- 

2 c- signed. London: Printed and sold by Dean and Munday, wndated ; 

WITH THE ORIGINAL WATERCOLOR DRAWING BY ROBERT CRUIKSHANK 

| OF THE ABOVE FRONTISPIECE. The tract a 12mo, the plate a small 
4to. Both enclosed in cloth protecting folder and slip-case. 


First Eprtion. Not in Marchmont. 

A note on the front leaf of tract states that the owner has the “Ori- 
ginal Drawing from Lord Farnham’s Collection” (The drawing men- 
tioned above.) 


Third Session, Wednesday Evening, February 5th 


DRAWING AND AQUATINT ENGRAVINGS BY 
ROBERT CRUIKSHANK 


[Numbers 618 to 624, inclusive | 


618. CrurKsHANK (RoperT). OrteinaL PEN-AND-INK AND WATERCOLOR 
Sxetcu. Signed,—‘Robert Cruikshank.” Size, 5Y by 7 inches. 
Matted. i 


i 

/ ) Portrait of the artist as chairman, seated at a table with his friends. 
On the table are glasses, and a large bowl in which is a miniature figure 
of “Punch.” Behind each guest stands a waiter, with banner on which 
an animal is displayed. Below the table are several empty jugs. On 
the margin of the mat is written, “Meeting of V ictuallers.” 


$ 


619. CrurksHANK (Rosert). Cororep Aguatints. Laplanders, Reindeer 
&e. as Exhibited at the Egyptian Hall, Piccadilly. 1822; [Aso] 
The Laplanders Return, to their Native Country under the Care 
é of Mr. Bullock & his Son. “Drawn & Etched by Mr. I. R. Crutk- 
; shank.’ Pub. March 13th (and) April 8th, 1822, by G. Humphrey 
. London. Size of each, 131% by 171% inches. Together, 2 
pieces, enclosed in one cloth folder, lettered on front. One shows 
creases. 


ORIGINAL IMPRESSIONS OF TWO FINELY COLORED CARICATURES. Hach with 
large centre view surrounded by a margin of smaller views and em- 
blematic designs. The second is a caricature showing the astonishment 
of the natives at the sight of the returning Laplanders, with their im- 
mense wealth and curiosities gathered during their visit to England, 
and is mentioned by Douglas in his note 3, page 272. 


620. CruIKSHANK (Ropert). Cotorep Aquatints. Benchiana. A colored 
aquatint plate, in four compartments, entitled,—Coming It Strong. 
Things Getting Queer. Taking it Easy—In the Bench. Clean’d 

J Out. Signed on the plate,—“J. R. Cruikshank fect.” Drawn and 

Lo. Engraved for Bencutana. Pub. by Dolby, 299 Strand, May, 1822. 
Size, 714 by 914 inches. Neatly inlaid, with a watercolor border. 
Bound in full green levant morocco, dentelle border lettered on 
back, BY RIVIERE. 


FIRST IMPRESSION OF THIS EXCEEDINGLY RARE PRINT, of which it has 
been stated that this is the only plate made for the book, the latter 
being discontinued after this was finished. 

The scenes represent various incidents in the life of a dandy, showing 
him when out driving with his fiancée, creditors presenting bill at her 
home, carousing with his friends, and the final stage when he is “Cleaned 
Out,” and thinking of a way to get “Whitewashed.” 


621. CrurksHANK (RospErT). Cotorep Aquatints. Six etchings on one 
sheet, including Coaching scenes, Scenes in Egypt, Lapland (used 


in the large plate of “The Laplander’s Return”), Turkey and India. 
[Continued 


Third Session, Wednesday Evening, February 5th 


[No. 621—Continued | | 
“Drawn & Etchd by R. Cruikshank.” Published by Summer & 
Smith, 8 Henry Strt. St Lukes [1822] Size of sheet, 614 by 914. 
inches. Matted. 


FINE COLORED COPY. 


622. CrurksHANK (RoperT). AQuatTints. Two aquatint engravings, each 
in TWO STATES, one plain, the other coLorED, by Robert Cruikshank. 
Together, 4 pieces, oblong 4to, each plate hinged. Bound in one 
vol. oblong 4to, half red morocco, lettered up back and on front 


cover. One plate shows crease. London, 1825 
ORIGINAL IMPRESSIONS. RARE. 
(1) MarHew—cramMa for 1825—or—my Memorandum Book make 


every body comfortable that my way. Signed on the plate,— 
“MEH Del. Robt. Cruikshank fecit.” Pubd April 1825 by G. 
Humphrey, 24 St. James’s Street. A group of characters in 
the “King Crown Inn,” with Mathews in several characters. 
' (2) CoLorEeD copy of the preceding, retouched. 

(3) Liston’s Dream. “Designed & Htched by Robert Cruikshank.” 
Published by G. Humphrey 24 St. James’s Street, July 1825. 
Liston is sitting up in bed, his wife fast asleep; while the 

form of the “Adorable Venus” is at the foot of the bed. 
(4) FINELY COLORED copy of the preceding. 


lf . . 
623. CrUIKSHANK (RopERT). CoLorED AQuATINTS. ‘T'wo companion pieces, 
by Robert Cruikshank. Size, 7144 by 1014 inches. 2 pieces, neatly 
hinged, and bound in one vol. oblong 4to, half red morocco, lettered 
up back and on front cover. 
[ ORIGINAL IMPRESSIONS. As follows, 
: Hien Lire Betow Stairs. “Robert Oruikshank fecit.” Pubd. by G. 
Tregear 136 Drury Lane. Scene in the servant quarters; several 
couples dancing, colored man with fair partner, etc. 
BLIND-MAN’s Burr. “Robert Cruikshank, fecit.” Pubd. by G. Tre- 
gear St. Peters Alley Corn Hill. Ball-room scene; man in centre 
blindfolded, old gentleman on floor, amorous couple behind por- 
tieres, colored porter in mix-up. 


624. CrurksHank (Rozsert). Conorep Aquatints. The Falling of the 
New-Brunswick-Theatre. “Robert Cruikshank, Fect.” London, Pub 
by S. W. Fores, 41 Piccadilly, on the 2%th Feby. 1828. ORIGINAL 
IMPRESSION, Size, 814 by 13 inches; | Auso| A HIGHLY COLORED later 

Y impression of the same, with the addition of four columns of text, 
the title in type, and the publisher’s name changed and added as a 
colophon, Published By J. Didsbury, 22, Southampton Street, Covent 
Garden. Together, 2 pieces, enclosed in cloth folder, lettered on 
front. 


The above prints represent the situation of those unfortunate persons 
who were in the Theatre at the time of this dreadful catastrophe. 
when a dress rehearsal of “Guy Mannering” was taking place. Among 
the portraits are those of Mr. Maurice, a Printer, Mr. Carruthers, a 
tea-dealer, P. Farren, the stage manager, Jesse Giles, the stage car- 
penter, and others. RARE. 


Third Session, Wednesday Evening, February 5th 
pl near inl BO TERA NSAAERE de PIETRO 


CARICATURES BY ROBERT CRUIKSHANK 
Relative to Maria Foote and Her Friends 


[Numbers 625 to 630, inclusive | 


625. CRUIKSHANK (Rosert). Cotorep Caricature. The Golden Ball—and 
the modern Danew—“Robt. Cruikshank, fecit. ” Pubd April 1823 
by J. Fairburn Broadway Ludgate Hill. Size, 8Y% by 121% inches. 

6 Matted. 


ORIGINAL IMPRESSION, COLORED. 

This caricature has obvious reference to Hughes Ball, known at Eton 
by his surname of Hughes only, but who took the further name of “Ball” 
on coming into a fortune of forty thousand a year, left him by his 
uncle. He was considered a great catch, but notwithstanding his money, 
was unfortunate in love, being jilted by Lady Paget, rejected by Miss 
Floyd (afterward the wife of Sir Robert Peel), and then by Lady Caro- 
line Churchill. In this caricature, the above mentioned ladies, including 
Miss Foote, are kicking a yellow ball. 


626. CrUIKSHANK (Ropert). Cotorep Caricature. Johnny Handy Cock’s 
Crim. Con. Exatatic or Blue-Peter’s L 5,000 Baggage. “R. C. fectt.” 
Pubd Augt 1824 by S. Fairburns Broadway Ludgate Hul London. 

4 Size, 8144 by 1234 inches. Matted. 


r 

y) SU ORIGINAL IMPRESSION, COLORED. 

; This plate by Robert Cruikshank is in two compartments, lettered,— 
(1) MomMENTS OF. PRATTLE AND PLEASURE. (2) MoMENTS OF PARTING 
WITH TREASURE. It illustrates the liaison between Miss Foote, Colonel 
Berkeley and Joseph Hayne. In the first view Miss Foote is seen 
sitting on the lap of Hayne. The second view is that of an interior 
tradesman’s shop, Miss Foote is standing by the side of Hayne, weigh- 
ing the latter’s gold and a Cupid, Berkeley, in an Admiral’s uniform and 
antlers is saying farewell. 


627. CrurksHank (Ropert). Cororep Caricature. Miss puting her Foot 
in it!!—or the Silver Ball making A Breach, but missing the 
Mark. “R. C2’ London Pubd Oct. 1824 by S Fairburn Broadway 
Ludgate Hill. Size, 814 by 13 inches. Matted. 


as ORIGINAL IMPRESSION, COLORED. . 

4 CU This caricature by Robert Cruikshank is in two compartments, one 

/- lettered Tue Courtrsutp, the other THE Discovery. Illustrates the liaison 
of Maria Foote, the celebrated actress of London, Colonel Berkeley and 
Joseph Hayne, known as “Pea Green Hayne” also known as the “Silver 
Ball.” The first scene depicts Hayne with ass’s ears, and accompanied 
by Miss Foote, entering her father’s study and announcing their en- 
gagement, the old gentleman is seated by the table. The second view 
illustrates, in Miss Foote’s drawing room, the scene at the theatre, when 
Colonel Berkeley introduced Miss Foote to Hayne; in the centre by a 
crib sits Miss Foote, on either side is a theatre box, one with Colonel 
Berkeley as the occupant, the other with Hayne and a bag lettered 
“Silver Ball.” 


Third Session, Wednesday Evening, February 5th 
Pe 


628. CRUIKSHANK (Ropert). Cotorep Caricature. Riding a Roebuck.— 
“Don Juan fecit.” Pubd July 182% for the author 26 Haymarket 
OD London. Size, 834 by 13 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 
Etched by Robert Cruikshank. View in a park, illustrative of the 
liaison of Colonel Berkeley, Miss Foote and Joseph Hayne. Miss Foote 
with the body of a deer carrying Hayne, followed by the Colonel. 


629. CruIKSHANK (RoperT). CoLorep Caricature. A Visit to Court,—or 
All the world’s a Stage, And men and women merely players!! 
4 £0 “Don Juan fecit.” Pubd. by G. Humphrey 24 St. James's St. Lon- 
2~”~ don. Size, 9 by 1314 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 
Etched by Robert Cruikshank. The Duke of St. Albans, is carrying 
the train of Mrs. Coutts’ dress, the latter presenting her card to a lackey 
in uniform, and saying, “Here is mine my Lord, I am Mistress. C—” 
To the right is Miss Foote, saying “And I am Mistress B.” and holding 
a yellow ball in her hand. 


630. OrvIKSHANK (RoperT). Cotorep Caricature. Arrogance, (or Non- 
chalance) of the Tenth Retorted. “A. Orutkshank fecit.” London 
Pubd April 1834 by J. Fairburn Broadway Ludgate Hill—Size, 8 

oe by 13 inches. Matted. 

OL a 0 ORIGINAL IMPRESSION, COLORED. 

A caricature in two sections, showing interior of Ball Room and 

Drawing Room, with officers of the distinguished “Tenth Hussars’’ 
regiment. The officers of this regiment acquired considerable unpopu- 
larity by the exclusive airs they gave themselves in society, refusing 
to dance, declining introductions at public and private balls, and other. 
wise assuming an arrogant and exclusive tone which made them su- 
premely ridiculous. Robert Cruikshank has in this caricature illustrated 
this arrogant manner, introducing as one of his characters the cele- 
brated Maria Foote. 


CARICATURES BY ROBERT CRUIKSHANK 
Relative to the Troubles Between Queen Caroline and George IV. 


[Numbers 631 to 638, inclusive | 


631. CRUIKSHANK (RoBERT). COLORED CARICATURE. The Mysterious fair 

one, or—The Royal Introduction to the Circassian Beauty. “I. f. 

pine C. fecit.’ Pubd may 1819 by S. W. Fores, 50 Piccadilly. Size, 8 
by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

Etched by I. R. Cruikshank. A foreign fair one is introduced to the 
Regent’s (George IVth) harem. The veil being removed discovers to 
him the well-known features of his neglected wife, from whom he recoils 
in abhorrence. 


632. CrurksHank (Ropert). Another copy of preceding. Matted. 


2. 5U 


Third Session, Wednesday Evening, February 5th 


633. CruIKSHANK (RosBErT). CoLorED CaricaTuRE. Royalty in a Ragé or 
Family Quarrels—“J. R. C. fecit.’ Pubd July 23 1820 by King, 
iy) Chancery Lane. Size, 834 by 13 inches. Neatly matted. 


y) ORIGINAL IMPRESSION, COLORED. 
Etched by Robert Cruikshank. One of the artist’s subjects on the 
quarrel between George IVth and Queen Caroline. 


634. CrurksHANK (RoperT). CoLorEep Caricature. The Secret Insult! a 
Bribery & Corruption rejected!!! “I. R. Cruikshank fect.” Pubd 
by Benbow St. Clements Church yard—Strand June 11 1820. Size, 

4 Uv 914 by 1334 inches. Matted. 


L ORIGINAL IMPRESSION, COLORED. 
A -view of the sea-shore, where Queen Caroline is standing with a 
paper in her hand inscribed, “Lawful Claims.’ By her side is Alderman 
Wood, one of her Champions, dressed as a Roman warrior. Lord Liver- 
pool is bowing and offering the Queen a purse of £50,000, per annum, 
for abandoning her claim to the throne. Behind the minister, the devil 
is praising Lord Brougham for turning “his back on such dirty work.” 


635. CrurksHANK (Ropert). Cotorep Caricature. Public Opinion!! “I. 
R. Cruikshank fecit, 29 King St. Holborn.” Pubd June 1820 by 
i Benbow St Clements Church yard, Strand. Size, 9 by 13 inches. 
4 3? Matted. 
a ORIGINAL IMPRESSION, CoLoRED. Name of artist scratched. 
Queen Caroline seated on one end of a scale, George IVth with bags 
of gold on the other, his ministers are endeavoring to pull his end of 
the scale down; soldiers are drinking to the Queen. Underneath the 
king are the words “Rotten Ground.” 


636. CRUIKSHANK (RoBEerT). CotorEp Caricature. The effects of a Blithe 

W riding on a Long Pole. “R. Cruikshank fecit.”” Pubd Feby 1827 
2 $Y by F Fairburn Broadway Ludgate hill London. Size, 8% by 13 
ZL. inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 


637. CRUIKSHANK (RosBEerT). CoLorEeD CaricaTuRE. Household Troops, or 
a Sketch of a Few of the Principal Trustworthy and Confidential 
Domestics of Worthy and Confiding Families. “Robt. Cruikshank 

> Sp fect.” Pubd Decr 1827 by T. Maclean Haymarket London. Size, 
9 by 14 inches. Matted.’ 


ORIGINAL IMPRESSION, COLORED. 

A domestic scene in the life of George IV. who is shown as “The 
Faithful Butler’; beside him stands “The Amiable Lady’s Maid”; to her 
right is Queen Caroline as “The Vigilant Housekeeper.” To the king’s 
left is “The Honest Coachman.” 


Third Session, Wednesday Evening, February 5th 


638. CruIKSHANK (RoperT). CoLoreD Caricature. The Time Piece! & 
Canning Jack o’both Sides. “J. R. Cruikshank, fect.’ Pubd June 
1820 by G. Humphrey 27 St. James's St. Size, 14 by 94% inches. 
oi So Matted. 


ORIGINAL IMPRESSION, COLORED. 

A clock in the centre of an arch, with two decorative columns, one 
with English the other with French figures and emblems. The figure 
of Queen Caroline used as the hands for the clock; partisans stand on 
each side of the face of the clock, and above all a portrait of the 
Chief Justice of England. 


CARICATURES BY ROBERT CRUIKSHANK 
English Politics, The New Ministry, Catholic Question, Ete. 


[Numbers 639 to 657, inclusive | 


639. CrurksHANK (RoperT). ConorEep Caricatures. A Collection of 19 
colored plates, from the years. 1817 to 1828, inclusive, by Robert 
Cruikshank, including Political, Humorous and Social Subjects. 

WV Each plate neatly hinged on separate mat, guarded, and bound in 
G) one vol. oblong 4to, half tan morocco, lettered up back and on front 


cover. 
A CHOICE COLLECTION. ALL ORIGINAL IMPRESSIONS. Comprising the fol- 
lowing,— 
(1) Erection Hints. “Robt. Cruikk. fecit.” “T. I. P. del.” Pub 


by G. S. Tregear . . . Cheapside. Several humorous sketches 
on one sheet, with camp scene in centre. 

(2) QuapDRILLES.—practising for fear of accidents. “T. R. Cruikshank 
fect.” Londn. Pubd. March 24th 1817 by J. Sidebotham St. 
James’s St. A parlor scene, several couples dancing. One 
man playing the fiddle. 

(3) FemMALE LaNcers—or a scene in St. James’s Street. ole Os 
fecit.” Pubd Jany 1819 by E. Brooks Panton Street Hay- 
market. Two dandies dressed in the height of fashion, one 
of whom is asking “Who the devil are you?”, meeting two 
gaily dressed ladies, with college caps and parasols as 
spears, one of whom exclaims “Jreland for Ever.” 

(4) Symproms or Crim. Con!!!—or a Political visit to the Heiress 
in Threadneedle Street. ‘J. R. Ck. fecit.’ Pubd. Feby 
12 1819 by S. W. Fores 50 Piccadilly & 112 Oxford Street. 
Queen Caroline and her Protector seated on a couch sur- 
rounded by bags of gold; John Bull looking through the 
bars of the door. 

(5) Tue Mysterious Far ONE, or—the Royal Introduction to’ the 
Circassian Beauty. “J. R. C. Fecit.” Pubd. May 1819 by S. 
W. Fores, 50 Piccaddily. George IVth, after exclaiming 
about the beauty of a female brought into his chambers by 
a Turk, is horror-struck by her lifting her veil and dis- 
closing herself as his wife. 

[ Continued 


Third Session, Wednesday Evening, February 5th 


[ No. 639—Continued | 

(6) A Correct REPRESENTATION OF Her MAsesty QUEEN CAROLINE 
Returning from the House of Lords, 1820. “I. R. Crutk- 
shank fecit—”’ “R. Wadvivam, delt.’” Pubd by G. Humphrey 
27 St. James’ Street, London. Colored aquatint. Later im- 
pression. 

(7) Prerer’s SHAM DUEL or a Dung-hill Cock endeavoring to shew 
game. “I. R. OC. fecit.” Pubd April 1821 by G. Humphrey 
St. James’s St. London. A duel between two political adver- 
saries, his Lordship hit in the “Seat of Honor.” 

(8) Tue LApLANDERS RETURN, to their Native Country under the 
Care of Mr. Bullock & his Son. Pwo. April 8th, 1822, by G. 
Humphrey .-. . London. “Drawn & Etched by Mr. I. R. 
Cruikshank.” <A large aquatint surrounded by smaller views. 

(9) THE Treap-Mitu!!—or—struck Heroes, Black-Legs, & Cadgers, 
Steping it, to the Tune of “Mill Mill O.” Pubd by J. Fair- 
burn, Broadway Ludgate Hill Novr. 1822. “J. tee peeee 
Card-sharpers, decayed “Corinthians,” and other vagabonds, 
are undergoing a course of hard labor upon the wheel. 

(10) ARROGANCE, (or Nonchalance) of the Tenth Retorted. “R. Cruik- - 
shank, fecit.” London Pubd April 1824 by J. Fairburn Broad- 
way Ludgate Hill. Two scenes, drawing-room and Ball- 


room. 
(11) A Crvic LouUsE IN THE STATE Brep!!! or the Corporation Con- 
glomerated!! “Robt. Cruikshank Fecit.” Pubd Decr 1824 


by J. Fairburn Broadway Ludgate Hill. ‘A large louse 
resting on the Lord Mayor’s bed; George Garret the Lord 
Mayor, Aldermen Wood, Curtis, and others standing around. 

(12) Tue Living SKELETON. “Drawn from Nature by Robert Cruik- 
shank.” Pubd July 1825 by J. Fairburn Broadway Ludgate 
Hill. Three positions,—side, front and back. This curious 

.personage was the celebrated Claude Ambroise Seurat, the 
living skeleton exhibited at the Chinese saloon in Pall Mall. 
VERY SCARCE. 

(18) Frank AND Free—or—Clerical Characters for 1825. “Robt. 
Cruikshank Fecit.” Pubd August 1825 by J. Fairburn Esqr 
Broadway Ludgate Hill. Two jovial characters sitting at a 
table, and drinking. 

(14) Pavut Pry at Wipow C—’s. “Robert Cruikshank Del et Fecit.” 
Published Feby 1826 by G. Humphrey 54 St. James’s Street 
London. 

(15) THe Witp Breasts Sports OF THE Kast; or, The Battle of the 
Bears and Bulls in Leadenhall Street, at ye April Cale- 
donian Hunt, after the Golden Apples of India. “Robert 
Cruikshank, invt. et fecit.? Pubd April 9th 1827 by Robert — 
Cruikshank . . . sold by S. Knight... London. A large 
assembly of notables, some with bodies of animals. 

(16) Tur Errects or THE NEW ADMINISTRATION—or—Civil and Re- 
ligious Liberties in Danger!!! “Robert Cruikshank, inv. & 
fecit. 5 Lowndes Terrace Knightsbridge.” Pubd May 1827 
by Hunt... London. Partisans of two bishops pulling a 
cloth in opposite directions; George IVth, in centre pulling 
the nose of one of them. 

(17) A SxKetcnu AT St. ALBANS—or—Shaving the new maid Dut- 
chess!!! “R. G. fecit. Peter Williams del.” Pubd June 1827 

(18) A Honey Moon AND THE MAN IN THE Moon—or—a Peep through 

[Continued 


Third Session, Wednesday Evening, February 5th 


[ No. 6839—Oontinued | 


a Holly-Bush. “R. C. fecit.’ Pubd by G. Hunt July 1827 
York Street Covent Garden. 

(19) A PracticaL LEcTURE on the Digestive Organs!! by the Eccen- 
tric Doctor, A. B. HE. Knee-Thigh. ‘Doctor Cruikshank del 
et fecit.” Pubd May 1828 by Surgeon Fairburn . . . Ludgate 
Hill near Apothecary Hill. 


640. CruIKSHANK (RoBeERT). CoLorep Caricature. The Modern Janus, or 
the true reason why the Christian Religion suffers more from its 
pretended friends, then real Enemies. “J. R. C. fecit.” Pubd Decr 

2, 1819 by S. W. Fores 50 Piccadilly. Size, 8Y, by 1234 inches. 
Matted. Slight tear in margin, repaired. 


ORIGINAL IMPRESSION, COLORED. 

Etched by Robert Cruikshank. Divided into two compartments; one 
a “YORKSHIRE PARSON,” with Bible and Ordinance in hands; the other, 
the same figure, but under different circumstances, referring to the 
Riot act and Lord Sidmouth’s Circular, in connection with a “Clerical 
Magistrate.” 


6404. CrurkKSHANK (Ropert). Another copy of the preceding. COLORED. 
/» Matted. Margins cut down. 


641. OrviksHANK (RosErRT). CotoreD Caricature. Doctors, Bishops, 
Judges, and Statesmen at work, or a Sitting Committe—“I fk C 
fecit.’ Pubd July 1820 by Benbow Corner of St. Clements Church 

° yard Strand. Size, 944 by 1534 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

Seated over the edge of a large pumpkin-shaped vegetable are several 
of Hngland’s notables, including the Duke of Wellington; George IVth 
is punching the face of an officer, and saying, “They shall hatch by G—D.” 


642. CrurksHaNK (Ropert). Cotorep Caricature. The Master Cook and 
his Black Scullion a Royal Hash. “I. Rk. Cruikshank, fecit.” Pubd 
July 1820 by Benbow St. Clements Church yd Strand. Size, 8% 
3 by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

The head of George IVth is seen in the fumes from large caldron, in 
which his ministers are mixing a broth, and which is supported by three 
notables, one of whom is the Duke of Wellington. One of the mixers 
stands on a box lettered “Milan Oommission,”’ with the devil behind 
him; the other holds a bag, lettered, “Rakings of Italy.” 


643. CrurksHank (Ropert). Conorep Caricatures. A Collection of nine 
caricatures by Robert Cruikshank, from 1820 to 1829, consisting 
of Political and Social Subjects. All mounted and guarded, and 

oa | bound in one vol. folio, half brown polished morocco, lettered up 
back and on front cover. London, 1820-1829 


A MOST INTERESTING COLLECTION, comprising,— 
(1) Hopeson’s THEATRICAL CHARACTERS. “J. R. Oruikshank, Del.” 
P. Roberts Sculpt. Divided into two sections, the upper one 
[Continued 


Third Session, Wednesday Evening, February 5th 
pticablatead a iibebatee de oib Wiig RL cake RET 


[No. 643—Continued | 


(3) 


(4) 


(6) 


(7) 


(8) 


(9) 


with two harlequins and female, dancing; the lower, a 
pantomime with five grotesque and clownish figures. This 
plate has been backed with heavy paper, the margins being 
cut close. 

MoruHerR Woop, IN A PopuLar Procuress. “J. R. Oruikshank 
fect.” Pub by G. Humphrey 27 St. James’s St. June 24th 
1820. Portrait of Alderman Wood in female costume, stand- 
ing beneath a portal marked “Refuge for the Destitute,” 
with bottle in hand, labeled “Popularity.” 

By Sr. Perer THIS 18 No SHAM—or—a New cut for the Groom 
of the School. “J. R. C. fecit.” Pubd April 1821 by G. . 
Humphrey St. James’s Street London, A horse-whipping 
scene on St. James’s Street, with various onlookers. Of a 
political nature. 

A DREAM IN DvusBLIN or a Night on Kilmainham guar-d. “J. R. 
Cruikshank fecit.’ London, pub. April 25th 1822, by G. 
Humphrey, 27, St. James’s Street. Interior of an officer’s © 
room; the ‘officer reclining on a couch, his dreams personi- 
fied by four vignette illustrations; three hogs are in the 
room, one licking the officer’s cheek. This plate is an aqua- 
tint engraving. Inlaid. 

THE CAMBRIDGE MUSICAL SQuEEZE! !—or—Double-Bass Entre to 
the Orchestra. "’R. C. Fecit.” Pubd. July 1824 by J. Fair- 
burn . . . Morning Post July 7th 1824. Lettered at top,— 
“Madame O-t-l-ni & B-sh-p of Limb-rig!!’ A handsome female 
sitting on the lap of an elderly man at the top of a ladder, 
thereby squeezing another individual in the window; other 
men and women in the street, some on ladder, below. 

THe PouiticaL Toy-MAn. “Robert Oruikshank, Fecit.” Pubd 
July 1825 by G. Humphrey 24 St. James’s Street. Lord 
Brougham carrying on his head a replica of “London Col- 
lege,” in his girdle four miniature figures ; in the background, 
Linecoln’s Inn. 

LA PROMENADE. “R. Oruikshank, Fecit.” Pubd Feby 1828 by 
G. Trequar . . . Charin X. A couple dancing, the female 
elaborately dressed, the man a daring partner. 

Tie GERMAN as pays the Regular Out-an-Outer vot drives the 
Hero!! “Robt. Oruikshank Fecit.” Pub May 1829 by G. 
Trequar Cheapside. Portrait of an Irishman, clothes in rags, 
large club in right hand. 

THE REGULAR OUT-AN’-OUTER vot drives the Hero! “R. Oruik- 
shank Fecit.’ Pubd by G. Trequar May 29 Cheapside. An 
elaborately dressed dandy, in the position of a driver, with 
reins and whip in hands. 


644. CRUIKSHANK (RoBERT). CoLorEp Caricature. What ever is, is right. 


/ Sd 


—Pope! A weighty argument in favour of the Catholic Emancipa- 
tion. “I. R. Cruikshank fecit.” Pubd April 1821 by G. Humphrey. 
2” St. James’s Street London. Size, 114% by 914 inches. Neatly 
matted. 

ORIGINAL IMPRESSION, COLORED. 


Relative to the Catholic Question. Scene in Parliament, Lord Canning 
carrying the Pope on his back. 


Third Session, Wednesday Evening, February 5th 


645. CRUIKSHANK (ROBERT). COLORED CARICATURE. Pope Mistaken; What 
ever is, is not right. Anti Pope. “J. &. C. fect.” Pubd May 1821 
by G. Humphrey 27 St. James's Street London. Size, 1144 by 914 
o, SV inches, Matted. 
ORIGINAL IMPRESSION, COLORED. 
Relative to the Catholic Question in England. Shows Canning en- 


deavoring to protect the Pope from other members of the English Parlia- 
ment. 


646. CruIKSHANK (Ropert). CotoreD CartoaTurE. A Shot from Buck- 
ingham to Bedford. Thursday, May 2d, 1822. “I. Rk. CO” Pubd 
May 4th 1822 by G. Humphrey 27 St. James’s St. Size, 844 by 1314 
4 0 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

Tllustrates a somewhat ludicrous affair of honor which took place in 
1822, in consequence of some words used by the Duke of Bedford in 
reference to the Duke of Buckingham at the Bedfordshire county meet- 
ing. The meeting between the two noblemen takes place in Kensington 
Gardens, the seconds are Lord Lynedock and Sir Watkin Williams Wynn; 
both parties fired together, but without effect, the Duke of Bedford firing 
into the air. 


64%. CrurksHANK (RopEerT). CoLorepD CaricaTurE. King. Gourmand 


Pubd March 14 1823 by King Chancery Lane. Size, 84% by 1284 


3 Vv inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

A satire on the French interposition in Spain. Shows Louis the XVIIIth 
in a rage, standing beside a table, and saying, “What-have we to 
fear? we have one hundred thousand Frenchman commanded by a Prince 
of my family . . .” His son in fear of “Elba,” exclaims, “Treachery 
Treachery the National Guard will not obey our Orders.” In the smoke 
at the top of the room are two views illustrative of the state of the 
French army. 


648. CrurksHANK (RoperT). Cotorep Caricature. Cupid in Hyde Park.— 
“R. Cruikshank, fecit.’ Pubd April 1823 by G. Humphrey 24 St. 
$1 SP James’s St. & 74 New Bond Street. Size, 834 by 7 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 
Portrait of Edward Walpole walking in the park. 


649. CrurksHANK (Roperr). Cotorep Cartcature. John Bull Flourishing 
in a dignified attitude of strict Neutrality!!!! “R. Crutkshank 
fecit.” Pubd May 1823 by G. Humphrey, 24 St. James's Street & 

3 SV %4 Bond Street. Size, 814 by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

This is one of the best of Robert Cruikshank’s purely political efforts, 
and was prompted by the French intervention in Spain, in 1823. Spain 
in the act of imploring the assistance of John Bull, which however John 
is in no position to render, seeing that he wants help himself, being 
placed in the stocks and heavily burdened with the weight of “last war’s 
taxes.’ In the distance appears fat Louis, mounted on a cannon, driven 
by the Pope, Russia, Austria and Prussia, in allusion to the Holy Al- 
liance; while the devil is prodding Louis with a fork. 


Third Session, Wednesday Evening, February Sth 


650. CrurksHaNK (Ropert). Conorep Caricature. A Fayourite Hatching 


Poultry!!—or A present of Feather Breeches from the Sandwich 
4 Isles. “R. C. fecit.” Pubd June 24 1824 by J. Fairburn Broadway 
Ludgate Hill. Size, 84% by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 
Etched by Robert Cruikshank. Three Sandwich Island ‘Chiefs, in 
native costume, standing before an Englishman sitting on a nest of eggs. 


651. CrurksHank (Roperr). Conorep Caricature. A civic Louse in the 
State Bed!!! or, the Corporation Conglomorated!!! “Robt. Crusk- 
, shank fect.” Pubd Decr 1824 by S. Fairburn, Broadway Ludgate 
2. Hill. Size, 84% by 1234 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 
A large louse resting upon the Lord Mayor’s state bed ; George Garret 
the Lord Mayor, and Alderman Wood, Curtis, Heygate, Waithman, Shaw, 
and others standing around. . 


652. CrurksHanK (Ropert). Cotorep Caricature. The Bubble Burst—or 
The Ghost of an Old Act of Parliament. “Robt. Cruikshank fecit.” 
Pubd Feby 1825 by J. Fairburn Broadway Ludgate Hill. Size, 84% 
y by 1284 inches. Matted. 
7 ORIGINAL IMPRESSION, COLORED. As 
The Lord Chancellor standing surrounded by smoke, in his left hand 
a scroll, lettered, “The Bubble Act 6th George Ist,” in his right, a long 
rod. with which he punctures a large flaming bubble ascending from a 
long pipe held by a “Profitable Spec.” standing on toad-stools of “Schemes 
and Tricks.’ In the background the “Stock Exchange,’ with a crowd 
of men and women who were taken-in by the illegal traffic. 


653. OrurksHANK (Ropert). Cotorsp Caricature. The Catholic Associa- 
tion or Paddy—coming it Strong—!! “Robt. Cruikshank Pecit.” — 
Pubd Feby 1825 by G. Humphrey 24 St. James's Street. Size, 9 by 
4,947 18% inches. Matted. , 
fae Fo ORIGINAL IMPRESSION, COLORED. 
Daniel O’Connell standing on a platform speaking to a crowd of Irish 
people, with various banners, inscribed,—‘‘Siv Millions of People,” ‘‘Re- 
ligion,”’ “Catholic Rent,” ete. O’Connell is saying,—“Gentlemen, may I 
beg to know what it is you all want?—You may depend upon my firm 
support.” 


654. CrurxsHank (Roger). Cotorep Caricature. The Hare Presumtious 

-~ —or A Catholic Game Trap. “Robt. Cruikshank, Feet.” Pubd 

) ihe May 1825 by J. Fairburn Broadway Ludgate Hill. Size, 8% by 18 
inches. Neatly matted. . 


ORIGINAL IMPRESSION, COLORED. 


655. OrvurkKSHANK (RoperT). Conorep Caricature. Frank and Free—or 

2 Clerical Characters for 1825. “Robt. Oruikshank Fecit.’ Pubd 

- 73 August 1825 by J Fairburn Esq. Broadway, Ludgate Hil. Size, 
4 != 9 by 1214 inches. Matted. , 

ORIGINAL IMPRESSION, COLORED. 

Two jovial characters seated at a table, drinking very heavily. One 
remarks, “Had I but one half, by the lord I declare Each dame in the 
parish I’d have for my share And send Bishops and Church to the Devil.” 
The other, “A pluralist I, with eight thousand a year. . od 


Third Session, Wednesday Evening, February 5th 


656. CRUIKSHANK (ROBERT). CARICATURE IN Cotors. The Lumber Troop— 


or—Queen’s Own “Don Juan, Fecit.” Pubd by G. Treguar Cheap- 
side july 1829. Size, 8 by 1214 inches. Matted. 


ORIGINAL IMPRESSION, CoLoRED. Similar to the work of Robert Cruik- 
shank. 

A file of British “statesmen” under the leadership of George IV. being 
reviewed by John Bull, who remarks, “Do you call them vagabonds Sot- 
diers?” 'The soldiers are evidently intended as caricatures of the new 
British Cabinet, Wellington is at the end of the line. 


657. CRUIKSHANK (RoBERT). CoLorED Ercouina. Charles the XIIth. Act 


ge? 


Ist—Scene 3rd. Mr. Liston, as Adam Brock, and Mr. Farren, as 
Charles the 12th. “Cruikshank.” Engd. London—Published by 
J. Moore. Size, 8 by 81% inches. Neatly matted. Cruikshank’s 
first name, as well as the name of the engraver have been cut off 
from the inscribed portion. 


ORIGINAL IMPRESSION, COLORED. 

A seantily furnished ante-room, with bottle, glasses and candle on 
table; the two characters seated at table, Liston as Adam Brock is 
burning a paper, thus cancelling a debt of the State. 


CARICATURES AND ETCHINGS BY ROBERT 


CRUIKSHANK 


Song-Heads, Dandies, Sporting, Domestic and Social Scenes 


[Numbers 658 to 683, inclusive | 


658. CRUIKSHANK (Ropert). CoLorep CaricaTuRES. Boxing Match. Spar- 


- 


a 


ing. Dedicated to the Fancy. “J. R. Cruikshank, fecit.” London, 
Pub: by Sidebotham, Feby. 1817. IN TWO STATES, COLORED AND 
PLAIN. Size, 914 by 1314 inches. Hinged, and bound in one vol. 
Oblong 4to, half red morocco, lettered on back and front. Slight 
tear neatly repaired, in colored copy. London, 1817 


ORIGINAL IMPRESSIONS. The scene is laid in a Sportsmen’s Club room. 
Two contestants, one has just hit the other a sounding crack on his jaw. 
Several men in the audience, smoking and drinking. 


ges 659. CRUIKSHANK (RopErT). Another copy, coLoRED. Matted. 


660. CrurkSHANK (RopertT). CoLorepD Caricature. Sons of Neptune shay- 


a 


ing a Landsman !—a humorous ceremony perform’d by Sailors upon 
every person when crossing the Line. “I R Cruikshank fect.” Pubd 
by J Sidebotham No 1 St. James’s St. March 4th 1817. Size, 9 
by 13 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

Scene on the forecastle of an Bnglish frigate; sailors dousing one of 
their mates in a large tub, the leader seated as Neptune in a chariot 
to the left. 


Third Session, Wednesday Evening, February 5th 


661. CRUIKSHANK (RopEerT). COLORED CARICATURE. Comparative Anatomy 
or the Dandy Tribe. “Cruikshank fecit.” Pubd Decr 10th 1818 
by S W Jones 50 Piccadilly. Size, 8 by 12 inches. Matted. 


a6" 
F ae ORIGINAL IMPRESSION, COLORED. 
One of Robert Cruikshank’s humorous satires on “dandies” of the 
day, who were the sham “Corinthians” of his time. 


662. CRUIKSHANK (ROBERT). COLORED CARICATURE. Female Lancers—or a 
Scene in St. James’s Street. “I. R. C. fecit.’ Pubd Jany 1819 by 
39 ¢” E. Brooks Panton Street Haymarket. Size, 834 by 12% inches. 
~ Matted. Slight tear in margin repaired. 


ORIGINAL IMPRESSION, COLORED. . 

Two dandies dressed in the height of fashion, meeting two gaily dressed 
ladies, with college caps, and parasols as spears, one of whom exclaims, 
“Treland for Bver.” 


663. CRUIKSHANK (RoBERT). COLORED CARICATURE. A New Chancery Suit 
removed to the Scotch Bar or more Legitimates. “I. R. C. fecit.” 
Ye _ Pub Feby 6th 1819 by S W Fores 50 Piccadilly &: 312 Oxford Street. 
Size, 9 by 1234 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 


664. CrurksHANK (Ropert). Another copy of the preceding. COLORED. 
3 Matted. 


665. CRUIKSHANK (Ropert). Another copy of the preceding. CoLorED. 


oe Matted. 


ee 
we 


666. CrurksHANK (RopertT). Cotorep ErcHine. London Vocalist. Un- 

signed. Size, 644 by 3% inches. Neatly mounted, with loose fitting 
mat and bound in half blue morocco, lettered up back and on front 
cover. : 


AN EXTREMELY RARE PRINT, said to be unknown to Bibliographers. It is 
a colored plate in seven compartments, the front to a Song Book, 1820. 

On the mat, just below the plate, in GroRGE CRUIKSHANK’S AUTOGRAPH, 
is written,—“Robert Ok.,” a feature which makes this copy of unusual 
interest. 


Xa 


667. CRUIKSHANK (RoBERT). COLORED CARICATURE. The Air Balloon or, 
the Ascension of Drury. “I. R. Cruikshank fecit.” London Pubd 
> April 1821 by G. Humphrey St. James's St. Size, 13144 by 94% 

e3 inches. Matted. 


ORIGINAL IMPRESSION, COLORED, 

Shows Elliston, the actor, being carried up by a balloon, seated in a 
basket labelled “Treasury,” above him is platform with a replica of 
Drury-Lane theatre, which is fastened to the balloon, the latter having 
a music score and the words, “The Soldier Tir'd;’ Edward Kean, in 
character, standing on the land, is saying “Twas but a Dream.” 


Third Session, Wednesday Evening, February 5th 


668. CRUIKSHANK (RopertT). CoLorep Caricaturr. By St. Peter this is 
_- 10 Sham—or—a New cut for the Groom of the Stool. “7. R. C. 
9 55 fect.” Pubd April 1821 by G. Humphrey St. James's Street Lon- 
| — don. Size, 121% by 91% inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 
Ktched by Robert Cruikshank. A horsewhipping scene in St. James’s 
Street, with onlookers. The party with the whip is saying, “. . . how 
dare you attempt to injure my wives character...” 


669. CRUIKSHANK (RoperT). CoLorep Caricature. The Morning After 

Marriage [Atso, on same sheet] A new work, Coke upon Alber- 

- marle, not Coke upon Littleton. “Cruikshank fecit.” Pub April 

a. AS 1822 by G. Humphrey 2% St. James's Street. Size, 1414 by 9 inches. 
oo Watted. | 

ORIGINAL IMPRESSION, COLORED. 

Etched by Robert Cruikshank. One of the artist’s most admirable 
works. In the upper picture, the couple are at their wedding break- 
fast; in the lower, two of their friends, one an officer in uniform, are 
inquiring from the porter, “Pray how are Mr. and Mrs. Coke to Day?" 


G70. CRUIKSHANK (RoBERT). COLORED CARICATURE. Scarlet Fever verses, 

Yellow Jaundice, or, The Libel Publisher Cut Up July 1, 1825. 

ea “Don Juan Feet.” Pubd July 1825 by J. Fairburn Broadway 
S° Ludgate Hill London. Size, 814 by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. 

Etched by Robert Cruikshank. Has reference to the publication of 
the famous “Memoirs of Harriette Wilson.” With portraits of Lord Sear- 
lett and Stockdale the publisher. 


671. CRUIKSHANK (RoBErT). CotoreD CartoaturE. A Tea Party—or Eng- 
lish Manners—and French Politeness. “R. CO. Fecit.’” Pubd Sepr. 
1825 by G. Humphrey 24 St. James’s Street. Size, 41% by 7 inches. 

ky Matted. 


a 

b ies “A Frenchman not aware of the custom, constantly returned his cup 
without the spoon in it—which being immediately replenished by the 
lady of the house, he thought it a point of politeness to drink the con- 
tents, which he continued to do, to the great surprise of the company 
until he perceived the Lady pouring out the 14th cup, when he rose in 
great agony and cried Ah! Madame, excuse me I can take no more.” 


672. CRUIKSHANK (RopErT). CotorED CaricaTuRE. It was the first and 

last time I was ever on a Cayman’s back. “vide” “Wanderings in 

_ South America by Charles Waterton Esqr. page 232” “Capt. Hdw. 

2 SY Jones delt. Robert Cruikshank fect.’ Pubd Jany 1827 by G. 
~ © Humphrey 27 St. James’s Street. Size, 8 by 14 inches. Matted. 


COLORED IMPRESSION. 

A scene in the wilds of South America. The author is riding on the 
back of an alligator, which is being pulled along by several natives and 
a white man by means of a rope attached to its tongue. 


Third Session, Wednesday Evening, February 5th 


673. CRUIKSHANK (RoBert). Cotorep CartcaTure. The Vision. “And I 

awoke, and behold, it was a Dream!’—“Don Juan fecit.” Pubd 
rene May 1829 by G. Treguan Cheapside. Size, 734 by le inches. Neatly 
ys ¥ matted. Slight tear, neatly repaired. 


ORIGINAL IMPRESSION, COLORED. 

An etching by Robert Cruikshank ; being a portrait of the artist re- 
clining on a couch and dreaming. Ina cloud to the left is a crown resting 
on a pillow, with a large rat, above which is an open book, marked 
“Peerage,” the rays from which extend towards the sleeper, with the 
words, “Robert awake the time is almost come.” 


674, CRUIKSHANK (Rozert). CoLorrp Eronrne. Stadiaum Shield, Chelsea. 
“Robert Cruikshank, del et fecit. 1834.” Diameter, 114% inches. 
€Y Enclosed in cloth folder, lettered on front. . 


= ORIGINAL IMPRESSION. 
A circular chart, on which are laid down, in three rows of eight 


sections each, various scenes (24 in all) illustrative of sporting life, as 


seen at the Stadium. RARE. 


675. CRUIKSHANK (RoperT). CoLORED CARICATURES. Robert Cruikshank’s 

Random Shots—(No. 1.) [Aso] Random Shots.—(No. 2.) 

Signed on the plate——“Robt. Cruikshank.” Published by Tomlin- 

/¢ son. Size, 1014 by 9 inches. Each plate hinged to linen guard. 
’ Bound in one vol. 4to, cloth, leather back, lettered on front. 


Two VERY RARE, CURIOUS AND WELL EXECUTED CARICATURES, IN COLORS. 
ORIGINAL IMPRESSIONS, as follows,— 
(1) A CHoLeRA Docror. Seated at a table, lettered “Board of 
Wealth,” on which is a large pie labeled “Cholera Pie,” is 
a very corpulent “Doctor,” with a large white wig, with fork 
and knife in hands, having just removed a piece of the 
pie; behind him, on the floor is a large container, lettered 
“Patients Pounded,’ which is filled with coin; there is also 
a bag labeled “Gold Pills,” and a bottle of “A Draught on 
the pocket.” Beside the table is a large jug of ‘Patent Im- 
perial brandy, Brett Drury Lane 109.” Imps are dancing 
round the pie. 
(2) A CHOLERA Patient. Seated on a stool, lettered “Starvation,” is 
a dyspeptic individual, in rags, holding a “blue pill,” which 
he has taken out of a box on the table, so labeled, and on 
which he rests with his right elbow; beside the box is 
a large bottle of “Emetic,’ around which are dancing several 
imps. The edge of the table bears inscription “Board of 
Health,” and is supported by bones and a curious bird with 
shield, “Fee Fo Fum.” 


676. CRUIKSHANK (Rosert): Another copy of No. 2 of the above. COLORED. 
3 > ¢ Matted. 


ween 


ey. CruiksHANK (RopertT). CoLorep CaricaTuRE. “A Cunning Contri- 
_ vance.” “I. R. Cruikshank fect.” Size, 414 by 714 inches. Matted. 


ye ~ Cut close, the inscription cut off. 

A ORIGINAL IMPRESSION, COLORED. . : 

. A scene in a kitchen. The owner of the establishment standing before 
the cook, holding in his hands a pair of scales on which he is weighing 


the cat, claimed by the cook to have eaten the butter. 


—— a SS 


Third Session, Wednesday Evening, February 5th 


678. CrUIKSHANK (RozsErT). CoLorEep Ercuine. “Masquerade Carnival!!!” 

Signed—“Robert Cruikshank, fecit.” PROOF IMPRESSION, COLORED, 

— before the above caption was placed on the “ribbons ;” Another copy 

528 of the preceding. Impression, lightly colored, with the caption on 

“ribbons,” and signed “Cruikshank, fect.’ Size, 64% by 5 inches. 
Together, 2 pieces, enclosed in cloth folder, lettered on front. 


Two very interesting sketches, representing a Royal Carnival, the King 
and Queen on throne in centre of room, surrounded by various masked 
figures, dancing, etc. VERY RARE. 


679. CrurksHANK (RoperT). CoLorepD Caricature Sonc-HeEap. The Ex- 

ciseman Outwitted. The engraving, which is 5 by 644 inches, is 

— signed in pencil,—“Robt. Cruikshank.” Beneath are several lines of 

iS verse. Small folio. Enclosed in cloth protecting folder, lettered on 
front. 

[London:] Printed and Sold by R. Harrild, wndated 


One of the earliest of Robert Cruikshank’s works. 


680. CrurksHAnK (RoserT). ConLorep Caricature Sonc-Hrap. Just 
Starve—Us Workhouse. “Robt. Cruikshank Fect.’ [With words 

_ and music.|] Folio, sheets. Matted. 
333 London: Published by G. 8S. Tregear, undated 


er ORIGINAL EDITION. A Comic Song, sung by Mr. Graham. Words by 
W. H. Freeman, Music by Auber. 

The etching shows a prosperous individual standing before the door 
of the Workhouse; two hungry and tattered men, a woman and a child 
begging. 

“Tell Ah! Tell us, can aught be worse? 
Than hungry Maw & empty Purse!! 
Mercy Show & Pitty us 
Great Overseer.” 


681. CrurksHANK (Ropert). Cotorep AquatTinT Print. A Correct Repre- 
rig sentation of Her Majesty Queen Caroline Returning from the House 
3 - ~ of Lords, 1820. “I. R. Cruikshank fecit.” Pubd by G. Humphrey 
27 St. James’s Street, London. Size, 61% by 1514 inches. Matted. 
Slight tear at right, repaired, paper time-soiled. 
ORIGINAL IMPRESSION, COLORED. 


682. OrurksHank (RoperT). Wine versus Water. Written & Sung by Mr. 
— Hudson. Engraved title, signed “Robert Cruikshank, 1843,” with 
z two colored views, one a drinking scene with “Bacchus,” the other 
a group of people drinking at a fountain during a rain storm, there 
are also two portraits of persons drinking, one of whom 4s drinking 
out of a tea-pot, to “Father Mathews’ Health.” With 6 pages of 

music. 4to, sheets, folded, in cloth folder, lettered on front. 
Published by Thos Hudson . . . Holborn [1848] 


First EpITIon. 

683. CrurksHANK (Ropert). Three Vignette Illustrations on India Paper, 

‘ two of which are signed,—“Robert Cruikshank del.” “J. R. Mar- 

D, »-s— shall sc.’ The other is unsigned, but appears to be by the same 

v artist. The ones signed by Cruikshank, are,—“Cricket match” and 
“Boxing Match.” Size, 114 by 3 inches. Mounted. 


PROOF IMPRESSIONS. 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 
ILLUSTRATED BOOKS AND CARICATURES FROM THE 
LIBRARY OF J. BARTON TOWNSEND, ESQ. 

OF PHILADELPHIA 


Fourth Session, Numbers 684 to 907, inclusive 


THURSDAY AFTERNOON, FEBRUARY 6th, AT 3:15 O’CLOCK 


BOOKS ILLUSTRATED BY PERCY CRUIKSHANK 
The Son of Robert Cruikshank 


| Numbers 684 to 687, inclusive | 


684. CRUIKSHANK (Percy). Guy Faux. A Squib, manufactured by Horace 
Mayhew and Percy Cruikshank. Folded panoramic sheet, contain- 
a ing 20 humorous sketches in couors, by Percy Cruikshank. In 12mo, 
. original pictorial boards, with cloth protecting wrapper. 
: London, circa 1850 
First Epirion. The Samuel H. Austin copy, with bookplate. 


685. CRUIKSHANK (Percy). The Wanderings of Mr. Pipe & Family to View 
the Crystal Palace. Designed and Etched by Percy Cruikshank, 
y) 9 COLORED plates, each containing two or three sketches. Oblong 
Y , 12mo, original pictorial blue wrappers, enclosed in cloth folder, let- 
tered up back. London: W. Spooner, May 5, 1851 


First EDITION. 


686. CRUIKSHANK (PrErRcy). Hints to Emigrants, or, Incidents in the Emi- 


“ 


gration of John Smith of Smith-Town. Designed & etched, by 


a Percy Cruikshank. 9 coLoRED plates. Oblong 12mo, original pic- 
/ S> torial wrappers, enclosed in cloth folder, lettered up back. 
London: W. Hurst & Co., undated 


First Epirion. Illustrative of the life of an early settler in the Wilder- 
ness of North America, depicting scenes in the forest, floods, cyclones, 
ete. 


687%. CruIKSHANK (PrErcy). The Book of Fun; or, Laugh and Learn. For 

Boys and Girls. Published anonymously. With etched frontisprece 

ey by Percy Cruikshank, and numerous humorous woodcuts through- 

5 * out text. 16mo, half blue morocco. London, wndated 
First EpIrion. 


Fourth Session, Thursday Afternoon, February 6th 


ILLUSTRATIONS BY GEORGE CALVERT CRUIKSHANK 


The Son of Percy Cruikshank 
[Numbers 688 to 691, inclusive] 


688. CRUIKSHANK (GEORGE, JUNIOR). ORIGINAL PEN-AND-INK SKETCH, IN 


| a Come 


/v 


Brown Tints. An imaginative and fantastical subject, by the son 
of Percy Cruikshank, with a bold signature, in the ARTIST'S AUTO- 
GrapH,—“George Cruikshank, Junior.” Size 35% by 334 inches. 
Neatly matted. Enclosed in cloth protecting folder, lettered on 
front. 


A most interesting sketch, showing several elfish demons and other 
figures floating through the heavens, 

The signature to this drawing is one which was very distasteful to 
the elder George Cruikshank, the artist changing the same in later 
sketches at the request of the great George. 

-The following excerpt relative to the artist is taken from a letter 
written by the elder George Cruikshank, to Captain Reid, the Bibliog- 
rapher, and which is now in the Cruikshank Collection at Princeton 
University,— . 

“T may just add that my brother ‘I. R. OC.’ left a son, whose 
name is ‘Percy,—who is a draughtsman and wood engraver,—& who 
has @ son whose name is George, é who is also an artist. And as 
the two Georges creates some confusion, he intends I believe in 
future, to add his mother’s family name, & sign himself “George 
Calvert Cruikshank.” 


689. CrurKSHANK (GxrorGE, JuNIorn). London Society. . The Christmas 


2 
j 
j ve 


t 


D 


Number, 1872. Numerous woodcuts, two of which are signed George 
Cruikshank, Jnr. 8vo, full straight-grained red morocco, lettered 
on back and front cover. London, 1872 


Frest Eprrion. The signature of the two illustrations in this work, .- 


would give the impression that they are by the son of the celebrated 
George Cruikshank; but, from an ORIGINAL AUTOGRAPH LETTER BY GEORGE 
CRUIKSHANK, inserted in this copy. we find that they are by the son 
of his nephew Percy. The letter is signed in full “George Oruikshank,” 
is dated “December 27, 1872,” written to the Editor of “The Queen,” and 
reads in part,— 

“4g it ig stated in the Advertisements of the present number of 
‘London Society’ that one of the illustrations to that Magazine is by 
George ‘Cruikshank’ I beg that you will allow me to inform the public 
through the medium of your paper, that the illustration mentioned is 
not by me, but by the son of my nephew, ‘Percy Oruikshank’.” 


690. CRUIKSHANK (GxEorGE, JuNtor). Yoick! Heads and Tales, Tips and 


Turns, (with a Spill or Two Thrown In) By “Phiz,” J udy’s Other 
Sporting Artists, and Judy’s Special Sporting Commissioner, (The 
Other Jones). To which are added a few Plasters and Splinters 
By Charles H. Ross. 5 colored and many plain illustrations by 
“Phiz”’ (in his best style), and George Cruikshank, Jr. 8vo, pic- 
torial wrappers, rebacked. Enclosed in cloth protecting folder. 
London: “Judy” Office [1878] 


First Eprrion. At the end of the volume there is a chapter on “The 
other Jones’s Friend’s Coach,” with several woodcuts, including two 
full-page cuts signed, “George Oruikshank,” and two full-page cuts signed 
a OC: itis 


ee — nese 


Fourth Session, Thursday Afternoon, February 6th 


691. CrurksHANK (GzOoRGE, JUNIOR). Father Christmas; The Children’s 
Annual,—1885. Punch and Judy Junior. Written by Horace 
Lennard. Illustrated by George Cruikshank (Jr.) with full-page 

} . and text illustrations, in color. Folio, original pictorial wrappers, 
¢. bound in three-quarter crimson levant morocco, gilt top, lettered on 
back, BY ZAEHNSDORF. London [1884] 


First Hpition. The Duke of Mexborough’s copy, with his bookplate. 
The illustrations are charmingly executed by the son of Percy Cruik- 
shank, who later in life signed himself “George Calvert Cruikshank.” 


692. “Detia.” The Rambles and Surprising Adventures of Captain Bolio. 
By “Della.” Embellished with 32 engravings (in the manner of 


4, $0 Onwhyn). 12mo, half red polished calf, gilt top. 


zi 


London, 1839 
First, and probably only edition. 


693. Dickens (CuHartes). A Complete Set of “Christmas Books,” com- 


prising,— 
I. A Curistmas Caron In Prose; being a Ghost Story of Christ- 
a. mas. With 4 colored etchings and 4 woodcuts, by John Leech. 
y- London, 1843 


First Epirion, second issue, with “Stave One,” on page 1. The end 
papers are yellow, and the copy contains the 2 pages of advertisements. 
It is somewhat worn both outside and in. 


Il. Tue Cutmes; a Goblin Story. With illustrations by Maclise, 
Leech, Stanfield and Richard Doyle. London, 1845 


First ISSUE OF THE First Epirion, with the leaf of advertisements, the 
publisher’s name within the engraved part of the illustrated title. The 
frontispiece and engraved title are lightly spotted. 


III. Tue Crickrt oN THE HeartH; a Fairy Tale of Home. 
Illustrated by Leech, Doyle, Landseer and Stanfield. 
London, 1846 


First and only issue of the First Epirion. A few pages are lightly 
spotted. 


IV. Tue Barrie or Lire; a Love Story. Illustrated by Machse, 
Leech, Doyle and Stanfield. London, 1846 


Fourth Issue, with the leaf of advertisements; without publisher’s 
name on engraved title. 


V. Tue Haunrep MAN AND THE Guost’s BarGAIn ; a Fancy for 
Christmas-Time. Illustrated by Tenniel, Leech, Stanfield and Stone. 
| London, 1846 


First Epitrion. . With the leaf of advertisement. Frontispiece and en- 
graved title lightly spotted. 


Together, 5 vols. 12mo, original cloth, gilt, gilt edges. 
London, 1843-1846 


Fourth Session, Thursday Afternoon, February 6th 


694. Diauron Cartcaturn. “The Towns-End. The celebrated Bow Street 
me Runner.” Drawn, Etch’d & Pub. by Dighton Charg. Cross. Dec 
/ , 4,1804.” Iw contors. Matted. 


695. [Dorser (CaTHERINE AnNn).] The Butterfly’s Ball, and the Grass- 
hopper’s Feast; [Atso] The Peacock “At Home:’ A Sequel to 
the Butterfly’s Ball. Written by A Lady. With numerous full- 
page and smaller engravings in color (hand-colored at a later date), 

/’ the plates of both ascribed to William Mulready. 2 vols. in one, 
square 24mo, limp leather, red edges. | 

London, Jany. 1st, 1807 and 1807 


The last named was written by Mrs. Dorset, and is mentioned in 
the account of her life and works, in the Dictionary of National Biog- 
raphy. 


696. Doy~e (RicHarp). Manners and Customs of ye Englyshe. Drawn from 

ye quick by Rychard Doyle, to which be added some Extracts from 

| Mr. Pips hys Diary, contributed by Percival Leigh. With 39 full- 

fe page plates in outline, numerous figures on each. Oblong 4to, half 
green morocco, gilt top, BY ROOT. | 

London: Bradbury and Evans [1849] 


First EDITION. 


697%. DovtE (RicHarp). Pictures of Extra Articles and Visitors to the 
. Exhibition. A series of 8 panoramic plates, all crowded with figures, 

Y 5? all 1x cotors. Square 12mo, original blue boards, somewhat worn. 
= London [1851] 


First EDITION. 


698. DoytE (RicHarp). The Foreign Tour of Messrs Brown, Jones and 
Robinson, being the History of what they saw and did in Belgium, 

ro Germany, Switzerland & Italy. Numerous illustrations. 4to, half 
2 \ morocco, gilt, somewhat worn. _ London, 1854 


First Epition. “The heroes of the tour were Doyle, Tom Taylor, and 
Phillips, the artist. The figures are portraits throughout.”—MANUSCRIPT 
ANNOTATION ON HALF-TITLE. 


699. [D’OyLy (Str CHartes).] Tom Raw, the Griffin: A Burlesque Poem, 
in Twelve Cantos . . . descriptive of the Adventures of a Cadet 
in the East India Company’s Service, from the period of his quitting 

y England to his obtaining a staff situation in India. By A Civilian 

ix and an Officer of the Bengal Establishment. With 25 COLORED 
PLATES, mainly brilliant impressions. Royal 8vo, full crim- 
son levant morocco, gilt back and sides, gilt top, BY Woop. 


London: Ackermann, 1828 


This entertaining volume illustrates the social life in India at the 
period when the author was a prominent figure, holding several posi- 
tions of importance. 


Fourth Session, Thursday Afternoon, February 6th 


700. Dusots (Epwarp). My Pocket Book; or, Hints for “A Ryghte Merrie 
and Conceitede” Tour, in quarto; To be called “The Stranger in 
ch Ireland,’ in 1805. By A Knight Errant. With folding frontis- 
piece and other plates.. 12mo, three-quarter green levant morocco, 
gilt top, uncut, BY ZAEHNSDORF. London, 1808 


701. DuxkE or QuEENSBURY. Memoirs of the Life of his grace, the late 
Duke of Queensbury, humorously called Old Q. the quizzical Beau 
of Piccadilly . . . Anecdotes of his Sultanas . . . including the 


g. singular character of Maria Brown, etc. Portrait of “The Beauti- 
] ful Sultana,’ iN cotors (hand colored at a later date). 12mo, half 
dark blue levant morocco. London, circa 1810 

Bound up with the foregoing is, “The Trial of the Publishers of the 

Morning Herald, for a Libel on the Harl of Leicester . . . the Trial of 


Captain Gore for seducing a young lady, only fourteen years of age.” 
With frontispiece in colors. London, circa 1808. 


702. [DurrerIn (Lapy).] Lispings from Low Latitudes; or, Extracts from 
the Journal of the Hon. Impulsia Gushington. <A series of 23 


4 full-page humorous plates, by Lady Dufferin, illustrating the travels 
*a of the heroine in Egypt. Oblong 4to, half morocco, thumbed in 
GY P 8 , 

places. London, 1863 


703. Durcuess or C—. The Affecting History of the Dutchess of C—, who 
was confined nine years in a Horrid Dungeon under ground, where 

Y , light never entered. With folding frontispiece IN COLORS, by 
—Marks. 12mo, cloth, original wrappers preserved. 

| | Derby, circa 1820 


704. | Eacies (Rev. JoHn).] Felix Farley, Rhymes, Latin and English. By 
Themaninthemoon. With engraved title, and 2 full-page plates, all 
hand-colored at a later period. 12mo, half polished calf, gilt, gilt 

) Sv top, uncut. ; Bristol, 1826 


First and probably only edition. ‘The work has also an engraved 
title-page, on which, instead of ‘Themaninthemoon,’ there is an engraving 
intended to represent him.”—HALKETT AND. LAING. 

The author was a cleric and artist, and an extensive writer on art 
matters, valuable contributions from his pen having appeared in “Black- 
wood’s Magazine.” 


705. Earty Eneuisu Porrry. The Beggar’s Daughter of Bednall Green, as 
th Edited by Dr. Percy. With an Original Preface, also, The Children 
[3% in the Wood. Illustrated with engravings on wood, from designs 
ig by Harvey. 12mo, half morocco, gilt edges. London, 1832-1831 


706. [Ecan (Prerce).] Real Life in London; or, Rambles and Adventures 

of Bob Tallyho, Esq. and his Cousin, the Hon. Tom. Dashall, through 
—~ D the Metropolis; exhibiting a living Picture of Fashionable Char- 
/ ’ acters, Manners, and Amusements in High and Low Life. Hmbell- 


ished and illustrated with a series of coloured prints, designed and 
[Continued 


Fourth Session, Thursday Afternoon, February 6th 


| No. %706—Continued | 
engraved by Messrs. Heath, Alken, Dighton, Rowlandson, dc. 2 
vols. 8vo, full polished calf, gilt, gilt edges, BY RIVIERE. 
London, 1821-1824-1821-1829 


Engraved title of volume one, 1821, printed title, 1824. Engraved title 
of volume two, 1821, printed title 1829. Contains the plates “Tom 
and Bob Catching a Charley Napping,” (2 copies of this plate), and “St. 
George’s Day,” the former of which is not on the list of plates, the 
latter is, but is named “Levee, Carlton House.” 

A rather interesting feature in connection with the above copy is, 
that on the reverse of page IX of the Contents, is an advertisement of 
books published by Jones & Co. This page is usually blank. 


707. Eagan (Pierce). The Life of an Actor. Dedicated to Edmund Kean, 
Esq. The Poetical Descriptions by T. Greenwood. Hmbellished 
with 2% characteristic scenes IN coor, etched by Theodore Lane; 

| enriched also with several original designs on wood, executed by Mr. 

CS Thompson. Large 8vo, full crimson crushed levant morocco, richly 
tooled gilt back, dentelle inside borders, gilt edges, BY RIVIERE. 

London: Printed for C. S. Arnold, 1825 


First Eprrion. Large copy with the engraver’s and publisher’s name 
at foot of frontispiece, usually cut away. This is one of Egan’s more 
ambitious productions, the hero of which, Peregrine Proteus, is said 
to be the counterpart of Edmund Kean, the famous tragedian, to whom 
the volume is dedicated. The illustrations in color, by Lane, are well 
and sympathetically executed and doubtless aided considerably in secur- 
ing the instant popularity accorded to the work. 


708. Eagan (Prerce). Pierce Egan’s Anecdotes (Original and Selected) of 

the Turf, the Chase, the Ring, and the Stage; the whole forming 

—+, ( 3 Complete Panorama of the Sporting World. Hmbellished with 13 

/ £-~ ~*~ COLORED PLATES, designed from nature and etched by Theodore Lane. 
~ Large 8vo, full polished calf, gilt back, gilt edges, BY RIVIERE. 

London: Printed for Knight & Lacey, 1827 


First Epirion. Large and fine copy, evidenced by the fact that the 
imprint at foot of the frontispiece has good margin underneath. It is 
usually cut into. 


709. [Ecan (Prerce).| Finish to the Adventures of Tom, Jerry and Logie, 
in their pursuits through Life in an out of London. The series of 

| 36 plates IN cotor, by Robert Cruikshank. Royal 8vo, half calf, 

. Le , gilt, gilt top. [London: G. Virtue, 26 Ivy Lane, 1830] 


Complete set of plates only, no text or woodcut designs. The plates 
are good in coloring, but are not original impressions. 


710. Egan (Prerce, the Younger). The Pilgrims of the Thames, in Search 
of the National. The illustrations, designed, etched, and drawn on 
} So wood, by Pierce Egan, the younger. 8vo, half morocco, somewhat 
soiled. Not returnable. London, 1839 


First EDITION. 


aS 


Fourth Session, Thursday Afternoon, February 6th 
ne ee ee ths eee 


711. Egan (Preroz, the Younger). Robin Hood and Little J ohn; or, the 
Merry Men of Sherwood Forest. Illustrated. 8vo, half green pol- 
/Q). ished morocco, gilt back, gilt edges, By roor. 
‘ London, circa 1830 
First Epirion. Written by the son of the author of “Life in London.” 


712, EeErton Cotorep Puates. Egerton (M. Author of “Airy Nothings,” 
and collaborator with Henry Alken in the “Melange of Humour’). 
Humourous Designs. By M. E. Esq. A series of 5 plates, ALL IN 

I25~ COLORS, with descriptive text beneath, by M. Egerton, G. Hunt, 
sculp. ORIGINAL BLUE FRONT PRINTED wrapper, back, of a later 
period. Enclosed in portfolio, lettered. 

London: Thomas M’Lean, 1826 


First Epirion. A very desirable and beautiful series of colored plates, 
EXTREMELY RARE, in the above described state. 

The plates illustrate,—“Killing No Murder,” “New Way to Pay Old 
Debts,” “A Morning Call,” “A helping Hand,” and “The Feeling Heart.” 


713. EMANCIPATION; or, Peter, Martin, and the Squire. A Tale in Rhyme. 
To which is added a Short Account of the present State of the Irish 
~ Catholics. With large folding frontispiece, 1x couors, by “Lunar 

K » Caustic.” 8vo, old boards, roan back, which is worn, uncut. 
London [1808] 


This plate is much in the manner of James Gillray, the central figure 
being George the Third, with one eye to “Jlldon’s Patent Magnifying 
Papascope.” Standing nearby are other persons, undoubtedly ministers 
of state, etc. 


714. EnetisH Sones. Fairburn’s Annual Budget of Songs. With folding 
frontispiece, IN CoLoRs, of the British Flag, “The Flag that’s braved 

Q a thousand years, the battle and the breeze!.’’ 12mo, half blue calf, 
ae original wrappers preserved. : London, 1839 


715. ExuHipition or 1851. Comic Game of the Great Exhibition of 1851. 
Colored sheet, 2315 by 1834 inches, divided into 76 compartments, 

each containing one or more figures, in the centre of which is a 

As view of the Crystal Palace. Folded to square 8vo, and mounted on 
J’ linen. Oblong 8vo, cloth. London [1851] 


Included are representations of the different countries that either ex- 
hibited or attended, including “America with the veritable Jenny Lind 
Ticket which brought 600 dollars.” 


716. Fanconer (Witttam). The Shipwreck. With illustrations after West- 
| all. 16mo, full polished calf, gilt, gilt edges, By BEDFORD. 
SU: London: John Sharpe, 1826 
Pretty edition, printed at the Chiswick Press. 


717. FasHIONABLE Brocrapuy; or, Specimens of Public Characters. By A 
Connoisseur. With a Preface and Notes, Pantological and Pan- 
togelastical. With folding frontispiece IN coLors. 12mo, original 

. boards, new back, uncut. London, 1808 


Fourth Session, Thursday Afternoon, February 6th 


718. Frnissa: or, The Life and Opinions of a Kitten of Sentiment. Wath 
a series of 12 full-page illustrations IN CoLOR. 12mo, original boards, 
label on side and back, leather back, ENTIRELY UNCUT. 

/u ; London: Printed for J. Harris, 1811 


First Epitron. Attributed by William Jaggard in the “Index to Eng- 
lish Book Prices Current,” to CHARLES LAmB, no proof however being 
furnished as to the correctness of the attribution. It is not mentioned 
in any of the bibliographies of Lamb. 


719. “Fras” Dictionary. Kent (George,—Historian to the Prize Ring). 
Modern Flash Dictionary; containing all the Cant Words, Slang 

ly Terms, and Flash Phrases now in vogue . . . List of the Sixty 

' Orders of Prime Coves. With frontispiece IN COLORS (five compart- 
ments), by Findley. 16mo, new boards, original pink wrappers 
preserved, uncut. London: J. Duncombe, circa 1828 


720. Gaspry (Wint1am). ‘The Physiology of “Muffs.” With humourous — 


illustrations by Delamotte. 24mo, original printed wrappers. 
2/ : London, circa 1845 


First EDITION. 


721. GzorcE THE FourtH. A series of TEN CARICATURES, all but two IN 
coLors, relating to George the Fourth as Prince of Wales and King 
of England, with portraits of Mrs. Fitzherbert, and other noted 
personages, both male and female. Hach caricature lightly hinged 

Up on drawing paper, the whole bound in an oblong 4to, volume, three- 
quarter red morocco, lettered on the side. 

London, 1788-1829 


FINE COLLECTION. ALL ORIGINAL IMPRESSIONS. 


So! So! the Race was for a Husband. Pub May 1, 1788 by S W 


Fores Saterist No 3 Piccadilly. 

The prince is in the foreground, linked arm in arm with his 
latest “flame.” Mrs. Fitzherbert is in the background, walking 
disconsolately away. 

Tue FarrH oF TREATIES EXEMPLIFIED, or, John Bull’s last effort to 
Oblige his False Friend. Pub July 17 1794 by S W Fores No 3 
Picadilly. ; 

“To Amsterdam, Berlin, Vienna, Madrid,” are bound the repre- 
sentatives. The British Bull, loaded with debt, is charging 
soldiers with arms. 

THE Union CLuB MASQUERADE. Pubd. June Tth 1802 by S W Fores 
50 Picadilly. 

The principal characters are George and Mrs. Fitzherbert, 
nearby are gipsy revels and numerous characters, one of whom 
is William Pitt. ; 

A RAcKET aT A Rovut, or Billingsgate removed to the West. Pubd 
June 9th 1803 by S W Fores 50 Picadilly. 

George and a male friend assailed by 6 females, one, very 
portly, adorned with a miniature of Charles Stuart. 


InLustrious ILtusions, or, Fashionable Follies. Plate 3. Pubd 


March 1st 1803 by S W Fores 50 Picadilly. 

George in the midst of light refreshment, at which 2 decanters 
of wine are present, is surprised by the portly figure of Mrs. 
Fitzherbert. 

[Continued 


Fourth Session, Thursday Afternoon, February 6th 
eee eee 


[No. 721—Continued | 
THE RoyaLt Mitting Matcu. Pub Dec 1811 by S W Fores 30 
- Picadill. 

As the title indicates a “milling” is taking place. A man in 
blue coat and knee breeches is landing George a blow between 
the eyes. 

BoxIANA, or—the Fancy. Pubd. by M Jones No. 5 Newgate St. 
Octobr 4th, 1815. 

George, the principal figure has landed a blow on his opponent, 
the opponent is on the ground. Nearby are many figures, probably 
ministers, who to a more or less degree are opposed to the 
reckless expenditures of George. 

ConsucaL Fericiry in Hien Lire. Pubd 1819 by S, W Fores No. 
50 Picadilly. 

Important and scarce caricature. In two compartments, one 
of which contains George, in the uniform of an admiral, uttering 
words of tenderness to a female companion. 

A ScENE IN THE New Farce CALLED THE RIvaAts, or a Visit to the 
Heir Presumtive. London Pubd 1819 by S. W Fores 50 Picadilly. 

Important and scarce caricature. All the figures in uniform or 
court dress. Mrs. Fitzherbert is saying “I’m afraid we have 
but small chance now! our labour is all in vain.” 

An Ec tipseE lately discovered in the Georgium Sidus. “A Sharp- 
shooter fec.” London: Pub. by S. W Fores, 41, Picadilly, 1829. 


~22. GEORGE THE Fourtu. A series of THIRTEEN CARICATURES, all but three 
IN coLors, relating to George the Fourth as Prince of Wales and 

Kang of England, his public and private follies, ete. Each cari- 

cature lightly hinged on drawing paper, the whole bound in an 

oblong 4to, volume, three-quarter red morocco, lettered on the side. 

London, 1805-1821 


“LO ) FINE COLLECTION. ALL ORIGINAL IMPRESSIONS. Comprising,— 
Non Mi Ricorpo, the Captain of the Gang. Unsigned and undated. 
Trial proof, the title written in ink,. presumably by the artist. 
DISAPPOINTED DANDIES, or a vain Attempt to get a peep at the fair 
Circassian. Pubd by Fores 50 Picadilly. 

George in dress uniform, wearing the order of the garter, is 
imploring two colored attendants to “let me have a peep, and you 
shall be the keepers of my Harem.” 

‘THE Dispute. To Be or Not to Be a Protestant. Pubd Jany 9th 
1805 by S. W Fores 50 Picadilly. 

Mrs. Fitzherbert is proclaiming in a loud voice that she has 
the right to take care of a sorrowing female, seated on a sofa, 
and who probably represents Miss Mary Seymour, daughter of 
Lady Horace Seymour, stating “do I not Rule the Roast.” 

A GERMAN PRESENT, or The Lovers Token. Pubd April 1806 by S. W 
Fores No 50 Picadilly. 

George in dress uniform, his gouty leg on a stool is addregs- 
ing Princess Charlotte, who is being addressed by a German, 
probably Leopold of Saxe-Coburg, who is offering a token of 
friendship in the shape of a German sausage. 

AN APPEAL TO Britons. Pub Aug 23 1820 by S W Fores, 41 Picadilli. 

The principal figure is the much loved Princess Charlotte, 
daughter of George the Fourth. 

Nero FippLeED when Rome was Burning. Pub Oct 11 1820 by S W 
Fores 41 Picadilli. 
[ Continued 


“*% 


Fourth Session, Thursday Afternoon, February 6th 
ci aii MITES 


[No. %722—Continued | 

George as the fiddler plays, while the bill for his personal 
and other expenses mounts higher and higher. 

King State tue CucKkoLtp endeavouring to trample on the people 
; with one foot. Pub Dec 26 1820 by S W Fores 41 Picadilli. 
The king is in a cradle; the “nurse,” Mrs. Fitzherbert, is say- 

ing “hush my babe lie still & slumber ’tis Eliza guards thy 
bed.” 

Tire TRIUMPH oF INNOCENCE over Perjury, Persecution & Ministerial. 

Pub Nov 6 1820 S W Fores 41 Picadilli. 

~ Queen Caroline seated in the coronation chair, attired in royal 
-robes, wearing crown, the fallen ministers of state beneath her 
feet. 

A Private Appress or Address to the Sun. Pub Oct 20 1820 by S W 

Fores 41 Picadilli. 

The king standing on a globe, covering that part represented 
by England is calling to the sun “To Thee, To Thee, I call.” 
The sun is Queen Caroline. 

Tur RoyvaL GREEN Bag or another Ministerial Scare Crows. Pub 

June 10 1820 by*S W Fores 41 Picadilli. 

A minister holding a green bag on which are the royal arms 
of England, much to the dismay of ministers and others present. 

Tis UNEXPECTED Visit or more free than Welcome. Pub June 17 

1820 by S W Fores 50 Picadilli. 

The king and a female companion are paid an unexpected visit. 
FALSTAFF AND His Raccep Crew or the Contents of the Green Bag 
in Propria Persona. July 20 1820 by S W Fores 41 Picadilli. 

The king and his ministers confronted by the queen, one of the 
ministers bearing the “green bag” which was “supposed to be 
filled with horrifying evidence of culpable behaviour.” 

Ecce Stgnum or Non mi Recordos Visit to the fat good looking Gen- 

tleman in Pall Mall. Pub Oct 10 1820 by S W Fores 41 Picadilli. 

The king is seated on a chair, on the walls are portraits of 
females in ultra evening attire. 

ADULATION or a Coronation Oration. Pubd July 1821 by Fores 

Piccerdilli. 

The king seated in state chair, hearing plea of George Canning, 

with Lord Castlereagh and others nearby. 


“93 GEoRGE THE FourtH. Conorep Caricature. The Effects of the New 
Administration—or—Civil and Religious Liberties in Danger!!! 
ye SD “Robert Cruikshank invt &: fecit 5 Lownde Terrace Knightsbridge.” 
SS = Pubd May 1827 by Hunt corner of York Street Covent Garden 
London. Size, 914% by 14 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. 
Partisans of two bishops pulling in opposite directions; George IVth — 
in centre pulling the nose of one of them. A figure in the clouds says, 
“Dear George, you must be decided and maintain with manly firmness 
the prerogative of the Crown.” In the lower corner, the Holy Inquisi- 
tion is seen at work. 


724. Grorcr THE Fourru. Cotorep CartcaturE. The Regents Harmonica 

or—Monopoly a Catch for 21 Voices with a Royal Base. Unsigned. 

50 London, March 1820 Pubd by S. W. Fores 111 Piccadilly. Size, 
RS 9 by 15 inches. Matted. 

Similar to the work of Robert Cruikshank. George IVth is seen play- 
ing the violoncello, besides him stands G. Canning playing the violin, 
and the Prince of Wales playing the flute; John Philip Kemble is 
standing by the piano and singing; several other notables are caricatured. 


Fourth Session, Thursday Afternoon, February 6th 


JAMES GILLRAY 


A collection of colored caricatures satirical of the social and political 


abuses of reign of George the Third 


[ Numbers 725 to 746, inclusive | 


+25. GILLRAY (JAMES). Caricatures. The Works of James Gillray, from 


MG, 


the Original Plates, with the Addition of many Stbjects not before 
collected. 3 vols. (2 Atlas folio, and one 8vo volume of text), 
half red morocco, gilt, bindings rubbed, one plate torn. 

London: Henry G. Bohn, wndated and 1851 


Complete Set,—(1) The Works, containing 579 plates; (2) The Volume 
of SUPPRESSED PLATES, 45 in number (seldom found with the works); (3) 
The Volume of Text—“Historical and Descriptive Account of the Cari- 
catures of James Gillray,’ by Thomas Wright and R. H. Evans, Lon- 
don, 1851. 


726. GILLRAY (JAMES). CarIcATURES IN Cotor. <A collection of Nineteen 


Cy 


Caricatures IN coLor, by James Gillray. All mounted on drawing 
paper, the whole bound in a small folio volume, full red straight- 
grained morocco, red silk linings, gilt top. A number of the margins 
of the plates cut close. London, 1795-1809 
ORIGINAL IMPRESSIONS, MAINLY BRILLIANT IN COLORING. Includes an 
unusual number of highly important Political Caricatures, a number of 
which are folded. Comprises,— 
PATRIOTIC REGENERATION,—Viz.—Parliament Reform’d a la Francoise. 
[March 2, 1795.] Wright and Evans, No. 118. 
Pitt is at the bar of the court, with a halter round his neck 
accused by Lord Stanhope of treason. Contains portraits of 
Fox, Sheridan, and others. 
DISCIPLINE A LA Kenyon. Pubd, March 25th, 1797, by H. Humphrey, 
New Bond & St. James’s Street. Wright and Evans, No. 424. 
Lord Kenyon whipping Lady Buckinghamshire, through the 
streets of London, with Lady Archer and Lady Mount in the 
pillory. The three formed the most notorious fashionable gam- 
blers of their day. * 
Capt. TOWNSEND. 1800, Publish’d May 19th, by H. Humphrey, St. 
James’s Street. Inscription cut away. Wright and Evans, No. 
476. 
Portrait of Captain Samuel S. I. Townsend, Grenadier Guards, 
one of the regular promenaders in St. James’s Street. 
THE CoMFoRTS oF A RuMForD Stove. Pubd. Jue 12th, 1800 by H. 
Humphrey 27 St. James’s Street. Wright and Evans, No. 459. 
Portrait of Benjamin Thompson, Count Rumford, celebrated 
natural philosopher and economist, born at Woburn, Mass. 1752 
or 1753. His name is linked with Benjamin Franklin as “. : 
a matter of just national pride that the two men who first 
demonstrated the capital propositions of pure science 
were... Americans by birth and education.” 
THE WoRN-OvT PatTrRIOT; or, the last Dying Speech of the Westminster 
Representative. Publishd October 13th, 1800, by H. Humphrey, 
27 St. James’s Street. Wright and Evans, No. 255. 
[Continued 


Fourth Session, Thursday Afternoon, February 6th 
pena ic tlacebcidn cab ici 2 ican ae 


[No. %726—Continued | 
The principal character is Charles Fox, who is depicted as 
the “worn-out patriot, making his last dying ‘speech to the 
electors of Westminster.” 

PoLiTIcCAL AMUSEMENTS FOR YOUNG GENTLEMEN. Publish’d March 
15th, 1801, by H. Humphrey, 27 St. James’s Street. Wright and 
Evans, No. 259. 

Extremely important,political caricature. Lord Camelford and 
Lord Temple are playing Battledoor and Shuttlecock in St. 
Stephen’s Chapel, the shuttlecock being Horne Tooke’s head. — 

MENTAL Enerey. London Publish’d April 13th, 1801 by H. Humphrey 
No. 27 St. James’s Street. Wright and Evans, No. 509. 

Full length portrait of Lord Clare, Irish statesman. 

CoRPOREAL STAMINA. London, Publish’d April 13th, 1801 by H. 
Humphrey, No. 27 St. James’s Street. _Wright and Evans, No. 
468. 

Full length portrait of Lord Cholmondeley. 

THe RECONCILIATION. Pubd. Novr. 18 1804 by S W Fores No. 50 

. Piccadilly. Wright and Evans, No. 302, 

The reconcilation of the prince of Wales with his royal father. 
Portraits of George III., his Queen, Pitt, Lord Moira, ete. 

A GREAT STREAM FROM A Perry FountTAIN ;—or—John Bull swamped 
in the flood of new Taxes. No imprint. [May 9th, 1806.] 
Wright and Evans, No. 313. 

Portraits of Lord Moira, Fox, Windham, Horne Tooke, Sheri- 
dan and others. Lord Henry Petty is represented as a fountain 
head set in a wall, from his mouth flows a stream of new taxes. 

VISITING THE Sick. Pubd. July 28th 1806 by S W Fores No 50 
Piccadilly, London. Wright and Evans, No. 319. 

Fox is raised up in a great arm chair, his swollen legs in- 
dicating the last stages of dropsy. He is surrounded by his old 
friends, Mrs. Fitzherbert, the Prince of Wales, and others. 
Gillray’s bitter party feeling against Fox would not allow him to 
pass over the dying moments of the great statesman. 

Patriots DEcrDING A Point oF Honor. Pubd. May 4th 1807, by H. 
Humphrey 27 St. James’s Str. Wright and Evans, No. 331. 

A representation of the duel between Burdett and Paull, arising 
out of the Westminster Election dispute. It was fought at Combe 
Wood, near Wimbledon Common, May 2nd, 1807. 

PaNpoRA OPENING Her Box. Publish’d Feb. 22nd, 1809—by H. 
‘Humphrey 27 St. James’s Street. Wright and Evans, No. 352. - 

Extremely important Gillray caricature. “Pandora” (Mrs. 
Mary Ann Clarke, mistress of Frederick, Duke of York), is stand- 
ing at the bar of the Commons, having ‘just taken off the “Cover 
of Infamy” from the “Opposition Stink Bow.” 

On the ist of February, in all the pride and bloom of beauty, 
this lovely Thais stood at the bar of the House; her appearance 
created great sensation. Many a Member doubtless longed “to 
take a leap at her lips.” 

AND OTHER CARICATURES OF IMPORTANCE. 


727. GrttraAy (JAMES). CaricaTURES IN CoLor. Habits of New French 
_. Legislators and other Public Functionaries. A series of twelve col- 
paid ored caricature portraits of notables of the day. Each plate with 
: name of character added in pen- -and-ink. Mounted on separate — 
[Continued 


Fourth Session, Thursday Afternoon, February 6th 


[| No. 727—Continued | 


leaves, and bound in one vol. 4to, half red levant morocco, lettered 
up back, BY MORRELL. 
[London : | Published by H. Humphrey, April 18th—May 21, 
1798 


ORIGINAL IMPRESSIONS, COLORED. 

The complete series of plates (Wright and Evans, Nos. 185 to 196, 
inclusive) illustrating costumes of the Court Party in England, which 
were supposed to have been taken over in imitation of the French Revo- 
lutionists, the National Convention of France having flattered the French 
revolutionary statesmen under the Directory by appointing a special 
costume for the different Officers of State. This series comprises,— 

No. 1. Le MINISTRE p’Hrat, EN GraND CostuME. Portrait of Charles 
Fox. 

. Les MEMBRES DU CONSEIL DES ANCIENS. Portraits of the 
Duke of Norfolk, Lord Landsdown, and the Duke of 
Grafton. 

No. 3. Les MEMBRES DU CONSEIL DES CINQ Cents. Portraits of Sir 
John Sinclanr, M. A. Taylor, Lord Derby, Lord Lauder- 
dale, and Lord Stanhope. 

4. MEMBRE DU DIRECTOIRE Extcutir. Portrait of the Duke of 
Bedford. 

5. PritsipENT p’ADMINISTRATION MUNICIPALE. Portrait of the 
notorious agitator—John Horace Tooke. 

No. 6. Le Bourravu. Portrait of Mr. Tierney. 
7 
8 


bo 


No. 


No. 


No. . L’AVOCAT DE LA REPUBLIQUE. Portrait of Thomas Erskine. 
No. . MEMBRE DE LA HAUTE Cour DE Justice. Portrait of Sir John 
Shuckborough. : 
No. 9. JUGE DU TRIBUNAL CORRECTIONNEL. Portrait of Mr. Courtney. 
No. 10. JuGE bE Parx. Portrait of Mr. Nichols. 

‘No. 11. Le Tresorrer. Portrait of Sir William Pultney. —- 

No. 12. MrssacGer D’Etat. Portrait of Sir Francis Burdett. 


728. Gintray (James). Caricatures iv Conor. United Irishmen upon 


28 


Duty; United Irishmen in Training. Both plates are unsigned. 
The first bears publisher’s line, with date “June 12, 1798;” the 
second, the same line, but with date “June 138, 1798.” Size of each, 
74 by 1014 inches. ‘Bound in one vol. oblong 4to, three-quarter red 

levant morocco, lettered up back and on front cover. 
| London:| H. Humphrey, 1798 


FINE IMPRESSIONS, CoLorED. Wright and Evans, Nos. 204 and 205, 
where the date of the “United Irishmen in Training” is given as “June 
12, 1798.” 

These two plates illustrate the Irish Rebellion of 1798. The first 
plate is a sequel of the second. It is an exaggerated picture of the 
horrors which were expected to attend the sanguinary Rebellion of 
1798. French Revolutionary principles are here brought into full play. 
VERY SCARCE. 


729. GILLRAY (JAMES). CARICATURES IN Coton. New Morality; or, The 


//, 


promis’d Installment of the High Priest of the Theophilanthropes, 
with the Homage of Leviathan and his Suite. Boru sTATEs OF THE 
PLATE, COLORED AND IN BROWN. Each, 24 by 1084 inches, folded 

° [Continued 


Fourth Session, Thursday Afternoon, February 6th 


[| No. 729—Continued | 
and backed with linen, and bound in a small 4to, volume, half red 
morocco, lettered on back. 
London: Published August 7th (and August 27th), 1798, by 
J. Wright, N. 169 Piccadilly for the Anti-Jacobin Maga- 
zine & Review 


Nor IN WRIGHT AND EvANS. FINE IMPRESSIONS OF BOTH STATES. The 
plate is a most elaborate composition, on which are represented many 
persons holding extreme views. Charles Lamb and Lloyd appear as a 
toad and frog; Southey and Coleridge as asses; Tom Paine as a crocodile 
wearing corsets. They are all easily identified by the books and tracts 
they hold. 


730. Gittray (JAMES). CARICATURES IN Cotor. A collection of Ten Cari- 
catures IN coLor, by James Gillray. All mounted on drawing paper, 
the whole bound in a folio volume, half crimson morocco, lettered 
on back and side, BY ROOT. London, 1800 


ORIGINAL IMPRESSIONS, BRILLIANT IN COLORING. Comprises,— 

GERMAN-LUXxURY,—or—Repos a l’Allemande. Publishd, Jany. 12th, 
1800, by H. Humphrey, 27, St. James’s Street. Wright and Evans, 
No. 444. & 

Satirical conception regarding the German Legion, on the walls 
is a portrait of Frederick the Great. 

So Sxirry-Sxiet On, with his wonted grace. Pubd Feby 1st 1800, 
by H. Humphrey, 27 St. James’s Street. Wright and Evans, 
No. 472. 

Portrait of Sir Lumley Skeffington, celebrated fop and play- 
wright, ironically commemorated by Byron in his “Hnglish Bards 
and Scotch Reviewers” for his “Skirtless Coats. and Skeletons 
of Plays.” 

CoMForT TO THE CorNS. Pubd. Feby, 6th. 1800 by H. Humphrey, 27 
St. James’s Street. Wright and Evans, No. 486. 

An excellent example of Gillray’s best attempt at the bur- 
lesque. 

Tur MAN oF FEELING, in search of Indispensibles. Pubd. Feb. 12th 
1800, by H. Humphrey, 27 St. James’s Street. AN EXCEEDINGLY 
RARE EXAMPLE OF GILLRAY’S WORK, UNKNOWN TO WRIGHT AND 
EVANS. 

Tue New SpEAKER . . . between the Hawks & Buzzards. Pubd. 
Feby. 15th, 1800—by H. Humphrey, 27 St. James’s Street. Wright 
and Evans, No. 253. 

Portrait ‘of Michael Angelo Taylor, perhaps best remembered 
as the author of the Act known as “Michael Angelo Taylor’s 
Street Act.” 

THE APPLES AND THE Horse-T .. .; or, Buonaparte among the 
Golden Pippins. Pubd. Feby. 24th, 1800, by H. Humphrey, 27 St. 
James’s Street. Wright and Evans, No. 296. 

A parody on the old fable, composed soon after the elevation 
of Napoleon to the office of First Consul. 

A Stranpine-DisH AT Boonies. Pubd. May 28th, 1800 by H. Hum- 
phrey, 27 St. James’s Street. Wright and Evans, No. 464. 

Portrait of Sir Frank Standish. . 

GEORGEY IN THE CoaAL-HoLte. Published 1st, 1800, by H. Humphrey 
27 St. James’s Street. Wright and Evans, No. 463. 

Portrait of Colonel George Hanger, hanger-on of the Prince 
of Wales, and who served throuehes the War of the Revolution. 

[Continued 


GE 


} > 
i~ 


[ No. 


Fourth Session, Thursday Afternoon, February 6th 


730—Continued | 


During the siege of Charlestown he acted as aide-de-camp to 
Sir Henry Clinton. He was the author of the remarkable 
prophecy, that “one of these days the northern and southern 
powers [of the United States] will fight as vigorously against 
each other as they both have united to do against the British.” 
THE Worn-Ovt Parrior ;—or,—The Last Dying Speech of the West- 
minster Representative. Published October 13th, 1800, by H. 
Humphrey, 27 St. James’s Street. Wright and Evans, No. 255. 
The principal character is Charles Fox, who is depicted as the 
“worn-out patriot, making his last dying speech to the electors 
of Westminster.”’ 
VENUS ATTIRED BY THE Graces. Publish’s Decr. 8th 1800 by H. 
Humphrey, St. James’s Street. Wright and Evans, No. 496. 
A satire on some vulgar fashionable of the commencement 
of the nineteenth century. 


731. Gittray (JAMES). CaricaTurES IN Cotor. A Collection of sixteen 


yay 


Colored Caricatures by James Gillray, representing varieties of 
Weather and Sensations. Interleaved with protecting papers. 
Bound in one vols. 4to, three-quarter crimson levant morocco, let- 
tered up back. London: Published by H. Humphrey, 1800-1808 


my AN IMPORTANT COLLECTION OF BURLESQUE PORTRAIT SKETCHES PORTRAY- 
=~“ ING THE ABOVE SUBJECTS. 


The series of pictures of the weather are all signed, and are listed 
in Wright and Evans under items Nos. 553 to 559. They include the 
complete series, with one additional plate, not mentioned by Wright 
and Evans, as follows,— 

FINE Bracinc WEATHER. Publish’d Feby 10th 1808. 

Winpy WEATHER. Publish’d February 10th, 1808. 

Wer Unper Foor. Publish’d February 10th, 1812. This plate is not 
signed and is not listed in Wright and Evans’ Bibliography. It 
is very similar to the work of Gillray. 

DELICIOUS WEATHER. Publish’d February 10th, 1808. 

DREADFUL Hort WEATHER. Publish’d February 10th, 1808. 

Sap Stoppy WEATHER. Publish’d February 10th, 1808. 

Raw WeartTuHer. Publish’d February 10th, 1808. 

VERY SLIppy WEATHER. Publish’'d February 10th, 1808. This 
plate shows a view of the shop of Humphrey, the Publisher, 
with the crowd usually assembled in front of the window, view- 
ing the caricatures. 

The following plates contain portrait sketches illustrating various 
sensations. They are not signed, but were etched by Gillray, 

TAKING Puysick. Publish’d Feby 6th, 1800. Wright and Evans, 
No. 481. 

BREATHING A VEIN. Publish’d Jany 28th, 1804. Wright and Evans, 
No. 483. 

GENTLE Emetic. Publish’d Jany 28, 1804. Wright and Evans, No. 
482. 

CHARMING WELL AGAIN. Publish’d Jany 28, 1804. Wright and Evans, 
No. 484. 

Brisk CatHuartic. Publish’d Jany 28, 1804. Not listed by Wright 
and Evans. 

Fast Asteep. Publish’d Novr 1st 1806. Wright and Evans, No. 
561. 

Wipe AWAKE. Publish’d November 1st 1806. Wright and Evans, 
No. 562. 

ComFrort TO THE CorNS. Pubd. Feby 6, 1800. “Js. Gillray invt. & 
fect... Wright and Evans, No. 486. An excellent example of 
Gillray’s best attempt at the burlesque. 


Fourth Session, Thursday Afternoon, February 6th 


732. Gittray (JamEs). Caricatures tn Coxors. Gillray (James). The 


Caricatures of Gillray; with Historical and Political Hlustrations, 
and Compendious Biographical Anecdotes and Notices. Parts I to 
IX [all published?] Illustrated with 82 colored etchings of exceed- 
ingly humorous character, on %9 plates. Oblong 4to, IN THE NINE 
ORIGINAL PARTS, WITH ALL WRAPPERS. Several parts rebacked, others 
with original leather backs. Enclosed in red morocco and cloth case, 
with hinged cover, lettered on front and back. Old initials on one 
cover. 

London: John Miller and Rodwell & Martin, and William 

Blackwood, Edinburgh circa 1800-1806 


FrRoM THE CHARLES COOPER TOWNSEND COLLECTION. 

ORIGINAL EDITION, AS ISSUED. OF GREAT RARITY, ONE OF ONLY A FEW 
COPIES EXTANT IN PARTS AS ABOVE. PERHAPS THE MOST PERFECT COPY TO 
APPEAR FOR PUBLIC SALE IN AMERICA. The Prospectus on reverse of back 
wrapper reads in part,—‘This work will contain all the best designs of 
this celebrated caricaturist, and will be published in monthly parts, each 
part to containe Nine Coloured plates.” On the reverse of the back wrap- 
per of Part IX, the statement is made that—“Part X. will be published 
on the First of January.” It is doubtful whether many plates were is- 
sued after the above mentioned nine parts, although two copies have 
appeared in the London auction mart with ninety plates, which would 
seem to indicate that.another number (Part X) must have been issued. 

A work of great interest, containing some of the best caricatures of 
this celebrated artist, based upon the exploits of the Royal Family of 
Great Britain, the nobility, the Ministry and all sorts and conditions 
of men, including many fine caricatures of George III. and Napoleon, 
among them being,—The King of Brobdingnag and Gulliver (both plates) ; 
Tiddy-Doll the Great French Gingerbread Baker; Buonaparte Leaving 
Hgypt; The Valley of the Shadow of Death, The Spanish Bullfight (and 


other Napoleonic plates) ; Connoisseurs examining a Collection of George 


Morlands, and many others, all of which are freely ridiculed by this 
daring censor. 


This issue is much more valuable to the student of the social and : 


political history of England of the period, than the atlas folio edition, 
as the letter-press explaining the plates accompanies the item here cata- 
logued. 


"33. Git~RAY (JAMES). CARICATURE IN CoLors. A Phantasmagoria:— 


3 


"34, Gittray (James). CaricaTurB IN Cotor. Political Candour;—i. e— 


“a 2°77) 
250 
a> Ee” 


Scene—Conjuring-up an Armed Skeleton. “Js. Gillray wmvt. & 
fect.” Pubd Jany 5th 1803, by J. Gillray, 27 St. James's Street. 
Size, 13 by 984 inches. Matted. 

ORIGINAL IMPRESSION, CoLorED. Wright and Evans, No. 272. | 

An excellent satire on the Peace proposals. Lord Addington, Wilber- 
force, Hawkesbury and Fox, dressed as witches, are boiling down the 
British lion, and their incantations raise from the mystic pot, the skeleton 
of Britannia. The French cock is sitting on the head of the British lion. 


Coalition—“Resolution” of June 14th 1805. “Js. Gillray invt. & 
fect.’ Publishd June 21st 1805, by H. Humphrey 27 St. James's 
[Continued 


ee ee 
ie aS 


Fourth Session, Thursday Afternoon, February 6th 


[No. 734—Continued | 


Street London. Size, 1314 by 1034 inches. Matted. Slight tear at 
upper right-hand corner. 


ORIGINAL IMPRESSION, CoLoreD. Wright and Evans, No. 305. 

Fox represented as addressing the House, and acquitting Pitt of the 
charge of personal corruption. Pitt is delighted with the generous testi- 
mony of his rival; other characters are those of Lord H. Petty, Tierney, 
Erskine, Sheridan, Wilberforce, Windham and Grey. 

In this plate, Pitt appears for the last time, in the series of caricatures 
by Gillray. 


735. GILLRAY (JAMES). CARICATURE IN Coton. The Wounded Lion. Un- 


- signed. Pubd. July 16th 1805, by H. Humphrey, 27 St. James's 


Street. Size, 914 by 14 inches. Matted. 


ORIGINAL IMPRESSION, CoLorED. Wright, and Evans,’ No. 303. 

Htched by James Gillray. Wright says that, “the conception of this 
plate is remarkably happy. The subject is the Impeachment of Lord 
Melville for making use of the Public Money for his own private ac- 
commodation, while he held the office of Treasurer of the Navy.” 

Lord Melville in the shape of a lion is lying on the ground, wounded 
by the discharge from a piece of ordinance fired by Lord St. Vincent, 
concealed behind a tree; Grey represented as a serpent, Fox in the char- 
acter of his four-footed name-sake, Kinnaird as a wolf-dog, Lord Sid- 
mouth depicted as an ass, his brother-in-law Bragge and _ his brother 
Addington, also represented as asses; Britannia is sitting under a tree. 


736. GILLRAY (JAMES). CarrtcATURE IN Cotor. La Diable-Boiteux,—or— 


et 


The Devil upon Two Sticks, conveying John Bull to the Land of 
Promise. “Js. Gillray invt & fect.” Publishd Feby 8th 1806 by 
H. Humphrey—2t St. James's Street London. Size, 13 by 914 
inches. Matted. 


ORIGINAL IMPRESSION, CoLorRED. Wright and Evans, No. 307. 

Fox, as the Diable Boiteux, is soaring through the air: his head is 
Surrounded by the Prince of Wales’s feathers, he is carrying Lord Sid- 
mouth under his left wing and Lord Grenville under his right wing. 
He is calling to John Bull, who is holding to his cloak, “Come along, 
Johnny, take fast hold of my cloak.” 

Fox’s coalition with Lord Grenville led to the Broad-Bottom Admini- 


| 


stration, which was completed February 3, 1806. 


(37. GILLRAY (JAMES). CaricaTURE IN Cotor. Making-Decent;—i. e.— 


RSI 
em 


Broad-bottomites getting into the Grand Costume. “Js. Gillray 
mvt & fect.” Pubd Feby 20th 1806—by H. Humphrey—No 27 St. 
James's Street—Size, 914 by 131% inches. Matted. 


ORIGINAL IMPRESSION, COLORED. Wright and Evans, No. 310. 

Gillray represents the new Ministers (Whigs) as having been so long 
out of office, that they were unprepared for appearance at Court. The 
parties caricatured are,—Fox, who is shaving before a glass; Grey, 
cleaning his teeth; Lord Sidmouth, whose countenance is partially ob- 
scured by a snuff-box; Lord Moria, nearly dressed in his regimentals: 
others are,—Lord Grenville, Lord Erskine, Lord Henry Petty, and the 
Duke of Bedford. 

Wright says that “the conception of this print is remarkably clever 

but the idea is carried out with so much playfulness and good 

humor that the parties caricatured must have themselves joined heartily 
in the laugh.” 


Fourth Session, Thursday Afternoon, February 6th 


738. Gintray (JAMES). CARICATURE IN COLOR. More Pigs than Treats,— 
or—the new Litter of hungry Grunters, sucking J ohn-Bulls-Old-Sow 
to death. “Js. Gillray invt. & fect.” Pubd March 5th 1806, by H. 
, Humphrey 27 St. James's Street—London. Size, 914 by 13% 
inches. Matted. 


ORIGINAL IMPRESSION, CoLoreD. Wright and Evans, No. 311. 

A satire on the numerous new mouths which, by the accession of the 
Whigs to power, were to be added to those which already pulled so 
greedily at John Bull’s purse. John appears in the background, in great 
alarm at the eagerness of his numerous brood. 


739. Giutray (JAMES). CARICATURE IN CoLor. A Tub for the Whale! rep- 

resenting an Empty Barrel tossed out to amuse the great Leviathan— 

John, Bull, in order to divert him from instantly laying violent 

L hands upon ye new Coalition Packet. “Js. Gillray invt. & fect.” 

2-,  Pubd March 14th 1806 by H. Humphrey 27 St. James's Street. 
Size, 9 by 1334 inches. Matted. - 


FINE IMPRESSION OF THE ORIGINAL COLORED. Wright and Evans, No. Sic 

A satire on the Broad-Bottoms, whose ship is wafted forward by the 
favor of the Prince of Wales, while they are obliged to throw out an 
empty cask, supposed to represent the promises of the Whigs, in order 
to amuse the great leviathan of public opinion. The broom at the mast- 
head indicates that the boat is to be disposed of. 


740. Giutray (JAMES). CARICATURE IN COLor. The Bear and his Leader.— 
“Js. Gillray fect.” Pubd May 19th 1806, by H. Humphrey 27 St. 
James’s Street. Size, 91% by 181% inches. Neatly matted. 


-) ORIGINAL IMPRESSION, ConoreD. Wright and Evans, No. 317. 

ve } Fox is represented as a bear, muzzled and chained, led by his master, 
Lord Grenville, the latter has cudgel marked, “Cudgel for disobedient 
Bears... He calls out, “Don’t be afraid of my Bear. . . I have tamed 
and muzzled him.” Lord Sidmouth enacts the part of a blind old fiddler ; 
Lord Petty, as a monkey, holds the bear’s tail. 

“The insinuation intended to be conveyed by Gillray in this print 
is that Fox having owed his introduction to office to Lord Grenville... 
was thereby reduced to subordination to that Nobleman.”—WRIGHT AND 
EVANS. 


741. Grutray (JAMES). CARICATURES IN COLOR. The Rake’s Progress at the 
University. THE COMPLETE SERIES OF FIVE CARICATURES, IN COLOR, 
by James Gillray. Oblong folio, half crimson morocco, lettered on 

fe. back and side, BY ROOT. London, 1806 
~ right and Evans, Numbers, 545-549. 
It is seldom that a complete set in original impressions of this at- 
tractive series of caricatures is offered for public sale. 
(1) THe RAKE’S PROGRESS AT THE UNIVERSITY. 
“Ah me! what perils doth youth encounter 
Who dares within the Fellow’s bog to enter.” 
(2) THE RAK®’S PROGRESS AT THE UNIVERSITY. 
“Ah me! that thou the Freshman’s Guide should’st read, 
Yet venture on the hallowed grass to tread.” 
(3) THE RAKE’S PROGRESS AT THE UNIVERSITY. 
“The Master’s wig the guilty wight appals 
Who brings his dog within the College walls.” 
[Continued 


s 


Fourth Session, Thursday Afternoon, February 6th 


[No. 741—Continued | 

(4) THE RAKE’S PROGRESS AT THE UNIVERSITY. 
“Hxpulsion waits that son of Alma Mater 
Who dares to shew his face in boot or gaiter.” 

(5) Tur RAKE’S PROGRESS AT THE UNIVERSITY. 
“Convened for wearing gaiters, sad offence! 
Expelled, nor e’en permitted a defence.” 

Inscription on all reads,—Publishd. October 22d 1806—by H. Humphrey 
No. 27 St. James’s Street, London. 


742. GILLRAY (JAMES). CARICATURES IN Cotor. History of the Westminster 
and Middlesex Elections; in the Month of November, 1806. Wath 
, folding caricature IN coLor, by James Gillray. 8vo, boards, roan 
é , back, slight repairs to back of plate. London, 1807 
Wright and Evans, No. 329. “This is one of Gillray’s happiest con- 
Selena Contains portraits of Sir Samuel Hood, Sheridan, Cobbett, and 

others. 


743. Gintray (JAMES). CARICATURE IN Cotor. An Old English-Gentleman 
pester’d by Servants wanting Places. “Js Gillray inv. & fect.” 
Pubd May 16th 1809—by H. Humphrey 27 St James’s Street. Size, 
av 10 by 1414 inches. Matted. 


ORIGINAL IMPRESSION, CoLoreD. Wright and Evans, No. 355. 

George III. surrounded by a host of applicants for places, including, 
Lord Grenville, the Marquis of Buckingham, Lord Grey (depicted as 
a Grey-hound) with his paws on the Duke of Portland; other characters 
are, Sheridan, Canning, the Duke of Bedford, Lord Moira, Lord Sidmouth, 
etc. 


744. Grttray (JAMES). CARICATURE IN Cotor. An Old English-Gentleman 
Pester’d by Servants wanting Places. Signed on the plate,—"J/s 

») Gillray inv. & fect.’ Pubd May 16th 1809—by H. Humphrey 27 
as St. James’s Street. Size, 10 by 14 inches. Matted. 


ORIGINAL IMPRESSION, CoLoRED. Wright and Evans, No. 355. | 

George IIIrd followed by the Duke of Portland and Perceval, looking 
at the members of the late Ministry—Lord H. Petty, Whitbread, Temple, 
Sidmouth, Grenville, Buckingham, Windham, Moira, Erskine, and the 
Duke of Bedford, who are asking to be engaged. The king prefers his 
old servants. Burdett and Cobbett are kept at the door by Townshend ; 
Lords Castlereagh and Liverpool with Canning are seated in a gallery, 
writing. 


745. Grt~ray (JAMES). CARICATURE IN Cotor. Patriotic Petitions on the 
Convention. “Js. Gillray inv. & fect.” London, Publish’d by H. 
Humphrey. 2% St. James's Street. Size, 1014 by 16 inches. Matted. 


» SU 
‘e - ORIGINAL IMPRESSION, CoLoreD. Wright and Evans, No. 350. 
A satire on the addresses presented to the King, condemning the Con- 
vention made at Cintra, by which the French were enabled to evacuate 
Portugal unmolested. 
The print is divided into four compartments, lettered,_—_THE COCKNEY 
Petition !; THE WESTMINSTER PETITION !; THE CHELMSFORD PETITION ; THE 
MIDDLESEX PETITION. 


Fourth Session, Thursday Afternoon, February 6th 


746. GittRay (James). Caricatures tx Cotor. The Life of William Cob- 
bett,—written by himself. THE COMPLETE SERIES OF EIGHT CARI- 
CATURES IN CoLor, by James Gillray. Folio, enclosed in cloth port- 
folio, lettered on side. London, 1809 - 

Wright and Evans, Nos. 358-365. 
AN EXTREMELY IMPORTANT SERIES, ESPECIALLY WHEN COMPLETE AS ABOVE. 
“This series of bitter satirical prints against the grand radical of the 
day are parodies on the autobiographical sketch in his own Register... 
They need little further explanation than that given in the inscriptions 
beneath each plate, the first of which represents the pretended amuse-— 
ments of his childhood.”—-WriIGHT AND EVANS. 
(1) Tue Lire or Wi11am Cossett. Father kept the sign of the 
Jolly-Farmer at Farnham. 
2 : (2) Tue Lire or Witit1AmM Cossett. As I shop into a hobbledehoy, 
J ante: I took to driving the Plow for the benefit of mankind. 
-_ This scene represents him flying from embarrassments, 
and enlisting as a soldier. 


-(3) Tue Lire or Wit11amM Cosppetrt . . . arrived in safety . . 
being a Scholard . . . appointed to teach the Officers their 
duty—found them all so damnably stupid. — 

(4) Tue Lire of WILLIAM CopBett . . . I was now made Sarjeant- 
Major and Clerk to the Regiment . . . purloined and copied 


such Documents as promised to be serviceable . . . Dis 
organize the Army. x 

(5) Tue Lire or WILLIAM COBBETT . . . my next step was to pro- 
cure a Discharge from my ever lamented associate the Lord 
Edwd. Fitzgerald. 

(6) Tue Lire oF WiLtiaAM CoBBETT . . . the Court-Martial was 
assembled at Chelsea . . . when—blast my eyes, I saw the 
whole of that damn’d 51st Regiment . . . I instantly ran t 
a boat which I had Providentially secured. ; 

Relative to his flight to America. 


(7) Tue Lire or Witt1aM Copsett . . . I did not look behind 
me... 1 fled to AMeErRicA, there I offered to become a Spy 
for my most gracious Sovereign . . . I contented myself 


with Plundering & Libelling the Yankees, for which I was 

fined 5000 dollars and was kicked out of the country. 
(8) Tue Lire.or WILLIAM CoppeTT ... . but alas in the midst of my 
towering prospects . . . down came my Political Register 
. the rigid Pawnbroker of Hell, Old-Beelzebub, entered 

and demanded his property, the Forfeit Soul. 
The inscription on the first seven reads,—London. Published Sept 29, 
1809, by H. Humphrey St. James’s Street. 


v47. Growatpt Portraits 1x Corors. Tegg’s Prime Song Book, Bang up 
to the Mark. With full-length portrait of Joseph Grimaldi, the 

} famous clown, as “The Ghost of a Guinea;” also vignette portrait 
of the same, both in colors. 12mo, half maroon calf. Title-page and 
portrait backed and repaired. London, circa 1828 


748. “Guiiiver (LemvEL).” The Eo-Nauts, or The Spirit of Delusion, a 
rsp Serio, Comico, Logical, Eulogical, Lyrical, Satirical Poem, with 
ey Notes, Geographical and Critical, of various Commentators. Edited 

[Continued 


Fourth Session, Thursday Afternoon, February 6th 


| No.. 748—Continued | 
by Lemuel Gulliver, Esq. With folding frontispiece, “The Spirit of 
Delusion.” IN coors. 8vo, new boards, roan back. 
London, 1813 
The frontispiece, although not signed, is in the manner of James 


Gillray. This copy contains the separately printed slip “Description of 
the annexed Plate.” 


749. Hannay (JAMES). Jang Dobbs: Sketches in Ultra-Marine. Illustrated 


by Alfred Ashley. 12mo, half calf, gilt top. London, 1849 
' First Epirion. The author was a personal friend of Thackeray and 
Carlyle. 


750. [Harpy (Puitie D.).] Legends, Tales, and Stories of Ireland. Illus- 
| O trated with 10 characteristic engravings on wood. 12mo, half green 
7 morocco, gilt top, uncut, BY BIRDSALL. Dublin, 1837 


751. Heath (Henry)., Cotorep Puates. The Nautical Dictionary. <A 
sertes of 6 plates, containing almost 50 characteristic scenes, ALL IN 

—™ cotors, by Henry Heath. Oblong 4to, half blue levant morocco, By 
ya // MORRELL. [ London, 1834] 


First Epition of this amusing work. The plates in the manner of 
William Heath. 


62. HEATH (WILLIAM). CarICATURES IN Coztor. A collection of 8 Cari- 
catures IN COLOR, all by Wiliam Heath. Each plate laid down on 
drawing paper, the whole bound in a small volume, half brown mo- 

(4. rocco, lettered on back and side. London, 1829-1830 


All Original Impressions. Interesting collection, three of the speci- 
mens containing portraits of Arthur, Duke of Wellington. Comprises,— 
Lorp Mayors Day AND No DINNER, Prodigious. Pub 10 Nov 1830 by 

T. McLean 26 Haymarket London. 

SLANE—when thieves fall out amongst themselves. Pub Oct 12 
1880 by T. McLean 26 Haymarket London. 

ALL AMONG THE HoTTreNtoTs—Capering a Shore. Pub July 19 1830 
by T. McLean 26 Haymarket. 

The central figure is Arthur, Duke of Wellington, who is por- 
trayed in the dress of a Hottentot, with ring through his nose 
and wearing earrings. 

Cirance—the favourite Setter. Pub Nov 16 1829 by T McLean 26 
Haymarket—sole publisher of W. Heath’s etchings. 

Lot E—To be sold with his Engagements, the famous Race Horse 
Woolsack. Pub June 18-1829 by S. Gans 15 Southampton St. 
Strand. 

DRESSING FOR THE House. Pub March 21, 1829 by T. McLean 26 
Haymarket. : 

RECEIVING ABSOLUTION FOR PAST HERESIES. Pub by T McLean 26 
Haymarket. 

Arthur, Duke of Wellington, in full uniform, is, with two 
ministers of state, kneeling on raised stand, receiving absolu- 
tion from William IV, who is attired in Cardinal’s robes. 

Finis. Pub April 1829 by T McLean 26 Haymarket where Cari- 
catures are daily Published. 

Arthur, Duke of Wellington the principal figure. This cari- 
cature relates to the bill for the emancipation of Roman Catho- 
lics, which was passed by large majorities in both houses, March- 
April, 1829. 


Fourth Session, Thursday Afternoon, February 6th 


753. Hearn (Wittram). Cororep Piares. The Wars of Wellington. A 
series of 7 FINELY COLORED PLATES, from designs by William Heath. 
. Small folio, new boards, roan back. London, 1815 


The series of plates only. No text. Comprises,—Entrance of Lord 
Wellington into Salamanca; Storming of St. Sebastian; Entrance of the 
Allies into Paris, and others. 


%54. HeatH (Witiiam). Cotorep Prares. [Combe (William).] The 
Wars of Wellington, a Narrative Poem; in Fifteen Cantos. By Dr. 
Syntax. Embellished with 6 FINELY COLORED PLATES, drawn and 
etched by William Heath, aquatinted by J. C. Stadler. 4to, old half 
20. roan and boards (original binding), gilt edges, binding somewhat 

worn. London: W. T. Gilling, 1821 


The plates, brilliant in coloring, represent,—“Battle of Assyne,” “Lord 
Wellington entering Salamanca,” “Storming of St. Sebastians,” “Halting 
in the Pyrenees,” “Reconnoitering, after crossing the Bidassoa,” ‘“Intel- 
ligence of the Battle of Ligny.” 


755. Hearse (Wini1am). CotorEp Puates. Heath (William). The Life of 

a Soldier; a Narrative and Descriptive Poem. With 18 engravings, 

ALL IN cotors, by William Heath. Imperial 8vo, ORIGINAL PIC- 

(~~) SPPTORIAL BOARDS, with advertisements, ENTIRELY UNCUT, new back. 
> / Enclosed in cloth case, with inner protecting cover of cloth. 

ai London: Printed for William Sams, 1823 


First Eprtion with brilliant coloring of the plates. On the fore- 
edges and lower edges of (A)-B4 are a number of needle-holes. 


756. HeatH (Witt1am). Cotorep Prares. Studies from the Stage; or, 
the Vicissitudes of Life. With pictorial title and 20 plates, each 

($0 plate containing many humorous figures, ALL IN COLORS, by Wullram 
's / °“ ‘THeath. Oblong 4to, full polished calf, gilt, gilt top, original wrap- 
pers bound in, BY RIVIERE. London: W. Sams [1823] 


First Epirion. From the library of Edward Henry Hill, with book- 
plate engraved by C. W. Sherborn. 


-2 


5%. Heara (Witutam). Conorep Pxrates. Rustic Sketches. A series of 
7 plates (including the ilustrated title-page), presenting 20 scenes 
of country life, ALL IN coLors, by Wuliam Heath. Oblong 4to, 

aie ORIGINAL PRINTED WRAPPERS, the reverse wrapper of which advertises 

“¥ “hooks illustrated by Henry Alken and others.” Enclosed in cloth 

portfolio, lettered. London: Published by Thomas M’Lean, 1824 


First EpIrion AND A VERY FINE copy. But few copies are known in this 
unusual condition. The coloring of the plates is very rich. 
Includes shooting and angling scenes. 


758. Hearn (Wint1am). Conorep Puares. A Trip to Margate. By Paul 
Pry, Esq. A series of 6 plates, on which are 45 scenes illustrating 
the many adventures of “Paul Pry” on his trip to Margate, ALL IN 


& $* cotors, by William Heath. Oblong 4to, ORIGINAL PRINTED WRAP- — 
pers, back somewhat repaired. Enclosed in cloth portfolio, let- 
tered. London: Thomas M’Lean, circa 1825 


First Epirion, and extremely desirable in the above state. 
Includes shooting and angling scenes. 


Fourth Session, Thursday Afternoon, February 6th 


759. HeaTH (WILLIAM). CoLorED Puiatres. Old Way’s & New Way’s. A 

series of 6 plates, numerous scenes on each, ALL IN COLORS, by 

Oy fy) William Heath. Oblong 4to, orIGINAL PICTORIAL WRAPPERS, slightly 
-— worn. Enclosed in cloth portfolio, lettered. 

London: Charles Tilt, circa 1825 


First Epition, and extremely desirable in the original wrappers. 
$ 


760. Hearn (WILLIAM). CoLorep PLAres. Humorous Scraps, ete. A col- 
lection of 34 plates of the most diverting character, ALL IN COLORS, 
by Wilham Heath. Oblong 4to, full crimson morocco, gilt extra, 

Ww) — gilt edges. A few of-the plates repaired, and several backed. 

; London, various publishers, circa 1828 ete. 

Interesting collection, comprises,— 

Joys, Hopes, Fears, Doubts, and Thoughts. 5 plates; 
Ways and Means, 1 plate; Sketches of Wit and Humor, 3 plates; 
Humorous Scraps, 12 plates; Illustrations of Gay’s Fables, 2 plates; 


Originals, 6 plates; Annuals for the New Year, 1 plate; 
Lexicographical Illustrations, 4 plates. 


761. HeatH (WILLIAM). CoLorep Puates. Rural Enjoyment. The Com- 

plete Series of 4 plates 1x couor, all highly humorous, by William 

ow) _ Heath. Folio, half crimson levant morocco, gilt top, uncut, By 
RIVIERE. 

London: Pubd. 1829 by S. Gans 15 Southampton St. Strand 


First EDITION OF THIS ATTRACTIVE SERIES, the plates brilliant in coloring. 


762. HeatH (WittIAM). CoLorep Puates. London Characters. A series 
3 of 12 plates, each containing 4 representations (48 in all) of “Lon- 
ay yas don Characters,’ ALL IN coor, by William Heath. Oblong folo, 
“~ * full polished calf, gilt edges, By SANGORSKI AND SUTCLIFFE. 

7 London: Charles Tilt, 1834 


First Epirion, of this amusing series. Complete set. The plates rich 
in color. - 


763. Heata (WinirAm). Conorep Puates. Omnium-Gatherum. A series 

of 14 plates, on which are represented a large number of humorous 

A scenes, ALL IN coLors, by William Heath. Oblong 4to, full polished 

pe calf, gilt, gilt edges, By SANGORSKI AND SUTCLIFFE. Several plates 
lightly spotted, and slight repair to one plate. 

London: Charles Tilt [1834] 


First Epitrron, and a complete set of both series, with the colored title- 
page. The first series consists of 7 plates, the second of 6 plates, and the 
colored title-page, making 14 in all. The last plate is signed, “H. Heath, 
fecit.” 


764. HmatH (WittiAm). Puates. The Beauties of Washington Irving. II- 
lustrated* with six etchings (all of which have been COLORED BY 


day HAND at a later date) by William Heath. 12mo, original printed 
{A> boards, new back, ENTIRELY UNCUT. In open faced cloth case. 


Glasgow, 1825 


Fourth Session, Thursday Afternoon, February 6th 


765. Hearn (Witiiam). Pxiates. The Posthumous Papers, Facetious and 

Fanciful, of A Person lately about Town. Wath a series of 6 plates 

> ix cotor (all hand colored at a later date) by William Heath. 
/ a? 12mo, full mottled calf, gilt, gilt top. 


London: William Sams, 1828 


First Epirion. Fine copy, the plates appropriately colored. 


766. Hearn Intustrations. Tavern Anecdotes, and Reminiscences of the 
Origin of Signs, Clubs, Coffee-Houses, Streets, etc. By One of 
the Old School. With engraved title-page and folding plate finely 

20 -e engraved in 24 scenes, the former signed by Heath, the latter his 
work, but unsigned; also portrait of Christopher Brown. 12mo, full 
polished yellow calf, gilt, gilt top, uncut. London, 1825 


First Eprrion. Fine Copy of this entertaining work, with the excep- 
tion that several pages have been rather carelessly opened by a former 
owner. 


76%. Hervievu Intustrations. Adventures of Bilbery Thurland. With fine 
impressions of the plates, drawn and etched by A. Hervieu. 3 vols. 

i 12mo, half polished calf, gilt, gilt tops, uncut, BY ZAEHNSDORF. 
O London: Richard Bentley, 1836 


First EDITION. 


%68. HicHwAYMEN. A Narrative of all the Robberies, Escapes, &e. of John 
(Jack) Sheppard: Giving an Exact Description of the manner of 
his wonderful Escape from the Castle in Newgate, and of the 

/» Methods he took afterward for his Security. Written by himself 

i during his Confinement in the Middle Stone-Room, after his being 
retaken in Drury-Lane. With engraving of “The Manner of John 
Shepherd's Escape out of the Condemn'd Hole in Newgate.” 8vo, 
half dark red levant morocco, gilt edges, BY RIVIBRE. 

London: John Applebee, a little below Bridewell-Bridge, 1724 
A fine copy of a scarce work. It was issued the year of his execution. 


769. Hints to the Sick, the Lame, and the Lazy; or, Passages in the Life of 
a Hydropathist. By A Veteran. With engraved title-page, and 


/ LY numerous illustrations, full-page and smaller (all of which are 

5% hand-colored at a later date), by A Recruit. 8vo, original boards, 
new leather back. London, 1847 
An amusing volume, depicting the experiences of a visitor to Marien- 
erg. 


%0. Hoccart, THE Murperer. The Life and Depredations of David Hog- 
gart, the Murderer, who was executed at Edinburgh, the 28th July, 

fe 1821, for the Murder of Morrin, one of the Turnkeys of Dumfries 
oa Gaol. With folding frontispiece in colors. 12mo, wrappers, uncut. 
London, circa 1821 


lie a i 
‘_, ee 


Fourth Session, Thursday Afternoon, February 6th 
sce a peel RR aa Ea aa creer Slt ee a 


(71. Honk (Wiut1am). The Three Trials of William Hone [Each with 
separate pagination and title-page, also a general title-page; and an 
additional tract,—Trial by Jury and Liberty of the Press. The Pro- 
ceedings at the Public Meeting, December 29, 1817, at the City 

: of London Tavern, for the Purpose of enabling William Hone to 
surmount the Difficulties in which he has been Placed.] Bound in 
one vol. 8vo, half morocco, several margins stained. 

London, 1818 


qa. 


The complete series. 


v72. Horr (LIEurENANT-CoLonEL). The Embroidered Banner, and other 

Marvels. Wath eight coloured steel etchings, by Alfred Ashley. 8vo, 

b three-quarter maroon crushed levant morocco, gilt back, gilt top, BY’ 

; ZABHNSDORF. London, 1850 
First Epirion. 


773. Humpry Dumpry. The text in German, Latin, Greek, Hebrew and 
English. A long folding humorous illustration, representing the 

2 pp adventures of Humpty Dumpty. Oblong 12mo, original illustrated 

ZL 30 boards, preserved in a solander case, with morocco back and inner 
protecting cloth cover. Slight repair at one joint. 

London, 1843 


The plate is unsigned, but is by an artist of ability. 


774. IntsH Metopres. More Irish Melodies Illustrated. A volume of humor- 
ous etchings (upwards of 40), unsigned, the work of a clever artist. 

G ‘ Oblong 8vo, half morocco, gilt top, By Roor. 
No place or date [1850] 


As the title indicates, a burlesque on Moore’s /rish Melodies. 


779, ITINERANT TRADERS OF Lonpon. Smith (John Thomas). Etchings of 
Remarkable Beggars, Itinerant Traders and other Persons of No- 

ne toriety in London and its Environs. A series of 24 full-page plates, 
“ALL FINELY COLORED BY HAND, all of which were published by 
Smith, from December 1, 1815 to May 30, 1816, at irregular inter- 

vals. Royal 8vo, cloth. London, 1815 


First Eprrion. <A volume of unusual interest, including representa- 
tions of,—“The Flying Pie-Man,” “Live Haddock,” “Young Lambs,” 
“Pickled Cucumbers,” “Hot Peas,’ ete. : 


7716. JERROLD (BLANCHARD). Cent per Cent. A Story written upon a Bill 
ees Stamp. With illustrations in color. 12mo, original cloth. 
572 London [1869] 


First EDITION. 


777. JERROLD (Dovucias). Men of Character. With 12 full-page illustrations 
by W. M. Thackeray. 3 vols. 12mo, full polished calf, gilt, gilt tops. 
London, 1841 


Fourth Session, Thursday Afternoon, February 6th 


v8, Jerrotp (Dovenas). The Chronicles of Clovernook; with some ac- 
ea count of the Hermit of Bellyfulle. With frontispiece by Kenny 
/ ; Meadows. 12mo, half morocco, gilt edges. London, 1846 


First EpItion. 


rg. Justs. Joe Miller’s New Budget of Witty, Mirthsome and Humorous 
Jokes, Jests and Stories, collected for the important purpose of 
creating laughter and long life. With folding frontispiece IN COLORS. 
12mo, new boards, original blue wrappers preserved, some pages 
stained. London: Orlando Hodgson, undated 


A former owner has written “Not in Douglas” on the reverse of the 
colored plate, indicating that in his opinion the plate is by George 
Cruikshank. 


c AP 


~g0. JUVENILE. The Magic Lantern; or Amusing and Instructive Exhibi- 
tions for Young People. By the Authoress of Short Stories, ete. 
/ } With 11 illustrations In coLor. 12mo, half blue calf, gilt, gilt top, 


BY RIVIERE. London: Tabart & Co., 1806 
A pretty Juvenile of the early part of the 19th century, in good con- 
dition. 


"81. Juventus. My Friend; or, Incidents in Life, Founded on Truth, A 
Trifle for Children. With 18 illustrations, all of which have been 
) hand-colored at a later period. 12mo, full mottled calf, gilt, gilt top. 
Ks London, 1810 
A reference is made on page 11, to “the poor harmless natives of 

America,” in connection with the discovery of gunpowder. 


"82. JUVENILE. Rhymes for Harry and his Nurse-Maid. By M. A. Wath 
— 24 cuts all neatly colored by hand at a later period. 12mo, half 
/’ red roan, gilt edges. London, circa 1830 


783. KipmarnnamM Pensioners Lament (THE). Illustrated by eight en- 

3 gravings on stone, all hand colored at a later date. 16mo, half 
‘$0 blue polished calf gilt top, uncut, original wrappers preserved. 

<a Dublin, 1834 


"84. Knapp (ANDREW) AND BALDWIN (Witt1am). The Newgate Calendar ; 

comprising Interesting Memoirs of the most Notorious Characters 

: who have been convicted of outrages on the Laws of England since 

20° — the commencement of the eighteenth century; with occasional Anec- 

i dotes and Observations. Numerous illustrations. 4 vols. 8vo, half 
crimson levant morocco, gilt backs, gilt tops, BY ROOT. 

London, 1824-1825-1828 


FINE COPY OF THE ORIGINAL ISSUE. 


v5. Lamp (Sir James Buanp). The Birth and Triumph of Love; a Poem. 

_ With original designs by an illustrious person (Princess Elizabeth, 

» > daughter of George IIT.)., engraved by P. W. Tomkins. FIRst | 
d ™ Bprrion. 12mo, full polished calf, gilt, gilt top, uncut, BY RIVIERE. 

London, 1823 


Each illustration within a charming decorative border. 


Fourth Session, Thursday Afternoon, February 6th 


786. LANpsHER (THomas). Monkeyana; or, Men in Miniature. A series of 
25 plates, ALL PROOFS ON INDIA PAPER, AND ALL COLORED, designed 
"4 a9 and etched by Thomas Landseer. Small folio, half calf, gilt top, 
original wrapper to part one preserved. London, 1827 

The plates have been colored by hand at a later date. 


787. LawLER (DENNIS). Vicissitudes in early Life; or, The History of 
Frank Neville, a serio-sentimental and satirical tale. With folding 
“ /, caricature frontispiece IN coLors. 2 vols. in one, 12mo, half morocco, 
oe 
marbled edges. London [1807] 


JOHN LEECH 
A Collection of First Editions Illustrated by Leech 


[| Numbers 788 to 822, inclusive | 


788. LrEcH (JOHN) ILLUSTRATIONS. American Broad Grins: Edited by 
Rigdum Funnidos, Gent. With humorous illustrations by John 
LO = Leech. 16mo, original cloth, gilt edges. London, 1838 


789. LezoH (JoHN) Ituustrations. [Lee (P.).] The Comic Latin Gram- 
mar; a new and facetious Introduction to the Latin Tongue. With 
numerous illustrations by John Leech. 12mo, full red levant mo- 

/ § 4 rocco, inlaid figures of different colored leathers on front and re- 
verse sides, gilt top, BY GUILD OF WOMEN BINDERS. 

London, 1840 
First Epition. The leaf of “Errata,” is present, as is the original 
front cloth cover. 


790. LezcH (JoHN) Ituustrations. [Leigh (Percival).] The Comic 
English Grammar. Hmbellished with upwards of 50 characteristic 
illustrations by J. Leech. 12mo, full red crushed levant morocco, 

/ / inlaid figures on both front and reverse sides, gilt edges, BY GUILD 
OF WOMEN BINDERS. London, 1840 
First Epirion. The page of Advertisements, usually missing, is here 

present. 


791. LezcH (Joun) Intustrations. The Fiddle Faddle Fashion Book. 
Edited by the author of the “Comic Latin Grammar” (P. Lee). Hn- 
ruched with numerous highly coloured figures of lady-like gentle- 

— »~, men (all of which are depicted on 4 full-page plates, by John Leech). 
lf. / ~*© Frrst Epition. 4to, original pictorial wrappers, which contain 12 
™” woodcut designs by Leech. Preserved in half morocco solander case, 
with inner protecting cover of cloth. 
London: Chapman and Hall, circa 1840 
Of this amusing volume, copies in the original wrappers, like the above, 
are very seldom met with. 


Fourth Session, Thursday Afternoon, February 6th 


792. Lercu (JoHn) Ituusrrations. The London Magazine, Charivari 
and Courrier des Dames. A Proteus in Politics, a Chamelon in 
Literature, and a Butterfly in the World of Bon Ton. With 14 

s) oD etched plates by “Phiz,’ Gillray the younger, and John Leech. 

- (COMPLETE SET IN THE EIGHT ORIGINAL PARTS, 80, with wrappers 
and advertisements, uncut. Each part has three small holes in the 
back margins, indicating that at some time the eight parts were 
stitched together. Enclosed in purple morocco solander case, with 

inner protecting cloth cover. | London, 1840 


A little known and almost forgotten periodical, and exceptionally de- 
sirable in the original parts. One of the plates in the last part is 
signed “Jack Leech done it.” 


793. Lercu (JowN) Ixtustrations. Daniel (George). Merrie England 

in the Olden Time. With full-page and teat illustrations by John 

Q. Leech. 2 vols. 12mo, full polished calf, gilt, gilt tops, uncut, original 
| | cloth covers preserved, BY RIVIERE. 

London: Richard Bentley, 1842 


First EDITION. 


794. LezecH (JoHN) ILLUSTRATIONS. Maxwell (W. H.). The Fortunes. of 
Hector O’Halloran, and his man Mark Antony O’Toole. With 
illustrations by John Leech. 8vo, full polished calf, gilt, gilt edges, 

/) BY RIVIBRE? Light spots on several of the plates. 
London: Richard Bentley, undated 1842 


First Epition. The illustrations in the early part of the work are 
by “Dick Kitcat,” and are signed by him. 


795. LercH (JOHN) ILLUSTRATIONS. Whitehead (Charles). Richard Sav- 
age, a Romance of Real Life. With illustrations by John Leech. 

Se 3 vols. 12mo, full polished calf, gilt, gilt tops, uncut, BY RIVIERE. 

] : London, 1842 


First EDITION. 


796. Lenco (JoHN) Intusrrations. The Illuminated Magazine. Edited 
by Douglas Jerrold. COMPLETE SET, from May, 1843 to April, 1845. 
With numerous illustrations, both full-page and in the text by John 
Leech, and (in volume 4 only) by Hablot K. Browne, “Phiz.” 
“ AS Imperial 8vo. IN THE ORIGINAL WRAPPERS, as issued, with covers, 
(with the exception of the back wrappers for parts XII and 
XXIV), also all the advertisements? Enclosed in two red cloth 
solander cases, with inner protecting covers of cloth. 
London, 1843-1845 
THE ABOVE SET IS COMPLETE, containing all FOUR VOLUMES , the illumi- 
nated titles, and the two etched plates by John Leech, colored by hand, 
illustrating, “Tom Houlaghan’s Guardian Sprite,” and “Legends of Lough 
Ouel by John L’Estrange.” 
EXTREMELY SCARCE in the original parts. Sometimes sold as com- 
plete in three volumes. : 


Fourth Session, Thursday Afternoon, February 6th 
Se ee ee ee 


79%. LEECH (JOHN) ILnustrations. Hooton (Charles). Colin Clink. 
ve With illustrations by John Leech. 3 vols. 12mo, full polished calf, 
4.6, gilt, gilt tops, uncut, BY RIVIiRE, ; London, 1844 

First Epirion. 


798. LepcH (JoHN) ILLusrrations. Smith (Albert). The Adventures of 
Mr. Ledbury and his friend Jack Johnson. With 18 etched plates 

/ and 2 woodcuts by John Leech. 3 vols. 12mo, half calf, gilt, plates 

6 ) more or less spotted. London: Richard Bentley, 1844 


First Epirion. Inserted is an additional plate by Leech for the above 
work, extracted from a later edition. 


799. LrecH (JoHN) ILLusrratrons. Trollope (Mrs.). Jessie Phillips, a 
Dale of the Present Day. With illustrations by John Leech. 8vo, 
/ j half blue calf, marbled edges. London, 1844 


First EpItion. 


800. Lenco (JouNn) ItLusrrations. Mr. and Mrs. Caudle. “No! Mr. 
Caudle, I shall not go to sleep like a good soul!” Inthograph IN 
cotors, by John Leech. Small folio, enclosed in cloth folder, let- 

/&, tered on the side. 

London: Punch Office, 92 Fleet Street, circa 1845 


- The same subject appeared as a woodcut in Punch, Volume 8, 1845, 
Satirizing Lord Brougham. The original example in colors, as above, 
is very desirable and extremely. uncommon. 


801. LrecH (JoHN) InLusrrations. Whitehead (Charles). Richard Sav- 
age. A Romance of Real Life. With frontispiece by John Leech. 
/ *  12mo, original cloth, uncut. London, 1845 


802. LercH (JoHN) Iniusrrarions. A’Beckett (Gilbert Abbott). The 
Quizziology of the British Drama. With illustrations by John Leech. 

»  12mo, half crimson morocco, gilt edges, By ZAEHNSDORF. 
London: Punch Office, 1846 


First EpIrion. 


803. Lerch (JoHN) Innusrrations. Chatelain (Madame De). The Sil- 
ee ver Swan. A Fairy Tale. With 4 illustrations 1x cowor, by John 

/2+ Leech. Square 12mo, original red cloth, gilt, gilt edges. 
London, 1847 


. Hirst EpIrion. 


804. LercH (JoHN) Ittusrrations. [Lee (P.).] The Comic Latin 
Grammar. With numerous illustrations by John Leech. 12mo, 
$ original cloth, gilt. London, 1848 


New Edition, the second. Contains the humorous portrait of the 
author, by John Leech, which did not appear in the first edition. 


Fourth Session, Thursday Afternoon, February 6th 


S05. LescH (JoHN) ILLUSTRATIONS. Jerrold (Douglas). A Man made 

of Money. With 12 illustrations by John Leech. 12mo, IN THE 

SD ORIGINAL SIX PARTS, with wrappers and advertisements, uncut. En- 
>2 closed in morocco case, with limp leather protecting cover. 

it London: Punch Office, 1849 


First EDITION. 


806. LrecH (JOHN) ILLUSTRATIONS. Tupper (Martin F.). The Crock of 

Gold, and other Tales. Wath illustrations by John Leech. 12mo, 

original cloth. London, 1849 

/ With signature of “Henry Tupper,’ on title-page, and bookplate “de 
Vie Tupper, Les Cétils,” on inside of cover. 


S0v. LeecH (JOHN) ILLUSTRATIONS. “Young Troublesome,” or Master 
Jacky’s Holidays. With a series of 12 plates, containing 25 highly 
ne humorous subjects, ALL IN COLORS, by John Leech. Oblong 4to, full 
/>» polished calf, gilt back, dentelle inside borders, gilt edges, original 
wrappers preserved, BY RIVIERE. London, 1849 

First EpITIon. 


808. LercH (JOHN) ILLUSTRATIONS. An original Envelope, in perfect 
state, the front of which has the original design, engraved by John 
Thompson, from the design of W. Mulready, R.A. 1842. Also, the 

/2 exceedingly clever Parody on the Mulready Envelope, designed by 

riNeb John Leech, signed in the lower left corner, with Leech’s “mark,” 
‘n the lower centre of the caricature,—the bottle. The plate is hu- 
morously imprinted, “The design has (most respectfully of course) 
been submitted to Government by an aspiring artist, Mul-led-at- 
ready.” (1850). Both items preserved in a cloth folder, lettered on 
the side. 

The skit on the Mulready Envelope by John Leech was one of the 
most important factors that brought Leech before the public as a 
humorous draughtsman. 

“Mr. Frith tells of Mulready’s indignation at Leech’s drawing—not 
at the caricature itself, but at the leech in the bottle, by which the 
Academician took it for granted that the draughtsman meant to desig- 
nate him by inuendo as a “pHlood-sucker” and of Leech’s surprise and 
pain at being so suspected, and how the two men became fast friends 
ever after.”—SPIELMANN, “The History of Punch.” 


809. LeroH (JoHN) ILLUSTRATIONS. The Ladies’ Companion at Home and 

Abroad. Edited by Mrs. Loudon. With numerous full-page and 

( smaller woodcuts, also full-page illustrations IN COLOR, four of those 

y in color (in volume 3) being by John Leech. 38 vols. royal 8vo, 
original cloth, slightly worn cand a little thumbed. 

London, 1850 


All issued. The plates in color by Leech, are as follows,—“The New 
Dress,” “Mrs. Berligan at the Opera,’ “More frightened than hurt,’ and 
“King Radbob’s Daughter.” 


Fourth Session, Thursday Afternoon, February 6th 


810. LescH (JoHN) ILLustrations. Fullom (S. W.). The Great High- 
way: A Story of the World’s Struggles. With illustrations on steel 

\ by John Leech. 3 vols. 12mo, full mottled calf, gilt, gilt tops, 
7 * original covers preserved, uncut, BY RIVIERE. Several plates lightly 
spotted. London, 1854 


First EpIrion. 


811. Lerch (JoHN) IxuustRations. Reach (Angus B.) and Brooks 
Peght (Shirley). A Story with a Vengeance. With a steel engraving by 
<o% John Leech, and ten cuts by Smyth. 12mo, full polished calf, 
“= original wrappers and advertisements preserved, BY RIVIERE. 


London, circa 1855 
First Epirion. 


812. LrecH (JoHN) InLusrrations. [Prower (—).] The Militiaman at 
Home and Abroad; being the History of a Militia Regiment, from 
its first training to its disembodiment, with Sketches of the Ionian 
Islands, Malta, and Gibraltar. By Emeritus. With 2 illustrations 

/ / IN coLor, by John Leech. 12mo, full crimson levant morocco, gilt, 
- gilt top, uncut, original cloth covers bound in, BY RIVIERE. Slight 
repair to one page. London, 1857 

First EDITIon. 


813. LerscH (JoHn) Ittusrrations. [Hole (S. R.).] A Little Tour in 
Ireland, being a Visit to Dublin, Galway, Connamara, Athlone, Lim- 
erick, Killarney, Glengarrif, Cork, ete. By An Oxonian. With 

4 3 illustrations (including the folding frontismece “The Claddagh- 

) Galway, IN coLors), by John Leech. Square 12mo, original green 
cloth, gilt, gilt edges. 7 London, 1859 


First EDITION. 


814. Leech (JouHNn) Ittustrations. Mills (John). The Flyers of the 
Hunt. With 6 plates In cotor, by John Leech. 12mo, original 


v blue cloth. London, 1859 
: First Epirion. With the original 2pp. advertisements of “Chapman & 
Hall’s publications” in front of the fly-leaf. This advertisement is gen- 


erally missing. 


815. LeecH (JoHN) IttustratTions. [Surtees (R. S.).] Mr. Sponge’s 
Sporting Tour. Edited by Frank Forrester. With alustrations wn 


color, by John Leech. 8vo, original cloth, gilt. New York, 1859 

/ A This issue is very rarely met with. The plates were re-engraved in 
. America, and are not merely reprints of those of the English first edi- 
/ tion of 1853. Special interest attaches to this copy, as it comes from the 


library of “Frank Forrester,” (H. W. Herbert), and carries his book- 
label, autographed by him. 


Fourth Session, Thursday Afternoon, February 6th 


816. LeecH (JoHN) Intustrations. Follies of the Year. <A serves of 
colored etchings, from Punch’s Pocket Book, 1844-1864, by John 
P Leech. With some Notes by Shirley Brooks. Oblong 8vo, full pol- 
J (9 ished calf, gilt, gilt edges, original cloth covers used as doublures, gilt 
edges, BY RIVIERE. London, 1864 

First Eprrion. Beautiful copy. 


817%. LeecH (JOHN) ILLUSTRATIONS. Cholmondeley-Pennell (H.). Puck 
Z on Pegasus. Illustrated by Leech, Tenniel, Doyle and others. 8vo, 
Z-) — original cloth, gilt edges. London, 1868 


818. LercH (Joun) Innusrrarions. Leigh (Henry S.). Carols of Cock- 
ayne. With numerous illustrations by Alfred Concanen and the late 

/ ‘ John Leech. Square 12mo, original cloth, gilt, gilt edges. 
London: John Camden Hotten [1869] 


First EpItTion. 


819. Lerch (JoHN) ILLUSTRATIONS. Frith (William Powell). John 
Leech: His Life and Work. With portrait and numerous ilustra- 
tions. 2 vols. thick 8vo, full blue morocco, richly gilt backs, gilt 

)6 5 ADDS. London, 1891 


HANDSOME copy. ExTRA-ILLUSTRATED by the insertion of a number of 
plates, some in colors, of the work of Leech, Rowlandson, Cruikshank, 
and Seymour. Some of the plates have been colored by hand at a later 
date. ; 

In volume two is a fine example of a rare George Cruikshank plate,— 
“Qn the sundial’s polished face,” printed on pale yellow paper, and 
which is the private plate etched for “The Knight of Morar,’ the plate 
of which was destroyed. 

Special interest attaches to this copy, as the plates were arranged 
by F. W. Pailthorpe, the illustrator of Dickens, a note by Pailthorpe ap- 
pearing in volume one,—“The illustrations in this Life of Leech, were 
arranged by me. F. W. Pailthorpe.” 

820. LercH (JouN) Intustrarions. Catalogue of an Exhibition of Works 
by John Leech (1817-1864), held at the Grolier Club from January 
92 until March 8, 1914. With an Introduction by Stanley Kidder 

. Wilson. Portrait in colors. 8vo, boards, uncut. . 
. New York, 1914 


One of 250 copies printed on Van Gelder hand-made paper. 


§21. LeecH (JOHN) ILLUSTRATIONS. A’Beckett (Gilbert Abbott). The 
Comic History of England and Rome. With numerous illustrations, 
Z both full-page 1m colors, and woodcuts in the teat, by John Leech. 
2 / + 3 vols. in 2, 8vo, full maroon crushed levent morocco, inlaid figures 
of different colored leathers on front and reverse sides of both vol- 

umes, gilt edges, BY GUILD OF WOMEN BINDERS. 
London: Bradbury, Evans, and Co. undated 


Frve corres of early re-issues of both volumes, when the publisher was 
located at 11, Bouverie Street. ; é 


22, Lescn (JoHN) Inzusrrations. Smith (Albert). The Struggles and 
_ Adventures of Christopher Tadpole. Illustrated by John Leech. 
}°  12mo, half crimson calf, gilt, gilt top. London, undated 


Fourth Session, Thursday Afternoon, February 6th 


823. [Lewis (M. G.—“Monk Lewis.”)] Tales of Terror; with an Introduc- 
vom tory Dialogue. With three gruesome plates (in the manner of 
f f Thomas Rowlandson), 1X coor. Frrst Eprrion. 8vo, half calf. 

| Dublin: John Brooke, 1801 


824, Lonpon Out oF Town; or, The Adventures of the Browns at the Sea- 
side. By Luke Limmer, Esq. With 14 plates, containing 154 sub- 


/3 jects, ALL IN cotor, (hand colored at a later date). Oblong 12mo, 
the original pictorial boards, enclosed in cloth case, with protecting 
cover. London [1850] 


825. Low Lire. The Flash Mirror; or Kiddy’s Cabinet, containing . 
a famous Guide to all the Flash Houses, Meeting Houses, Boozing 
.. Kens, and Snoozing Kens in London . . . Flash Sayings, Flash 
eo Jokes, the Art of Bouncing, ete. With colored folding frontispiece 
im compartments, showing 9 scenes of low life in London. 16mo, 
full calf, yellow edges. London, circa 1833 


A curious volume, several of figures on the colored plate much in the 
manner of George Cruikshank. 


*) 


826. [Manony (Rev. Franois).]| The Reliques of Father Prout, late M.P. 

of Watergrasshill, in the County of Cork, Ireland. Collected and 

© $D arranged by Oliver Yorke, Esq. Illustrated by Alfred Croquis 
~ (David Maclise). 2 vols. 12mo, half calf, gilt, marbled edges. 

London: John Fraser, 1836 


First EpItion. 


827. MatHews (CHartes). Mr. Mathews at Home in his Youthful Days; 
Mr. Mathews Memorandum Book of Peculiarities, Character and 

te Manners; The Theatrical Album; or, Comedian at Home; The 
Y; v, same, third collection. With 5 puates IN cotor of Mathews, all in 
character, including 3 folding plates. The five works bound in one 

volume, 12mo, half blue levant morocco, gilt, gilt edges, BY RIVIDRE. 
Inscription on two of the plates cut into. London | 1882 | 


828. MatHews (CuHartzs). The London Mathews; containing an Account 
of this celebrated Comedian’s Trip to America . . . several original 
Comic Songs . . . Boston Post-Office, Ode to General Jackson, 
Illinois Inventory, the American Jester’s Song, ete. With folding 

(- frontispiece, representing Mathews in 6 different characters, ALI. IN 
COLORS. 12m0, ORIGINAL PRINTED WRAPPERS, uncut. 

Philadelphia: Morgan & Yeager, 1824 

It is entirely possible that the above is the finest known copy of a 
very rare issue. 

The folding frontispiece is quite different (although, the characters 
portrayed are the same) from that of the London issue, the plate of 
which was engraved by George Cruikshank. 

The plate in this copy is undoubtedly the work of Joseph Yeager of 
Philadelphia, Pa., who at this time made copies of the etchings by George 
Cruikshank and other English artists. 


Fourth Session, Thursday Afternoon, February 6th 


829, Marnrws (Cartes). The London Mathews; containing an Account 
of this celebrated Actor’s Memorandum Book . . . several original 
zs and humorous Songs, etc. With folding frontispece, representing 
Y Mathews in % different characters, ALL IN COLORS. 24mo, half mot- 
is tled calf, gilt top, uncut, original wrappers preserved, BY ROOT. 
Autograph “J. B. Dobney, Esq.” on title-page and reverse of frontis- 
piece. London, circa 1825 

First Epition. The folding plate in excellent condition. 


830. Maruews (CHarLEs). Mr. Mathews’ Comic Annual for 1831. 2% 
Original Comic Songs . . . Laughable Momopolologue, by Mr. Yates, 

By) called Yates in Italy. With frontispiece, Mr. Mathews at Monsr. 

phe Jeu-Singe, IN COLORS. 12mo, new boards, original front cover bound 
in. London [1831] 


831. MayHew (Tue BrorHers). Acting Charades; or, Deeds not Words. A 
Christmas Game, to make a long Evening short. Illustrated by ts i 
rs) G. Hine (the frontispiece and title-page colored by hand). Square 

Y ©“ 42mo, half red morocco, gilt top, BY ROOT. 
London, circa 1853 


First Eprrion. The vignette on the last page,—“The End,” is by George 
Cruikshank. 


832. Miurrary Costume. Characteristic Traits of Old Stagers, Big Wigs, 
Staff, Martinets, Humbugs, Deep Files, Duty Officers, Skulks, Good 

Fellows, Paymasters, Doctors, et Multis Aliis. A series of 15 plates, 

Y es each plate containing several humorous characters, ALL IN COLORS. 
. 4to, three-quarter straight-grained morocco, margins of several 
plates neatly repaired. London: T. McLean, 1822 


An interesting and amusing volume. The text, which is engraved, is 
appropriate. The plates are unsigned, but are said to be by—Maartin. 


833. Mirrorp (JoHn R. N.). The Adventures of Johnny Newcome in the 
Navy. A Poem in Four Cantos, with Notes. With 18 plates (should 
be 20) IN cotor, by Williams. Second Edition. 8vo, half red mo- 

25° yoceo, several plates repaired, and somewhat thumbed. Not re- 

/ turnable. London, 1819 

An imitation of the volume by Alfred Burton, with a similar title, 
published the preceding year. 


834. NapoLuon. The History of Napoleon Buonaparte. With engravings on 


steel and wood. 2 vols. 16mo, half crimson polished calf, gilt, gilt. 


G tops, uncut, BY ZAEHNSDORF. London: John Murray, 1829 


835. NapoLEon. Anecdotes of Napoleon Buonaparte, and of many of his 

Contemporaries; collected from the most authentic sources. With 

he frontispiece. 6 vols. in 3, 24mo, full polished calf, gilt backs, gilt 

/ »’ tops, uncut, BY RIVIERE. London, 1831 
Beautiful set. 


Fourth Session, Thursday Afternoon, February 6th 


NAPOLEONIC CARICATURES 


An Important Collection of Colored Caricatures by Isaac and 
George Cruikshank, Gillray, Rowlandson and Others 


[Numbers 836 to 940, inclusive | 


836. NAPpoLEON Bonaparte. A Collection of 8 coLorED Caricatures by Isaac 
and George Cruikshank, and an Original WATERCOLOR by an un- 
known artist. Each plate neatly hinged. Bound in one vol. oblong 


4to, half red morocco, lettered on front. 
FINE COLLECTION, ALL ORIGINAL IMPRESSIONS, 1803 to 1815, as follows,— 

4 om, (1) A Murper DiscoverRED BY THE SAGaAciTy oF A BEAR. Watercolor, 

§ very crude. Figures of Napoleon, Russians and bear. 

(2) Uttrmatum or the Ambassedor taking proper Steps. “J C.” 
Pub by T. Knight Lambeth May 14 1808. Broadley, No. 859. 

(3) Tue Soxprer’s FareweLtt. “Woodward del. J ck.” Published 
at Ackermanns Gallery 101, Strand London Augt. 12, 1808. 
Interior of a cottage, with an army marching past to em- 
bark, a weeping woman and two children take leave of a sol- 
dier. Reid, No. 13. 

(4) Russtans TEacHInG Bonry To Dance. “Copied from the Rus- 
sian Print Etched by G. Cruikshank.” Pubd. May 18th 1813 
by H. Humphrey St. James’s Street. The Emperor dancing 
in a most energetic manner, between a piper and a man 
with a lash. Reid, No. 237; Broadley, No. 778. 

(5) Murat REVIEWING THE GRAND ArMy!!!!!!—“G. Cruik fect.” 
Pubd Jany 1813 by Walker & Knight Sweetings Ally Royal 
Exchange. The dashing leader, mounted on a poor hack, 
turning his back on a row of scarecrows. Reid, No. 211; 
Broadley, No. 587. 

(6) A Scene AFTER THE BATTLE oF ViTTorIA, or,—More Trophies for 
White-hall!!! “G. Oruikshank fect.” Pubd. July 10th 1813 
by T. Tegg, 111 Cheapside— Wellington on horseback, re- 
ceiving the French eagles and Marshal Jourdan’s baton. 
Reid, No. 246; Broadley, No. 584. 

(7) THe Mopern HAnnipat alias The King of Rome, Swearing Eter- 
nal Enmity to England. “G. Cruikshank fect.” Pubd Jany 
18th 1814 by T. Tegg, 111 Cheapside, London. Reid, No. 

' 288; Broadley, No. 576. 

(8) A Dutcu Toy!!!—or, A pretty Play-thing for a Young Prin- 
cess!!! “G. Cruikshank fect. March 1814.” Pubd June 20th 
1814 by Thos Tegg, No. 111 Cheapside. Interior of a draw- 
ing-room at Carlton House; Princess Charlotte seated on a 
couch, holding a toy representation of her proposed consort, 
the Prince of Orange. Reid, No. 340. 

(9) Tur Genius oF France Expounding Her Laws to the Sublime 
People. “Hitched by G. Cruikshank.” Pubd by H. Humphrey 
St. James’s St. April 4th 1815— The French nation as a 
race of monkeys regarding with profound attention the “Code 
Napoleon.” Reid, No. 473; Broadley, No. 391. 


837. NAPOLEONIC CARICATURE. Buonaparte in Egypt—A Terrible Turk pre- 
/s paring a Mummy, for a present—to the Great Nation. Unsigned. 


[ Continued 


Fourth Session, Thursday Afternoon, February 6th 


[No. 8387—Continued | - 
Pubd Oct. 20 1798 by S W Fores, 50 Piccadilly. Size, 934 by 164% 
inches. Matted. 


ORIGINAL IMPRESSION, PLAIN. One of the earliest of the Napoleonic” 
Caricatures. Attributed by Broadley (No. 155) to Ansell. 

In this print, two Turkish Generals are in the act of strangling some 
French officers; another Mameluke threatens Bonaparte with his sabre, 
and seizes him by the throat. 


838. NAPOLEONIC CaricaTurE. Allied-Powers, Un-Booting Egalité. “Js. 
Gillray fecit.” Pubd. Septr 1st 1799 by H Humphrey No 27 St. 
James’s Street. Size, 1014 by 1414 inches. Neatly matted. 

dp, ORIGINAL IMPRESSION, COLORED. Broadley, No. 12; Wright and Evans, 

f No. 246. 

Illustrative of the reverses which France was at this time experiencing. 

John Bull’s jolly tar is holding the red-capped Republican’s arms, while 
the Turk, rendered bold by the check given Napoleon at Acre, is pre- 
paring to add his nose to the string of trophies suspended from his 
waist. Austria, assisted by Russia, is unbooting him of his conquest of 
Italy. A sly Dutchman is attempting to purloin the cheese. 


839. NapoLEoNic Caricature. The Grand-Consul of the Great Nation!!! 
Perusing John Bulls Dispatches!!! Signed on the plate-—“Jno 
Cawse.” Publishd Jany 30th 1800 by S W Fores Piccadilly. Size, 
U j 1234 by 914 inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 406. 

Bonaparte is portrayed in the act of reading a document, from his 
left hand drops a letter. At his side stands Cambacérés and Lebrun. 

Reproduced in Broadley, Vol. L, page 138. 


840. NAPOLEONIC Carrcaturr. The Preliminaries of Peace. Unsigned. Pubd 
Novr 13 1801 by S. W. Fores 50 Piccadilly. Size, 84% by 1234 
Y inches. Neatly inlaid and matted. 
é 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 726. : 

A curious political caricature, in which England is shown to disad-_ 
vantage; John Bull scratching his head and saying “Oddzooks if this 
is the beginning what will be the finish of the Business.” The elderly 
English statesman in a difficult position; the French people dancing 
round a liberty pole. 


841. NapoLeonic CaricaturE. Leap Frog. “Drawn by Raymond, Esq.” 
“Etcd by Roberts.” Pubd by T. Tegg 111 Cheapside Jan Ist. 
iT [1803] Size, 9 by 13 inches. Neatly inlaid and matted. 
4 ORIGINAL IMPRESSION, COLORED. Broadley, No. 582. 
Bonaparte is springing lightly over the backs of the European nations, 
but John Bull says sternly, “J’ll be d——d if you do, Master Corsican.” 
It was this spirit which prompted England to delay the surrender of 
Malta. 


Fourth ‘Session, Thursday Afternoon, February 6th 


842. NAPOLEONIC CarIcATURE. The first Kiss this Ten Years—or—the meet- 
ing of Britannia & Citizen Francois. “Gillray inv.” Size 814 by * 
634 inches. Neatly inlaid and matted. 
lon ORIGINAL IMPRESSION, IN COLORS. Broadley, No. 348; Wright and 
ee ae Evans, No. 271. 
Published January 1, 1803 by Humphrey. Shows Bonaparte kissing 


a stout lady; on the wall are the portraits of Napoleon and George III. 
This caricature is said to have vastly amused Bonaparte. 


843. NapoLHoNic Caricature. Ultimatum or the Ambassedor taking proper 
steps. “IC.” Pub by T. Knight Lambeth May 14, 1803. Size, 
7 by 1014 inches. Neatly inlaid and matted. 
hes ORIGINAL IMPRESSION, COLORED. Broadley, No. 859. 


Etched by Isaac Cruikshank. George III. entering carriage, turns and 
presents “Ultimatum” to Talleyrand, dressed as a French officer. 


844. NAPOLEONIC Caricature. The new Consular Waltz. “ICk.’ Pub 
May 29th 1803 by T. Williamson No. 20 Strand London. Size, 914 
by 13 inches. Neatly inlaid and matted. Margins cut into plate- 
mark. ; 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 646. 
Napoleon tossed in a blanket by the delighted nations of Europe, 
represented in female forms. 


845. NapoLEoNic Caricature. The Right Owner. “J. Ck.” London Pub 
by T. Williamson 30 Strand June 1, 1803. Size 814 by 1234 inches. 
Matted. 


S ORIGINAL IMPRESSION, CoLORED. Broadley, No. 760; where the date is 
’ given as 1804, the reproduction there given having same date, 1804. 
The ghost of Louis XVI., pointing to the crown and addressing Na- 
poleon, says, “That’s mine.” The new Emperor crouching in his chair, 
cries, “Angels and Ministers of Grace defend me.” 


846. NAPOLEONIC CarIcaTuRE. Another copy of the preceding. WITH AUTO- 
GRAPH INSCRIPTION IN THE HANDWRITING OF GEORGE CRUIKSHANK, 
AND THE DATE CHANGED BY HIM, IN INK, TO 1804. Neatly matted. 


/ / FINE IMPRESSION, CoLorep. The inscription by Cruikshank reads,—‘By 

; my Father not any of it by me. G Ck.” George has also filled in the 
etcher’s name, the same reading as corrected by him,—“7. Cruikshank.” 
UNIQUE COPY. 


847. NAPOLEONIC CaRIcATURE. The Scare Crows arrival or Honest Pat giving 
chem an Irish Welcome. “I CC.’ Pub by J W Fores No 50 Picca- 
dilly June 10, 1803. Size, 844 by 13 inches. Matted. Margins cut 


A close. 


, ORIGINAL IMPRESSION, COLORED. Broadley, No. 786. 

Rare caricature by the elder Cruikshank. The grotesque bony figure 
of Napoleon with large sword is attacking a huge Irishman, who is 
seen throwing a shovel-full of dirt on Bonaparte, and saying,—“Och it 
is your own pratty figure it is, Master Bonny, dye think that Pat was 
to be blarney’d by such Scare Crows,” the latter part of the speech re- 
ferring to the army of Frenchmen behind Bonaparte. To the left is a 
fort with sign.——‘‘WMan Traps & spring Guns Beware.” 


Fourth Session, Thursday Afternoon, February 6th 


848. NAPOLEONIC CARICATURE. Olympic Games or John Bull Introducing his 
new Ambassador to the Grand Consul. “Cruikshank del.’ Pub 
6 by S. W. Fores No. 50 Piccadilly London June 16th 1803. Size, 
9, 834 by 13 inches. Neatly inlaid and matted. 
ORIGINAL IMPRESSION, COLORED. Broadley, No. 671. 
Etched by Isaac Cruikshank. Bonaparte has struck one of his enemies 
on the jaw; while John Bull is presenting a prize-fighter as his am- 
bassador. ( 


, 849. NapoLtEonic Caricature. Another copy of the preceding. Matted. 


850. NApoLEONIC CartcaTuRE. The Consequence of Invasion or the Hero’s 
Reward. Unsigned. Pubd August 1st 1803 by 8S. W. Fores. Size, 
/ 9 by 1314 inches. Matted. 
7) In cotors. Attributed by Broadley (No. 195) to Ansell. 
John Bull with drawn sword, in his left hand a spear surmounted by 
the head of Bonaparte, several other bloody heads held in same hand. 
A group of ladies surrounding the centre figure, making remarks relative 
to the Corsican. 


851. NapoLEonic Caricature. After the Invasion—the Levéé en Masse—or 
Britons Strike Home. Unsigned. Pubd. Aug 6th 1803 by S ais 
Fores 50 Piccadilly. Size, 9 by 1344 inches. Matted. | 


In cotors. Attributed by Broadley (No. 4) to Ansell. 

John Bull and two of his officers, one with spear, on which is the head 
of Bonaparte, is saying “Here he is Hxalted my lads 24 Hours after 
Landing.” 


852. Napotnonic Cartcaturs. Boney at Brussells. “I Cks.” Pubd by S 
W Fores No 50 Piccadilly London Augt 14 1803. Size, 844 by 1254 
inches. Matted. 


ORIGINAL IMPRESSION, CoLorRED. Broadley, No. 86. 

1 This caricature made its appearance within a fortnight of the termi- 
nation of Bonaparte’s visit to Brussels. It was etched by the elder Cruik- 
shank. In it, the First Consul is depicted seated on a throne, a mame- 
luke with drawn sword on either side of him. In his mouth he holds 
-a paper; in his hands a huge knife and fork. A number of obsequious 
courtiers bow before him, with dishes on their heads, with various in- 
seriptions, one of which reads, “Accept the keys of heaven and hell.” 


853. NAPOLEONIC CaricaTuRE. Ben Block’s Epistle to Bonaparte. “Wood- 
ward del.’ “Cruikshank Sr.’ London Pubd by M. Allen—15 
Paternoster Row—Sepr 6 1803. With printed text of the Epistle. 
Folio, matted. 


FINE IMPRESSION, CoLorRED. Broadley, No. 47. 


6 In this caricature, Isaac Cruikshank portrays John Bull as a yeoman . 


with a ferocious bull-dog head, and a cudgel in one hand. 


854. NapoLEonic Caricature. Chips of the Block—Specimens of true Breed 
or the Gallic Mongrel at Bay. Unsigned. Pubd Septr 26 1803 by 
S W Fores 50 Piccadilly. Size, 834 by 1314 inches. Matted. 
a, In cotors. Attributed by Broadley (No. 178) to Isaae Cruikshank. 
A British Bull-dog and pups barking at a group of French dogs, a 
donkey and a monkey, the latter with spear and Liberty cap. The 
British bull-dog is saying, “Keep off Boney.” 
a 


Fourth Session, ‘Thursday Afternoon, February 6th 


855. NAPOLEONIC CARICATURE. The Centinel at his Post or Boneys peep into 
Walmer Castle!! Unsigned. Pubd Oct 22 1803 by S W Fores 


Pie Piccadilly. Size, 834 by 1234 inches. Matted. 
6 Sb ORIGINAL IMPRESSION, COLORED. Attributed by Broadley (No. 172) to 
we Ansell, 


Bonaparte and several of his officers about to land at an English 
fort, advises his comrades to turn about on hearing the challenge of 
the British officer. 


856. NapoLHONIC CaricATuRE. The Anti-Gallican; or, Standard of British 
Loyalty, Religion and Liberty . . . a collection of the principal 

- Papers, Tracts . . . that have been published of the Threatened 
6 SOD Invasion. With 2 folding plates, In conors—‘The Frenchman’s 
Dream,” and “The Upshot of the Invasion, or, Bony in a fair way 
for Davey’s Locker,’ also caricature in brown. 8vo, sheep, re- 


backed. London, 1804 
A volume of unusual interest, and one seldom found complete. The 


songs include,—‘‘The Corsican Pirate,’ “Bonaparte and Talleyrand,” 
“The French in a Fog,’ and others. 


857. NAPOLEONIC CaricaTuRE. ‘The Anti-Gallican. Another copy of the 
preceding. 8vo, half crimson morocco, gilt top, other edges entirely 

Fey ancat. , London, 1804 

“eae This copy differs from the preceding, in that it contains but one of 
the colored caricatures,—“‘The Frenchman’s Dream,” with a duplicate 
of the same in brown, instead of 2 colored caricatures and the plate, 
“John Bull transported,” as in the preceding copy. 


858. NapoLEoNic CaricaTurRE. The Coffin Expedition or Boney’s Invincible 
Armada Half Seas Over. Unsigned. Pubd Jany 6th 1804 by S. W. 

a / Fores 50 Piccadilly. Size, 834 by 13 inches. Matted. 

Z.0> In cotors. Attributed by Broadley (No. 182) to Ansell. 

A motley array of French soldiers, all dressed in night-gowns, in coffins 
for boats, skulls on mast-heads, some of the crew floundering in the 
water. 

859. NAPOLEONIC CARICATURE. The King of Brobdingnag and Gulliver. 
(Plate 2d “—Scene—Gulliver manoeuvring with his little boat in 
the Cistern.” Designed by an Amateur:—HLiched by Js. Gillray.” 

Ie Publish’d Feby 10th 1804 by Humphrey, St. James’s Street London. 
Size, 12 by 1734 inches. Neatly matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 523; Wright and Evans, 
No. 288. 

Bonaparte in a small sail-boat in a cistern, viewed by King George III., 
Lord Salisbury and others. 


S60. NAPOLEONIC CaricaTuRE. Napoleons Apotheosis Anticipated or the 

Wise Men of Leipsic sending Boney to Haven before his time (etc.) 

at “Woodward del.” Pubd Sept 15th [1805] by Thos. Tegg No 111 

/: Cheapside. Size, 1214 by 834 inches. Matted. 

ORIGINAL IMPRESSION, CoLorED. Broadley, No. 6380.. 

This plate ridicules a compliment which the obsequious savants of 

Leipzig desired to pay the Emperor. Orion in the clouds, sword in hand, 

is drawing Napoleon up to him by means of his belt. <A party of 

statesmen as astronomers are looking upwards through their telescopes. 


Fourth Session, Thursday Afternoon, February 6th 


861. Napoteonic Cartcature. A New Phantasmogoris for John Bull!! 
“Woodward Del.” Published Feby 1st 1805 by R. Ackermann, No 
101 Strand. Size, 91% by 1214 inches. Matted. 
VA ORIGINAL IMPRESSION, COLORED. Broadley, No. 651. 
In this print, a Frenchman perched on a rock in the sea throws from 
a magic lantern in the direction of John Bull attired as a sailor and 
sitting on another rock, a vision of Napoleon, approaching him with a 
flag of truce, leading the figure of France. 


862. NapotEonic Cartcature. “Nap and His Partner Joe.” Unsigned. 
Pubd. September 29 1805 by Thos. Tegg No 111 Cheapside. Size, 
834 by 121% inches. Neatly inlaid and matted. Title cut off. 
fi ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 595; Not in Grego. 
Etched by Thomas Rowlandson. Some Spanish Dons are seen in the 
act of kicking Napoleon and his brother Joseph into the jaws of gigantic 
‘monster belching flame and smoke. 


863. Napongonrc Cartcature. ‘Tiddy-Doll the great French-Gingerbread- 
Baker, drawing out a new Batch of Kings.—his Man, Hopping-Tal- 
ley’, mixing up the Dough. “Js. Gillray inv. & fict.” Publishd 

J Jany 23d 1806, by H. Humphrey 27 St. James’s Street London. 
/ Size, 914 by 1414 inches. Neatly inlaid and matted. 
Soros es IMPRESSION, CoLorED. Broadley, No. 843; Wright and Evans, 
No. 309. ae 
Bonaparte pulling from the oven the miniature figures of the kings 
of Bavaria, Wirtenberg and Baden; Talleyrand mixing the dough of 
Hungary, Poland, Turkey and Hanover. 


864. NapotEonic Caricature. The Magnanimous Minister chastiseing Prus- 
sian Perfidity. Vide Morning Chronicle. “Jas. Gillray delt.” 
[Published May 2, 1806.] Size, 6 by 81% inches. Neatly inlaid and 

f, matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 557; Wright and Evans, 
No. 315. This copy is without publisher’s imprint. 

The German Emperor on his knees before Fox, who with uplifted 
sword threatens the Emperor, while the little “Corsican” stands behind. 


865. NApoLEONIC CARICATURE. Political Quadrille. Unsigned. Pubd Octr 
1806 by Walker No 7% Cornhill. Size, 1134 by 15 inches. Matted. 


ORIGINAL IMPRESSION, CoLorED. - Broadley, No. 719. 

/ A most interesting caricature, published before the news of the defeat 
/ at Jena had reached England. 

Seated at tables are two parties engaged in a game of quadrille. At 
one table are seated,—George III., the King of Spain, the Emperor of 
Russia, and the King of Prussia. At the other,—Napoleon, the Em- 
peror of Austria, the Pope, and Holland. George Ilird is saying, “J 
never had any luck when the curse of Scotland was in my hand.” 


866. NapoLEontc Caricature. A Stoppage to a Stride over the Globe. Un- 
signed. Pubd by T Tegg 111 Cheapside Jany 1807 [An earlier pub- 
lisher’s name, 1800 has been obliterated from the plate.] Size, 124% 

/; /- by 91% inches. Neatly inlaid and matted. 


SECOND STATE, CornorEp. Broadley, No. 827, where the same is 
attributed to Roberts, with date of publication as April 16, 1803. 

Bonaparte astride the world, says to John Bull, who is hanging onto 
England, “Ah—who is its dares interupt me in my Progress.” 


Fourth Session, Thursday Afternoon, February 6th 


867. Napotzonic Caricature. John Bull Playing on the Basevillain. 
Signed on the plate,—Pub. by Roberts. [Republished] Pubd Jany 


7 1 1807 by T. Tegg 111 Cheapside London. Size, 111% by 9 inches. 
Matted. 


John Bull holding Bonaparte on his knee, his left hand round his 
throat, in his right, a drawn sword. 


868. Napotronic Caricature. John Bull Receiving the Manifesto. Un- 
signed. Pubd by T. Tegg 111 Cheapside Jany. 1st 1807. Size, 9 
° by 13 inches. Neatly inlaid and matted. Two corners repaired. 


ORIGINAL IMPRESSION, CoLoRED. Not in Broadley. 
Curious and rare. 


869. NapoLEONIC CaricaTuRE. The New Dynasty :—or—the little Corsican 
planting a Royal-Pippin-Tree. “Js. Gillray inv. & fect.” Pubd 
June 25th 180%7—by H. Humphrey, 27 St. James’s Street, London. 

Size, 944 by 1334 inches. Neatly inlaid and matted. 
y, ; “Gra ete IMPRESSION, CoLorED. Broadley, No. 647; Wright and Evans, 

No. 3388. 

Bonaparte planting a tree, lettered “William the Norman Robber ;” 
Several of his henchmen attacking “The Royal Oak,” with axes; other 

“pippin” trees, with royal heads, planted in background. 


870. NAPoLEONIC CaricaTuRE. A Political Fair. “Woodward delt.’ London 
Pubd Octor, 1st 1807 by Thos. Tegg in Cheapside. Size 834 by 13 
inches. Matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 716. 

. The European political situation is amusingly reviewed in this cari- 
eature. Napoleon presides over a booth at which “Boney’s Imperial 
Gingerbread” is dispensed. In the front, before two rows of crowned 
mannikins, stands the Emperor, who has just sold a King to the Dutch, 
who are not overpleased with their purchase; but Napoleon tells them 
that “no goods are ever changed after they are once taken out of the 
shop.” A brisk trade is being done in hot Prussian cake, German sausages, 
and French sauce. 


871. NaPoLEONIc CartcaTuRE. Malignant Aspects looking with envy on 
John Bull‘and his Satelites, or A New Planetary System. Un- 
signed. London Octbr 21st 1807 Publd by Thos. Tegg in Cheap- 

2 ; side. Size, 1244 by 9 inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 558. 

Fine symbolical engraving. A representation of the heavens, with the 
nations as various planets and stars; England in the centre as the sun 
is depicted in a circular medallion representing John Bull seated at 
a table, with pipe and beer, surrounded by his navy, and inscription, 
“Britannia Rule the Waves; various nations, symbolized as,—AMER- 
IcAN TorPEDO, Italian Greyhound, Spanish Mouse, Russian Bear, Swiss 
Cheese, Spanish Puff, Dutch Frog and Corsican Comet,” are seen among 
the clouds. 

A MOST INTERESTING SUBJECT. 


Fourth Session, Thursday Afternoon, February 6th .— 


S72, Napongontc Caricature. National Opinions on Bononaparte (sic). 


he 


“Woodward delt. C. W. Sculpt.’ London Pubd April 20th 1808 by 
Thos. Tegg 111 Cheapside. Size, 834 by 13 inches. Matted. 


ORIGINAL IMPRESSIONS, COLORED. 

The only Napoleonic caricature of the period in which America is 
represented by a figure. There are 15 figures in all, representing the 
various nationalities, each one of which has something to say about 
the French Emperor. America, as a Quaker, is saying, “Verily the spirit 
doth move me to shake hands.” Broadley, No. 689. 


873. NAPOLEONIC Carrcaturn. The Ghosts of the Old Kings of Spain ap- 


lo, 


pearing to their Degenerate Posterity. Unsigned. Pubd July 1808 
by Walker No % Cornhill. Size, 834 by 13 inches. Matted. 


ORIGINAL IMPRESSION, ContorED. Attributed by Broadley (No. 395) to 
Ansell. ; 

Napoleon endeavoring to place the crown on the head of his prostrate 
brother Joseph, other crowned figures standing by; John Bull in back- 
ground saying to Napoleon, “Stop my little Gentleman—yow'll find there 
is a person calld Ferdinand it will fit much better than Joey.” 


874, NapoLEonic CartcaturE. The Corsican Nurse Soothing the Infants of 


/0, 


Spain. “Woodward Del.” “Rowlandson scul.” Pubd July 12th 
1808 by Thos. Tegg N 111 Cheapside. Size, 834 by 124 inches. 
Neatly inlaid and matted. | 


ORIGINAL IMPRESSION. Broadley, No. 229; Grego, Vol. 2, page 94. 

Napoleon holding on his knees the two heirs to the throne of Spain, 
while rocking with his toes two “Imperial Cradles,” one with the Prince 
of Austria as its occupant. ; 


8% NApoLEONIC CARICATURE. The Corsican Spider in His Web! “Wood- 


~ 
S 


ward del.” “Rowlandson scul.” Pubd July 12 1808 by Thos Tegg 
No 111 Cheapside. Size, 111% by 834 inches. Neatly inlaid and 
matted. 


ORIGINAL IMPRESSION. Broadley, No. 234; Grego, Vol. 2, page 94. 

Bonaparte as a large spider in centre of his web, severa “royal” 
flies are caught; the British, Turkish, Russian and Popish flies are 
hovering around. 


876. NAPOLEONIC CaricaTuRE.. The Disappointed King of Spain—or the 


/0 


downfall of the Mucheron King Joe Bonaparte late Pettifogging 
Attorneys Clerk. Between two stools the Breech comes to the 
Ground. “Cruikshanks del.” Published at Ackermanns Repository 
of Arts 101 Strand. Jul 19 1808. Size, 9 by 1314 inches. Neatly 
inlaid and matted. 


ORIGINAL IMPRESSION, UNcoLorED. Etched by Isaac and George Cruik- 
shank. Broadley, No. 282. Not in Reid or Douglas. 


Fourth Session, Thursday Afternoon, February 6th 


877. Napotronic CaricaTuRE. Brobdignags of Bayonne peeping over the 


od 


Pyrenean Mountains at the Lilliputian Spanish Army. Unsigned. 
Published Augt 3 1808, by T. Tegg 111 Cheapside. Size, 814 by 
1234 inches. Matted. Margins cut down. 


ORIGINAL IMPRESSION, CoLorep, Attributed by Broadley (No. 138) to 
Woodward, and reproduced by Broadley, in Vol. I., page 274. 

This caricature was published after the intelligence of the Baylen 
disaster had reached Napoleon at Bordeaux. The Emperor and his 
affrighted brother, arrayed in his royal robes, are peeping from behind 
a mountain at the fighting going on in Spain. 


878. NAPOLEONIC CaricatuRE. The Rogue’s March from Madrid to Paris. 


26. 


Signed,— George Cruikshank junr. fecit. Pubd. Sep 14, 1808, by 
h. Ackermann, 101, Strand. Full-length of sheet, 4034 inches; full- 
width, 71% inches. Backed with linen, folded and preserved in red 
cloth wrapper, in slip-case of red cloth and morocco back, lettered. 
[London] 1808 


ONE OF THE RAREST AND MOST INTERESTING OF ORUIKSHANK’S CARI- 
CATURES, AS WELL AS ONE OF HIS EARLIEST ATTEMPTS ON A LARGE SCALE, 
HAVING BEEN EXECUTED BY HIM WHEN HE WAS BUT SIXTEEN YEARS OLD. 
The signature on the plate is the only instance of his calling him- 
self “George Cruikshank, Junr,’ which, of course, since there was no 
George Cruikshank, Sr., is not really correct. In later years, when the 
son of the great artist’s nephew (whose name was George), signed his 
work, “George Cruikshank, Jr.,”’ the originator of such plates as the 
above very indignantly refuted his work, and insisted that his method of 
signature be changed. 

This remarkable caricature contains several figures, forming a curious 
procession of a retreating army, led by a coach in which the face of 
Joseph Bonaparte is seen at the window. 

Douglas, No. 653; where the plate is described, and the statement 
made, that “the only known copy sold at the Brunton sale in 1897.” 
UNKNOWN TO Rep. Broadley, No. 767. 


879. NAPOLEONIC CaricatTurE. The First Night of My Wedding. or Little 


Te 


Boney no Match for an Arch Dutchess. Unsigned. Pubd April 
25th 1810 by Thos. Tegg No 111 Cheapside. Size, 1134 by 9 
inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 344. 

The Empress Marie Louise seated on the edge of the bed, in which 
lies Napoleon, saying, ‘‘Mort de ma Vie I must I must brush off to Com- 
piegne and order separate Beds.” 


880. NapoLEonic CaricaTurE. Three Weeks After Marriage, or the Great 


ve 


Little Emperor Playing at Bo-Peep. Unsigned. Pubd May 15th 
1810 by Thos Tegg No 111 Cheapside. Size, 834 by 13 inches. 
Neatly inlaid and matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 841; Grego, Vol. 2, page 
186. 

Etched by Thomas Rowlandson. Marie Louise is about to throw the 
crown at Napoleon, who is crouching behind a chair; Talleyrand is 
levelled with the floor by a blow from the sceptre; a marshal is seek- 
ing refuge behind a curtain. 


onl. 


Fourth Session, Thursday Afternoon, February 6th 


881. NapoLEONIc CarIcATURE. The Devil and his Protegée or Another Sepa- 


/d; 


ration in Contemplation. Unsigned. Pubd. June 1810 by Thos. 
Tegg 111 Cheapside. Size, 121% by 9 inches. Matted. Slight tear 
in one margin. | 
ORIGINAL IMPRESSION, CoLorRED. Broadley, No. 272. 
One of the English caricatures relating to the marriage of Napoleon 
and the Princess Marie Louise. The devil is looking out from behind the 
eanopy at the Royal pair. 2 


882. NapoLEONIc CaricaTuRE. Boney the Second or the Little Babboon 


ee 


Created to Devour French Monkies. Unsigned. Pubd April 9th 
1811 by Thos. Tegg No 111 Cheapside. Size, 9 by 18 inches. 
Neatly inlaid and matted. ran 

ORIGINAL IMPRESSION, CoLtoreD. Broadley, No. 104; Grego, Vol. 2, page 
203. 

Etched by Thomas Rowlandson. In a cradle lettered “Devils Darling,” 
is the King of Rome, in the guise of a monkey, stretching out his hands 
to his father in the act of performing some domestic offices. Besides 
the cradle kneels a mitred ecclesiastic, probably Cardinal Fesch. In 
the background, a hideous harridan is administering to the wants of 
Marie Louise. 


883. NAPOLEONIC CartcaTurE. Nursing the Spawn of a Tyrant, or Frenchmen 


/2, 


Sick of the Breed. Unsigned. Pubd April 14th 1811 by Thos. Tegg- 
No 111 Cheapside. Size, 1214 by 9 inches. Neatly inlaid and 
matted. 

ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 663; Grego, Vol. 2, page 
204. 

Etched by Thomas Rowlandson. Marie Louise is seen sitting on a sofa, 
nursing the King of Rome, who holds in his hands, the dagger and the 
imperial orb; Talleyrand in a mitre holds out a goblet inscribed “Com- 
posing Draught;” Bonaparte looks on from behind a curtain. Marie 
Louise says, “There is no condition sure so cursed as mine. . .” 


884. NapoLtEoNio Caricature. General Frost Shaveing Little Boney. 


ye: 


Signed on the plate, with artist’s mark and “H—°. Deer 1, 1812 
Publd by Thos. Tegg No 111 Cheapside London. Size, 12% by 9 
inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 386. 
Etched by Elmes, who has depicted the Emperor in the grasp of a 


.gigantic monster with the legs and claws of a bear; blasts of wind 


come from the bear’s nose, while on its head is a mountain of ice, 
in its right hand a razor, lettered, “Russian Steel,” while it crushes 
a number of French soldiers with its claws. In the background, the 
city of Petersburg. 


885. NAPOLEONIC CARICATURE. Polish Diet, with French Desert. “Hs.” 


(Elmes). Pubd Decemr. 8, 1812 by Thos Tegg No 111 Cheapside— 
London. Size, 834 by 13 inches. Neatly inlaid and matted. 
ORIGINAL IMPRESSION, CoLoreD. Broadley, No. 707. 
The emperor on a spiket before an open fire; a large Russian shef 
in uniform; a bear to the left who says “How do you like Bennington 
Baisting—Master Bony.” Relative to retreat from Moscow. 


Fourth Session, Thursday Afternoon, February 6th 


886. NAPOLEONIC CaricaTURE. The Prophecy, or, The Devil will have his 
Due at last. “GCk.” Pubd Jany 1813 by J. Johnston Cheapside. 
Size, 814 by 1314 inches. Matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 7387; Reid, No. 210. 
G ¢ Napoleon, after his flight from Moscow, represented as Prometheus 
chained to the rock, with the Russian Hagle feeding on him; the 
Devil, is however unfastening the chain. John Bull is seen to the 
left, urging on the Russian Bear to an attack on the unfortunate Em- 
peror, while his dog has mounted Bruin’s back. 


887. NAPOLEONIC CARICATURE. Quadrupeds or Little Boneys Last Kick. “G. 
Cruikshank fect.” Pubd January 1st 1813 by W N Jones 5 New- 


gate Street. Size, 7 by 201% inches. Matted. 


4 _ ORIGINAL IMPRESSION, COLORED. Broadley, No. 748; Reid, No. 212. 

7 / This plate appeared in ‘‘The Scourge” for January, 1813. It is a 
satire on Napoleon’s Retreat from Moscow, representing the Emperor 
Alexander as a bear holding Bonaparte by one of his legs, while Jack- 
Frost has tight hold of his nose. The Russian infantry are repre- 
sented as bears, driving the French before them. 


888. NapoLEoNic Caricature. Little Bony Sneaking into Paris—with a 
white Feather in his tail. “Wm. Hs. Delin-scul.’ London Pubd— 
by Thos. Tegg No 111 Cheapside Januy—12 1813. Size, 814 by 

G 1234 inches. Neatly inlaid and matted. 
7 ORIGINAL IMPRESSION, CoLorED. Broadley, No. 542. 
This print, etched by Elmes, relates to the occurrences of the night 
of December 18, 1812. Napoleon, a dark lantern in hand, approaches 
the carefully locked, barred and barricaded gate of his capital, a 
half-starved Russian dog snarling at his heels. The sleepy sentry 
mutters, “Zt is only Count Vincen, alias Little Boney.” 


889. NAPOLEONIC CaricaTURE. The Grand Dignitaries arriving at Warsaw 
covered with Glory Snow [The word Glory is scratched out by the 
artist.| “G. Cruikshank fect.” Pubd by S. Knight Sweetings Alley 
Royal Hxchange Feby 1813. Size, 814 by 1314 inches. Matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 408; Reid, No. 215. 
y | A caricature on the Russian Campaign. <A view of the principal 
gate of the city of Warsaw, which the French are about to enter, but 
in such a miserable condition, that one of them exclaims “By Gar, de 
people will take us for Adam and Hve.”’ ‘The snow has nearly coy- 

ered some of the “Dignities.” ; 


890. NapoLgonic CaricaturE. The Heroe’s Return. “David pinxt—Etched 
by G. Cruikshank.” Pubd by H. Humphrey St. James’s St. Feby 
22d 1813. Size, 914 by 1434 inches. Matted. 

q ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 434; Reid, No. 217. 

x The Empress Marie Louise and her ladies horror-struck at seeing 
the miserable plight of Napoleon on his return from Moscow. ‘The 
Emperor is represented as being brought to her Majesty by his favorite 
Mamelukes, on the back of one of whom he rides, followed by others 
earrying sealed bottles in which are his nose, ears, fingers and toes. 


Fourth Session, Thursday Afternoon, February 6th 


891. Napoteonic Caricature. Anticipation for Boney or, A Court Martial 
on the Cowardly Deserter from the Grand Army! “Etched by G 
Ck.” Pubd March 6th 1813 by S Knight 3 Sweetings Alley Royal 
Exchange. Size, 81% by 1314 inches. Matted. 

b nee IMPRESSION, FIRST STATE, CoLorRED. Broadley, No. 17; Reid, 

A QO. 221, 

f Etched by George Cruikshank. A Republican tribunal, where a 
French cobbler in sabots, seated on the Throne of Liberty, while giving 
orders for the decapitation of the supplicating Emperor, who is being 
dragged forward by a ferocious-looking butcher armed with an im- 
mense ax; the people behind, crying out for vengeance against the 
betrayer of their relatives. 


$92. NAPOLEONIC CARICATURE. ee and the Gay Lads of Paris calculating 

for the next Triumphant Entry into Moscow. A Song-head, with 
_ 18 verses. Size of sheet, 1434 by 1014 inches. Neatly inlaid and 
“matted. [London :] Pubd. April 1813, by 8S. W. Fores 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 88. 

The writer of the above verses was S. W. Fores, the publisher of 
the same. In the view, Napoleon is séen sitting in his council chamber 
surrounded by his maimed, lamed and noseless, frostbitten and other- 
wise afflicted marshals; one of the marshals pointing to a wall-map 
of Russia, says, “We had better go to St. Petersburg at once.” 


893. NAPOLEONIC CARICATURE. Boney’s Cavalry—a Ruse de Guerre or Bayes’s 
troop in French pay. Unsigned. Pubd May 4th 1813 by Thos. Tegq, 
ls. 111 Cheapside. Size, 814 by 13 inches. Neatly inlaid and matted. 


/ ORIGINAL IMPRESSION, ConoreD. Broadley, No. 109. 
Napoleon and his officers standing in front of a company, mounted 
as cavalry on hobby horses, for the Russian Campaign. 


894. NapoLEONic CaricaturE. Another copy of the above. Matted. 


895. NapoLzonic Caricaturg. French Generals Retreating.—“G. Cruk- 
shank fect.” Published May 30th 1813 by H. Humphrey St. phases 
Street. Size, 734 by 1234 inches. Matted. 


ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 365; Reid, No. 239. 

A satire on the Retreat from Moscow. Two half-starved horses en- 
deavouring to draw a sleigh through the snow. The body of the 
sleigh filled with several miserable specimens of humanity. The in- 
scription of the plate is in both Russian and English. 


896. NapPoLEoNiIc CaricatuRE. Nap Nearly Nab’d ora Retreating Jump Just 
in Time. Unsigned. June 1813 by Thos Tegg No 111 Cheapside. 
Size, 9 by 13 inches. Neatly inlaid and matted. 


f) ORIGINAL IMPRESSION, CoLorED. Broadley, No. 598. 

} This is No. 7 of a series of eight plates published by Tegg, which 
relate to the Russian Campaign. It shows Napoleon jumping out of 
a window into a pig-sty, to avoid being captured by the Cossacks. 


897. NapotEonic CaritcaTurE. Another copy of the preceding. Matted. 


] 


Fourth Session, Thursday Afternoon, February 6th 


898. NapotEoNio Caricature. Nap’s Glorious Return or the Conclusion of 
the Russian Campaign. Unsigned. Pubd. June 1813 by Thos. Tegg 
111 Cheapside. Size, 81 by 13 inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 601. 

This is No. 8 of the series of eight plates published by Tegg relating 
to the Russian Campaign. Napoleon’s return to the Imperial bed- 
chamber astonishes the occupants. 


899. NAapoLEoNIC Caricature. The Narrow Escape, or, Boneys Grand Leap 
“a la Grimaldi!!” “G. Cruikshank fect.’ Pubd by S. Knight 
Sweeting’s Alley Jn. 1813. Size, 814 by 1314 inches. Matted. 


ORIGINAL IMPRESSION, CororED. Broadley, No. 634; Reid, No. 206. 
G A poor Russian house of entertainment, having an English sign 
and kept by an.English landlord. The little Emperor, with large 
hat and riding-boots, is jumping from an upper window, into the 
corner of a pig-sty. Some Cossacks are seen at the front door, 
slaughtering several Frenchmen. 


900. NaroLEoNnic Carrcature. French Recruits, or a Bird’s Eye View of the 
New Conscription. “G. Cruikshank fect.’ Pubd for the Proprietrs 
of Town Talk Novr 1st 1813. Size, 9 by 14% inches. Neatly in- 
laid and matted. 


Pa 
9 ORIGINAL IMPRESSION, CoLorEeD. Broadley, No. 369; Reid, No. 268. 
Marie Louise riding on a starved-looking jackass, carrying the young 
King of Rome on her shoulders, while beating up for recruits for the 
* Grand Army. 


901. Narorzonio Caricature. A Long Pull a Strong Pull and a Pull Alto- 
gether. Unsigned. Publishd by Thos. Tegg 18138 Nowr 25 No 111 
Cheapside. Size, 9 by 131% inches. Neatly inlaid and matted. 


/ oO : ORIGINAL IMPRESSION, CoLoRED. Etched by Thomas Rowlandson. Broad- 
ley, No. 549; Grego, Vol. 2, page 258, where the same is reproduced. 
Represents the Allied governments standing on a cliff, and pulling 1n 
the French fleet. 


902. NapoLEoNIc CaricaTuRE. Bonaparte’s Bridge, to the Tune of, This is 
the House that Jack built. “Za Nourice du Rot de Rome Invt.” 
Pubd. Decem? 1, 1813 by Tho. Tegg 111 Cheapside. Size, 9 by 13 

f ; inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 66. 
Inscribed facetiously as Designed by the Nurse of the King of Rome. 
Contains eight scenes depicting the story of the bridge of Leipzig. 


6 903. Napotzontic Cartcatursn. Another copy of the above. Matted. 


904. NapotEontc Caricature. Funcking the Corsica. “J. Rowlandson 
delt.? Pubd December 6th 1813 by R. Ackermann No. 101 Strand. 

b Size, 914 by 1314 inches. Neatly inlaid and matted. 
ORIGINAL IMPRESSION, CoLorED. Broadley, No. 878; Grego, Vol. 2, page 


262. 
Napoleon being smoked over a large barrel by his enemies. 


Fourth Session, Thursday Afternoon, February 6th 


905. NapoLzonic Caricature. Boney tir’d of War’s Alarms, Flies for Safety 
to his darlings Arms. “G. Ck.” [Published, 1813.] Size, 834 by 
1314 inches. Matted. Lower right corner repaired, a small piece 
being inlaid. 

COLORED copy. Broadley, No. 105?; Reid, No. 209. 
( Htched by George Cruikshank. Napoleon in rags, entering his wives 
* apartment mounted on the back of his Satanic Majesty, who exclaims 
“Take him to bed my lady and thaw him.” Marie Louise flies to meet 
her consort, saying “come to my arms, my hero.” A nurse has the young 
King of Rome. Over the mantel-piece is the picture of a “Damned 
Cossack.” 


906. NapoLeonic Caricatures. A Series of eight colored caricatures on 
Napoleon Bonaparte and the Russian Campaign of 1813, by un- 
known artists. Each plate with publisher’s line and date. Mounted 

p on separate sheets, and bound in one vol. oblong royal 4to, three- 

! quarter red morocco, lettered on front cover. 

[London:] Thos. Tegg, 1813 
ORIGINAL IMPRESSION, ALL IN CoLors. The complete series, comprising,— 
Plate 1. THe Partine or Hector-Nap and Andromache or Russia 
threatened. Broadley, No. 681. 
Plate 2. Nap REVIEWING THE GRAND ARMy or the Conquest of Russia 
Anticipated. Broadley, No. 600. 
Plate 3. Nap’s Heroes or a Specimen of French Mercy and Modera- 
tion. 
Plate 4. Nap OMNIPOTENT or the Acme of Arrogance and siabe ees) 
Broadley, No. 599. 
Plate 5. WARM WINTER QUARTERS or Moscowell aired for Nap and his 
Grand Army. Broadley, No. 870. 
Plate 6. GASCONADERS or the Grand Army Retreating from Moscow. 
Broadley, No. 3884. 
Plate 7. Nap NrARLY Nap’p or a Retreating Jump Just in Time. 
Broadley, No. 598. 
Plate 8. Nap’s Giorious Return or the Conclusion of the Russian 
Campaign. Broadley, No. 601. 


907. NAPOLEONIC CARICATURE. Russian Amusement or the Corsican foot 
Ball. Unsigned. Pubd Janry 1st, 1814 by T Tegg 111 Cheapside 
London (Year inserted in ink.) Size, 9 by 1234 inches. Neatly 
| inlaid and matted. 
Y COLORED COPY. 
A Cossack, who is saying, “JIl teach you to insult Ambassadors Master 
Bouncing B,” has just kicked little Bonaparte into the air, the latter 


remarks, “TT not be treated in this way I will have my own way in 
everything.” 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 
ILLUSTRATED BOOKS AND CARICATURES FROM THE 
LIBRARY OF J. BARTON TOWNSEND, ESO. 

OF PHILADELPHIA 


Fifth Session, Numbers 908 to 1123, inclusive 


THURSDAY EVENING, FEBRUARY 6th, AT 8:15 O’CLOCK 


NAPOLEONIC CARICATURES 


[| Continued, Numbers, 908 to 940, inclusive] 


908. Napoteonic Caricature. The Infant Richard. “G@. Cruikshank fect.” 
[Published by Tipper, Jan. 1, 1814, in the “Satirist.”] Size, 714 
by 1834 inches. Matted. 


// ORIGINAL IMPRESSION, CoLorED. Broadley, No. 460; Reid, No. 281. 
The young King of Rome, standing on a stool as if enthroned, re- 
ceiving his couriers who are represented as owls with human bodies, 
and bringing bulletins of bad news from all the nations which Napoleon 
has oppressed. Bonaparte, represented as a jackass in the shafts of a 
. car driven by the spirit of the French Revolution. 


909. Napoteonic Caricature. The Royal Beggars. “G. Cruikshank fect.” 

Satirist, February 1st, 1814. Size, 714 by 1334 inches. Matted. 
ORIGINAL IMPRESSION, COLORED. Broadley, No. 772; Reid, No. 286. 

/ ons John Bull enthroned, the British lion on one side, an English sailor 
on the other; Napoleon and the male members of his family,—Jerome, 
Louis, and Murat,—standing in a row, in miserable plight, soliciting alms. 
The Marquis of Wellesley, accompanied by the Emperor of Russia and 
the King of Prussia, stand to the right of the throne. 


910. NapotEontico CaricaturE. Hard Times or, O! Dear what will become 

of us O! dear what shall we do?!!! Unsigned. Pubd Feby 10th 

y 1814 by T. Tegg Cheapside London. Size, 814 by 131% inches. 
Matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 426; Reid, No. 289. 

Etched by George Cruikshank. A procession of people carrying trophies 
raised on poles, appertaining to their professions, trades, or business, 
with inscriptions,—Poor Gardeners, Poor Artists, Poor Boney, ete. All 
are shouting and dancing. Napoleon carrying his own banner is being 
led by the Devil. 


Fifth Session, Thursday Evening, February 6th 


911. Napotnonic CarrcaTurE. Imperial Botany—or a Peep at Josephines 
collection of English Exotics. Not signed. Pubd March 1st. 1814 
by W M Jones No 5 Newgate St. Size, 144 by 20 inches. Matted. 


w | ORIGINAL IMPRESSION, CoLorED. Broadley, No. 449, 
Although not signed, this plate is by George Cruikshank. It appeared 
in “The Scourge,” for March, 1814. See, Douglas, Page 249. 


912. NaponEonic CarrcaturE. Represesentation (sic) of ye Gull Trap!—& 
ye principal Actors in ye new Farce call’d ye Hoax!—lately per- 
form’d with great Eclat on ye S-k’X-ge. “G. H. invt. G. Orwik- 
Cys shank fecit.” Pubd April 6th 1814 by H Humphrey—St. James's 
8) Street. Size, 9 by 1314 inches. Matted. 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 751; Reid, No. 308. 

A satire on the Berenger fraud and its probable effects in England. 
Lord Cochrane is represented fixed in a pair of stocks at the top of an 
inclined plane, firing from a large blunderbuss, a ball, which has struck 
the Emperor, who was seated on the other end of the incline, in the 
breast, and who exclaims “Oh by gar I am Kill’d again.” The crew of 
the Commodore’s vessel are taking in gold as ballast; John Bull is 
seated in the background, rejoicing at the news. 


> 


913. Napo.Eonric Cartcature. Old Blucher Beating the Corsican Big Drum. 
“G Ok.’ Pubd April 8th 1814 by S. W. Fores 50 Piccadilly. Size, 
914 by 141% inches. Matted. 
/ / FINE IMPRESSION OF THE ORIGINAL, COLORED, SHOWING PLATE-MARK. 
Broadley, No. 667; Reid, No. 309. . 
Etched by George Cruikshank. A satire on the Allies entry into 
Paris. The veteran Prussian Bliicher, of gigantic size, stands in the 
foreground, with the Emperor slung from his neck, in the manner of 
a drum, while Bliicher is inflicting corporal punishment. Various 
ludicrous incidents connected with the retreat of the French, are intro- 
duced in the background. 


914. Napotronic Carroatre. Blucher the Brave Extracting the Groan of 
Abdication from the Corsican Blood Hound. Unsigned. Pubd. 9 
April 1814 by Thos. Tegg. No 111 Cheapside. Size, 914 by 14 

) inches. Neatly inlaid and matted. | 


ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 56. 

Etched by Rowlandson. Blticher is holding in his outstretched hand, 
the emperor with the body of a wolf. In the background, the crown of 
France is being restored to Louis XVIII. 


915. Napotronic Caricature. Bloody Boney the Carcass Butcher Left off 
i Trade and Retiring to Scarecrow Island. Unsigned. Pubd. 12 
April 1814 by Thos. Tegg No 111 Cheapside. Size, 814 by 13 inches. 

Neatly inlaid and matted. , 
ORIGINAL IMPRESSION, CoLorED. Etched by Rowlandson. Broadley, 

No. 54; Grego, Vol. 2, page 279. . 

~ Napoleon with a fool’s cap, and sitting on an ass; behind sits the 
female driver “Marie Louise,” by their side is the King of Rome, astride 

a Corsican dog; the island of Elba seen in distance. 


fifth Session, Thursday Evening, February 6th 


916. NAPOLEONIC CAricaTuRE. A Grand Manceuyre! or, The Rogues march 
to the Island of Elba. “G. Crutkshank fect.” _Pubd April 13th 
1814 by 7. Tegg No. 111 Cheapside. Size, 814 by 1314 inches. 
(A Matted. 
ORIGINAL IMPRESSION, COLORED. Broadley, No. 410. Reid, No. 318. 
Two boys leading Napoleon by a halter, towards a boat, where the 
Devil is waiting to escort him across the water. Talleyrand is pushing 
his former master along with a broom, while the French populace are 
cursing and pelting their late ruler, on whose head an imp is dancing, 
and playing the fiddle. 


917. NAPOLEONIC CARicATURE. ‘The Rogues March. The Emperor of Con- 
jurors Nap The King of Beggars Joe! Pubd. April 15, 1814 by 
Thos Tegg No 111 Cheapside. Size, 9 by 13 inches. Neatly inlaid 

b and matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 767; Grego, Vol. 2, page 
219. ; 

A Rare Etching by Rowlandson. The Emperor, with a halter around 
his neck and handcuffed to his brother Joe, is being led by General 
Bliicher; Kings of various countries dancing around a flag-pole. 


918. NAPOLEONIC CARICATURE. Another copy of the preceding. Neatly in- 
yf laid and matted. | 


919. NapotEonic Caricature. A Friendly Visit. Unsigned. Pubd April 
16th 1814 by Thos. Tegg No. 111 Cheapside. Size, 9 by 13 inches. 
A Neatly inlaid and matted. 
ORIGINAL IMPRESSION, CoLoRED. Broadley, No. 372; not in Grego. 
Etched by Rowlandson. Napoleon in an embarrassing position, hastily 
putting on his tattered breeches, is called upon by death and the Devil, 
the latter with a halter is saying, ‘Master Boney the Favour of your 
Company is requested; on the table are pistols, dagger, axe, a bowl of 
opium, and an imp. Very curious. 


920. NAPoLEOoNIC CaricaTurE. ‘The Hell(Hl)Baronian Emperor going to 
take possession of his new Territory. “G. H. invt. G. Cruikshank 
fect.’ Pubd. April 23d 1814 by H. Humphrey St. James's St. 

6 Size, 714 by 914 inches. Neatly inlaid and matted. 


ORIGINAL IMPRESSION, UNCOLORED. Broadley, No. 300; Reid, No. 316. 
Napoleon, heavily chained and confined in a strong cage, drawn by a 
Cossack riding a horse towards Elba. 


921. NapoLEoNic CaricaTorE. Nap Dreading his Doleful Doom or his Grand 
; Entry in the Isle of Elba. Unsigned. Pubd April 25th 1814 by 
0. Thos. Tegg No 111 Cheapside. Size, 9 by 131% inches. Neatly 

inlaid and matted. 

ORIGINAL IMPRESSION, COLORED.* FIRST STATE. Broadley, No. 596; Grego, 
Vol. 2, page 281. 

Etched by Thomas Rowlandson. Shows the arrival of the fallen Em- 
peror, at the Island of Elba, a crowd welcoming him. Napoleon is 
saying, “Ah Woe is me seeing what I have and seeing what I see.” 


Fifth Session, Thursday Evening, February 6th 


922. NAPOLEONIC CarrcaTuRE. Nic alias Nap’s March to Elba or the Down-. 

fall of the Napoleon Dynasty. Not signed. Pubd. May 1st 1814 

1a by W N Jones No 5 Newgate Street. Size, 7Y% by 15 inches. 
Matted. 


ORIGINAL IMPRESSION, COLORED. Broadley, No. 655. 
This plate is from “The Scourge” for May, 1814. 


923. NapoLHoN Caricature. Mechanical Powers!!! or the Wonderful in- 
vention of the Cock-Crane!!!—“Htched by G. Cruikshank.” Pubd. 
May 11th 1814 by t. Wilson No. 5 St. Pauls Church Yard. Size, 
/ 2 "1% by 181% inches. Matted. | 


ORIGINAL IMPRESSION, CoLorED. Broadley, No. 568; Reid, No. 327. 

A satire on the alleged attempt of Lord Cochrane and Berenger to 
raise the price of stocks, exemplified in a complicated machine having 
tackle attached to Dover Castle, and the Post-chaise for London; a flag on 
the latter has representation of Napoleon cut in pieces. + 


924. NapotHonic Caricature. Little Boney Gone to Pot. “G. Cruikshank 
fect.” Pubd May 12th 1814 by Thos Tegg No 111 Cheapside. Size, 
( 834 by 1234 inches. Matted. 


CoLoreD. Broadley, No. 540; Reid, No. 328. 

The little Emperor seated bare-legged on a large utensil, on which 
is inscribed “Imperial Throne,” a tree behind; a large jar of brimstone 
is placed by his side; on the other side, one of his boots is made into 
a cannon. The devil is standing in the sea, endeavouring to tempt him* 
to commit suicide by offering a loaded pistol. 


925. NapoLEoNnrc Cartcature. Explanation of the Arms of Napoleon Bona- 
parte. Unsigned. Published by R. Ackermann, at his Repository of 

Arts, 101, Strand, London [1814] With explanatory text beneath. 

/ Matted. Margins cut close, shght tear repaired. 


b. This is evidently the SECOND STATE, IN coLors, cited by Broadley as 
No. 330. The publisher’s line, which appears at the foot of the present 
copy, is not given by Broadley. 

The coat of arms is divided into eight compartments, with the Devil 
to the right and Death to the left, as supporters. Above is the globe 
with French flags. The crest represents the world, which, with the 
exception of England and Sweden, is on fire; French flags are flying. 
The views on the shield are as follows,—(1) Mushroom on a dunghill, 
denoting the descent of Napoleon’s family; (2) The shooting of 800 
defenceless Turkish prisoners; (3) The poisoning of his own sick soldiers 
in the Hospital at Jaffa; (4) The foul murder of the Duke of d’Enghien ; 
(5) Compelling the Pope to come to Paris to assist in his Coronation ; 
(6) Torture and death of Captain Wright; (7) Massacre of the defence- 
less Citizens of Madrid, May 2, 1808; (8) Imprisonment of King Ferdi- 
nand VII. for not renouncing the crown of Spain. 


926. NapoLEonic CartcaturE. A Pleasant Draught for Louis or the way to 
get rid of a Troublesome fellow. Unsigned. Size, 114% by 8% 
/ inches. Matted. | 
¥) CoLORED IMPRESSION, without names of etcher and publisher. Broadley, 
No. 701, where the Etcher is given as Elmes, the publisher as Tegg, 
and the date of publication, “the Spring of 1814.” 
Louis XVIIIth seated at a table, drinking from a goblet in which is 
the miniature figure of Napoleon. 


Fifth Session, Thursday Evening, February 6th 


927. NAPOLEONIC CARICATURE. Hop Step and Jump. Unsigned. Pubd by 
_ Roberts, 28 Middle row. |Republished] by T. Tegg 111 Cheapside, 

f Jany 1 [1815]. Size, 814 by 13 inches. Matted. 
d Bonaparte jumping from the island of Corsica to France; standing on 


the islands of Ambition and Power; and jumping from Calais to Dover, 
where he becomes impinged on the sword of John Bull. 


928. NAPOLEONIC CaricAaTuB. A Pair of Specticals easely seen Through. 
Unsigned. Pub 17 June 1815 by T Tegg Cheapside London. Size, 
/ 1034 by 8 inches. Neatly inlaid and matted. 
(5 ORIGINAL IMPRESSION, COLORED. Broadley, No. 678. 
This caricature, published on the eve of the Battle of Waterloo, shows 
Napoleon standing on a hill, with Death dancing by his side; in the 
background, a gallows and French soldiers. 


929. NAPOLEONIC CaricaTURE. Royal Docters bringing Boney to Pott. Un- 
sioned. Pub 5 July 1815 by T Tegg. Size, 1114 by 8 inches. 
Neatly inlaid and matted. 


ORIGINAL IMPRESSION, CoLORED. Broadley, No. 774. 

A curious caricature illustrative of the Surrender of Napoleon at the. 
Battle of Waterloo. The allied powers, as doctors standing by, with 
portrait of Bliicher; John Bull standing behind Napoleon, saying, “J 
think all these here doctors will be too much, so I have brought you a 
little coffin.” 


ae 


o~ 
. 


930. NAPOLEON CaricaTuURE. Napoleon’s trip from Elba to Paris, & from 
Paris to St. Helena. “G. Cruikshank fect.” Pubd by M. Jones No 
5 Newgate St. Septr. 1, 1815. Three etchings on one sheet, full- 

y size, 814 by 191% inches. Neatly matted. 


6 ORIGINAL IMPRESSION, COLORED. See, Douglas, page 250. Broadley, No. 


This is one of the plates issued with “The Scourge.” The first view 
represents Napoleon flying on an eagle; in the second, he is seen leaving 
in a ship, John Bull by the fireside; In the third, he is watching a 
rat-trap, with two of his companions, on the Island of St. Helena. 


931. NapoLEonic Caricature. The Afterpiece to the Tragedy of Waterloo— 


or—Madame Francoise & her Managers!!! “G. Crutkshank fect.” 
Pubd at W. Hone’s No. 55 Fleet St. Novr. 9th 1815. Size, 8% by 
( 13 inches. Matted. 


ORIGINAL IMPRESSION, CoLoRED. Douglas, No. 741; Reid, No. 518. 
Broadley, No. 5. 

Shows the Allied Sovereigns dividing France at their pleasure; the 
French nation being represented by a female whom they have thrown 
on the ground. Austria and Russia are forging chains, Prussia steals 
her purse; John Bull is seen in the distance, saying “My soul but they 
are befriending Mumeel.” 


932. NAPOLEONIC CaricaTURE. A Scene at the London Museum Piccadilly,— 
or—A peep at the Spoils of Ambition, taken at the Battle of 
lA Waterloo—being a new tax on John Bull for 1816 &c &e, “G. Crutk- 


[Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 982—Continued] 
shank fect.” Signed on the plate-—Pubd by H. Humphrey St. 
James’s St. London Jany. 1816. Size, 914 by 13 inches. Matted. 
FINE IMPRESSION, CoLoreD. Douglas, No. 748; Reid, No. 559. Broad- 
ley, No. 788. 
A satire on the struggle that was made by the public to view the 
carriage and other effects of Buonaparte which were taken at Waterloo. 
This plate contains the additional line at top,—‘‘A Swarm of English 
Bees,” ete. 


933. Napotnonic Carrcaturr. A Frontispiece to the New Red Book. Un- 
signed. Pub June 13, 1816 by T. Tegg 111 Cheapside. Size, 84% 
by 1214 inches. Neatly inlaid and matted. 


: ORIGINAL IMPRESSION, CoLorep. Not in Broadley. Rake. 

Napoleon, with hands tied behind his back, leading a crowd of men 
and women, including the Princess Charlotte and her consort, the Prince 
of Orange, all carrying bags of gold; an Irishman to the left, says,— 
“Well you have got it all, Pray what do you all do for it.” 


934. Napotxonic Carrcature. Plump to the Devil We Boldly Kick’d Both 
Nap and His Partner Joe. Unsigned. Pubd Nov 30. 1819 by Thos. 
Tegg No 111 Cheapside. Size, 8% by 138 inches. Neatly inlaid 

lb and matted. 


ORIGINAL IMPRESSION, CortoreD. Broadley, No. 705; Grego, Vol. 2, page 
261. 

Etched by Thomas Rowlandson. Shows Napoleon being kicked by John 
Bull, the Devil having hold of Napoleon’s leg. 


935. NapoLEoNic CaRIcaTURE. Consequences of a Successfull French Inva- 


sion.—Me teach de English Republican to work. “Sir John Dal-— 


rymple invt. J. Gillray del.” Size, 6Y4 by 8% inches. Neatly inlaid 
b and matted. 
a CoLorep, without publisher’s imprint. Plate 4 of a series of four. See, 
Broadley, No. 196; Wright and Evans, No. 181. 
Bonaparte standing among English peasants, with whip in hand. 


936. NAPOLEONIC CARICATURE. J ohn Bull Making Observations on the Comet. 
“Woodward Del.’ “Rowlandson sculp.” London Printed for 
Thos Tegg 111 Cheapside. Size, 8% by 134% inches. Neatly inlaid 
/ bd and matted. 
J ORIGINAL IMPRESSION, CoLorED. Broadley, No. 493. 
John Bull on a Channel cliff, looking through a telescope at the sun 
“George III.” and a comet “Bonaparte.” 
- According to Grego (Vol. 2, page 82) this plate was published Novem- 
ber 10, 1807. 


937. NapoLEONIc CARICATURE. Puss in Boots. or General Junot taken by 
Surprise. “Rowlandson Del.” by Thos. Tegg No. 111 Cheapside. 
(, Size, 1214 by 9 inches. Neatly inlaid and matted. 
n> 


ORIGINAL IMPRESSION, CoLoreD. Not in Broadley; Grego, Vol. 2, page 
204. 

A curious bedroom scene, General Junot, in female attire, handing 
his sword to an occupant in the bed. 


Fifth Session, Thursday Evening, February 6th 


938. NAPOLEONIC CariIcATURE. ‘The Head of the Family in Good Humour. 
“Woodward Del.” “Rowlandson sculp.” by Thomas Tegg No. 111 


/, Cheapside. Size, 12 by 814 inches. Neatly inlaid and matted. 

YY, ORIGINAL IMPRESSION, CoLoRED. Without date. Broadley, No. 429; 
Grego, Vol. 2, page 130, where the same is credited as published, Janu- 
ary 15, 1809. 


The burly figure of John Bull looking down on the representatives of 
various nations, including America, and a portrait of Bonaparte. .The 
sayings of the various parties are very interesting. 


939. NapoLEoNIc Caricature. The Progress of the Emperor Napoleon. Un- 
signed. Pubd Thos Tegg No 111 Cheapside. Size, 8% by 123% 
inches. Neatly inlaid and matted. 
6. ORIGINAL IMPRESSION, COLORED. Broadley, No. 7384; Grego, Vol. 2, page 
101, where the same is credited as published, November 19, 1808. 
Etched by Thomas Rowlandson. Contains eight figures of Napoleon, 
from “A Ragged Headed Corsican Peasant,” to “An Emperor, on the 
Throne of Iniquities.” 


Ta 
‘ 


940. Napotzonic Caricature. The Three Steps to the New Imperial Dia- 
dem! Unsigned. Pubd June 4 by Wm Holland 11 Cockspur Street 
London. Size, 914 by 1214 inches. Matted. Margins cut close. 


(> In cotors. Not in Broadley. 

; Shows Bonaparte climbing over the backs of Hypocrisy, Rapine and 
Murder, with his hands outstretched for a crown in the clouds. The 
devil standing behind, saying “Give him the slip and down he comes so 
concludes his Ambition.” 


941. ONwHyYN ItLuUsrRATIONS. Etiquette Illustrated; or, Hints on how to 

- conduct oneself in the best Society. By an X.M.C. Folding pano- 

, ramic plate in 23 folds, containing a large number of humorous 

fQ. representations, ALL IN coLor, by T. Onwhyn. 16mo, original pic- 
torial boards, the front cover in plain state. 


London: Ackermann & Co. circa 1845 
First EDITION. 


942. ONwHyN IxuusTRaTiIons. Selby (Charles,—Comedian). Maximums 

and Speciments of William Muggins, Natural Philosopher and Citi- 

4? zen of the World. With illustrations by Onwhyn. 8vo, three-quarter 
’ paged green crushed levant morocco, gilt, gilt top, BY ZAEHNSDORF. 

London, 1846 


First EDITION. 


943. ONwuyn Ituustrrations. A Railway Adventure that Mr. Larkins en- 

countered with the Lady of Capt. Coleraine, showing the power of 

£0 ‘Platonic Love. Folding panoramic sheet of 20 scenes ENTIRELY IN 
igi coxors, by T. Onwhyn. 16mo, original pictorial boards. 

London: Ackermann & Co. circa 1849 


_ First Epirion. Unusually fine example of this amusing work, which 
illustrates the danger and cost of random friendships. 


Fifth Session, Thursday Evening, February 6th 


944. ONWHYN IxLLusTRATIONS. Mr. Perry Winks Submarine Adventures: 
A Dream at Sea. A Yarn spun by T. Onwhyn. With 8 plates, 
each containing 2 scenes, humorously picturing the adventures of 

2p Mr. Winks below the surface of sea, ALL IN cotors, by T. Onwhyn. 
~Y' — Oblong 12mo, original pictorial wrappers, with the wrapper in 
colored state. London, circa 1859 


First Epririon. Unusually fine copy of this amusing work. 


945, ORIENTAL ANNUAL (THE); or, Scenes in India. With numerous fine 
yep Steel plates, from original designs by William Daniell, and others. 
22% 3 vols. 12mo, full morocco, gilt, gilt edges, some plates lightly spotted. 
London, 1835—1836—1839 


946. Papprneron Tracepy (The). A circumstantial Narrative of the Lives 

and Trial of James Greenacre and the woman Gale, for the Murder 

( of Mrs. Hanna Brown. Folding frontispiece in colors. 12mo, cloth, 
original wrappers preserved. 

London: Orlando Hodgson, circa 1837 


947. “PaparreL” Intusrrations. Charley Chalk; or, The Career of an 
Artist: being Sketches from Real Life. With dlustrations by Jacob 


pep Parallel, First Eprrion. 8vo, half maroon morocco, gilt, gilt top, 
yr BY LARKINS. London: G. Berger [1840] 
“Tn 1840, a book was published . . . Charley Chalk . . . with illus- 


trations by ‘Parallel.’ These designs were declared to be ‘superior to 
many in Nickleby, while the volume itself was described by reviewers 
as ‘another Pickwick’ and as ‘the only work fit to stand by the side of 
Boz’ °—F. G. Kirron, in Dickens and his Illustrators. 


948. [Parpon (Grorce Frepericx).] The Faces in the Fire; a story for 
a the Season. By “Redgap.” With illustrations in color, by T. H. 
/Sv Nicholson. 12mo, original red cloth, a little worn. 
. London, circa 1845 


First EpItTion. 


949. Pursius (CuHarLEs). Rouge et Noir. The Academicians of 1823; or, 
the Greeks of the Palais Royal, and the Clubs of St. James’s. With 
frontispiece IN coLoRS, unsigned, but im the manner of Robert 

4 Cruikshank. 12mo, half red calf, gilt, gilt top, uncut, BY RIVIBRE. 

London, 1823 


A curious and lively work on gambling and its evils, presenting a pic- 
ture of the gambling houses in London and Paris, extracts from the 
English and French laws relating to gambling, etc. : 

There are two issues of the work, both published in 1823, by Lawlor and 
Quick. 


950. Perstus (CuaruEes). Another copy of the preceding, title commences 

“The Academicians of 1823.” With the frontispiece IN COLORS, Un- 

6 signed in the manner of Robert Cruikshank. 12mo, original boards, 
cloth back, somewhat worn, and light stain on some pages. 

London, 1823 


This copy contains a half-title—“The Academicians of 1828,” which the 
preceding does not. 


Fifth Session, Thursday Evening, February 6th 


951. Puinups Intusrrations. Much Ado about Nothing; or, Illustrations of 
Old Sayings. A series of 5 plates, on which are 22 highly humor- 
ous scenes, ALL FINELY COLORED, by John Phillips. Oblong 4to, 
ORIGINAL PICTORIAL WRAPPERS, with design on front wrapper by 

Go, Phillips. London: R. Ackermann, May, 1828 
First Epirion. The work of an artist little known, but of very con- 
siderable ability ; comparable with Seymour and other artists of note of 
the period. Phillips illustrated a number of contemporary publications, 
among them (with Crowquill), the cheap edition of “Pickwick.” He 
worked on the staff of “Punch.” 
The coloring, although well executed, is not contemporary, having 
been done at a later period. 


952. Puintips Intustrations. “MP,” showing how the Honorable Mr. 
Teddington Locke was not returned for the Incorruptible Borough 
, of Bubengrub. A series of 12 finely COLORED PLATES (2 or more 
ae scenes on some), drawn and etched by Watts Phillips, from notions 
by Edward Grant. Oblong 8vo, original blue boards, with pictorial 
label on front cover. London: Ackermann & Co. circa 1848 

First EpIrTion. 


953, Puritiips InLusrrations. The Model Republic; or, Cato Potts in Paris. 

A series of 24 scenes IN coLor, designed and etched by Watts Phil- 

/s- lips. 12mo, original boards, with colored front and back. W. H. 
Smith’s small embossed stamp on final scene. 

London, circa 1848 


First Epition. An amusing and uncommon work. 


954. Puittrps InLustrations. An Accommodation Bill. Drawn by Watts 
Phillips, which he trusts will be accepted by the Public. Panoramic 

| plate in 18 scenes, IN coLors, by Watts Phillips. Firsv Eprrion. 
H Square 16mo, original pictorial boards, with cloth wrapper, enclosed 
in cloth box. London, circa 1849 


955, Puittips Irtustrations. My Wife turned Bloomer!!!. Designed and 
etched by Watts Phillips. Panoramic plate on which are 10 illus- 

»~ trations of a highly humorous character, ALL IN coors, by Watts 
2): 0 Phillips. 8vo, original boards, with pictorial label, in colors, con- 
* taining the title. London: Ackermann & Co., circa 1850 

f First Eprrrion. A very amusing production on the “Rights of Women.” 


956. Puitiips ILLustrations. The Young Lady’s Oracle: A Fireside Amuse- 
ment. Wath engraved title and folding frontispiece, BOTH IN COLORS, 

by Watts Phillips. 16mo, original cloth, gilt, gilt edges. 
)) London, 1850 


First Epirion. Watts Phillips was a pupil, the only one, of George 
Cruikshank. 


Fifth Session, Thursday Evvemng, February 6th 


95. Putitres Intustrations. Phillips (Watts). The Wild Tribes of Lon- 
don. With numerous illustrations (all of which have been hand- 


lat, colored at a later date). 12mo, half russet levant morocco, gilt, 
v= gilt top, BY RIVIERE. — London, 1855 


First Eprrion. An exceedingly entertaining and uncommon work re-— 
lating to London’s underworld, at the period. The work was dramatized 
and presented at the City of London Theatre. 


‘PHIZ’’—HABLOT K. BROWNE — 
Books illustrated by ‘‘Phiz.” 


[Numbers 958 to 969, inclusive | 


958 “Pytz” Intustrations. Grant (James). Sketches in London. With 
95 humorous illustrations by “Phiz’ and others. 8vo, half calf, 
/ , rubbed and a few plates slightly soiled. London, 1840 


Second Edition. 


959. “Puiz” InnusrTrRATIoNS. Pelham ( Camden). The Chronicles of Crime ; 
or, The New Newgate Calendar. Being a series of Memoirs and 
: Anecdotes of Notorious Characters, who have outraged the Laws ot 
y) 0- Great Britain from the earliest period to the present time. Hm- 
i hellished with 52 engravings by “Phiz.” 2 vols. 8vo, full polished 
calf, full gilt backs, gilt tops, uncut, original cloth covers preserved, 
BY RIVIERE. London: Thomas Tegg, 1841 
First EDITION. 


960. “Puiz” Intustrations. [James (G. P. R.).] The Commissioner: or, 


“ De Lunatico Inquirendo. With 28 engravings on steel by “Phiz.” 
5? 8vo, half green levant morocco, gilt top, BY ROOT. Dublin, 18438 


First EDITION. 


961. “Puiz” Inpusrrations. Miller (Thomas). Godfrey Malvern. With 
F 25 illustrations by “Phiz.” 8vo, half calf, marbled edges, 7 
f, London, circa 1845 

First EDITION. 


062. “Putz” Innustrations. Reynolds (George W. M.). Robert Macaire in 
England. Second Edition. Embellished with 12 etchings by “Phiz.” 
p-»  8v0, three-quarter blue calf, gilt back and top, uncut. 

London, 1845 


963. “Putz” Intustrations. Rodwell (G. Herbert). ~The Memoirs of an 
-~ Umbrella. Illustrated with 68 engravings, by Landell, from designs 
>) by “Phiz.” Small 4to, half maroon calf, gilt top. 

. - London [1845] 


Fifth Session, Thursday Evening, February 6th 


964. “Putz” Innustrations. Carleton (William). Valentine M’Clutchy, the 

Irish Agent; or, The Chronicles of Castle Cumber. With twenty 

“4 illustrations by “Phiz.”’ 8vo, new half red levant morocco, gilt top, 
4#~' title and margins of few plates slightly soiled. 

Dublin: James Duffy, 1848 


/ 965. “Putz” Itnustrations. James (G. P. R.). The Fight of the Fiddlers. 
ate Illustrated by H. K. Browne. 24mo, rebound in cloth, several pages 
soiled. Not returnable. London, 1849 
( _ First Epirion. Two other works are bound in with the above. 
366. “Puiz” Innustrations. Smith (Albert). The Pottleton Legacy: A 
/ Story of Town and Country Life. With illustrations by Hablot K. 
4 Browne. First Epirion. 12mo, original cloth, uncut, slightly worn. 
London, 1849 


967. “Puiz” Intustrations. Illustrations of the Five Senses. A series of 
5 large plates IN cotor, by “Phiz.” Oblong 4to, half blue crushed 

3 ie levant morocco, gilt, gilt edges, original pictorial wrappers pre- 
’ served, BY ZAEHNSDORF. London, 1852 


968) “Puiz” Iniusrrations. Kitton'(F. G.). “Phiz” (Hablot Knight 
oy Browne): A Memoir. With portrait and numerous illustrations. 
3 wee 8vo, full calf, gilt edges. London, 1882 


969. “Puiz” ILLusTRATIONS. Benson (Captain L.—Editor). The Book of 

Remarkable Trials and Notorious Characters. With numerous il- 

/ lustrations (the frontispiece IN cotors), by “Phiz.’ 12mo, half 
yY ‘crimson levant morocco, gilt, gilt top, BY ZAEHNSDORF. 

London: John Camden Hotten, wndated 


970. Prout (Caprain—Kditor). Bob Norberry; or, Sketches from the Note 
Book of an Irish Reporter. With numerous illustrations by Henry 

|S? Macmanus, and other eminent artists. 8vo, half red polished calf, 

she gilt, gilt top. Dublin, 1844 


First EDItIon. 


971. PuckLe (James). The Club; in a Dialogue between Father and Son. 
Portrait, engraved title-page and vignettes. 8vo, half brown morocco, 

L gilt, gilt top. Several pages lightly spotted. 
i London: J. Johnson, 1817 


972. “Quiz” Intusrrations. Our Rifle Volunteers. Folding panoramic sheet 
containing 16 plates in color, all of a humorous nature, by “Quiz.” 
Oblong 12mo, original cloth, paper label. London, circa 1844 


“Quiz” is, in all probability Edward Caswall, author of “Sketches of 
Young Ladies,” sometimes attributed to Charles Dickens. 
Four lines of verse accompany each of the 16 plates in the above volume. 


ee 


¢ 
a % 
uf  » 


Fifth Session, Thursday Evening, February 6th 


973, “RaBELAIS (ROBERT, THE Youncer.)” A Nineteenth Century, and 
Familiar History of the Lives, Loves, & Misfortunes of Abeillard 
and Heloisa, a Matchless Pair, who flourished in the twelfth cen- 
SD. tury: A Poem in twelve cantos. With ten engravings IN COLOR, 
designed by Thurston, etched by Thos. Landseer, aquatinted by 
Lewis. First Eprrion. 8vo, full maroon levant morocco, gilt, gilt 
top, uncut, BY RIVIERE. ; London, 1819 

CHoicE copy of this finely illustrated work. The plates as usual, on 
toned paper. 


974. “Rasy Rarrier.” The Fortunes and Adyentures of Raby Rattler, and 
his Man Floss. Illustrated with 28 engravings. 8vo, half blue calf, 
/) oilt. London, 1864 


9%5. Repron (Humpury). Odd Whims; and Miscellanies. With illustra- 
tions in color, by Stadler, after Repton, etc. First Epirron. 2 vols. 
in one, 8vo, half green morocco, gilt, gilt edges. London, 1804 
7, Large Paper. Presentation Copy from the Author, with inscription in 
his autograph on half title—“From the Author, @ gift to BE. Callis. Decm. 

C4 INET 


976. Reynotps (Grorce W. M.—Author of “Mysteries of the Court of Lon- 
don”). The Steam Packet: A Tale of the River and the Ocean. W ith 

/ illustrations on steel and wood (by T. H. Jones), 8vo, full polished 
Tt calf, gilt, gilt top, uncut. London, circa 1845 


First EDITION. 


977. [Rosy (Joun).| Jokeby, a Burlesque on Rokeby. A Poem, in six 
i Cantos, Bye kn Amateur of Fashion. With frontispiece w colors. 

/ 50 12mo, original printed boards, uncut, initials in ink on title-page. 
London, 1813 ~ 


978. Ropwety (G. Herserr). Old London Bridge, A Romance of the Six- 

teenth Century. Illustrated by Alfred Ashley. 8vo, original cloth, 
1S¥ uncut, somewhat thumbed. London, circa 1846 
‘= . Frest EpIrion. 


979. RoMANCES OF NORTHERN NATIONS. Popular Tales and Romances of the 

| Northern Nations. Vignettes on titles by Cattermole, etc. 3 vols. 

/ fp 12mo, half blue levant morocco, gilt backs, gilt tops, light stain on 
several margins, BY ZAEHNSDORP. London, 1823 


Includes,—“The Bottle-Imp,” “The Enchanted Castles,” 
“Whe Spectre Barber,” “The Erl-King’s Daughter,” and others. 


Fifth Session, Thursday Evening, February 6th 


THOMAS ROWLANDSON 


A Highly Important Collection of Colored-Plate Books, Original 


Drawings and Colored Caricatures 


| Numbers 900 to 1094, inclusive | 


Comprising 195 different items and groups of subjects, including several 
works not in the Grolier Club Exhibition of November 28, 1916 (the catalogue 
of which contained 70 descriptive titles), and a few items UNKNOWN TO ALL 
BIBLIOGRAPHERS. For Rowlandson’s Caricatures relating to Napoleon, See, 
Numbers 862, 874, 875, 880, 882, 883, 901 and 904. 


980. RowLaNpsoN (Tuomas). Co torep Puarss. History of the West- 


2-0 


minster Election, containing Every Material Occurrence, from its 
commencement on the First of April, to the Final Close of the 
Poll, on the 17th of May. To which is prefixed A Summary 
Account of the Proceedings of the late Parliament . . . To which is 
now added A Complete History of the Scrutiny, and the Proceedings 
of the House of Commons thereon. Second Edition. By Lovers 
of Truth and Justice. With 16 CARICATURE ETCHINGS, most of 
which are folding plates, 14 of the plates are by Thomas Rowland- 
son, one by Isaac Cruikshank, and one by an unknown artist. Ato, 
newly bound in half mottled calf, polished, gilt back, By Root. 
London: Printed for the Editors, 1785 


FINE copy. WITH THE RARE DEDICATION REFLECTING ON THE DUCHESS 
OF DEVONSHIRE, WHICH WAS AFTERWARDS SUPPRESSED. 

The plates in this volume form only a small part of the numerous eari- 
eatures drawn by Rowlandson during the contested election for West- 
minster in 1784. 

In the following list of plates, the first 14 are by Thomas Rowlandson, 
and will be found fully described in Grego, Vol. L, pages 116 to 141. 
Several of the plates have portraits of Lord North and Charles Fox, 
Pitt and other statesmen. The dates given are those of publication. 

Britannia Rovusep, or the Coalition Monster Destroyed. [February 
3, 1784] 

Tue AposTaTE JACK R(oprnson), the Political Rat-Catcher. March 
1, 1784. 

Master Bitty’s Procession To Grocers’ Hatt. March 8, 1784. 

Tue State Auction. March 26, 1784. 

Tre HANOVERIAN Horse and the British Lion. March 31, 1784. 

THe RivaL CANDIDATES. April 8, 1784. 

THE WESTMINSTER WATCHMAN. [April 12, 1784] 

Wir’s Last Stakes, or Cobbling Voter and Abject Canvassers. [April 
22, 1784] 

Procession to THE Hustrnes after a Successful Canvass. April 30, 
1784. 

Tre WESTMINSTER MenpicaNntT. May 11, 1784. 

THE WESTMINSTER DESERTER DRUMM’D OUT OF THE REGIMENT. [May 
18, 1784. ] 

Lirerty AND Fame Introducing Female Patriotism to Britannia. 
[May 25, 1784.] ; 

[ Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 980—Continued] 

DEFEAT OF THE HIGH AND MIGHTY BALISSIMO CORBETTINO and his 
famed Cecelian Forces. March 7, 1785. 

OLD CANTWELL CANVASSING FoR Lorp Janus. [July 22, 1788.] 

Mars AND VENUS, or Sir Cecil Chastised. “Annibal Scratch Fecit.” 
Published April 2nd 1784, by Willms. Wells No. 132 Fleet Street. 

WESTMINSTER Races. A Political Heat, run in Covent Garden. as OR Be 
(Cruikshank). Pub. 19. May, 1784, by W. H. No. 227 Strand. 


981. RowLanpson (Tuomas). CoLorep Puiates. Picturesque Beauties of 
Boswell. A collection of 20 of the series of plates by Thomas Row- 
landson illustrative of Dr. Johnson’s “Tour to the Hebrides.” Un- 
signed, but bearing publisher’s dates from May 15 to June 20, 1786. 

‘Bound in one vol. oblong 4to, marbled boards, sheep back. 
[London;] Pubd . . . 1786 by E. Jackson No 14 May bone 
By : Street, Golden Square 


ORIGINAL IMPRESSIONS. This collection comprises the following plates,— 
Frontispiece; The Journalist; The Hmbrace; 
Walking Up the High Street; Tea; Chatting ; 
Veronica a Breakfast Conversation; Wit and Wisdom; 
Setting Out from Edinburgh; Scottifying the Palate ; 
Revising for the Second Edition; The Procession ; The Vision ; 
Lodging at M’Queen’s; The Reconciliation; The Dance on Dun-can; 
The Recovery; Sailing Among the Hebrides; ~ 
The Contest at Auckinleck; Limitations at Drury-Lane Theatre. 
“When Boswell’s tour to the Hebrides was ushered forth, it was cele- 
brated by as many crackers and squibs as the ‘Burning of the boot.’ 
Among other assailants, the impenetrable Bozzy had to expose his front 
to this lampooner’s shafts. A whole series of designs were published by 
this witty wag, the heroes of which, or rather the Knight and the’ Esquire 
of his drama, were Johnson and Boswell.” 


982. RowLaNnpson (THomas). Cotorep Puars. [Shillito (Charles).] The 
Country Book-Club. A Poem. With a large etching on title, con- 

taining seven figures, “Design’d by Jas. Donthorne,” “Htched by T. 

/ Rowlandson.? 4to, half red morocco, lettered up back, gilt top, 
0 : uncut, BY ZAEHNSDORF. London: Printed for the Author, 1788 


Rare First Epirion. FINE cory. 
The illustration on title is a view of one of the rooms of the Country- 
Club, a waitress serving members with beer. 


Not in the Grolier Club Exhibition of November 23, 1916. 


983. RowLanpson (THomas). Cotorzp Prates. [Wolcott (J ohn).| <A 
series of Poetical Epistles by “Peter Pindar,” each with one or two 
COLORED illustrations by Thomas Rowlandson, not signed, inserted. 
Together, 6 vols. 4to, new marbled boards, leather backs. 

: London, 1788-1791 


+ Comprises the following tracts and earicature plates,— 

Perer’s Propuecy ; or, The President and Poet. Third Edition. 1788. 
Colored frontispiece, showing six philosophers seated around a 
table set with dishes, on which are parts of various animals ; 
one scientist is holding an eel between his teeth, another an 

alligator. iat 
Sir JosePpH BanxKs and the Emperor of Morocco, a Tale. Fourth 
[Continued 


Fifth Session, Thursday Evening, February 6th 


[ No. 983—OContinued | 


Edition. 1788. Colored frontispiece of a scientist chasing butter- 
flies and upsetting the gardener. 

Bozzy and Ptiozzi: or, The British Biographers. A Town’ Eclogue. 
Ninth Edition. Colored frontispiece showing an animated dispute 
between Mrs. Piozzi and Dr. Boswell. 

A BENEVOLENT EPISTLE TO SYLVANUS URBAN, alias Master John 
Nichols, Printer. New Edition. 1790. Colored frontispiece, a 
portrait of John Nichols, seated at a rustic table, in the back- 
ground is shown an allegory of the Temple of Fame. 

Tuer Loustap. An Heroi-Comic Poem. The three Cantos, each with 
a colored frontispiece, all of which are reproduced in Grego. 
Vol. I., pages 201, 204 and 205. 

A COMMISERATING EPISTLE TO JAMES LOWTHER, Earl of Lonsdale and 
Lowther. New Edition. 1791. Colored frontispiece, a vulture 
darting for his dinner among various fowls, which scatter in 
confusion. 

Not in the Grolier Club Exhibition of November 23, 1916. 


984. RowLaNpDson (THomaAsS). ConoreD Piatres. An Excursion to Bright- 
helmstone, made in the Year 1789, by Henry Wigstead and Thomas 
Rowlandson ; Dedicated (by Permission,) to His Royal Highness The 
Prince of Wales. Embellished with eight engravings (9 by 11%4 

7 o inches, each) in aqua-tinta, from views taken on the Road, to and 
at that Place. Oblong 4to, half claret levant morocco, gilt edges, 
lettered on back and on front. 
London: Printed (with the types of Stephenson’s British Let- 
ter-Foundry,) for G. G. J. and J. Robinson . . . 1790 


THE EXCEEDINGLY RARE First Epition. With the correct date on title. 
Some copies are dated 1791. The work consists of eight plates in aqua- 


* tint, all fine impressions, by Alken, from designs by Thomas Rowland- 


son, which depict places of interest in and on the way to Brighton. 
Each plate is signed, and has printer’s line,—Published June 1, 1790 by 
Messrs. Robinson Paternoster Row. The text accompanying the plates is 
printed on heavy paper. Among the subjects are the following,— 
Race Ground; Sutton; Reigate; Cucfield; Crawley ; 
Bathing Machines; The Steine; Salon at the Marine Pavilion. 
Both plates and text show crease down centre, an old fold. 


Not in the Grolier Club Exhibition of November 23, 1916. 


985. RowLaNpson (THomas). Cozorep Pxrarzs. Outlines of Figures & 
Landscape, Etch’d by Thos. Rowlandson, For the Use of Learners. 
Published S. W. Fores, No. 3 Piccadilly, where may be had all 


Rowlandsons Works . . . and the completest Collection of the 
1/00 ‘ Works of Bunbury, Rowlandson, Collings, Sayre, Cruikshanks, and 
‘ every Artist in Caricature in Europe . . . With 16 COLORED PLATES 


by T. Rowlandson, each plate containing several sketches differing 
in size from a small vignette to a half-page illustration; im some in- 
stances there are three sketches on a sheet, wm others as many as 
15; on one plate there are 23 different subjects and on another, 27. 
Size of sheet, 1014 by 1514 inches, loose, in new gray wrapper, with 
the original printed paper label, containing the above title, pasted 


[ Continued 


Fifth Session, Thursday Evening, February 6th 


| No. 985—Continued | 

on front wrapper. Enclosed in a cloth protecting folder, which in 

turn is enclosed in a full crimson levant morocco portfolio with 

‘folding ends and sides, the sides with a framework of fillets, let- 

tered in centre of front cover; doublure of sapphire silk with a border 

of richly tooled crimson levant, the folds with gilt fillet tooling. 
London, 1790-1792 


FIRST IMPRESSIONS OF THE PLATES. ONE OF THE MOST CHARMING AND 
VERSATILE OF ALL OF ROWLANDSON’S PRODUCTIONS, AND AMONG THE RAREST 
IN ITS COMPLETE ForM. Of the sixteen plates, only four were known to 
Grego, and these are mentioned in his Bibliography under “August 6, 1790, 
January 20, 1791, and January 31, 1791.” Although Grego was familiar 
with but these four plates, the majority of the subjects were known to 
him, and throughout the early part of his Bibliography, the sketches that 
illustrate this work are largely those that are there reproduced. 

The subjects are all delicately colored, and include scenes of Sport, 
Pastimes, Rural Occupations, Angling, Shooting, Skating, Coaching, Rid- 
ing, Boxing, Dancing, Fencing, etc. The whole work illustrating in 170 s 
different subjects, the growth and development of, Rowlandson’s style 
from mere sketchy experiments to pleasing pictures and social cari- 
catures. . 

Unlike the copy in the Grolier Club Exhibition of 1916, the plates 
in this copy are unnumbered, the dates however coincide with the ones 
there given, being as follows,—(Nos. 1 to 4) March 8, 1789, (No. 5) 
June 18, 1790, (No. 6) June 20, 1790, (No. 7) June 27, 1790, (No. 8) 
June 20, 1790, (No. 9) Jan. 20, 1791, (No. 10) August 6, 1790, (No. 11) 
Jan. 31, 1791, (No. 12) August 6, 1790, (Nos. 18 to 16) June 1, 1792. 

The plates in the above copy all show the old fold down centre, in- 
dicating that at one time they were bound as folded plates. 


4 
: 
a 


986. RowLanpson (THomas). CotorEp Prarss. Different Sensations. Pula 
Rowlandson delt.’ “S. Alien fecit.” A series of four sketches, 

) each 614 by 814 inches, on one sheet, backed with linen, and folded 
/ 2.0 to size of one of the views. Bound in one vol. oblong 4to, halt 
~ blue morocco, lettered on front cover. | London, 1790] 


COLORED AQUATINTS. ORIGINAL IMPRESSIONS, RETOUCHED BY HAND. The 
plates were drawn and etched by Thomas Rowlandson, and aquatinted by 
Alken. Each sketch contains its own title, as follows,— 

WAITING FoR DINNER. An elderly gentleman, with watch in hand, 
impatiently waiting for the attendant to open a bottle of wine. 

Ar Dinner. The same gentleman busily engaged at his meal, atten- 
dant pouring out wine. 

Arrer DINNER. Having satisfied his appetite, he is leaning back in 
his chair, eyeing a fair damsel. ee 
PREPARING FoR Supper. The old gentleman being helped to the table 

by the fair maid and the butler. 

See Grego, Vol. I., pages 277 to 279, for reproductions of the above. 

Not in the Grolier Club Exhibition of November 23, 1916. 


987. RowLanpson (THomas). Cororep Puates. A Series of 10 plates 
etched by Rowlandson, comprising illustrations of “Lovers.” Hach 

/ | plate signed “Rowlandson,” or “T. Rowlandson.” Size of each en- 
00 »  graving, 814 by 7 inches. Beneath each, are lines of verse to accom- 

pany the same. All neatly inlaid. Bound in one vol. 4to, red levant 


morocco, gilt back, sides with triple fillet border and corner orna- 
[Continued 


THOMAS ROWLANDSON 
ILLUSTRATED TITLE TO “LOYAL VOLUNTEERS 
Reduced facsimile 
[No. 989] 


ihe 


[No. 98% 


Fifth Session, Thursday Evening, February 6th 


Continued | 

ments, lettered on back and front cover, By roor. The side margins 
of the plates are cut close, in four instances shaving the “T’” of 
Rowlandson’s name. [London] 1797-1798 


ORIGINAL IMPRESSIONS, IN COLORS. VERY RARE. Only one of the plates 
mentioned by Grego in his Bibliography. Comprises,— 
CountTRY Lovers. Pubd March 15, 1798 by Hooper & Wigstead. 
BASHFUL Lovers. Pubd March 15, 1798 by Hooper & Wigstead. 
DRUNKEN Lovers. Pubd March 15, 1798 by Hopper & Wigstead. 
ForGivine Lovers. Pubd March 15th 1798 by Hooper & Wigstead. 
QUARRELSOME Lovers. Pubd Jany 2d 1797 by Hooper & Wigstead. 
SPIRITUAL LoveRS. Pubd Jany 2d 1797 by Hooper & Wigstead. 
DUKES PLACE Lovers. Pubd Feby 21, 1797 by Hooper & Wigstead. 
SYMPATHETIC Lovers. _Pubd Feby 6, 1797 by Hooper & Wigstead. 
PiLatTonic Lovers. Pubd 1st. 1797 by Hooper & Wigstead. 
Acrep Lovers. Pubd Jany 2d, 1797 by Hooper & Wigstead. 
Grego calls for 12 plates. The copy in the Grolier Club Exhibition for . 
Noy. 23, 1916:contained 11 plates, the number cited by the late L. H. 
Chubbuck in his unpublished Bibliography of the artist’s works. 


988. RowLaNpson (THOMAS). CoLorED PuatrEs. Comforts of Bath. A 


/Sd- 


series of 12 COLORED AQUATINT PLATES, all signed,—“Rowlandson 
fecit.” each with publisher’s line,—Pubd Jany 6th 1798 by S. W. 
Fores No 50 Piccadilly corner of Sackville Street. Size, with col- 
ored borders, 634 by 914 inches. Each plate has good margins out- 
side the plate-mark. Bound in one vol. small oblong 4to, three- 
quarter crimson levant morocco, gilt back, lettered on back and front 
cover, BY SANGORSKI AND SUTCLIFFE. 

London: S. W. Fores, 1798 


FIRST IMPRESSIONS, COLORED. VERY RARE. 

This series of plates illustrate “The New Bath Guide; or, Memoirs of 
the Blunderhead Family. In a series of Poetical Epistles, by Christopher 
Anstey, Esq.” the text of which, together with the illustrations are repro- 
duced in Grego, Vol. L., pages 333 to 348. 

Not in the Grolier Club Exhibition of November 23, 1916. 


989. RowLanpson (Tuomas). Cotorep Piates. Loyal Volunteers of Lon- 


/70, 


don & Environs, Infantry & Cavalry, in their respective Uniforms. 
Representing the whole of the Manual, Platoon, & Funeral Exer- 
cises in 87 Plates, designed & Etched by T. Rowlandson, and Dedi- 
cated by Permission, to his Royal Highness the Duke of Gloucester. 
87 full-page plates (including title-page) designed and etched by 
Rowlandson, ALL FINELY COLORED, MANY HEIGHTENED WITH GOLD. 
Royal 4to, full blue levant morocco, richly tooled gilt back, sides 
with triple fillet border, inside border, gilt edges, BY RIVIERE. 
[London: Ackermann’s Gallery, 1798-1799 | 
First EDITION OF ONE OF THE MOST IMPORTANT AND RAREST OF ROWLAND- 
SON’S BOOKS. EXCEEDINGLY HARD TO FIND IN PERFECT CONDITION. The pres- 
ent copy is an exceptionally fine one, though the double-page plate at 


end is cut to plate and mounted. 
[Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 989—Continued] 


The plates bear military commands as titles, are signed “Rowland- 
son Delin.,” and have publisher’s imprints and dates. 

FINE COPY, WITH BEAUTIFUL IMPRESSIONS OF THE PLATES, including the 
very rare double-page plate, in colors, of “EXxprepiTion on MiriTary FLy, 
Dedicated to the London and Westminster Light Horse Volunteers.” 


[See Reproduction of Title-Page] 


990. RowLanpson (THomas). CoLorep Puares. Angelo’s Highland Broad- 
sword Exercise, as practiced by the Westminster Light Horse. With 
siz COLORED AQUATINT PLATES by Rowlandson. Oblong 4to, original 
gray wrappers. Enclosed in cloth portfolio, lettered on front cover. 

/ 00: [London:] Publish’d as the Act directs, Jany 20th, 1799, by 
Mr. Angelo, No. 10 Boulton Row, Berkely Square 


A vERY FINE COPY OF THE EXCEEDINGLY RARE First EDITION. ALL THE 
PLATES IN FIRST STATE, WITH WIDE MARGINS, the last two are reproduced in — 
Grego’s Bibliography, Vol. I., pages 350 and 351. 

All the plates are signed, and all bear publisher’s line, with date “Sep- 
tember 1st, 1798,” with the exception of the plate of INstTrucTION, which 
contains a border of eight figures showing different positions, and has 
date as given above. This copy contains,— 

Engraved title. 

Plate of Instructions, with caption,—The Guards and Lessons of the 
Highland Broadsword. 

Plate of three figures, showing,—Outside Guard, St. Georges Guard, 
and Inside Guard. 

Plate of three figures, showing,—Outside Half Hanger, Hanger Guard, 
Inside Half Hanger. 

Plate of two figures, showing,—Half Circle Guard, Medium Guard. 

Plate of Fencing match “The Consequence of not shifting the Leg,” 
with battle scene as background. 

Plate of Fencing match, showing “The Advantages of Shifting the 

Leg.” With battle scene as background. . 

THIS IS THE GENUINE FIRST ISSUE PUBLISHED IN JANUARY, 1799. The 
following month (February, 1799), the work was issued in complete 
form with 23 plates, the above series incorporated, with the exception of 
the plate of “Instructions.” 

THIS EDITION UNKNOWN TO ALL BIBLIOGRAPHERS. 


[See Reproduction of Plate 5] 


991. RowLAnpson (THomAs). Cotorep Piates. Twenty Four Plates de- 

signed and etched by T. Rowlandson, under the direction of Messrs. 

H. Angelo and Son, Fencing Masters to the Light Horse Volun- 

teers of London and Westminster. Dedicated to Colonel Herries. 

7 Oblong 4to, original gray wrappers, enclosed in cloth case, lettered 
20 * on front. ; 

[London:] Published as the Act directs Feby 12th 1799, by 

H. Angelo, Curzon Strt May Fair : 


FINE copy OF THE VERY RARE First COMPLETE EDITION OF THE Hun- 
GARIAN AND H1iGHLAND Broapd-SworD EXERCISES. HACH PLATE WITH WIDE 
MARGINS, AND WITH THE LisT OF SUBSCRIBERS. The rarity of this volume 
is accounted for by the fact that many copies have been broken up and 

[Continued 


“he Consequence of net shiftine th 
ee eS : a 


THOMAS ROWLANDSON 
ANGELO’S HIGHLAND “BROADSWORD EXERCISES” 


Reduced facsimile of one of the colored plates 
[No. 990] 


Fifth Session, Thursday Evening, February 6th 


[No. 991—Continued | 
the plates framed and sold separately as examples of Rowlandson’s 
fine work, and for their military value. 

There is no list of plates, which bear technical military titles in panels 
on-the borders. Most of them are signed by Rowlandson, in the body of 
the plate, and all have the publisher’s name below, with the date ‘‘Septr. 
1, 1798,”’ with the exception of the title, which is dated as above, the 
eighth and ninth plates which have no imprint, and the seventeenth, 
from which the date is omitted. The title bears the words “Aquatinta 
by I. Hill.” 

The plates are all brilliant impressions in colors, and show the mili- 
tary exercises and movements of cavalry. The single figure in the fore- 
ground, illustrating sword exercises, is relieved and animated by the 
introduction in the background of the various skirmishes, assaults and 
battle-scenes, so that the plates lose all sense of formality. 


992. RowLanpson (THomas). Cotorep Puates. Borders for Rooms. A 
Series of 9 coLorED plates (each, 85g by 181% inches). Two of the 

plates signed,—““Htched by Rowlandson.” “Woodward Del.” The 

first plate with: title, and the addition of the publisher’s name,— 

x London, Pubd March 28, 1799 by R. Ackerman No 101 Strand. 
» Each plate neatly inlaid with linen guard at centre, and bound in 

one vol. oblong 4to, light calf, polished, gilt back and edges, BY 

RIVIERE. London, 1799 


THE VERY RARE ORIGINAL IMPRESSIONS. UNKNOWN TO GREGO, Who gives 
an edition of 24 sheets, published May 10, 1799, and lettered “Borders 
for Rooms and Screens.” 

These plates contain 39 different designs in colors, in Rowlandson’s 
most characteristic style. 


ALL OF ROWLANDSON’S BorDER ILLUSTRATIONS, OF WHICH THIS COL- 
LECTION CONTAINS SEVERAL, ARE VERY RARE, AND HARD TO FIND IN UNDIVIDED 
STATE. 


993. RoWLANDS (THomaAs). CotoreD Puares. Borders for Rooms. 
“Woodward del.’ “Hitched by Rowlandson.” Plate 6. Extrava- 
ganzas. Pubd. May 2, 1799, by R. Akerman, No. 101 Strand; 

cy) | Atso] Grotesque Borders for Halls and Rooms. Pub. Nov. 1, 1800, 
a/ at R. Ackermann, 101 Strand. Each plate neatly backed with linen, 
~ hinged at centre. Bound in one vol. 4to, half green polished mo- 
rocco, lettered up back and on front cover. London, 1799-1800 


ORIGINAL IMPRESSIONS, CoLoRED. Each plate consists of three horizontal 
sections with grotesque and extravagant figures and groups, with inscrip- 
tion to each. 

These plates are in the RARE INDIVIDUAL STATE. 


994. RowLanpson (THomas). CotorED PuatTes. Borders for Rooms & 
Halls. No. 11. “Woodward Delin.” “Rowlandson Sculpt.” Lon- 

o don, Pub, July 1, 1799 at Ackermanns 101 Strand. Size, 124 

4 0. by 19 inches. Neatly backed with linen, hinged at centre, and 
bound in half green polished morocco. 


RARE ORIGINAL IMPRESSION, CoLorEev. A plate of three parallel sections, 
in UNDIVIDED STATE, with numerous Lilliputian figures. Text inscribed 
over each figure or group of figures. 


Fifth Session, Thursday Evening, February 6th 


995. RownLanpson (THomas). Cororep Caricatures. Horse Accomplish- 


ments. A series of 12 coLorED plates, each signed,—*Woodward 
Delin.’ “Rowlandson sculp.” London Pubd 1 Augt 1799 by R. 


_ Ackermann 101 Strand. Each plate, 8 by 1014 inches, with good 


margins, showing most of the plate-marks. Oblong 4to, original 
wrappers (rebacked), enclosed in half morocco portfolio, lettered 
up back and on front cover. One plate has two slight tears, re- 
paired, margins slightly soiled. 

ALL FIRST STATE, IN COLORS. A SERIES OF EXCESSIVE RARITY, ONLY THE 
FIRST FOUR OF THESE PLATES ARE KNOWN TO Greco. The present series is 
complete, and comprises the following plates, the inscriptions in the 
horizon-line of each plate refers to the actions of the animal in question, 
as quoted by the rider,— 

Sketch 1. AN AstronomER!! This is certainly an Astronomer !—he is 
perpetually star gazing. 
Sketch 2. A Pavious!! This is the sort for mending the Roads— 
never leaves a loose pebble! . 
Sketch 3. A Wuustiter. This is what I call travelling to music! one 
continued wheeze from Hyde Park corner to Hammersmith. 
Sketch 4. A Devorer!! This is certainly a very devout Animal— 
always on his knees !—five times in a mile—constantly worshiping 
something of Other—what is he at now? ; 

Sketch 5. A Poritran! What are you poking your nose here about 
you don’t want to read the News paper do you? 

Sketch 6. A Time Kreper!! This is the finest Horse in the world for 
a calculator—keeps time to a Second! he goes tis true but like 
the finer wheels of a clock his motion is scarcely preceptable. 

Sketch 7. A Crvi1An!! That’s for contempt of court you scoundril 
—my Horse is a Doctor of Civil Law. 
Sketch 8. AN ARITHMETICIAN!! This I presume is by way of prov- 
ing to a certainty two and two make four!! wie? 
Sketch 9. A Lorrerer!! Jf thee tak’st it into they head to stond 
still every five minutes—I should be glad to know at what time 
T am to get to market. 

Sketch 10. A Minuet Dancer!!  Here’s Grace and elegance—these 
are the pleasing effects of teaching a Horse to: Dance! 

Sketch 11. A LAND Measurer! Here’s your acres, roods and perches! 
—-they wont catch me at this work again in @ hurry! 

Sketch 12. A VauLter!! Jf you must be at your Vaulting Vagaries 
you might at least have pitched a Gentleman into a cleaner place 
than a Diteh!! e«. 


[See Reproduction of Plate 7] 


996. Rowzanpson (Tuomas). Cororep Piare. “Border Tilustrations.” 


“Rowlandson Del.” Pubd Nov. 12 1799 by R. Ackerman No 101 


Strand. Size, 1314 by 16 inches. Hinged to mount, and bound in 
half red morocco, lettered on front cover. The plate has slight tear 
at top, repaired. . 

RARE ORIGINAL IMPRESSION, Cotorep. Grego in his Bibliography of the 
Works of Rowlandson makes no mention of this plate. 

Printed in eight parallel sections, and containing many groups of a 
social and illustrative nature. Beneath each section is the publisher’s 
line, indicating that the plate was ‘intended to be divided and mounted 
end-to-end. Seldom found in UNDIVIDED STATE. 


% 


[G66 ON] 
O[LUIISOBT Poonpey 
.SLUNANHSITANOOOW ASHOP,, OL ALVIG GAO TOD 


NOSCNVIMOYU SVNOHL 


PEEPS FAIS » fe 


Z 
PEM Ged FFE 


; ve : 


Pray 


Fifth Session, Thursday Evening, February 6th 


997. RowLANpDson (T'HoMAS). CoLorep PLares. “Border for Rooms.” A 


20: 


Lilliputian Vauxhall, Unsigned. Size, 334 by 1714 inches. Mounted, 
and folded to small 4to. Bound in three-quarter blue morocco, let- 
tered up back and on front cover. 
[London: Ackermann, circa 1799 | 
ORIGINAL IMPRESSION, IN coLors. One of Rowlandson border illustra- 
tions. During the years 1799-1800, Rowlandson published several sketches 
of border illustrations, intended for rooms and halls. These were printed 
in folio sheets, from three to eight sections on one plate, and were after- 
wards cut apart and pasted end-for-end to form one continuous border. 
The above example is taken from one of these sheets, and represents 
a phase of Vauxhall, one of the artist’s favorite subjects. This sketch 
is unknown to Grego. 


998. RowLanpson (THOMAS). CoLorEep PuaTes. Wigstead (Henry). Re- 


marks on A Tour to North and South Wales in the Year 1797. 
With plates from Rowlandson, Pugh, Howitt &e. Aquatinted by 
J. Hill. In all 22 plates. Bound in one vol. 8vo, half morocco, gilt 
back, ornamental silk sides; original old calf covers preserved, which, 


together with the entire contents is hinged on linen guards. 
London: W. Wigstead, 1800 


ORIGINAL Epir1on. The printed title bears date of 1799, the engraved 
title that of 1800. Among the plates, those signed by Rowlandson, are 
as follows, 

Coventry ; Wolverhampton; Penmanmawr ; 

Nantz Mill and Bethgellert; Cardigan ; 

Inside of a Kitchen at Neweastle; Swansea; Cardiff Castle ; 
Caerphilly Castle; and Raglan Castle. 

WITH BOOPLATE OF ANNETTE COUNTESS W ALDEGRAVE. 

This copy contains both the engraved and printed titles, has the 
RARE LEAF OF ERRATA, and the leaf of advertisements. 


Not in the Grolier Club Exhibition of November 23, 1916. 


999. RowLanpson (THomas). CoxLorep Puates. Le Brun Travested. Or 


Wo. 


Caricatures of the Passions. Designed by G. M. Woodward, and 
Etch’d by T. Rowlandson. 19 coLoreD PLATES (including colored 
title-page), etched by Thomas Rowlandson. 4to, original wrappers 
(rebacked). Enclosed in half morocco folder, lettered on front 
cover. London: Ackermann, 1800 


ORIGINAL IMPRESSIONS, COLORED. 

See Grego, Vol. II., pages 1 and 2, where the title-page in the present 
copy is omitted, but two additional plates are given, viz.,— 

HATRED AND JEALOUSY. Listed as No. 3. This subject is absent in 
the above collection, its place being taken by ‘‘ADMIRATION,” a 
plate listed by Grego as No. 1. 

AcutE Pain (Plate 2). This plate is lacking in the present collec- 
tion. 

From the above it will be seen, that the only plate lacking is that 
of “Acute Pain’ (No. 2), AN ADDITIONAL FEATURE OF THE PRESENT COL- 
LECTION BEING THE COLORED TITLE-PAGE, WHICH IS UNKNOWN TO GREGO. 

The plates are all numbered (with the exception of the title-page), 
each has title above, and description below, with “Woodward Del.” 
“Btch’'d by Rowlandson.” and Ackermann’s imprint, dated, 21 Jany 

[Continued 


Fifth Session, Thursday Evening, February 6th 


[ No. 999—Continued | 
1800 (one plate dated, Jan. 1, 1800). The plates in this collection are 


as follows,— 
(No. 1) TirrtE-pacr. <A shield, with inscription, 
below. 


face above, pens 


No. 2. ATTENTION. Old man reading the “Gazette,” holding lighted | 


candle, another party listening. 


No. 3. ApMrirATION. A hungry boy looking through a window at a 


plum-pudding. 
No. 4. ADMIRATION WITH ASTONISHMENT. A Rustic 
hacknied tricks of a Juggler. 


astonished at the 


No. 5. VENERATION. An Antiquarian contemplating an Oa piece 


of pottery. 


No. 6. Rapture. A street Ballad-singer, with a basket of ballads in 
slips, and surrounded by her children. A Hebrew is thrown 
into a fit of pious ecstacy by her squalling voice. 

No. 7. Desire. An old “buck” with eyeglass in hand is ogling the 
unconscious beauty of a female asleep in a chair. 

No. 8. Joy witH Tranquizity. <A Philosophical Brewer receiving 
his “Prize” in a lottery with perfect composure. 


No. 9. LAuGHTEeR. A Countryman laughing at his 
night-cap. 


eat dressed in a 


No. 10. AcuTE PAIN (Plate 1). A careless servant pouring hot water 


on the foot of a man laid up with the gout. 


No. 11. Srmpie Bopiry Pain. A termagant wife, with cudgel, about to 


* strike her henpecked husband. 


No. 12. Sapngess. An Old Maid rendered completely miserable by 
the death of her favorite lap-dog, presented to her on a cushion, 


by her colored servant. 


No. 18. WrEEPINGc. Man and woman weeping at the fancied Sorrows 


of a Village love ballad. 
No. 14. COMPASSION. Giving alms to a mendicant. 


No. 15. Scorn. A rich old Dowager meets a poor relative. 
No. 16. Horror. A servant being scared by a mouse held in the 
. hands of a mischievous boy. This plate is dated, Jany. 1, 1800. 
No. 17. TERROUR AND FricHt. A Countryman frightened by a Ghost. 
No. 18. ANGER. A termagant Mistress, scolding her Maid servant. 
No. 20. DespatrR. A disappointed Old Maid and a Bachelor. 
The copy exhibited in the Grolier Club Exhibition of November 23, 1916, 
contains the plates in the same order as above, with an additional plate, 


No. 19,—“‘Hatred and Jealousy.” 


1000. Rownanpson (THomMAS). CoLorED Piatgs. A Series of Six COLORED 
AQUATINT engravings by Rowlandson and Stadler, illustrative of 
Tobias Smollett’s “Roderick Random.” Each plate signed, and with 
the following publisher’s line-—Published as the Act directs May 
12, 1800, at R. Ackermann’s, 101 Strand. Size of each plate, 7% 
by 10% inches, with gray border. Mounted on separate sheets, and 
bound in one vol. oblong 4to, three-quarter crimson levant morocco, 


lettered on back and front cover. 


London: Ackermann, 1800 


FINE COLORED IMPRESSIONS. ALL IN UNFOLDED STATE. 


These sketches 


first appeared in the printed volume of the work, published in 1792. 


They are known as the “Hogarthian Novelist” series. 


But two of these 


plates were known to Grego, both of which are reproduced in his Bibliog- 
raphy, Vol. I., pages 309-310. Comprises the following,— 
Plate 1st. Lirut. Bowling PLEADING THE CAUSE OF YOUNG RorRyY TO 


[Continued 


LOOOT ON] 
O[IWIISOBT PeoNpoy 
«WOGNVY MOMAGOY,, OL ALVIG aayoO10D 
NOSGNVIMOYU SVNOHL 


Fifth Session, Thursday Evening, February 6th 


Continued | 
His GRANDFATHER. “G. M. Woodward, delin.” ‘Rowlandson, 
sculpt.” 

Plate 2. THE PASSENGERS FROM THE WAGON ARRIVING AT THE INN. 
“G. M. Woodward delt.” “T. Rowlandson sculp.” 

Plate 3. RopERICK’s EXAMINATION AT SURGEON’S Hatu. “Collings, ° 
delin.” “Stadler, sculpt.” 

Plate 4. MorGAN OFFENDING THE DELICATE ORGANS OF CAPTAIN 


[No. 1000 


WHIFFLE. “Colings, delin.” “Stadler, sculpt.” 

Plate 5. MELOPOYN HARANGUING THE PRISONERS IN THE FLEET. “Sin- 
gleton delin.” “Rowlandson sculpt.” 

Plate 6. CAPTAIN BOWLING INTRODUCED TO NARCISSA. “Singleton, 
Delin.” “Rowlandson sculpt.” 


OF EXCESSIVE RARITY IN UNFOLDED CONDITION. 
The coloring of the plates in this copy is far superior to that of the 
earlier issue. 


[See Reproduction of Plate 2| 


1001. RowLanpson (THomAs). Conorep Piates. “Symbolical Groupings.” 
Unsigned. London, Pub 15 Augt, 1800, by R. Ackermann. Three 
plates, each mounted. Bound in one vol. oblong 4to, half blue 
polished morocco, lettered up back and on front cover. Margins cut 

3 0 close, one with publisher’s line cut off. 


ORIGINAL IMPRESSIONS, IN coLors. These plates were intended by the 
artist to be used for scrap-books, screens, and borders; it is therefore 
very hard to procure them in UNDIVIDED STATE, AS ABOVE. 

Each plate contains three character sketches in Rowlandson’s boldest 
and most spirited style. They include,— 

(1) Funeralorum; Virginia; Hazardorum. 
‘(2) Battleorum Billingsgatina; Trafficorum. 
(3) Barbarorum; Flora; Lawerorum. 
In each case, the portrait is accompanied by emblematic and other 
- devices illustrative of the subject. , 


1002. Rownanpson (THOMAS). CotoreD Puatxes. Grotesque Borders for 
Rooms & Halls. “Woodward Delin.” “Rowlandson, sculp.” Lon- 

wep, don, Pubd. Oct. 20 [and] Nov. 20, 1800 at Ackermann's N 101 
oe, SU Strand. Two plates, size of each, 1214 by 19 inches. Each plate 
neatly backed with linen, hinged at centre. Bound in one vol. 4to, 

half green polished morocco, lettered up back and on front cover, 

lower margin of second plate trimmed. London, 1800 


RARE ORIGINAL IMPRESSIONS, COLORED. Each plate consists of three 
parallel sections, with groups of various characters. These plates are 
seldom found in sheets, as they have generally been divided so as to form 
one continuous border. 

UNDIVIDED STATE of each plate. 


1003. Rownanpson (Tuomas). Cotorep Puares. Country Characters. A 
series of 12 COLORED Caricature etchings, “Woodward Delt.” “Htch’d 
by Rowlandson.” Pubd by R. Ackermann 101 Strand, illustrative 

a, ee, of various characters,—Publican, Justice, Barber, Footman, Tax 

/ ~* Gatherer, Squire, Vicar, Doctor, Exciseman, Steward, Attorney, and 
London Outrider or Brother Saddle bag. Each plate neatly inlaid. 


[Gontinued 


Fifth Session, Thursday Evening, February 6th 
LL 


| No. 1003—Continued | 
Bound in one vol. 4to, calf, polished, gilt back, fillet border, inside 
border, BY WOOD. | London, 1800? ] 


ORIGINAL IMPRESSIONS. A fine series of Rowlandson’s plates, intro- 
ducing the various characters in the artist’s usual humorous style. 
Not in the Grolier Club Exhibition of November 25, 1916. 


1004. Rownanpson (Tuomas). Cororep Prare. The Bardie Museum, of 
Primitive British Literature; and other Admirable Rarities, forming 
the Second Volume of the Musical, Poetical and Historical Relicks 
of The Welsh Bards and Druids . . . With English translations 

cy , and Historical Illustrations. By Edward Jones, Bard to the Prince. 
Cotorep frontispiece, etched by Rowlandson, showing a group of 
young people gathered around an old harp-player, with a landscape 
background, the figures drawn by Ibbetson, the landscape by J. 
Smith. With 112 pages of text and engraved music. 4to, half 

mottled calf, polished, gilt top, lettered up back, By ROOT. 
London: Printed by A. Strahan, for the Author, 1802 


First Eprrion. The plate, which is not listed by Grego, contains the 
publisher’s line,—Published according to Act of Parliament Feb. 20, 
1802 by Ed. Jones, No. 3 Green Street, Grosvenor Square. Signature of 
Lady Jane Harley, and bookplates of Charles A. Ward and E. H. Hill, 
inserted. 

This is a complete copy of the second volume of the work. 

The first volume is not of any interest to Rowlandson collectors. 


Not in the Grolier Club Exhibition of November 23, 1916. 


1005. RowLanpson (THomas). Cotorep Prats. Platt’s Popular & Origi- 
nal Dances, for the Piano Forte, Violin &e. with proper Figures. 
With engraved title containing various groups of figures and em- 


sa blems, in colors, and 36 pages of engraved music. 4to, half red 
LY; levant morocco, gilt edges, lettered up back and on front cover, BY 
BROCA. London: Printed & Sold by J. Platts, circa 1802 


SCARCE ORIGINAL EDITION. The engraved title contains figures of dancers, 
musical instruments, ete. 

The work is without date, but was probably published about 1802, 
when Rowlandson made several frontispieces of the same character. 


1006. RowLanpson (Tuomas). Cororep Prats. Lyrie Airs: consisting of 
Specimens of Greek, Albanian, Walachian, Turkish, Arabian, Pers- - 
ian, Chinese and Moorish National Songs and Melodies. . . By 

/S the Editor, Edward Jones, Bard to his Royal Highness the Prince 
>’ of Wales. With 24pp. of text and 32pp. of engraved music, CoL- 
orED frontispiece, etched by Rowlandson from a drawing by Lewis 

Mayer. 4to, half mottled calf, polished, gilt back and top, By Roov. 
London: Printed for the author, 1804 


First Eprrion. The plate, which represents a “dancing scene in the 
open, and is not listed by Grego, contains the publisher’s line.—Publishea 
according to the Act of Parliament by Ed. Jones. No. 3 Green Street, 
Grosvenor Square, London; July 1st, 1804. 

Not in the Grolier Club Exhibition of November 23, 1916. 


Fifth Session, Thursday Evening, February 6th 


1007. RowLanpson (T'HomMAS). CoLorep Puiares. Fielding (Henry). The 


OD 


History of Tom Jones, a Foundling. With 12 plates by Rowlandson, 
colored by hand; The Adventures of Joseph Andrews, and his Friend, 
Mr. Abraham Adams. With 8 plates by Rowlandson, colored by 
hand. ‘Together, 4 vols. 8vo, mottled calf, polished, gilt backs, fillet 
borders, gilt edges, BY ROOT. Edinburgh, 1805 


First CoLLectep Epirion. <A republication of the first editions with 
these illustrations, first published in 1791 and 1792. Fine copy. 


1008. Rowianpson (THoMmAS). CoLorep Puiates. [Beresford (James).| 


/30, 


Miseries of Human Life. A series of 12 coLoRED PLATES, signed— 
“Rowlandson fecit,’ or “Rowlandson, del & sculpt.” All with pub- 
lisher’s line,—Pub Jany 1, 1807 (one 1806) by R. Ackermann, 
Repository of Arts, 101 Strand. Size, 334 by 51% inches. Each 
plate neatly inlaid to larger size. Bound in one vol. oblong 8vo, 
half blue morocco, gilt back and lettered up back and on front cover. 

London: R. Ackermann, 1807 


FIRST STATE OF THESE PLATES, consisting of that portion of the work 
which contains those plates with the secondary designation of “Dia- 
logue.” Complete in itself. This series comprises the following plates, 
all of which bear date ‘Jan. 1, 1807,” with the exception of the one 
noted below,— 

Introductory Dialogue. MISERIES OF HUMAN Lire. “Sickness be- 
friends temperance, by the simplicity of diet,” ete. 
Dialogue 2. MISERIES OF THE CounTRY. “While you are out with a 
walking party, after heavy rains,” ete. Dated, Jan. 1, 1806. 
Dialogue 3. MISERIES OF GAMES, Sports, &c. “In skating, slipping 
in such a manner that your legs start in this unaccommodating 
posture,” ete. 

Dialogue 4 MISERIES oF LONDON. “Chasing your hat (just blown 
off in a high wind) through a muddy street,” ete. 

Dialogue 5. MIsErres or Pupiic Puiaces. “After the play, on a raw, 
wet night, with a party of ladies,’ ete. 

Dialogue 6. MISERIES OF TRAVELLING. “Starting for a long ride, on 
a dinner engagement, without a great-coat,” ete. 

Dialogue 7. MIsErries oF SocraL Lire. “Dining and passing the whole 
evening with a party of fox-hunters,” ete. 

Dialogue 8. MISERIES oF REApING. “As you are writing drowsily 

: by the fire, . . . finding your guardian in possession of your 

secret thoughts,” ete. 

Dialogue 9. MISERIES OF THE TABLE. “Inviting a friend . . . to par- 
take of a fine hare,” etc. 

Dialogue 10. Muiseries Domestic. “Squatting plump on an unsus- 
pected cat in your chair,” ete. 

Dialogue 11. MIsErRIES PErsonaL. “When in the gout—receiving the 
ruinous salutation of a muscular friend,” ete. 

Dialogue 12. Misrerigs MIsceLLANgous. “The necessity of sending a 
verbal message of the utmost consequence by an ass,” ete. 

The above plates are more fully described in Grego, Vol. II., pages 
119,.121 to 124. 


1009. RowLanpson (THomAs). Coxtorep Puatres. [Beresford (James).] 


hel 


The Pleasures of Human Life . . . in a Dozen Dissertations, on 


Male, Female, and Neuter Pleasures. By Hilaris Benevolus and Co. 
[Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 1009—Continued] : 
(pseudonym). With 5 cotorep plates by Rowlandson. 12mo, origi- 
nal boards, uncut, binding broken. ; 
London: Longman (etc.), 1807 


First EpITIoN WITH THESE ILLUSTRATIONS. The Second of the Book. 
Also issued, the same year (1807), with 7 plates by Rowlandson. 
The Grolier Club Exhibition catalogue for November 23, 1916 gives 


James Britton as the author of the above. The late L. H. Chubbuck E 


in his unpublished Bibliography of the artist’s works, lists same under 
Beresford. 


1010. Rownanpson (Tuomas). Cotorep PLATEs. Stevens (George Alex- 
ander). A Lecture on Heads. With Additions, as delivered by Mr. 

_. Charles Lee Lewes. To which is added, An Essay on Satire. Hm- 

7. 2 5 Vv bellished with twenty-five humorous characteristic prints, from draw- 
ings by G. M. Woodward, etched by T. Rowlandson, ALL IN COLORS. 

12mo, full light, calf, polished, gilt back and top, uncut, BY WALLIS. 

London: Vernor, Hood, and Sharpe, 1808 


First Epirion. Fine copy. The plates are signed,—*Woodward del.— 
Rowlandson scul.” A few have imprint of Thomas Tegg. 

“The idea of the lecture was given him ( Stevens) by a country 
carpenter, who made the character-blocks which formed the subjects 
of illustrations. It proved an extraordinary success in the hands of © 
the originator. He carried it about Pngland, through the States of Amer- 
ica, and on his return to Ireland.”—Grego in Rowlandson the Caricaturist. — 

The RARE INDEX leaf is placed before the “Lecture,” this is generally 
missing, as originally it came at the end of the volume. 


1011. Rownanpson (Tuomas). Conorep Prats. The Beauties of Tom 
Brown: consisting of Humorous Pieces, in Prose and Verse, selected 
lon from the Works of that satirical and lively Writer. To which is 
o> prefixed a Life of the Author, by Charles Henry Wilson. COLORED 
folding frontispiece of a “Gaming House,” signed— “Rowlandson. 
inv. 1808.” 12mo, half calf, margin of plate soiled. 
London, 1808 

First EDITion. ; 


Not in the Grolier Club Exhibition of November 23, 1916. 


1012. Rowianpson (Tuomas). CoLorED PLATES. [Combe (William).] 
The Microcosm of London. With 104 BEAUTIFULLY COLORED PLATES 
by Thomas Rowlandson and Augustus Pugin. 3 vols. royal 4to, full 

/9 ‘ih straight grained red morocco, richly decorated gilt backs, sides with 
7° fillet border and decorative panel in gilt, gilt edges. 
London: R. Ackermann [1808-1810] 


BEAUTIFUL COPY OF THE ORIGINAL ISSUE. The plates are all in perfect 
state. Hach plate is numbered, and all have Ackermann’s imprint, “Row- 
landson & Pugin delt. et sculpt” in the lower left corner, and the name 
of the aquatinter in the right. The plates are dated from January 
1, 1808 to February 1, 1810. Each volume contains the woodcut title 
and the engraved dedicatory plate. 

This work was originally published in parts, the plate having been 
prepared before the printed text. Concerning the combined work of 

[Continued 


Fifth Session, Thursday Evening, February 6th 


7 [No. 1012—Continued | 


Rowlandson and Pugin, the Introduction says,—“The architectural part 
of the subjects that are contained in this work, will be delineated with 
the utmost precision and care, by Mr. Pugin, whose uncommon accuracy 
and delicate taste have been displayed in his former productions. With 
respect to the figures, they are from the pencil of Mr. Rowlandson, 
with whose professional talents the public are already so weel acquainted. 
The Book is a perfect treasure-house of scenes, described with pen and 
brush, from the London of a century ago. 

The work of Rowlandson is different from most of his illustrations 
in other works, lacking the coarseness and grotesque quality that is gen- 
erally characteristic of his work. 


1013. RowLanpson (THomas). Conorep Puarss. [Taylor (Miss J.).] An 


ob, 


Essay on the Art of Ingeniously Tormenting. A New Edition, cor- 
rected, revised and illustrated, with five prints, from designs by 
G. M. Woodward, Esq. Author of ‘Excentric Excursions,’ &c. Fold- 
ing frontispiece and + other plates, by Rowlandson, ALL IN COLORS, 
after Woodward. 12mo, original boards, uncut, cracked at hinges, 
label somewhat rubbed. Enclosed in cloth protecting folder and half 
red morocco slip-case, lettered on back. 

London: Thomas Tegg, 1808 


First EDITION WITH THESE ILLUSTRATIONS. The plates illustrate,—A 
Savoyard with a barrel-organ and a troupe of dancing dogs, a French- 
man with a dancing bear, etc.; An old vixen tormenting a pretty maid, 
who is in tears; A family scene, children tormenting cat, dog and rats; 
A husband with literary tastes endeavoring to interest his lady in his 
reading; A financial interview between an old curmudgeon and a young 
man, map of Mexico and Peru Gold Mines on’ wall. 


Not in the Grolier Club Exhibition of November 23, 1916. 


1014. Rownanpson (Tuomas). The Investigation of the Charges brought 


0 


against his royal highness the Duke of York, by G. L. Wardle, Esq., 
M.P. for Oakhampton, Devon; with the Evidence, and the Remarks 
of the Members. With 16 portraits, 14 of which are from the de- 
signs by Thomas Rowlandson; the chief characters, including Mrs. 
Mary Ann Clarke, the Duke of York, Col. Wardle, Mrs. Hovenden, 
and others. 2 vols. 12mo, COMPLETE IN THE ORIGINAL 32 PARTS, 
with printed wrappers, uncut. Preserved in 2 cloth cases. About 
half of the back wrapper, and a small portion of the front wrapper 
of the last part missing, and contemporary name on each wrapper. 
London: J. Stratford, 1809 

But few copies remain in this unusual condition. 

This celebrated case was before the House of Commons from Feb. 
1st, to March 20th, 1809. 

The Duke of York was at this time Commander-in-chief and was very 
much under the influence of Mrs. Mary Ann Clarke. 

“The Duke was at that time commander-in-chief, and had enormous 
patronage at his disposal, and as he was known to be an easy-going man, 
it was believed that he would do anything that Mary Ann Clarke wished. 
For the promise of her influence, she received various sums of money 

[Continued 


Fifth Session, Thursday Evening, February 6th 
pti Mita nich elas NANA IM ES ETc aM ET 


[No. 1014—Continued | 

especially from officers in the army, and the matter came to the public 
knowledge at last.”—-DICTIONARY OF NATIONAL BIoGRAPHY. 

The Duke of York was forced to retire from the post of Commander- 
in-Chief. 

The freedom of the city of London was given to Col. Wardle and con- 
gratulatory addresses were presented to him by many corporations 
throughout the Kingdom. 


1015. Rownanpson (Tuomas). Cotorrp Puares [Bunbury (Henry Wil- 
liam).] An Academy for Grown Horsemen . . . The Annals of 
Horsemanship . . . The Author, Geoffrey Gambado, Esq. With 29 
SPIRITED PLATES IN coLor, by Rowlandson, after Bunbury. 8vo, 

/. & mottled calf, gilt fillets, autograph of Edward Latimer on title, and 

‘42 = inscription on back of frontispiece. London, 1809 


With the two leaves “by the Editor,’ relative to the author’s work. 
The two works first appeared, with Bunbury’s illustrations, in 1787 and 
1791, respectively. The plates for this edition were all re-engraved in 
1808, and are so dated. 

The work contains illustrations for Walking, Trotting, Cantering, Gal- 
loping, Stumbling and Trotting Horses; also Accounts of ‘‘Accidental ex- 
periments” and “Experimental Accidents.” 

WITH BOOKPLATE OF EpwarpD HENRY HILL. 


1016. RowLanpson (THOMAS). CoLorED PLATES. The Beauties of Sterne: 

comprising his Humorous and Descriptive Tales, Letters, &e. Em- 

pom bellished with (2 COLORED) caricatures by Rowlandson, from ortgi- 
> nal drawings by Newton. 16mo, half calf. 

London: Thomas Tegg, 1809 


First EDITION. 


1017. Rowxianbson (Tuomas). Cotorep Puatses. Annals of Sporting, by 
Caleb Quizem, Esq. [Pseudonym]. And his Various Correspondents. 
Folding frontispiece, vignette on title, and 27 other plates, in all 29 
ae. engravings, ALL COLORED, by Rowlandson. 16mo, ORIGINAL PRINTED 
Vv / 2” BOARDS, ENTIRELY uNcuT. Enclosed in red morocco slip-case, let- 

. tered on back. Back of binding slightly chipped. 
London: Thomas Tegg, 1809 


First Epition. AN EXCEPTIONALLY FINE COPY, SELDOM FOUND IN COM- 
PLETE STATE, WITH ALL THE PLATES, which include the famous series (7 
scenes) of “THE BarLirr’s HUNT.” 

The plates are after designs by Bunbury. 


1018. RowLanpson (Tuomas). CoLorep Piares. Surprising Adventures of 
the Renowned Baron Munchausen, containing Singular Travels, 
Campaigns, Voyages, and Adventures. Also, an Account of A Voy- 

uy 4° age to the Moon and Dog Star. Folding frontispiece and 8 other 
plates, by T. Rowlandson, ALL IN coLors. 16mo, light calf, pol- 
ished, gilt back, sides with triple fillet border, gilt top, uncut, BY 
RIVIERE. London: Thomas Tegg, 1809 

First EpITioN WITH THESE ILLUSTRATIONS. FINE COPY, 
Not in the Grolier Club Exhibition of November 23, 1916. 


ak 
> Va 


Fifth Session, Thursday Evening, February 6th 


1019. RowLanpson (THomAS). CoLorEeD PLATES. Smollett (Tobias). The 


2 


Miscellaneous Works of Tobias Smollett; to which is prefixed, Me- 
moirs of his Life and Writings. Hmbellished with twenty-six en- 
gravings by Rowlandson and others. 5 vols. 8yo, mottled calf, pol- 
ished, gilt backs, fillet borders, gilt edges, By roor. One title re- 
hinged. Edinburgh: C. Elliot, 1809 


First EDITION WITH THESE ILLUSTRATIONS. The plates are of later 
coloring. 
First issued with the Rowlandson frontispiece (6), published in 1790. 


1020. RowLanpson (Tomas). Cotorep Pratss. Poetical Magazine. Dedi- 


472 


cated ‘To the Lovers of the Muse, By the Agent of the Goddess, R. 
Ackermann. With 4 engraved titles, 50 plates in cotors and 2 
plates in sepia, all, with the exception of the titles being engraved 
m aquatint. Together, 4 vols. 8vo, mottled calf, bindings broken, 
interiorly clean. 
London: R. Ackermanns’ Repository of Arts, Noy. 1, 1809 to 
May 1, 1811 


EXCEEDINGLY ScARCE. This is the original magazine in which the famous 
“Tour of Dr. Syntax” was first published. Of Rowlandson’s many illus- 
trations, those in this work show his wonderful genius at its best. Of 
the plates in these volumes, 31 were etched by Rowlandson. They com- 
prise the following,— 

Vor. I: 
Doctor Syntax setting out on his Tour to the Lakes. 
The Mansion House Monitor. 
Doctor Syntax losing his way. 
Doctor Syntax stopped by Highwaymen. 
Doctor Syntax bound to a Tree by Highwaymen. 
Doctor Syntax disputing his Bill with the Landlady. 
Doctor Syntax copying the wit on the Window. 
Doctor Syntax entertained at College. 
Doctor Syntax pursued by a Bull. 
Vor. II. 
Doctor Syntax mistakes a gentleman’s house for an Inn. 
Doctor Syntax meditating on the Tombstone. 
An illustration to “Edwin and Matilda.” 
Doctor Syntax tumbling into the Water. 
Illustrations to “Edwin and Matilda.” 
Doctor Syntax losing his money on the Raceground at York. 
Doctor Syntax at a Review. 
Doctor Syntax with my Lord. 
Doctor Syntax made free of the Cellar. 
VOL. ELL. ‘4 
Doctor Syntax sketching the Lake. 
Doctor Syntax drawing after Nature. 
Doctor Syntax robbed of his Property. 
Doctor Syntax sells Grizzle. 
Doctor Syntax and Rural Sports. 
Doctor Syntax and the Dairymaid. 
VoL. IV. 
Doctor Syntax at Liverpool. 
Doctor Syntax reading his Tour. 
Doctor Syntax Preaching. 
Doctor Syntax and the Bookseller. 
[Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 1020—Continued | 
Doctor Syntax at Covent Garden. 
Doctor Syntax returned from his Tour. 
Doctor Syntax taking possession of his Living. 
The woodcut appearing on page 182 of Vol. I. was, in April 5, 1811, 
published as a full-page plate. 


1021. Rownanpson (Tomas). Cotorep Puares. Vincent (James). The 

Castle of the Appenines, a Romance. Frontispiece and vignette on 

im title, the latter signed, “Engraved by T. Rowlandson, Esqr” BotxH 
/? IN coLoRS. 12mo, boards, morocco back, uncut. ? 

7 London: Thomas Tegg, circa 1810 


First Epirion. Both the frontispiece and vignette are by Rowlandson. 
Not in the Grolier Club Exhibition of November 23, 1916. 


1022. Rownanpson (THomas). Cotorep Puiates. [Vincent (H.).] The 
Irish Assassin. An Original Tale. Frontispiece and vignette on title, 

; each signed,—“Engraved by T. Rowlandson, Esqr.” BotH IN 

| ( coLorS. 12mo, rebound in cloth, lettered up back, margin of fron- 
tispiece cut close. London: Thomas Tegg, circa 1810 


First Eprtion. With engraved bookplate of Edward Henry Hill, en- 
graved by Sherborn. } 
Not in the Grolier Club Exhibition of November 238, 1916. 


1023. Rowianpson (Tuomas). Cotorep Puate. Foresight (Margaret). 
The Complete Fortune Teller, or True Book of Fate; the whole 
being the Result of nearly Seventy Years incessant Labour and 

, Experience, In Mathematical Philosophy, Astronomy, Geomancy, 

Magic, etc. Woodcut on title and couorED frontispiece by Row- 

landson, not signed. 12mo, half morocco, gilt back, BY ROOT. 

| London: Thomas Tegg [1810] 


First Eprrion. The frontispiece bears publisher’s imprint, and date, 
June 1, 1810. . 


mm 


1024. Rownanpson (Tomas). ConLorep Prats. The History of Sinbad the 

Sailor; including the First Four Voyages of this Wonderful Man. 

: CotorED frontispiece in the manner of Rowlandson. 12mo, calf, 

ps polished, gilt, BY RIVIERE. London: T. Tegg, circa 1811 
With bookplate of Edward Henry Hill. 


1025. RowLanpson (Tuomas). Cotorep Prates. The Spirit of Irish Wit. 
With curious coLorED frontispiece by Rowlandson, not signed; 
[atso] The Spirit of English Wit. Folding cqLorED frontisprece im 
] “A the style of Rowlandson, signed,— Walliams, del & Sculpt.” Second 
} Edition. Together, 2 vols. 12mo, calf. 
London: Thomas Tegg, 1812 
First EDITIONS WITH THESE ILLUSTRATIONS. 


These volumes consist of the first 10 and the last 10 collections of 
“Tegg’s Prime Jest Book.” 


Fifth Session, Thursday Evening, February 6th 
OS RR Sa a aaa 


1026. RowLanpson (THomAs). CotorEp Piares. Petticoat Loose: a Frag- 


ays 


mentary “Tale of the Castle.” With 4 coLorED PLATES (7 by 99 
inches each) by Rowlandson. 4to, original boards, ENTIRELY UNCUT, 
cloth back. With cloth protecting wrapper, in cloth slip-case. The 
back of the volume is somewhat worn, a few of the margins are 
slightly soiled. London: Printed for J. J. Stockdale, 1812 


THE EXCEEDINGLY RARE ORIGINAL EDITION WITH THESE ILLUSTRATIONS. 
None of the plates are signed, and some of the dates vary from those 
given by Grego, being as follows,— 

(Plate I.) Caprure oF THE Perricoat. Pubd Feby 12th 1812. 
(Plate II.) BreaKkFrast Room Ar AN INN. Pubd Feby 10th 1812. 
(Plate III.) CoLLEGr GREEN, BEFORE THE UNION. Pubd 7 Feby 1812. 
(Plate IV.) CoLLecr GREEN AFTER THE UNION. Pub 12 Feby 1812. 

The argument upon which the story of this poem is set forth appears 

in the Preface of the work, as follows,— 
“Dublin Castle.” 
“The Adventures of the Under Petticoat at the 
Castle Drawing Room.” 

“All the fashionable world has been amused with the singular disaster 
that befel a lady on Thursday night last, at the Viceregal Palace, by the 
loss of her Under-Petticoat, which from the pressure of the crowd, un- 
fortunately slipt down through the capacious encumberance of her hoop, 
and was soon trampled on the floor . . . One of the young pages. . . 
first made the discovery. The trophy was soon displayed in order to 
find out the fair owner, which however still remains a secret.” 

The garment being claimed by several parties, “the Duke, with his 
usual good humour . . . decided the contest by saying . . . that he 
would solicit the Prince Regent, in the true spirit of chivalry, to estab- 
lish and become Sovereign of the Order of the Petticoat of Ireland.” 

THE FIRST COPY OFFERED AT PUBLIC SALE IN AMERICA. 

Not in the Grolier Club Exhibition of November 23, 1916. 


[See Reproduction of Title-Page | 


1027. Rowianpson (Tuomas). CotorEp Puates. [Combe (William). | 


25, 


The Tour of Doctor Syntax, in Search of the Picturesque [| Also| 
The Second Tour of Doctor Syntax, in Search of Consolation [ And] 
The Third Tour of Doctor Syntax, in Search of a Wife. Jllus- 
trated with V8 coLorED plates by T. Rowlandson. Together, 3 vols. 
8vo, calf, gilt, gilt edges, bindings rubbed, two hinges cracked, some 
pages have slight spots, Vol. I has several off-sets, one leaf badly 
soiled, and the publisher’s name and date cut from title. 
London: R. Ackermann’s Repository [1812], 1820, [1821] 
First Eprrion. Vols. 1 and 3 have direction to binder, which is missing 
from Vol. 2. 


1028. Rownanpson (THomas). CoLorep Aquatints. [Papworth (J. BH: 


96 


Wrangham (Francis), and Combe (William). | Poetical Sketches 
of Scarborough: Illustrated by twenty-one engravings of humorous 
Subjects, coloured from the original Designs, made upon the spot 
by J. Green, and etched by T. Rowlandson. Royal 8yvo, original 


[Continued 


s 


Fifth Session, Thursday Evening, February 6th 
fa RT AEN ASM RRR EOE IP OSTEO S IOE 


[No. 1028—Continued | 


boards, ENTIRELY UNCUT, with new back and label. Enclosed in cloth 
folder and half-morocco slip-case. London: R. Ackermann, 1812 


AN EXCEPTIONALLY CHOICE COPY OF THE RARE First Epition. With all 
the plates, including the “Warm Bath” and the “Shower Bath,” both 
of which are generally missing, having been suppressed. 

The following quotation from the “Advertisement” explains the work,— 
“The originals of the plates . . . were made as Souvenirs of the place 
during a visit to Scarborough in the Season of 1812. They were not 
intended for publication, but being found to interest many persons of 
taste . . . the present form of publication has been adopted.” 

“Though etched by Rowlandson [most of] the plates are signed by 
Q. Bluck and J. C. Sadler, after Green, so that it may be presumed that 
they passed through the hands of these artists to receive the aquatint 
and colour.”—Haropie in English Coloured Books. 


The copy in the Grolier Club Exhibition of November 23, 1916, had the 


1813 date on title-page. 


1029. Rownianpson (Tuomas). CotorEep Aquatint Puates. [Papworth 


22” 


(J. B.), Wrangham (Francis) and Combe (William).] Poetical 
Sketches of Scarborough: Illustrated by twenty-one engravings of 
humorous subjects, Coloured from original designs, made upon the 
spot by J. Green and etched by T. Rowlandson. The Second Edi- 
tion. WITH ALL THE COLORED PLATES (21). 8vo, full crimson le- 
vant morocco, polished, blind-tooled fillets, gilt edges, BY GUILD OF 
THE WOMEN BINDERS. London: R. Ackerman, 1813 


Second Edition. Contains changes in the footnotes, and an additional 
contents leaf. The plates include the “Warm Batu,” which is said to 


contain the portrait of Mrs. Robinson, the mistress of George the Fourth, 


and the “SHower Batu,” both of which are generally lacking. 


1030. RowLanpson (Tuomas). Cotorep Prates. [Combe (William).] 


/¢ 


Bi 


= 


The Dance of Death and the Dance of Life. Complete, with ALL THE 
FINELY COLORED PLATES, as follows,— 

(1) Tue Eneusn Dance or Darn, from the Designs of 
Thomas Rowlandson, with Metrical Illustrations, by the author of 
“Doctor Syntax.” Frontispiece, illustrated title (dated, 1816), and 
72 plates, ALL FINELY COLORED. 2 vols. 

London: Printed by J. Diggens, 1815-1816 

(2) Tue Dance or Lirs, a Poem. Frontispiece, vignette on title 
and 24 plates, ALL FINELY COLORED. 

London: R. Ackermann, 1817 

Together, 3 vols. 8vo, full sapphire levant morocco, polished, richly 
tooled gilt backs, sides with triple fillet border, gilt edges, BY RIVIPRE. 

. London, 1815-1817 


First EpITION IN BOOKFORM OF TWO TYPICAL AND INTERESTING BOOKS 
CONTAINING ROWLANDSON PLATES. The artist has here drawn his char- 
acters from the environment in which he lived and moved, not being 
hampered by the author; the latter (William Combe) writing the text 
for the illustrations. 


Fifth Session, Thursday Evening, February 6th 


1031. Rownanpson (THoMAS). Cotorep Puares. [Engelbach (Lewis).] 


YO. 


Naples and the Campagna Felice. In a Series of Letters Addressed 
to a Friend in England, in 1802. Frontispiece, illustrated title, 
2 maps, one plan, and 14 full-page plates, by T'. Rowlandson, ALL IN 
cotors. Royal 8vo, crimson levant morocco, polished, richly deco- 
rated gilt back, sides with border of fillets and corner ornamenta- 
tions, inside borders, gilt top, uncut, original cloth back and one 
side bound in, BY TOUT. London: R. Ackermann, 1815 


First EpiTtion. A CHARMING AND EXCEPTIONALLY TALL copy, with the 
leaf of “Directions to the Binder.” This work first appeared as a 
serial under the title of “Letters from Italy,” in Ackermann’s Repository, 
1809-1815, at the close of which it was issued in bookform. 


The List of Plates, which appears at the end of this volume, is most 
always lacking. 


1032. RowLanpson (THOMAS). CotorEp PuLates. The Grand Master, or 


ed 


Adventures of Qui Hi in Hindustan. A Hudibrastic Poem in eight 
Cantos, by Quiz. With frontispiece, illustrated title, and 25 plates, 
ALL IN COLORS, and the RARE UNCOLORED plate of “Strange Figures,” 
all by Rowlandson. 8vo, half leather, margins cut down, few pages 
soiled, one leaf torn into, frontispiece creased. 

London: Thomas Tegg, 1816? 

First Epition. The small slip of “Errata,” is absent. 

“This is a lampoon on the Marquis of Hastings’ Governorship of India, 
and shows the public estimation of the East India Company, with 
its toleration of suttee for revenue purposes, and its total disregard 
otherwise of Hindu prejudices.”—Harptr’s English Coloured Books. 

The last plate is generally absent. 


1033. RowLanpson (THOMAS). Cotorep Pruates. Farquhar (Ferdinand, 


3; 


Esq) | Pseudonym?|. The Relicks of a Saint. A right merry Tale. 
CoLoreED frontispiece, with publisher's imprint and date. 12mo, half 
brown levant morocco, lettered on back, gilt top, uncut, BY ZABHNS- 
DORF. London: Thomas Tegg, 1816 


First EpiTion. The curious frontispiece bears the title of the book, it 
is not signed, but is the work of Rowlandson. 


1034. RowLanpson (THomaAsS). Cotorep Puates. [Burton (Alfred).] The 


20. 


Military Adventures of Johnny Newcombe, with an Account of his 
Campaign on the Peninsula, and in Pall Mall: with Sketches, by 
Rowlandson, and Notes. By “An Officer.” Second Edition. With 
15 COLORED PLATES, signed “Drawn and Etch’d by Rowlandson,” 
and dated 1815. 8vo, full crimson levant morocco, blind tooled 
fillets, similar to the work of the GUILD OF THE WOMEN BINDERS. 
The volume has been somewhat tightly bound, the plates having 
first been reversed. ‘T'wo of the pages have manuscript nots. 
London: Patrick Martin, 1816 


is The first edition appeared the previous year (1815), being issued by 


the same publisher. Both issues are identical in pagination; the plate 
bearing same imprints. . 

The late L. H. Chubbuck in his unpublished bibliography of the works 
of Rowlandson, gives Lieutenant-Colonel David as the author of this 
work. 


Fifth Session, Thursday Evening, February 6th 


1035. RowLanpson (THoMAsS). Ercuines. The World in Minidture; con- 

sisting of Groups of Figures, for the Illustration of Landscape- 

= Scenery. Drawn and Etched by T. Rowlandson. 40 plates. Royal 
/2° — 8vo, russia, gilt and blind tooling, margins of some plates cut close. 

London: R. Ackerman, 1817 


First EDITION IN BOOKFORM. Issued the previous year in parts. 


1036. RowLaNnpson (THoMmaS). CoLorED Prates. [Combe (William).] 
The Tour of Doctor Syntax Through London, or the Pleasures and 
~y) Miseries of the Metropolis. A Poem. With 19 plates and vignette 
/2.°2 on title, by T. Rowlandson, atu IN cotors. Third Edition. 8yo, 
brown levant morocco, blind fillets, sides with inlaid figures in vari- 

ous colored moroccos, gilt edges, BY THE GUILD OF WOMEN BINDERS. 
London: J. Johnston, 1820 


1037. RowLanpson (THOMAS). CoLorED PLATES. Rowlandson’s Character- 
istic Sketches of the Lower Orders, Intended as a Companion to the 

_ New Picture of London. A series of 54 coLoRED plates by Rowland- 

i) > son. 16mo, half leather. London: Samuel Leigh, 1820 


f ie First Epirion. There is no list of plates, which are unsigned and 
undated. They show many phases of London Street-Life that have now 
disappeared. The great variety of countenance, expression, and situa- 
tion, evinces an active and lively feeling which the artist has infused ~ 
into his drawings, so as to divest them of that broad caricature which 
is conspicuous in the works of artists who followed his manner. 


1038. RowLanpson (THomas). Co LorEp PLarEs. Journal of Sentimental 
Travels in the Southern Provinces of France, shortly before the 
Revolution. With 18 COLORED AQUATINT plates by T. Rowlandson. 

Ay), 8vo, red morocco, gilt back and sides, marbled edges. 

London: R. Ackermann, 1821 
First EDITION IN BOOKFORM. The title calls for 17 plates, but the list 
of plates cites 18, all of which this copy contains. 


This work first appeared as a serial, in Ackermann’s Repository of 
Arts, 1817-1820. It is an imitation of Sterne’s Sentimental Journey. 


1039. RowLanpson CotorEp PuatTes. The Old English *Squire. “A Jovial 
Gay Fox Hunter, Bold, Frank and Free.” A Poem, in Ten Cantos. 

By John Careless, Esq. Illustrated with (24) plates by one of the 

family (Thomas Rowlandson), ALL FINELY COLORED AND BRILLIANT 

2 / ae IMPRESSIONS. Imperial 8vo, ORIGINAL GREY BOARDS, WITH LABEL ON 
SIDE, INTAOT, rebacked, the ‘original label on back preserved almost 
in its entirety, UNCUT. Enclosed in cloth case with protecting cover. 
London: Thomas M’Lean, 1821 


First EDITION AND ONE OF THE LARGEST AND FINEST COPIES KNOWN, 
BEING OF THE VARIETY KNOWN AS. “ExTrRA Boarps” (so designated on 
the label on back), OTHERWISE “LARGE Paper.’ That copies exist in this 
state is not generally known. 

Owing to the fact that William A. Chatto, in 1888 wrote a poem by 

[Continued 


THE OLD SQUIRE. 


THOMAS ROWLANDSON 
COLORED FRONTISPIECE TO “THE OLD ENGLISH SQUIRE” 
Reduced facsimile 
[No. 1039] 


Fifth Session, Thursday Evening, February 6th 


[No. 1039—Continued] 
the same name, the authorship is sometimes given to him. Such how- 
ever is not the case. Chatto’s poem was illustrated by ”Phiz,” and is 
thin 12mo. 
Not in the Grolier Club Exhibition of November 238, 1916. Unknown 
to the late L. H. Chubbuck of Boston, in whose unpublished Bibliography 
of the works of Rowlandson, this book does not appear. 


[See Reproduction of Frontispiece. | 


1040. RowLtanpson (THomas). CotoreD Puates. [Combe (William).| 

The History of Johnny Que Genus, the Little Foundling of the late 

2 (% Doctor Syntax: a Poem, by the Author of the Three Tours. With 

A, ~ 24 FINELY COLORED aguatint plates by Rowlandson. 8vo, three- 
quarter brown levant morocco, gilt back and top, BY TOUT. 

London: R. Ackermann, 1822 


First Epirion. With the complete series of spirited plates, all of 
which are signed. 


1041. Rownanpson (THomas). Conorep Puates. Goldsmith (Oliver). The 
Vicar of Wakefield; a Tale. Illustrated with twenty-four designs 

- bo by Thomas Rowlandson, the plates ALL FINELY COLORED. 8vo, full 
Oe . claret levant morocco, polished, richly tooled gilt back, sides with 
triple fillet border, inside border, red silk doublure and end-papers, 

BY ZAEHNSDORF. London: R. Ackermann, 1823 


FINELY BOUND COPY OF THIS BEAUTIFUL ILLUSTRATED WorK. The plates 
are from the First Epirion, with the 1817 date. 


1042. Rownanpson (Tuomas). Harrison (W. H.). The Humourist, a Com- 
panion for the Christmas Fireside. Embellished with designs by 
See Rowlandson and W. H. Broke. 2 vols. 12mo, morocco, gilt edges, some 
margins slightly soiled. London: R. Ackermann, 1831-1832 


First EDITION. 


1043. RowLanpson (Tuomas). CoLorep Pirates. The School for Friends. 
A Domestic Tale, by Miss Darce. Frontispiece and vignette on ttle, 
/0 each signed,—““Hngrav’d by T. Rowlandson, Hsq.” BoTH IN COLORS, 
¥ retouched. 12mo, half mottled calf, polished, lettered up back, By 
ROOT. London: Thomas Tegg, undated 

RARE CHAP-BOoK. 


1044. RowLanpson (Tuomas). Grego (Joseph). Rowlandson the Carica- 
turist. A Selection from his Works, with Anecdotal Descriptions of 

/ his famous Caricatures, and a Sketch of his Life, Times and Con- 
/ ; temporaries. With about 400 illustrations. 2 vols. 4to, half mo- 
rocco, gilt backs and tops. London: Chatto and Windus, 1880 


The most extensive work in Rowlandson’s Caricatures yet published. 


1045. Rownanpson (THomas). Grolier Club Exhibition, 1916. A Catalogue 
of Books Illustrated by Thomas Rowlandson. Colored illustrations. 
/ 0 8vo, cloth, uncut. New York, 1916 
LARGE Paper. BEdition limited to 200 copies with colored plates, printed 

on hand-made paper. 


Fifth Session, Thursday Evening, February 6th 


1046. RowiaNnpson (Tuomas). The same. Regular Edition, without illus- 
/Sd_ trations. 12mo, wrappers, uncut. New York, 1916 


1047. RownLanpson (THoMAsS). ORIGINAL WATERCOLOR DRAWINGS, SIGNED; 
ALSO FIRST STATE OF EACH PLATE, as follows,— 
(1) “BarcHeEtor’s Fare, Bread Cheese and Kisses.” ORIGINAL 
WATERCOLOR. Signed, in the autograph of the artist,— 
“Sketched at Buttershire. The Lady of the Lake. Row- 


/ O ee landson.” 
Size, 1034 by 814 inches. Pasted to mount. 
(2) First PRINTED STATE, IN cotors of the above. Signed, “Row- 
landson Del 1813.” Thos Tegg No 111 Cheapside. 


(3) “Huc-Muc-Gin.” OrtcInaL WATERCOLOR, Signed in the 


autograph of the artist—“Rowlandson, 1775.” 


Size, 1034 by 834 inches. Hinged to mount. 
(4) First PRINTED STATE, IN coLors, of the above, retouched. 
Hinged to mount. 


The four plates neatly bound in one vol. small folio, full crimson 
levant morocco, gilt back and sides, lettered on back and on front cover, 
BY ROOT. : 

UNIQUE ITEM. The first of the above drawings was executed by Row- 
landson in the early part of his career and was published, with slight 
additions in 1813. ‘The picture hanging on the wall of the room which 
Rowlandson pictures suggests the title of the plate. The inscription 
on this drawing, as quoted above is cut into, but is still discernible. 
Mounted opposite this drawing is the FIRST PUBLISHED STATE OF THE SAME, 
1813, which is reproduced in Grego, Vol. II., page 253. 

The second drawing (Item No. 3 of the above) is very similar in 
character, but not as well executed as the first. The centre figures 
are the same as those in the first drawing, but the outer details are 
somewhat changed. It would appear from the date on this drawing 
that the same is an earlier conception of the first drawing, and that, 
seeing the success and popularity of the plate BATHELOR’s Farge, Row- 
landson published his earlier work, ‘privately, in 1815, under the title of 
HvucGc-MvuG-GIn. 

A copy of this plate accompanies the drawing; it is EXTREMELY SCARCE, 
being unknown to Grego. 


1048. RowLanpson (THomas). A Collection of 48 ORIGINAL DRAWENGS IN 
WATERCOLOR, SEPIA, AND PEN AND INK, varying in size from 6 by 

41% inches to 1084 by 81% inches. Each plate neatly inlaid to size, 

7/26 the whole bound in one vol. 4to, full seal-brown levant morocco, 
f richly tooled gilt back, sides with fillet borders enclosing a frame- 

work of triple fillets with corner ornaments, gilt edges, inside bor- 
ders. Circa 1800-1812 


A MOST INTERESTING COLLECTION OF FINISHED AND UNFINISHED SKETCHES, 
INCLUDING THE ORIGINAL DRAWING FoR “‘DocTOR SYNTAX RETURNED FROM 
His Tour,” ALSO A FIRST SKETCH OF A PLATE “DocToR SYNTAX READING 
His Tour.” . 

The other drawings include some unpublished pieces, and consist 
of views in England and Wales, humorous incidents, groups of odd 
characters, etc. Several of the subjects are somewhat similar in style 
to those in “The World in Miniature,” “Views of Cornwall,” ete.; others 

[Continued 


DSON 


HOMAS ROWLAN 
Ol 


de 
CHES FROM V 


INGS 


DRAW 


AL 


ME OF ORIGIN 


U 


4 


SKET 


i 


8 
1048 ] 


duced fac 


Re 


No 


[ 


Fifth Session, Thursday Evening, February 6th 
ee ee 


[No. 1048—Continued | 


are apparently originals of sketches appearing in Gambado’s “Academy 
for Grown Horsemen ;” Rowlandson’s “Cries of London;” “Loyal Volun- 
teers,” etc. A FEW ARE SIGNED, many are identified with pencil or ink 
inscription. Among others are the following,— 

Tue Gossips. Pen-and-ink sketch, in sepia, signed “Rowlandson.” 

QUAKER COURTSHIP. Sepia Drawing of a published caricature. 

SETTLING THE RECKONING. Sepia Drawing in red tints. 

ADMINISTERING AN OaTH. Watercolor sketch of two characters. 

THe Fippter. Watercolor sketch, with several figures. 

A Srac at Bay. Family scene, buxom wife attacking husband. 

LANDSCAPE. Houses, people and bridge. Watercolor. Signed “7. 

Rowlandson.” 

Boxers. Two figures. Watercolor. 

Yourus’ PILFERING AN OLD Lapy’s FRUIT Sranp. Fine watercolor. ° 

Paris DILIGENCE. Pen-and-ink drawing. 

SKETCHES ON YorK Race GROUND, 1801. Sepia drawing. 

A Carr Race. A curious India-ink drawing. 

NEAR CHELTENHAM. Sepia drawing. 

ENTRANCE TO CoNWAY CASTLE. Sepia drawing. 

NortH Coast oF CorNwaALyt. Watercolor sketch. 

PACKAMPTON PRIORY CASTLE AND PRIORY. Two watercolors. 

MicKEL Gate, YorK. Watercolor. 

LANDSCAPE WiTH Ficure. Fine pencil sketch. 

A Love Lerrer. Watercolor with three figures. 

AND OTHERS. 


[See Reproduction of two of the drawings | 


1049. RowLanpson (THOMAS). ORIGINAL WATERCOLOR DRAWING, NOT 


/o0. 


SIGNED. “The Brewer’s Dray.” Size, 6 by 9 inches. Mounted on 
heavy mat with loose-fitting cut-out mat, linen hinge. Attractively 
bound, with special pen-and-ink title page, in blue levant morocco, 
fillet border, lettered on front cover. Circa 1787 

This drawing represents a Brewer’s dray standing outside a Road- 
side Inn. The driver is unloading the dray and is carefully rolling 
a barrel towards the cellar entrance. The matron, standing at the 
door, is overseering the work. A number of men are eagerly going 
towards the Inn, and in the background a stage coach is fast disappear- 
ing; trees and another house in the distance. This drawing is different 
from the finished plate, published in 1787, and reproduced by Grego, 


Vol. I., page 218. 
From the Grego Collection, with pencil note on back. 


[See Reproduction | 


1050. Rownanpson (THOMAS). ORIGINAL WATERCOLOR DRAWING, SIGNED. 


16S, 


“Decorating the Bride.” Size, 8 by 1014 inches, with panelled bor- 
der. Hinged and with loose-fitting mat. Bound in full crimson 
polished morocco, gilt sides and edges, lettered on back and front 


cover. 

Scene in the Vestry of the Church; the bride seated at a table, whilst 
her maids are decorating her with flowers; the bridegroom, whose fair 
complexion and youthful face, in contrast to that of the bride, is handing 
her a rose. Signed,—‘*‘T. Rowlandson.” 

AN EXCEPTIONALLY FINE PIECE. 


[See Reproduction | 


Fifth Session, Thursday Evening, February 6th 


1051. Rownanpson (Tuomas). OrtcivaL WaTErcotor Drawine. Visitors 
3 to Westminster, the Verger showing three country-folk a monument, 
an one listening with his mouth open. Unsigned. Size, 13 by 10 

inches. Matted. ; 


1052. Rownanpson (Tuomas). Conorep Aquatint. Studious Gluttons. “7. 

Rowlandson delint.’ ‘“S. Alken fecit.’ London, Publish’d Oct 1788 

7 by S. Alken, No 3 Dufours Place, Broad Street, Soho. Size, 11 by 
GO . 1484 inches, with good margins, showing plate-mark. Matted. 


FINE ORIGINAL IMPRESSION, COLORED. 
A companion piece to “O Tempora, O Mores?” 


1053. Rowtanpson (THomAS). CoLoRED AQUATINT. The Chase. Un- 

signed. Pub Dec 1, 1791, by S W Fores, V 3 Piccadilly. Size, 8% 

,— by 1314 inches, with gray border. Bound in half blue morocco, let- 
YS , tered up back and on front cover. 


First STATE, IN coLorsS. Fringe copy. Unknown to Grego. 
The border of a forest, five hunters on horseback following a pack of 
hounds across the open field. : . 


1054. RowtaAnpson (THomas). Cotorep Aquatint. The Light Horse Vol- 

unteers or London: & Westminster, Commanded by Coll. Herries, 

2° CD Reviewed by His Majesty on Wimbledon Common, 5th July, 1798. . 

} - ©Rowlandson.’ Published July 1798 by Mr. H. Angelo. Size, 54%4 
by 714 inches. Matted. ; 


1055. Rownanpson (Tuomas). Cotorep Aquatints. The High Mettled 
Racer. Two companion pieces, unsigned. PRINTED IN COLORS, on 
brown paper. Mounted and bound in one vol. oblong 4to, half blue 

Yt morocco, lettered up back and on front cover, BY ROOT. 

ef [London, 1789] 


First STATE OF EACH PLATE. Only one of these plates appears to be 
known to Grego, who gives a plate with the above inscription, pub- 
lished July 20, 1789. 

In the first of the above plates the “Hier Merrriep Racer” is seen in 
all his glory at the finish of a race. The second plate pictures his death 
after having been used as a work-horse. 


1056. Rownanpson (THomas). Conorep Aquatints. Two companion 
pieces. Each signed,s—“Rowlandson 1800.” London, Pub. 1, May, 
1800, at R. Ackermann’s Repository of Arts, 101 Strand. Size of 
_ each, 534 by 8 inches, Mounted, with linen guard. Bound in one 
/ 25, vol. 4to, half blue morocco, lettered on front cover. 


Two FINELY COLORED SOCIAL CARICATURES, FIRST STATE OF EACH, As fol- 
lows,— 

Casu. An elderly gentleman of the appearance of the artist’s “Yr, 
Syntax,” is endeavoring to kiss a fair damsel, while handing 
her a coin; her Irish lover, with a cudgel appears from behind 
the trees. 

Bitts or Excuancr. Accompanied by her father, a fair damsel, is 

receiving, surreptitiously, a letter from her soldier lover, who has fol- 
lowed them. 


[6FOT ‘ON ] 
O[LWISoVF pPoonpory 
AVY SMAMANG GAL,,—DNIMVACL LOTOOUALV AA TVNIDIYO 
NOSGNVIMOUW SVNOHL 


sigue 


AGG Ache 


sais 


LLAMA NM LEAN RSENS 


< 


” Tes MASE aS 


etcetera a RR TERE 


Fifth Session, Thursday Evening, February 6th 


105%. Rowntanpson (THomas). CotoreD Proors BrrorE Lerrers. A 


bo 


Brewer’s Dray. Signed,—“Rowlandson, 1787.” Colored by hand. 
Size, 5 by 8 inches. Illustrated in Grego, Vol. I. page 213; An un- 
signed COLORED AQUATINT by Rowlandson, similar to the work of 
Alken. A thatched cottage; fair damsel in doorway, interviewed by 
a hunter on horseback, a group at corner, consisting of man and 
wife, cow and dog. Size, 7 by 914 inches. Each plate neatly hinged. 
Bound in one vol. oblong 4to, three-quarter red morocco, lettered 
on front cover. 


1058. RowLanpson (Tuomas). Cotorep Caricature. Money Lenders. Un- 


te 


signed. Pubd Novemr 8th 1784 by W. Humphrey No. 227 Strand. 
Size, 834 by 1234 inches. Side margins cut close. Pasted on mount. 
Enclosed in cloth folder, lettered on front cover, 


RARE ORIGINAL IMPRESSION, IN coLors. Portrait of three persons; a 
young spendthrift giving his deed or bond, while a miserly-looking Shy- 
lock examines the same; a prosperous Hebrew looks on. 

FROM THE GREGO COLLECTION. 


1059. Rownanpson (Tuomas). Cororep Caricatures. A Collection of 


70 


Hight FINELY coLorED folio Caricatures by Rowlandson. Each plate 
neatly hinged on separate mount. Bound in one vol. half red 
morocco, lettered on front cover. a London, 1785-1809 


A HIGHLY IMPORTANT AND MOST INTERESTING COLLECTION, ALL FIRST 
STATES, IN COLORS : Comprising,— 

Tru1s PLATE or BoTHERATION is Humbly Dedicated to the Gentlemen 
of the Barr, by their most Obidient humble Servant. Wm. 
Hinton. Aguatint. “7. Rowlandson delt.” ‘“S, Alken fect.” 
London Printed & Published Dec. 21 1785 by W. Hinton No. 5 
Sweetings Alley Royal Exchange. Five lawyers with powdered 
wigs are studying briefs, while the interested party sits tremb- 
ling in his chair. 

DRESSING FOR A MASQUERADE. “Rowlandson 1790.” Pub. April 1, 

1790 by S W Fores No 3 Piccadilly. One of Rowlandson’s finer 
pieces. A group of ladies in various stages of attire preparing 
for a masquerade. The plate has been slightly retouched. 

Sruas In A Saw-Prr. “Rowlandson, 1791.” Pub Oct 28 1791 by S W 
Fores No 8 Piccadilly. Two heroes, naval and military are en- 
deavouring to settle their differences by an appeal to arms, the 
combat takes place in the bottom of a saw-pit, pistols and broken 
swords are strewn about and the two principals are using 
hug blunderbusses, a workman has just made his appearance 
over the top of the wall. 

THe Bank. “Publish’d by T Rowlandson Strand Jany 1792.” Creased 
in two places. A crowd of people in the Hxchange. 

Enracep Vicar. “Rowlandson.” Pubd March 1st 1807 by T. Row- 
landson. A subject of wanton destruction. Munters are seen 
riding across the flower gardens of the Vicar; the latter in 
rage, standing by the parsonage, his church nearby. 

WitcHES IN A Hay Lorr. “Woodward Delin.” “Rowlandson Scul.” 
Published April 29, 1807 by Thos. Tegg No 111 Cheapside. Ap- 
parently a late impression. Grego gives date as 1813. Two 
witches with broomsticks, red cloaks, and steeple-crowned hats, | 

[ Continued 


Fifth Session, Thursday Evening, February 6th 


[ No. 1059—Continued | 


are seated at a cauldron, conjuring up hobgoblins and other 
weird monsters; a rustic who has ascended by a ladder is 
paralysed by the spectacle. 

I SMELL A Rat or a Rogue in Grain. éRowlintoon 1807.” Pubd May 
16, 1807 by R. Ackermann N 101 Strand. A rustic charmer has 
been entertaining a fashionable visitor in a granary, the latter 
on the approach of the female’s legitimate swain, seeks conceal- 
ment in a sack, ‘while the female is endeavoring to hold back 
her real lover from using his pitch-fork on the trespasser. 

O! You’RE A, DEviL, get along do. London Pub. April 29, 1809, by 
Reeve & Jones, No 7 Vere Street New Bond Street. Cut close, 
inside of plate-mark. For an interesting account of this carica- 
ture on the Clarke Scandal (Mrs. Mary Anne Clarke and the 
Duke of York), see Grego. Vol. 2, pages 135-161. 


1060. RowLanpson (THOMAS). CARICATURE OF AMERICAN INTEREST. The 
Loss of Eden,—And “Eden, Lost. Unsigned. London Printed & 
Published, 21 Dec, 1785 by W. Hinton No 5 Sweetings Alley Royat 

6 Hachange. Size, 834 by 12% inches. Inlaid and matted. 
, 


ORIGINAL IMPRESSION. 

This caricature gives the portraits of two would-be benefactors of 
their country, who the satirist depicts as not acting from purely dis- 
interested motives. General Arnold, dressed in uniform, and with sword 
drawn, while offering up an invocation to “Liberty.” Lord Auckland 
is the other figure. ; 


1061. RowLanpson (THoMAs). CoLorED CaricaTuRE. O Tempora, O 
Mores! “T’. Rowlandson delt.” “S,. Alken fect.” London, pubd 
Jany 1787 by S. Alken, No 3 Dufours Place, Broad Street, Soho. 
Size, 1014 by 14384 inches. Matted. 


. 
Y i FINE ORIGINAL IMPRESSION, AQUATINT IN COLORS. PXCEEDINGLY RARE. 
A companion piece to “STuDIOUS GLUTTONS.” 


1062. RowLaNnpson (THomMAS). CoLorED CaricaTuRE. The Pea Cart. “T. 

_  fowlinson” (sic). Pubd April 16 (1788), by 8. W. Pores No 50, 

/ &,  Prccadilly, corner of Sachville Street. Size, 634 by 944 inches. 
Matted. 


ORIGINAL IMPRESSION, COLORED. RARE. 
A cart, with driver calling his wares; his female companion, standing 
in the cart and giving out peas to several damsels standing behind. 


1063. RowLanpson (Tuomas). CoLorep Caricature. The Ambassadors 

Extraordinary Return, On Buls Without Horns. Unsigned. Pubd 

ay March 16th 1789 by 8S. Fores No 3 Piccadilly. Size, 7% by 2614 

A} °= inches. Hinged at centre, and bound in half blue morocco, lettered 
up back and on front cover. 


FIRST STATE OF THIS EARLY CARICATURE. A VERY FINE DOUBLE-SIZE 
CARICATURE. 

This plate caricatures the Prince of Wales, the Marquis of Lothian, 
Dr. Willis and other members of the deputation, who are shown riding 
on donkeys, and liberally provided with ““Regency Cakes.” 


LOGOT “ON ] 
d[LUISOBy PIoNpoy 
aad AHL SNILVAIOOId,,—_YNIMVA(T AOTOOMALV A, TVNIDIYO 
NOSGNVIMOUW SVNOHL 


i 
| 
i 
; 
| 


seronseincnitiie AAs 


sabe 0 tna 


abrir censsien sasisosnisso mitt 


nk Se aabiiptoce the ok 


x aetna ann ANY ty elawin ce 
meni hi eats 


sepia herbok re migunsaa at 
Shin wea ery 


Fifth Session, Thursday Evening, February 6th 


1064. Rowianpson (Tomas). CotorEp Caricatures. <A Collection of 
Eleven folio coLorED Caricatures by Rowlandson. Each plate neatly 
hinged on separate leaf. Bound in one vol. folio, half red morocco, 
lettered on front cover. London, 1791-1807 


AN IMPORTANT COLLECTION, ALL IN COLORS: Comprising.— 

A LiTtLte TicHtrer. “Rowlandson. 1791.” Publish’d by S W Fores 
No 30 Piccadilly May 18th 1791. The process of investing a lady 
with her new corsage, demands an enormous exertion on the 

Joy o part of the tailor who has brought them. 

/ ba a An AuvutrHuor & BOOKSELLER. “‘Rowlandson delin.” London, Pub. by 
Willm Holland No 50 Oxford Strt July 14, 1797. Not mentioned 
by Grego. Portraits of Dr. Johnson and a book-agent. 

“BEAUTY AND THE SAtTyrs.” Published June 4, 1798. Not mentioned 
by Grego. 

St. JAMES’S CourtsHip. “Rowlandson Delin & Sculp.” London Pub. 
April 10, 1799, by Re Ackermann, 101 Strand. A fair female 
sitting on the lap of an elderly man, who is at his tea-table. 

SyMPTOMS OF Sanctiry. ‘“Rowlandson fec. 1800.” Pub. Jany 20, 
1801, by S W Fores, No. 50 Piccadilly. The pious belief, amount- 
ing to fanaticism, of the conventual “Sister,” contrasted strongly 
with the impiety of the gross priest. 

Tuer Union Heap Dress!! Successively worn by many respectable 
citizens since the days of Noah. Unsigned. Pubd March 10th 
1801 by R. Ackermann, No. 101 Strand. A pair of busts, with 
fancy portraits of two highly caricatured individuals. 

Doctor GALLIPOT PLACING His FORTUNE AT THE FEET OF HIS MISTRESS, 
Thro’ Physie to the Dogs. ‘“‘Rowlandson.” Without publisher’s 
line. A brandy-faced empiric, dressed in the height of Frenchi- 
fied fashion, is laying the implements of his profession at the 
feet of a theatrical looking lady. 

BATTLE OF THE AMAZONS. “Rowlandson.” Two robust women in a 
street brawl, watched by their companions. 

RuM CHARACTERS IN A SHRUBBERY. “Rowlandson.” Four demireps 
of dissipated appearance are regaling themselves on Booth’s gin 
at a public bar. 

SMUGGLING OUT, or Starting for Gretna Green. “Rowlandson Delin.” 
“Schute Sculp.’ London Pub. Augt. 8, 1798 at Ackermann’s Gal- 
lery, 101 Strand. Grego gives date of this plate as “August 8, 
1810.” A gallant officer is assisting a pretty boarding-school miss 
to elope from a balcony window; a post-chaise is waiting. 

Murruy DELANEY. “Woodward del.” ‘Rowlandson sc.” Lond. Pub. 
June 15-1807, by T. Tegg, 111. Cheapside. This caricature is an 
illustration to the song, which is printed below. 


1065. RowLanpson (THomaAs). CoLorep Caricature. A Bawd on Her 
Last Legs. “TJ. Rowlandson, 1792.” Pub Oct 11792 by S W Fores 
zy No 3 Piccadilly. Size, 814 by 12 inches. Matted. 
4 


Later impression, in colors, from the original plate. 
A surgeon examinging the wound on the leg of an elderly corpulent 
female, while a younger woman holds a lighted candle. 


é 


1066. RowLanpson (THomaAs). Cotorep Caricature. Village Cavalry 
Practising in a Farm-Yard. “G. M. Woodward Invt.”. “T. Row- 
landson Sculpt.” Published, Decemr 18, 1794, by S. W. Fores, 3 


sale [ Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 1066—Continued | 
Piccadilly. Size, 8 by 2614 inches. Hinged at centre, and bound 
in half blue morocco, lettered up back and on front cover. 

ORIGINAL IMPRESSION, COLORED. VERY RARE. 

In 1794, the volunteer and militia movements in Hngland were pushed 
forward with enthusiasm, it being generally believed that the French 
might attempt a descent on the shores. The training of these new troops 
offered abundant material for the sallies of the satirists. In the present 
plate, Rowlandson burlesques the rustic cavalry of farmers and helpers, 
mounted on cart horses and armed with blunderbusses, flails, pitchforks, 
ete., who are horrifying their officer by executing an impromptu charge 
upon a peaceful farmyard, knocking down old ladies and scattering the 
poultry, ete. 


106%. Rownanpson (THomas). CotorEp CaricaTURE. A Magic Lantern. 
“Powlandson delin.” “Merke sculpt.’ London Pub. Jany 20, 1799 
by R. Ackermann 101 Strand, where a Great Variety of Transparen- 
i, cies & other fancy Prints are Publish’d datly. Size, 1% by 914 
inches, wide margins. Hinged to leaf, and enclosed in cloth folder, 
lettered on front cover. 
FINE IMPRESSION, COLORED. Unknown to Grego. 


1068. RowLanpson (THomas). CotorEp CARICATURE. An Artist Travel- 

ling in Wales. “Rowlandson delin.” “Merke sculp.” London Pubd 

. Feby 10 1799 at R. Ackermann’s 101 Strand. Size, 1014 by 13 

aa inches, with gray border. Printed on heavy paper. With linen 

te guard, bound in half blue morocco, lettered up back and on front 

cover, slight tear at top, neatly repaired. 

FINE COLORED IMPRESSION OF THE FIRST STATE OF THIS INTERESTING AQUA- 

TINT PLATE. Grego considers this to be a caricature portrait of Row- 

landson, burlesquing an experience of his while on a trip through Wales, 

in 1797, in company with his friend, Henry Wigstead. The artist, on 
horseback has just passed a family group, a storm is coming up. 


1069. Rownanpson (Tuomas). Cotorep Caricature. A Brace of Public 
Guardians. “Rowlandson delt & sculp.” London Pubd 10 July 1800 
by R. Ackermann at the Repository of Arts 101 Strand. Two en- 

e gravings on one sheet (size of each engraving, 13 by 914 inches), 
30 » hinged at centre with linen guard, and bound in half blue morocco, 

lettered up back and on front cover. Small tear at fold, repaired. 
London, Ackermann, 1800 

‘ FINE IMPRESSION, COLORED. Grego gives date as June 15, 1796. 

aa ' Whe sketch on the left, represents a Court of Justice, with the learned 
Judges and Lawyers. An agent of the defendant is surreptitiously 
dropping coins into the palm of one of the Jurors. z 

The engraving to the right represents a street scene at night; the 
form of a huge Watchman with lantern and night-stick, is seen passing 
down the street, unmindful of two burglars who are second-story workers, 
and two lovers in his watch-house. 


Fifth Session, Thursday Evening, February 6th 


1070. Rownanpson (Tuomas). Cotorep Caricature. Undertakers Regal- 


ing. “John Nixon Esqr. delin.” “Rowlandson sculp.” Pubd 15 
Jan. 1801 by R. Ackermann 101 Strand. Size, 1534 by 20% inches. 
Margins cut close. Backed with linen, folded and hinged at one 
side. Bound in half brown polished morocco, lettered up back and 
on front cover. 


FIRST STATE OF THIS RARE AQUATINT. 

“This large plate, which is designed with due appreciation of grim 
humor and tipsy jocularity, introduces the traditional relaxations of 
the funeral furnishers, whose jollifications are supposed to offer the 
most ghastly contrast to their sober professional duties . . . The members 
of the fraternity are applying themselves with hearty goodwill to the 
fluids, far on the road to becoming ‘glorious,’ while some of the party 
have already reached their congenial stage of ‘half seas over.’ . : 
Groups of gentlemen are seated at tables . . . The results of too indis- 
ecriminate indulgence are noticeable in the dangerous situation of those 
coaches which are attempting to ‘homeward wend their melancholy 
way,’ and are being overturned in their process by their tipsy drivers.”— 
Greco, in Rowlandson the Caricaturist. 


1071. Rowntanpson (THomaAs). Cotorep Caricatures. ‘T'wo Broadsides, 


each with colored caricature engraving by Rowlandson, and with 
printed text. Each inlaid and hinged at centre. Bound in one vol. 
4to, half blue morocco, lettered on front cover. 


Two IMPORTANT ROWLANDSON PLATES, EACH A FIRST STATE. The second 
plate retouched : Comprising,— 

THE Monstrous Craw; or a New Discovered Animal. “Woodward 
Del.” “Etch’d by Rowlandson.” Pubd March Ist 1802 by R. 
Ackermann No 101 Strand. A young dandy with large collar 
and cravat, with tight-fitting vest; in his right hand a large 
chapeau. In the text, the artist refers to the engraving “as a 
Hint to the Proprietors of ready-made Linen Warehouses.” 

SPECIAL PLEADERS IN THE COURT OF REQUESTS. “Rowlandson Scul.” 

1802 Published May 28th by T Williamson No 20 Strand. A 
Justice, with his legal library at hand, is sitting to investigate 
a delicate case. A working tailor, who is snapping his shears at 
his adversary, in the excitement of the cause, is the plaintiff. 
The defendant has brought a pair of nether garments into the 
court, as evidence. 


1072. Rownanpson (THomas). Caricature IN Sepia. All The Talents. 


/¢ 


“Polypus Designavil.” “Rowlandson sculp.” Pub April 18th 180% 
by J. J. Stockdale Pall Mall. Size, t¥g by 4% inches. Enclosed 
in cloth folder, lettered on front.’ 


ORIGINAL IMPRESSION. Reproduce in Grego. Vol. II. page 66. 

“The complex nature of the famous broadbottom Administration, known 
as ‘All the Talents,’ is set forth in an allegorical representation, which 
is supposed to include the several qualifications of the vaunted jlluminés. 
It may be remembered that this Ministry, which came into power under 
Liberal and popular auspices, retired on the rejection of their favourite 
measure Catholic Emancipation, which they were pledged to introduce. 
The King, and his friends, the remnant of the Pittites, made a desperate 
stand against this measure, and the consequence of its defeat was the 
immediate withdrawal of ‘All the talents,’ from office. As embodied by 

[ Continued 


Fifth Session, Thursday Evening, February 6th 


[No. 1072—Continued | 

Rowlandson’s pencil, the combination of heterogeneous elements produced 
a curious monster: the wig of a learned judge is worn on the head of a 
spectacled ape, with an episcopal mitre and a Catholic crozier; a lawyer’s 
bands, a laced coat, and ragged breeches ; wearing one shoe, and a French 
jackboot; and dancing upon a funeral pyre of papers, the results of the 
Administration, its endless negotiations with France, and its sinecures 
and patronages, which are blazing away. The creature’s right foot is 
discharging a musket, to represent the ‘Army’ which is producing certain 
mischief in the rear, and bringing two heavy folios, ‘Magna Charta’ and 
the ‘Coronation Oath’ upon the head of the dangerous animal. . . . The 
smoke from the pipe of this lusus Naturae, is obscuring the portrait of 
William Pitt. The end of ‘All the Talents’ who sacrificed their influence 
from conscientious motives, and whose upright principles were beyond 
suspicion was a great source of triumph to their opponents, who signalised 
their retirement with a volley of satirical effusions.”—GreEGo in Rowland- 
son the Caricaturist. 


1073. Rownanpson (THomas). Conorep CaricatuREs. A Collection of 
Eight FINELY COLORED folio Caricatures by Rowlandson. Hach plate 
neatly hinged to separate mount. Bound in one vol. oblong folio, 
half red morocco, lettered on front cover. : 

London, 1808-1812 


we A HIGHLY IMPORTANT COLLECTION, ALL IN COLORS: Comprising,— : 
by #7 $V Piwcron Hore. A Covent Garden Contrivance to Coop up the Gods. 
og “Rowlandson Del.’ Pub Febry 20th 1811 by Thos Tegg No 111 — 


Cheapside. Displays the miseries consequent on heat and crowd- 
ing in the Pigeon-Hole Gallery of John Kemble’s Newly con- 
structed Drury-Lane Theatre. 

CoMForTS oF AN IrtsH Fisuine Loper. “Etched by T. Rowlandson.” 
Pubd May 12th 1812 by H Humphrey No 27 St James’s Street. 
Not listed by Grego. Pat and his companion sitting on stools 
in a lodge’ which is knee-deep with water; ducks and pigs 
are in the water, a cat on the shelf. 

ENGLISH EXHIBITIONS IN Paris or French People Astonished at our 
improvement in the breed of Fat Cattle. “Rowlandson, 1812.” 
A stout Englishman and a group of French ladies and gentlemen, 
the latter enclosed in one jacket. 

A GuHost IN THE WINE CELLAR. “Rowlandson, 1812” Pubd July 14th 
1812, by T. Rowlandson No 1 James St. Adelphi. Second state 
of the plate, with date changed from 1800 to 1812. 

RECONCILIATION or the Return from Scotland, aqguaTintT. “Rowland- 
son fect.” Pubd Novwr. 22, 1793, by 8S. W. Fores No 3 Piccadilly. 
Second state. First published in 1785. A pair of fugitives 
returning to the family nest, like a brace of repentant turtle- 
doves. b 

BARTHOLOMEW Fair. “Rowlandson scul.” “John Nixon Hsqr. Del.” * 
Circa 1808. The fun of the Fair is represented in full swing, 
and the humors of the scenes displayed on all sides are seized 
and hit-off with the usual felicity of both artists. 

VOLUNTEER Wit or Not Enough for a Prime. “Woodward Del.” 
“Rowlandson scul.” [May 21, 1808]. A party of Volunteer officers 
gathered around the table of their entertainer, who it seems 
is a notorious screw. 

THE CoMFoRTS OF MATRIMONY a good Toast. AQuaATINT. “Rowland- 
son.’ Published by Reeve & Jones [April 21, 1809]. The pub- 
lisher’s line is partly obliterated, the plate is slightly soiled. A 
domestic scene of touching completeness; father, mother, three 
ehildren, dog and cat. 


Fifth Session, Thursday Evening, February 6th 


1074. Rowianpson (Tuomas). Cotorep Caricatures. A Collection of 
Caricatures from the “Caricature Magazine.” Vol. II. Together 
8 views on 6 sheets, small folio. Matted. 
4 yo [London: T. Tegg, 1808] 
a Comprises,— 
Comedy in the Country—Tragedy in London ; Y 
A Lump of Innocence: The Mothers Hope; A Glee; 


A Sleepy Congregation; Madame Very Restaurateur, Palais Royal, 
Paris. 


1075. RowLanpson (Tuomas). Conrorep Cartcatures. A Collection of Cari- 
catures from the “Caricature Magazine.” Vol. II. Together, 5 


sheets, oblong 4to. Matted. [London: T. Tegg, 1808] 
Comprises,— ; 
& A Bry or Fare For Bonp STREET Hpicures. 12 female figures on two 
: sheets. 


PracticaL Epucation. Six groups of two figures each. 

AWKWARD Squaps STUDYING THE GRACES. Six groups of two figures 
each, showing dancing positions. 

Ture Four SEASONS of Love.—Spring, Summer, Autumn, Winter. In 
four compartments. 


1076. Rowzanpson (Tuomas). Cozorep Caricatures, A Collection of 

Caricatures from the “Caricature Magazine.’ Vol. II. Together, 

8 pieces, oblong 4to. Matted. (London: T. Tegg, 1808] 
Comprises,— 

Tr Hopes oF THE Famity, or Miss Marrowfat at Home for the Holi- 


é days. 

L0 ) A Rippie Exrounbep or the Dignity of a Parson’s Horse. 
A MISTAKE AT New MarKET, or Sport and Piety. 
A Taste p’Hots, or French Ordinary in Paris. 
DISAPPOINTED EIPICURES. 
A Paropy ON MILTON. 
A VISIT TO THE DOCTOR. 
SETTING OUT FOR MARGATE. 


1077. Rownanpson (Tuomas). CoLorep CaricaTuREs. A Collection of six 
FINELY coLorED folio Caricatures by Rowlandson. ach plate 
neatly hinged on separate mount. Bound in one vol. folio, half red 
morocco, lettered on front cover. London, 1808-1814 


= a) AN IMPORTANT AND INTERESTING COLLECTION OF SOCIAL AND OTHER SUB- 
ly jects. ALL ORIGINAL IMPRESSIONS, IN COLORS, WITH GOOD MARGINS. Com- 
/ 7 prising, — 

A MuvusicaL Doctor & HIS SCHOLARS. Aquatint. “Rowlandson.” 
Published by Reeve & Jones No 7 Vere Sirt Novr. 1, 1808. Grego 
cites this plate as published in 1815?. The scene is laid in the 
Doctor’s study, with himself at the piano, and seven students 

singing. 

° Rum CHARACTERS IN A SHRUBBERY. Aquatint. ‘“Rowlandson.” Pub- 
lished by Reeve & Jones No 7 Vere Sirt Novr 1 1808. Four 
demireps of dissipated appearance are regaling themselves on 
Booth’s gin at a public bar, on Coronation Day. 

A SuccessruL FortuNE Hunter, or Captain Shelalee, leading Miss 
Marrowfat to the Temple’ of Hymen. “Rowlandson, 1812.” A 
[Continued 


Fifth Session, Thursday Evening, February 6th 


[ No. 1077—Continued] 
dashing Irish Adventurer is leading the person of a somewhat 
stumpy heiress, whose figure is loaded with jewellery. 
CRIMPING A QUAKER. “Rowlandson 1814.” [Published] by Thos 
T'egg (March 1, 1814]. Reproduced in Grego. Vol. II. page 277. 


: Three buxom females are attacking a Quaker in front of the 
“Cat and Bagpipes.” 
THE MorHers Hore. “Woodward Del.” “Rowlandson scul.” [Pub- 


lished] by Thos. Tegg No 111 Cheapside. Reproduced by Grego, 
Vol. II. page 87. <A wilful child dancing about in rage, scat- 
tering his playthings, the grandmother growing prophetic on the 
strength of this irreconcilable prodigy. 

QUARTER Day, or Clearing the Premisses Without Consulting Your 


Landlord. ‘“Rowlandson 1814.” A cart has been driven to the 


door of a house, the ladies of the establishment are heaping all 
the contents of the house indiscriminately into the conveyance. 


1078. RowLanpson (THomas). CoLorep Caricaturn. Dying for Love, or 

Captain Carless shot flying by a Girl of Fifteen who Unexpectedly 

Popped Her Head out of a Casement. “Rowlandson 1810.” Pubd 

Y May 10th 1810 by Thos. Tegg No 111 Cheapside. Size, 8% by 13 
é inches. Matted. 


Listed by Grego as “Kissing for Love,” etc. Two old women standing 
behind a pump, listening to the Captain’s conversation with the young 
female. Poe 


1079. RowLANDson (THomas). CoLorEp CaricaturE. Procession of the 
Cod Company from St. Giles’s to Billingsgate. “Rowlandson Del.” 
[ Published, September 8, 1810 by] Thos Tegg No 111 Cheapside. 

y, Size, 814 by 1234 inches. Matted. 


ORIGINAL IMPRESSION, COLORED, retouched. 


A view of old Billingsgate, overlooking the river, with the fish being 


landed from the smacks at the old covered jetty, since Swept away. A 
procession composed of corpulent old Irish women, all balancing their 
fish-baskets on their heads is making its way to the wharf. 


1080. RowLanpson (THomas). CotorEp Caricature. After Sweet Meat 
Comes Sour Sauce, Or Corporal Casey Got Into the Wrong Box. 
“Rowlandson Del.” [Published, November 30, 1810, by Thos. 

\y Tegg.] Size, 814 by 121% inches. Matted. | 
3 ‘ ORIGINAL IMPRESSION, COLORED. 
The corporal has incautiously been paying a visit to a fine damsel. 


The lady is snugly disposing her lover in a strong-box. An old “salt” 


bristling with indignation is looking in at the window. 


1081. RowLanpson (THomas). ConLorEp Caricaturn. A Midwife Going 
to a Labour. “Rowlandson Del.” [ Published, February 12, 1811, 
by Thos. Tegg.] Size, 12 by 834 inches. Matted. i 


Ys /; ORIGINAL IMPRESSION, IN COLORS. 
A very stout old nurse is hurrying off, summoned to her duties at an 
early hour in the morning, a lantern in her right hand, and brandy-bottle 
and bundle in her left. The night-watchman is dozing in his box, and a 
shivering chimney-sweeping lad is crouching along to his early toil. 


Fifth Session, Thursday Evenng, February 6th 


1082. RowLanpson (THomas). CoLoRED CARICATURE, Bacon Faced Fel- 
lows of Brazen Nose, Broke Loose. “Rowlandson, Del.” Pubd by 
Thos. Tegg No 111 Cheapside [March, 1811]. Size, 834 by 1234 
inches. Matted. 
‘¢ ORIGINAL IMPRESSION, COLORED. 
al Introduces various learned members of the Universities. The Fellows 
wr of “Brasenose” are drawn, with unusual unction, issuing from their Hall 
and through the archways of the Colleges, dressed in their academic 
guise, the diversified peculiarities and attitudes are full of comicality. 
A buxom wench, with a basket of fruit, and accompanied by the Vice- 
Chancellor, is the centre of attraction. 


1083. RowLanpson (THomAS). COLORED CARICATURE. A Sale of English- 

Beauties in the East Indies. Unsigned. Pubd May 10th 1811 by 
Thos. Tegg No 111 Cheapside. Size, 834 ‘by 13 inches. Matted. 

Sv ORIGINAL IMPRESSION, COLORED. 

Etched by Rowlandson after Gillray. 

Pas A scene at an oriental port upon the arrival of a ship-load of Hnglish 
beauties, who are being subjected to a close scrutiny by the Rajahs and 
Nabobs; an auctioneer is in the left foreground. 


1084. Rowntanpson (THOMAS). COLORED CGartcaturE. Catching an. Hle- 
phant. “Rowlandson Del.” [London, published March 1, 1812 | 
cy) by Thos Tegg No 111 Cheapside. Size, 12 by 8%4 inches. Matted. 
4 Pe. ORIGINAL IMPRESSION, COLORED. 

Two attractive and winsome damsels, standing outside of a portal 
labelled “Warm Baths,” have just succeeded in capturing a man, whose 
bulk should fairly entitle him to take his place amongst elephantine 
monsters. 


1085. Rowianpson (THomas). CoLoRED CARICATURE. Sea Stories. “Row- 
landson Del.” [Published, March 26, 1812] by Thos Tegg No 111 
W) Cheapside. Size, 1234 by 9% inches. Matted. Side margins cut 
G gus close. 
ORIGINAL IMPRESSION, COLORED. . 
A bevy of females consisting of a negress and other beauties from the 
purlieus of the port, are sportively accosted by a dapper young mid- 
shipman who has been sent ashore to procure supplies for his ship, which 
is lying off. 
A companion picture to “LAND Stores” [No. 1092 in this catalogue]. 


1086. Rowianpson (Tuomas). COoLORED CARICATURE. A Tailors Wedding. 
ae “Powlandson Del. 1814.” Pubd Feby 20 1814 by Thos Tegg No 
QSO 111 Cheapside. Size, 1214 by 9 inches. Inlaid and matted. 
wad ORIGINAL IMPRESSION, COLORED. 
Dancing scene; several couples dancing, old man playing the fiddle. 
108%. RowLanpson (THOMAS). COLORED CARICATURE. Portsmouth Point. 
“Powlandson Del.” [Published by T. Tegg. 1814] Size, 9 by 13 
inches. Matted. 


f a+ ORIGINAL IMPRESSION, COLORED. 
¥ The varied humours of Portsmouth are displayed with the ecaricatur- 
: ist’s native vigor. The landing-place is bustling with business; small 
craft of all sorts are pulling off to the ships; luggage, spirit-casks and 
packages are being wheeled or shouldered off for embarkation; a com- 
mander, his lady and a porter are in the centre of the crowd. 


Fifth Session, Thursday Evening, February 6th 


1088. RowLANDSON (THOMAS). CoLOoRED Caricature. My Wife! “Des. & 


a | 


Etched by Rowlandson.” London Pub. Nov. 16, 1815, by J. Side- 
botham, 96 Strand. Size, 84 by 121% inches. Matted. 


Contains six sketches illustrative of domestic scenes in the life of an 
unfaithful wife. The text beneath each, is in verse, written by J. 
Yedis. 


1089. RowLaNnpson (THomMAs). CoLorED CaricaTURE. “Boy Bringing 


Round a Citizen’s Curricle.” “Drawn & Htch’d Dec. 15th by T. 
Rowlandson.” Pubd by T. Harris, 178%. Size, 5 by 8 inches; 
[|Atso| A. N. 8., by Thomas Rowlandson, lp. 12mo, August 10, 
1818, Receipt to Mr. Sothbey, for the sum of “Ninety six pounds, 
eleven shillings and sixpence, the balance of account of the sale of 
Prints, Drawings,” etc. The two pieces mounted as one, and 
matted. 


1090. RowLanpson (THomAS). Cotorep Caricature. Doncaster Fair or 


o> 


1091. RowLanpson (THomas). Cotorep Caricatures. A Collection of 5 


the Industrious Yorkshirebites. “Designed etched and Publish'd by 
T. Rowlandson No. 1 James St. Adelphi |1818?| Size, 834 by 13 
inches. Matted. 


The principal figure in the foreground is the buxom but hardly gentle 
keeperess of a “knock-em-down” stand. She is demanding her fee 
from a smock-clad yokel. The bustle of a country fair is set forth in the 
background. 


COLORED Caricatures by Thomas Rowlandson. JHach plate neatly 

hinged. Bound in one vol. oblong 4to, three-quarter red morocco, 

lettered on front cover. London, 1819-1820 
Comprising the following,— 

PFASTERLY WINDS, or Scudding Under Bare Poles. “Rowlandson Del.” 
[Published by Tegg, May 10, 1810]. One of the landing stairs 
on the river; a gale is blowing, watermen are pulling a skiff 
to the stairs, a Parson with three fair companions in the boat, 
other figures on the stairs. 

A Do.eruL Disaster, or Miss Fubby Fatarmin’s Wig Caught Fire. 
“Rowlandson Del.’ [Published] by Thos. Tegg No 111 Cheap- 
side [September 20, 1813]. A stout lady is in all the consterna- 
tion of a blazing head of hair, the whole of her household are 
making a desperate rush on the scene, the footman has dragged 
the tablecloth from beneath the tea equipage, which has fallen 


to destruction, and is endeavoring to envelope the headdress of 


his mistress. 

RvuRAL Sports, or an Old Mole Catcher in Full Scent. Unsigned. 
“Dr. Syntax” on a horse, approaching a fair damsel under a 
tree. 

THE PEA Cart. “T’. Rowlinsin.” (sic). Pubd. Apri 16) by Ss. Wy; 
Fores. 


SymMpaTuy, or a Family on a Journey Laying the Dust. “Designed 


and Etch’d by T, Rowlandson.” Published by W. Humphrey. 
Late impression. 

Tue Norwicu Burtt Feast or Glory and Gluttony. Unsigned. Pubd 
November 22, 1819 by Thos. Tegg No 111 Cheapside. Norwich is 
the scene of this disorderly revelry, occasioned by the news of 
the success gained by the Allies over Napoleon and his forces. 
A huge bullock has been roasted in the marketplace, and the 
eareass is being cut up and distributed to a large crowd. 


Fifth Session, Thursday Evening, February 6th 


1092. RowLanpson (THomaAs). CoLorep Caricature. Land Stores. “Row- 
landson Del.” [| Published, March 12] by Thos Tegg No 111 Cheap- 
side. Size, 1214 by 9 inches. Matted. 


b ORIGINAL IMPRESSION, COLORED. 
A dark beauty of colossal proportions, is embraced by an officer whose 
figure is dwarfed by comparison with the monster negress. 
A companion to “Sea Stories” [No. 1085 in this catalogue]. 


1093. RowLanpson (THomMAS). CoLorED Caricature. Polygamy. “De- 
signed by T. Rowlandson.” “Engraved by HL. Williams.” Size, 1184 
by 1214 inches. Pasted to mount, with loose fitting mat. Enclosed 

, in cloth folder, lettered on front cover. 

FIRST IMPRESSION, COLORED. 

A RARE STIPPLE ENGRAVING, UNKNOWN TO GREGO, 

A prosperous looking gentleman, between two angry females of different 
walks in life, one with a child, and both reproving’him in their anger 
at his ineconstancy. 

FINELY EXECUTED LATE 18th CENTURY ENGRAVING. ‘The margins are cut 
within the plate-mark. 


< 


1094. RowLanpson (THOMAS). CoLorRED CaricaTuRE. Private Drilling. 
“Rowlandson Del.’ “Schutz Sculp.” Size, 514 by 7 inches. Matted. 
Y é Three soldiers,—officer, drummer’s boy and private, the latter on 
guard by a table, at which are seated a mother and daughter, at tea. 
1095. Sata (GrorcE A.). Grand Procession against Papal agression to pre- 
sent the Address and obtain redress in order that we may hear less 
~ of his Holiness. A series of 24 scenes on a long folded panoramic 
} /’ plate, ALL IN coors, by George A. Sala. Square 24mo, original 
boards, with illustrated label on front cover, which serves as the 
title-page. 
London: Published by the Society for the confusion of Papist 
knowledge, 1850 
First Epirion. Most of the figures are portraits, including many of 
prominence. 
1096. Sanpys (WittIam). Christmastide; its History, Festivities and Carols. 
With nine full-page plates, FINELY COLORED, also numerous vignettes, 
~ uncolored, in the text. 8vo, full polished calf, gilt, gilt top, By Root. 
, London, circa 1845 


First Epittion. A beautiful volume, the coloring of the plates executed 
in the best manner. 


1097. Scorr (Str Wattser,—and others). The Keepsake. 1829 and 1833. 
- wp Wath steel engravings. 2 vols. 12mo, half roan, rubbed. 
23 London, 1829—1833 
¥ The volume for 1829 contains original contributions by Scott, Shelley 
and others. 
1098. Szymour (Ropert) Inuustrations. Frolic and Fashion. A sertes of 
6 plates, on which are 48 scenes, representing the “Search after the 
- Comfortable,’ “Rural Retirement,’ “Arts and Sciences,’ “Travel- 
US * ling,’ “Courtship,’ stu IN coLors, each designed and etched by 
Robert Seymour. Oblong 4to, half green morocco, gilt top, slight 
thumb marks on several places. London: Thomas M’Lean, 1829 


First Epitrron of this highly amusing series. 


Fifth Session, Thursday Evening, February 6th 


1099. Seymour (Rozsert) Ittusrrations. The March of Intellect: Fashion- 
able, Mechanical, Philosophical, Philanthropical, Professional, Po- 


0; 0 litical. A series of 6 plates, on which are 32 scenes, ALL IN COLORS, — 
} 


by Robert Seymour. Oblong 4to, ORIGINAL PRINTED WRAPPERS, New 
cloth back, enclosed in cloth portfolio, lettered and with ties. 
: London: Thomas M’Lean, 1829 


First Epitron of this amusing work. The plates rich in impression. 


1100. Seymour (Rosert) Intusrrations. The Heiress: A-Farce. A sertes 
of 6 plates, on which are 32 scenes, ALL IN COLORS, designed and 

U7 $0 etched by Robert Seymour. Oblong 4to, half roan, original wrappers 
: preserved. London: Thomas M’Lean, 1830 


First HpIrion. The plates particularly rich in impression. 


1101. Szymour (Ropert) Intustrrations. The Schoolmaster Abroad. By 
One of the Old School. A series of 10 plates, including the title, 

oC ALL RICHLY COLORED, by Robert Seymour. Oblong 4to, full polished 
' ealf, gilt top, the top cover of the original wrapper bound in at the 

end. | London: Thomas M’Lean, 1834 


First Eprrron and one of the rarest of Seymour’s works. 


1102. Srymour (Ropert) Innusrrations. Hervey (Thomas K.). The Book 
of Christmas. With 36 full-page engravings, by Robert Seymour, 
ALL FINELY COLORED BY HAND (ata later date). 12mo, full crimson 
10 -  erushed levant morocco, gilt, gilt edges, BY RIVIERE. 
London, 1836 


Beautiful copy of the First Epirion, the illustrations appropriately _ 


colored. 


1103. Srymour (Ropert) IntustratTions. New Readings of Old Authors. 
Containing 260 FINELY COLORED HUMOROUS PLATES, by Robert Sey- 
mour. 26 vols. 16mo, full polished red calf, gilt tops, the original 
front covers preserved, which act as title pages, BY ROOT. 

/ . London: Charles Tilt (and others), circa 1836 

CoMPLETE SET OF THE ORIGINAL ISSUE. Hach volume different, the list 
being as follows: i 


Romeo & Juliet Hamlet 

The Giaour Macbeth 

King Richard III Merchant of Venice 
Othello Julius Caesar 

The Tempest King John 

King Henry VIII King Lear 
Coriolanus As you like it 
Midsummer Nights dream. Taming of the Shrew 
Henry IV, Part I. King Henry IV. Part II 
Antony & Cleopatra Pericles 

Titus Andronicus Troilus and Cressida 
King Richard II Cymbeline 

Henry V Love’s labour lost. 


TIE SET COMES FROM THE COLLECTION OF Epwarp TRUMAN, FOR WHOM IT 
IS THOUGHT THAT GEORGE CRUIKSHANK COLORED THE PLATES. 


Fifth Session, Thursday Evening, February 6th 


1104. Srymour (Roperr) Intustrations. The Squib. Annual of Poetry, 
Politics, and Personalities for MDCCCXXXVI. With 12 designs 
Y, by R. Seymour. 16mo, half crimson levant morocco, gilt, gilt edges, 
* BY RIVIERE. London, 1836 
First EDITION. 


1105. Szrymour (Rosert) Intustrations. Seymour’s Humourous Sketches. 
Comprising 86 caricature etchings (by Robert Seymour). Illustrated 

42 ©D in prose and verse, by Alfred Crowquill (A. H. Forrester). 2 vols. 
- vo, three-quarter light green crushed levant morocco, gilt, gilt edges, 

BY ROOT. London, 1843 


1106. Seymour (Rozert) Itnusrrations. Snobson’s Seasons: being Annals 

of Cockney Sports. [London particular.] By R. B. Peake. With 

} e 92 illustrations by Robert Seymour. 8vo, three-quarter light green 
©.» crushed levant morocco, gilt, gilt edges, BY ROOT. 

; London: M. A. Nattali, undated 


110%. Smeprzy (Frank E.). The Works of Smedley. Illustrated by George 
Cruikshank and H. K. Browne. All First Epirions, as follows,— 
I.—Frank Fairlegh; or, Scenes from the Life of a Private Pupil. 
First Eprrion [without date on title]. With 30 adlustrations on 


be steel by George Cruikshank. [1850 | 
> Il.—Lewis Arundel; or, The Railroad of Life. First Eprrion. 
Full-page etchings and other illustrations by “Phiz.” 1852 
11I.—Harry Coverdale’s Courtship, and All That Came of It. FIRST 
Eprtion. Full-page etchings by “Phiz.” [1854 | 


Together, 3 vols. 8vo, full green levant morocco, gilt backs, heavy 
bands, sides with six-line gilt border, the corners interlocked with 
loops, wide inside levant border with gilt lines, gilt tops, uncut, 
inclosed in cloth solander case with green levant morocco front, 
lettered in gilt, and resembling three separate volumes, BY SANGOR- 
SKI AND SUTCLIFFE. London [1850], 1852 and [1854] 


AN EXCEEDINGLY BEAUTIFUL AND DESIRABLE SET. 
From the library of Charles Cooper Townsend, with his bookplate. 


1108. Smrrux (Aupert). Comic Tales and Sketches. Illustrated. 12mo, 


| original green boards, lacks back. London, 1852 
b, First EpIvion. | jade 
1109. Sonas. Comic Songs: A Collection of Originals . . . by J. T. Ramsay. 


Contents: Biddy the Second, Irish Lecture on the History of Eng- 
land, etc. With folding frontispiece in colors. 16mo, half blue 
calf, original wrappers preserved. London, circa 1825 


fore. 


1110. Sones. Bob Keeley’s Cabinet of Fun: a famous collection of Fun, 
Flash, & Facetia . . . comprising all the Rum Goes, Comical Capers, 
Out-of-the-way Oddities of this popular Comedian . . . best popular 

4» Comic Songs. With the serves of 4 FINELY COLORED folding plates. 
Lv» 24mo, half calf, rubbed. London: John Duncombe, circa 1828 
Seldom found complete with all the folding plates in color, as above. 


Fifth Session, Thursday Evening, February 6th 


1111. Sones or Srincuuariry; or, Lays of the Eccentric. By The London 
7 Hermit. With 50 illustrations by the author and others. 12mo, 
is O ~ original cloth, gilt edges. London [1874] 

First Epirion. A companion volume to “Bab Ballads,’ both in con- 
tents and binding. 


1112. Terriric REeGIsTER (THE): or, Record of Crimes, Judgments, Provi- 
dences, and Calamities. Illustrated. 2 vols. thick 8vo, full calf, 

y SV somewhat rubbed, and stamp on one page. Not returnable. 
° London, 1825 


1113. [THorntTon (ALFRED).| The Post Captain; or, Adventures of a True 
British Tar. By A Naval Officer. With 24 full-page plates IN 

» p= coor, by Mr. Williams. 8vo, full polished calf, gilt, gilt edges, By 
YO ~ woop. London, 1817 


First Hpition. Large and fine copy, containing the rare leaf, “A Guide 
to the Binder, with respect to the plates.” 

It is dedicated, “Jo The British Navy, at once the Ornament and 
Defence of the United Kingdom, whose power gives protection to com- 
merce, permanence to Hmpire.” 


1114. THornTon (ALFreD). Don Juan (Volume the First) ; with the Con- 


tinuation (Volume the Second); Containing his Life in London; 


‘”,._ or, a True Picture of the British Metropolis. With 31 FINELY COL- 


rf ra’ 
hd . 
(UG ORED PLATES. First Epirion. 2 vols. 8vo, full crimson crushed © 


levant morocco, backs and sides richly gold tooled, gilt tops, BY RooT. 
London, 1821-1822 

LARGE AND FINE COPY OF THIS RARE AND CURIOUS WORK. 

Although the plates are unsigned, they are considered by experts to 
be by C. Williams who did a number of books of this character at this 
period, and who illustrated another of Alfred Thornton’s Books, “The 
Adventures of a Post Captain.” : 

This entertaining work is a curious specimen of book-making. It was 
published in parts, and as far as the middle of Volume I. was founded 
upon a very free paraphrase of Byron’s Poem, of which but five cantos 
had then appeared. About this time, “Life in London” leaped into 


popularity. Its success was so phenomenal that it was sufficient for 


the Author of “Don Juan,” and straightway, “Don Juan’ was pressed 
into rivalry with “Tom and Jerry.” 


1115. Water Cure (THE). A series of 12 subjects (all of which are colored 
eae by hand at a later date) depicting in a highly humorous manner 
29 — scenes connected with “The Water Cure.” Oblong 12mo, original 

* cloth, binding rubbed. London [1869-1870] 


1116. [Wuirrt (CHarues).| Almack’s: A Novel. 3 vols. 12mo, full maroon 
_ straight-grained morocco, gilt, gilt tops, uncut. . 
London: Saunders and Otley, 1826 


QO. EXTRA-ILLUSTRATED by the insertion of a number of double-page con- 
j temporary plates IN coLor (touched up by hand at a later date?), all 
of which are in the manner of George Cruikshank. 


This entertaing novel was written by an English officer who served 


under Wellington in the Peninsula War, and was the author of other 
romances, including the popular “Arthur Beverly.” 


ra ihe 
aye Vs ‘< 
eas a wel ee 


Fifth Session, Thursday Evening, February 6th 


. 


111%. Witp, tHe Turer-Taxer. The Life and Death of Jonathan Wild, the 
celebrated Thief-Taker : containing a complete history of this Notori- 
ous Character. With folding frontispiece IN CoLoRS. 12mo, original 


6 wrappers, uncut. London: T. & J. Allman, 1829 
The plate, although unsigned, is spirited and in the manner of George 
Cruikshank. 


1118. Woopwarp Caricatures. Symptoms of the Shop. The COMPLETE SET 

of 12 caricatures, in brown, drawn by G. Woodward, etched by F. 
re Sansom. Small 4to, full polished calf, gilt top. 
Z 4 : London: 8. W. Fores, 1801 


It is seldom that complete sets of this series are offered for sale. 
Most of the impressions are goed, a few however are not so strong. 


1119. Woopwarp Cotorep Puarss. Pigmy Revels; or, All alive at Lilliput. 
A series of 8 DOUBLE-PAGE PLATES IN COLOR, on which are repre- 
sented almost 200 figures, by G. M. Woodward. Small folio, half 

3 ay morocco. Some plates cut close, slight repair on one. 

London S W Fores, 1801 


First Epirion. The impression of a majority of the plates are very 
good 
S . 


1120. Woopwarp CotorEp Piarzs. The Musical Mania for the Year 1802 
: dedicated to Mrs. Billington. With 6 caricatures in color 

20 (hand-colored at a later date and inscriptions cut into) by G. M. 
: Woodward, also vignette woodcut on title-page. London, 1802; | 
[Atso] The Scum Uppermost . . . accompanied with an Admoni- 

tory Nod to a Blind Horse. With 3 engraved plates, unsigned. 

London, 1802; [Atso] An Heroic Epistle to Mr. Winsor, the pat- 

entee of the Hydro-Carbonic Gas Lights and Founder of the Na- 

tional Light and Heat Company. By T. Sayers. London, 1808; 

[Aso] The Royal Sprain; An Ode. By Humphrey Hedgehog. Lon- 

don, 1812. Piece cut from margin of title. The whole bound to- 

gether, small 4to, half brown morocco. London, 1802-1812 


4121. Woopwarp OrternaL Drawine. “The Compliments of the Season.” 

ORIGINAL PENCIL DRAWING, signed in ink, “Woodward delin;” to- 

gether with the FIRST STATE OF THE COLORED PLATE, which represents 

A! Catarrhe! Gout! and Rheumatism! attacking a man. Both items 

’ matted, the colored plate inlaid on drawing paper, the whole bound 

in a small folio, blue morocco, gilt panels on sides, broad dentelle 
borders. 

FINE SPECIMEN OF A WOODWARD ORIGINAL DRAWING. The drawing in 
addition to being signed by the artist is dated, “Jany. 1800” (in pencil). 
This date, which is thought to be in the autograph of the artist, indicates 
that the drawing was executed nine years before the print, which is dated 
Jany. 27th, 1809. 


1122, Woowwarp PratEs IN Coe Woodward (G. M.). A 


/60 - 


1123. WoopwarpD PiatTEes in Cotor. Symptoms of the Shop. : 


20, 


ahegaee 


“THOMAS E. KIRBY, 


sions; or, Literary and Pictorial Sketches of Counten 
and Country, i in different parts of England and Wale: 
with Curious Anecdotes. Wath 100 ihe IN COLOR 


First Tria Large and fs copy, almost uncut. A um 
plates are dated 1797. The plates are rich in impression, many 
Satirize the life and times of the English and Welsh inhabitants 
time, both in town and country. They all were engraved by Isaac C1 
shank, the father of George. 

Woodward, an associate of Rowlandson and Tenney Cruiks 
popular and prolific designer of caricatures much in the mar 
Bunbury, but with a fecundity of humor not possessed by that 
Some of Woodward’s contemporaries looked upon him as almos 
Hogarth, which, however, he never could have become for sever 
among them being his lack of knowledge of drawing and 
of low companions with their concomitants of whiskey, | 


Small folio, half red ee Bie eames MOrocco. eae 
London: B.. 


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